4 512 résultats
In-16 Carré. Photographies. Couverture de F. Buscher.
In-8. Carré. Nombreuses photographies. Illustrations.
[20] S. 8°. OU. Foto. Avec Gaston Poulet, Maurice Jaubert, Johan de Meester u.a. Ohne Datum.
Very Good French Original journals. Folio. (32 x 25 cm). In French. 3 issues: (4 p.; 4 p.; 8 p.). Ahmet Riza Bey was an Ottoman-born Turkish political activist, scientist, statesman, educational reformer and a prominent member of the Young Turks, during the Second Constitutional Era of the Ottoman Empire. In 1908 he became the first President of the revived Chamber of Deputies, the lower house of the Ottoman Parliament, and in 1912, he was appointed as the President of the Senate (the upper house) as well. He also served as Minister of Education from the Liberal Union party, the main opposition party to the ruling Committee of Union and Progress. In 1908, his name was among the candidates' list for the next Grand Vizier. He was the leading negotiator during the failed agreement of coalition between the Ottoman Empire, France, and Britain for World War I. Ahmet Riza has been described as a polymath by some authors. He was born in Istanbul in 1858, the son of Ali Riza Bey. His father was nicknamed Ingiliz ("Englishman") because of his command of the English language and admiration of the British Empire. His mother, Fraulein Turban, was born in Munich but was of Hungarian origin. She moved to Vienna, where she met Ingiliz, and converted to Islam to marry him, taking the name Naile Sabika Hanim. He graduated from Galatasaray High School in Istanbul and subsequently studied agriculture in France. As a young man, he sought to improve the condition of the peasantry in the Empire. He was concerned with the conditions of the farmers and wanted to implement agricultural methods, supporting the ideas of the French sociologist, Auguste Comte. In 1894, he published a series of publications on unification of Islamic and Ottoman traditions of consultation. In 1895, Mesveret (Meshveret, or, Mechveret), the journal that he published, became a locus of the exiled Young Turks movement. Ahmet Riza opposed the maverick Prince Sabahaddin's calls for revolution and European intervention in the empire at the 1902 Congress of Ottoman Opposition in Paris. According to a customized book in 1889, on the pretext of participating in the exhibition organized for the centenary of the French Revolution, there was a customized letter, which indicated he escaped to Paris and did not return. He became an interpreter as he learned French. At the University of Paris, he continued his lectures on positivism, taught by mathematician Pierre Laffitte, as he was influenced by Laffitte's thoughts about Islam and Eastern civilization in particular. Laffitte believed that Islam was the most advanced religion, so it was easy for Muslims to pass through positivism. Ahmet Riza became one of the most active members of the Société Positiviste (Positivist Society), and since 1905 he has appeared as a "representative of Muslim communities" in the Comité Positif Occidental, establishing the spread of positivist international platitudes. During his first years in Paris, he attempted to respond to various newspapers and magazines, which were writing unfavourably about the Ottoman Empire. In 1891, he wrote a letter to the postal and telegraph chronicle in Istanbul as he did not obey the instructions of the center of Paris to return to his country due to his use of the expression "liberty" in a lecture on Ottoman women and stated that he did not belong to any secret cemetery. Ahmet Riza sent his thoughts to Sultan Abdul Hamid II in 1893. He continued to send sheets upon the request of his encouraging response and continuation; he tried to convince him that the constitutional regime was not a bad thing. In the case of sending the sixth party, he began to write political writings in French, which was published by the former Syrian deputy Halil Ganem. (Source: Wikipedia).
Paris, s.e., 1931; in-8, 68 pp., broché. Envoi de l'auteur à Louis Sadoul. Bon état.
60 engravings and plans; B&W Illustrations; 16mo 6" - 7" tall; 125 pages
313pp., 22cm., in the series "La filosofia e il suo passato" vol.27, softcover, VG
P., Editions Acheco, 1954, - In-8, br., 72 pp. - Sans le disque 45 tours. - Très propre
Par le Capitaine Mayne-reid, traduit de l'anglais avec l'autorisation de l'auteur par Mme Henriette Loreau, et illustré de 12 grandes vignettes, 1 vol. in-12 reliure demi-chagrin noir, dos à 4 nerfs orné, fers de prix du collège Sainte-Barbe au premier plat, Librairie de L. Hachette et Cie, Paris, 1866, 367 pp. Bon exemplaire en très bon état, orné du beau fer original du collège Sainte-Barbe, à Paris (avec l'étiquette de distribution des prix, ornée d'un lapin en couleurs, datée de 1868, et signée du Directeur) Français
PARIS, Le Breton de Paris - 1916 -In-12 - broché - bandeaux, Culs-de-lampe & illustrations en texte - 101 pages Envoi : "A poète Anatole LE BRAZ, qui se trouvera souventes fois cité dans ce petit livre de guerre où transparaît toujours la douce image de "la duchesse".
Broché. 126 pages.
in-8°, 191 pp., photographies en noir, broche, couverture illustree. Excellent etat. [CA28-7]
A clean, unmarked book with a tight binding. Bluecover with pasted-down illustration. 9"w x 7 3/4"h. 256 pages.
Cartonn?. 32 pages.
2e série, deuxième édition, 1 vol. in-12 reliure demi-basane rouge, cuir guilloché, Librairie Fischbacher, Paris, s.d. [ circa 1912 ], 318 pp. Bon état (dos lég. frotté) pour cet ouvrage du célèbre pasteur et théologie protestant, et père de l'explorateur Théodore Monod. Français
A UNIQUE SET OF THIS RARE AND WONDERFUL FIN-DE-SIECLE PORTFOLIO OF LITHOGRAPHIC SKETCHES DEPICTING PARIS AND SOME OF ITS ELEGANT (mostly female) RESIDENTS. **** Eight large lithographs, printed on fine laid paper, in the original lithographed portfolio case with BÈjot's manuscript signature and limitation statement on the front cover (the case is illustrated with two additional lithographs, for a total of ten). From a total edition of 60 numbered sets, this is COPY NUMBER ONE, BEJOT'S OWN COPY, IN WHICH EACH OF THE LITHOGRAPHS IS SIGNED AND DATED IN PENCIL BY THE ARTIST AND STAMPED WITH HIS SMALL MONOGRAM STAMP (in other sets, the lithographs are stamped but not signed or dated). Laran 422-430 + 422bis. BÈjot was known mainly for his precise and detailed etchings; his lithographs are more impressionistic and modern. His entire lithographic oeuvre comprises 15 works, of which this portfolio includes 10. Large folio. Each lithograph measures 50.5 x 41 cm (20 x 16 inches). The lithographs are FINE AND BRIGHT, in absolutely perfect condition. The silk ties of the portfolio case are damaged. Otherwise the case is surprisingly fresh, in excellent condition. UNIQUE AND IMPORTANT.