Photo Keystone (Paris).Biblio.com
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63-9001Paris: Photo Keystone 1969. B&W Photograph 12.5 x 18 cm. Very Good. En Francais. Paris: Photo Keystone, 1969. unknown
63-9047Paris: Photo Keystone 1972. B&W Photograph 21 x 16 cm. Very Good. En Francais. Paris: Photo Keystone, 1972. unknown
63-8973Paris: Photo Keystone 1972. B&W Photograph 16.5 x 21.5 cm. Very Good. En Francais. Paris: Photo Keystone, 1972. unknown
188363191<p>steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' <em>Picturesque Album of a Voyage Around the World Executed by Order of the French Government.</em> Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris.</p><p>The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill book only</p> Admiral Paris (Imprimerie de Ch. Noblet), Paris.
1334897778.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0656770074.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
193128388<p>London:: George G. Harrap & Company 1931. First Printing of the First UK Edition. A Very Good plus copy with light fading to the spine lacking the jacket. In this guide book to the Paris artists and bohemians of the Twenties Huddleston presents Montparnasse in all its fun and glitter along with all the cosmopolitan celebrities and literati. Those included in his portraits are Ernest Hemingway Jean Cocteau Kiki Foujita James Joyce Claude Mackay Ezra Pound and scores of other American French English artists and writers.</p> George G. Harrap & Company, hardcover
193128400<p>Philadelphia:: Lippincott 1931. First Printing of the First US Edition. A Very Good plus copy with light fading to the spine lacking the jacket. In this guide book to the Paris artists and bohemians of the Twenties Huddleston presents Montparnasse in all its fun and glitter along with all the cosmopolitan celebrities and literati. Those included in his portraits are Ernest Hemingway Jean Cocteau Kiki Foujita James Joyce Claude Mackay Ezra Pound and scores of other American French English artists and writers.</p> Lippincott, hardcover
199523504Paris: Fondation Maeght 1995. First edition. Stiff Wraps. Orig. illustrated stiff wrappers with a few cover spots. Very good. 216 pages. 25 x 21 cm. Text in French. Catalogue with 98 illustrations in color and eight in black and white. Where applicable text and expositions provided for each painting. Fondation Maeght unknown
BIB-37764243Trade Paperback. Publisher: Jentas Utg. 2024 Trade Paperback 284 p. This book is brand new. Translator: Spångberg Ylva Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. paperback
041551925 Paris Union des Artisters Russes à Paris. No Binding. Good. 49 x 325 cm - 1 feuille imprimée recto - verso imprimée brun sur fond crème pliée en deux de droite à gauche - bois de Larionov non monogrammé et dessin de Laurens monogramé - restauration avec japon pli mais autrement bon exemplaire - Bolliger VI 714 - Avant Garde 5/6 URSS pgs 82-84 - Getty 808 <br/> <br/> 1925 Paris Union des Artisters Russes à Paris unknown
040361925 Paris Union des Artisters Russes à Paris. No Binding. Good. affiche 495 x 325 cm - illustration de H. Laurens monogramme et bois de Larionov cette fois imprimé en brun sur papier type vélin brun-beige - pliée en deux avec une déchirure à la hauteur de la pli droite et gauche ces déchirures sont facilles à restaurées avec japon photos sur demande - sauf pour les déchirures bel ex - Bolliger VI 714 - Avant Garde 5/6 USSR pgs 82-84 - Getty 808 <br/> <br/> 1925 Paris Union des Artisters Russes à Paris unknown
1390691705.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
16-5809Paris: Israel Henriet circa 1620s. 27 etchings on laid paper. Complete suite of 24: Lieure nos 379 to 402. Mounted in half calf album with painted border lines. Trimmed inside the plate marks. Sheet sizes between 72 x 95 and 80 x 111mm. Three added states. Manuscript essay on blank page.See detailed description in French by the expert Alain CANO below .Title page is second state of 3. but likely later printings.Royal Collection Trust:Callot produced the series in Lorrain in 1623 after his twelve-year journey in Italy. The prints were very popular and several sets of copies circulated. The copies on this folio were published in Paris by Balthasar Moncornet possibly in the early 1630s. Cassiano owned sixteen of the twenty-four copied sheets. The Balli have been studied in many occasions: some scholars have considered them as tied to the theatrical traditions whereas others have seen them as a product of Callot's fervid imagination. They possibly represent a mixture of both. With the exception of the frontispiece each print depicts two named characters more or less well-known with Neapolitan and Tuscan names. Both Callot's and Moncornet's series have titles in Italian despite being published in France demonstrating how fashionable Italian subjects were in France. Callot's aim was not to represent specific actors but through naming figures to individualise their character traits appearance and exaggerated poses. Moncornet's prints eliminate some of the buildings in Callot's settings introducing a more theatrical context.BALLI di SFESSANIARéédition de la série des 24 gravures.Album de 215 x 15 cm. Demi reliure à coins de veau blond. Dos plat orné de fers dorés et à froid. Sur le dos titre en lettres dorées : BALLI di SFESSANIA.Recueil de 24 gravures de Jacques Callot La gravure 'Cap Osgangarato - Cap Cocodrillo " étant présentée deux fois avec de légères différences auxquelles on joint une gravure supplémentaire intitulée : "Pasquariello Truonno Meo Squaqua.".Ces 24 gravures découpées et réduites en vignettes de 10x8cm sont contrecollées sur papier fort. Certaines présent des traces d'anciennes pliures.Note de l'expert:Il est difficile de dater ces gravures celles ci ayant été découpées en vignettes sans aucune précision de date.Jacques Callot a dessiné les 24 sujets en Lorraine en 1623 après son voyage de douze ans en Italie.Les exemplaires de cet in-folio ont été publiés à Paris par Balthasar Moncornet peut-être au début des années 1630.Les Balli ont été étudiés à de nombreuses reprises : certains chercheurs les ont considérés comme liés aux traditions théâtrales tandis que d'autres les ont vus comme le produit de l'imagination fervente de Callot. Ils représentent peut-être un mélange des deux. À l'exception du frontispice chaque tirage représente deux personnages nommés plus ou moins connus aux noms napolitains et toscans.Les séries de Callot et de Moncornet ont des titres en italien bien qu'elles soient publiées en France démontrant à quel point les sujets italiens étaient à la mode en France.La qualité de la reliure et le soin apporté à préserver les gravures attestent de l'intérêt que l'on portait à ce petit carnet.Sur la page de faux titre une grande note manuscrite XIXème siècle : ." L'invention du Cancan appartient à Callot qu'il n'a peut être lui même fait que perfectionner en le ramassant chez les Gipsies et les bateleurs de l'Italie qu'il avait eu l'occasion de voir et de présenter.Expertise by Alain CANO AC Paris: Israel Henriet, circa 1620s unknown
19971530130709003Beautiful Music 1997-01-21. Audio CD. Very Good. CD plays perfectly & the case looks good. Beautiful Music unknown
23413Paris: Np Nd. Stiff Wraps. Orig. printed and stapled salmon stiff wrappers. Fine. 52 pages. 13.5 x 10 cm. An attempt to capitalize on French erotica hyped by purposely ill spelled English and three nude illustrations as sexy as cod liver oil. Probably published in the United States as a ruse with a price of 500 Francs on the cover. The narrative content is not badly written for the right appetite. Np unknown
63-8163Paris: Societe Anonyme Andre Citroen 1934. 28.5 x 12 cm. Oblong. Signed & Stamped Bank Cheque with Societe Anonyme Andre Citroen letterhead. Good with marginal tear creasing. En Francais. Paris: Societe Anonyme Andre Citroen, 1934. unknown
1926012014New York: Boni and Liveright 1926. 1st Edition. Hardcover. Very Good/Good. First Edition. Yellow cloth spine with black lettering; sides are printed in yellow and black. Very slight wear to fore-corners. Previous owner's name and date 1926 on half-title page else clean. Dust jacket shows edge chipping; tear along upper part of front spine edge; price clipped. DJ in archival sleeve. 313 pp. 8.25 x 5.75 inches. A vividly written "somewhat" biographical story of a modern Japanese man. A culturally insightful account with discussion contrasting Anglo and Japanese ethics and cultural norms the story ranges from a mischievous boyhood family and village life through an education and time at Doshisha College and Waseda University to his involvement in the Tokyo street car riots and the great earthquake of 1923. John Paris was the pseudonym of Frank Ashton-Gwatkin 1889-1976 a British novelist and diplomat. Prior to 1929 he was stationed in the Far East and served in the Consular Service the Foreign Office and the Diplomatic Service. Boni and Liveright hardcover
19286246<p><strong>First and only Russian translation. Paris's second Russian book.</strong> One of 5 000 copies printed. </p><p>This is the first and only Russian translation of the novel <em>'Banzai Hurrah!</em>' 1925 by <strong>John Paris </strong>the pseudonym of Frank Ashton-Gwatkin; 1889-1976 a British novelist diplomat and Foreign Office official who significantly influenced British foreign policy in the Far East in the early 20th century. In 1929 he was sent to the Soviet Union to work at the British Embassy in Moscow but returned after a year to be the secretary of the Anglo-Soviet Debt Committee under Lord Goschen. Due to his interest in economic affairs he played a crucial role in establishing the Economic Relations Section in the Foreign Office and became its first head in 1934.<br />This novel reflecting Paris's period of residence in Japan tells the story of a young Japanese boy seething with unrest and discontent who comes to England to free himself from the shackles that the rigid conventions of Japan forced upon him. The story also depicts his involvement in the Tokyo streetcar riots and the great earthquake of 1923.<br />The book cover was crafted by the illustrious illustrator renowned graphic and theater artist as well as futurist poet <strong>Georgii Echeistov</strong> 1897-1946. Echeistov honed his skills as a student under the tutelage of Vladimir Favorsky a pivotal figure in Russian graphic art and book design during the 20th century at VKhUTEMAS. Prior to that he studied in the painting workshop of Boris Grigoriev.</p><p>OCLC locates one copy of this edition only held in the Stanford University Library.</p> [Gosizdat] paperback
192653218Boni and Liveright 1926. HARDCOVER. G / NONE. 0x0x0. GOOD-to-VERY-GOOD HARDBACK. FRONT HALF OF DUSTJACKET INCLUDED EXCEPT LOWER LEFT CORNER OF IT. Boni and Liveright hardcover
17-0310Paris : Galerie Flora 1994. Folio. Unpaged. Stapled. Very Good slight marking and creasing on covers sunning and aging throughout. B&W prints throughout. Insert: exhibition checklist.From the Collection of the Art Historian Peter Selz 1919-2019. Paris : Galerie Flora, 1994. unknown
0826OH4GMJPLeather Bound. Good. Paris: Barbou 1783. Almost very good full leather five raised bands bright floral gilt stamping in all compartments. Edgeworn original tree calf full leather. Marbled endpapers all edges marbled. A few reader marks and signatures up to 1830 at endpapers. Gilt at board edges scuffed. 12mo. hardcover
ria9780306437601_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
A9781412808736Paperback / softback. New. The enduring appeal of Shakespeare's works derives largely from the fact that they contain brilliantly drawn characters. The author's combination of literary and psychoanalytic perspectives guides us to a humane understanding of Shakespeare and his protagonists and in turn to a more profound knowledge of ourselves and human behavior. paperback
B9780306437601Hardback. New. hardcover
