Deuis De La Langue Francoise, Paris 1572Biblio.com
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1390432033.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
15-8110Paris: Maeght 1982. Folio. 23 pp. Sheets Loose As Issued Very Good. Color illustrations photographs. Original lithographs pp. 4-5 7. Copy of L'Art Vivant Chroniques with related material present. En français. Paris: Maeght, 1982. unknown
20031224904PN. New. 2003. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
195047503n.p. c.1950. 8vo 401 11 pp. Owner's name and address to front blank. Original gilt titled cloth rubbed rebacked. [n.p. unknown
B194710-1Paris 1984. 38 2pp. 2 original double-page color lithographs loosely inserted as issued. 38 illus. Lrg. 4to. Wraps. =orig. color lithograph. Paris, 1984. paperback
B197358-1Paris 1994. 302pp. Prof. illus. Lrg. 4to. Wraps. Paris, 1994. paperback
1966100290<p>Darien Connecticut June 2 1966. 1966. Fine. - Over 230 words typed on 10-7/8 inch high by 8-1/2 inch wide watermarked paper. Writing to the founder of the Oram Group Harold L. Oram who raised funds for humanitarian and conservation groups the famous aviator Charles Lindbergh writes with his suggestions for the World Wildlife Fund's membership drive and letter. "Before I send out another 'conservation' letter I would like to have a definite understanding of how replies are to be acknowledged by WWF." "In regard to the brochure enclosed with letters such as this I wonder if it should contain some sort of WWF membership application -- the five-dollar type of thing." He goes on to suggest the possibility that "Membership involves an automatic payment each year whereas the present contribution form brochure I am looking at enclosed casts the contributor loose after his check is sent and requires new bait for a new bite in another year." He concludes by saying that while he likes the present brochure he suggests emphasizing the blue whale in the next one. Signed "Charles". Folded for mailing with a minor crease to the top left corner else fine.</p><p>The American aviator military officer and writer Charles Augustus Lindbergh 1902-1974 flew his aircraft the Spirit of St. Louis on the first nonstop flight from New York to Paris on May 20 & 21 1927. In doing so Lindbergh sent a new flight distance world record and initiated a new era of air transportation. In later life he became heavily involved in humanitarian and conservation movements and campaigned to protect endangered species and as well as protecting the way of life for native tribes in the Philippines and Africa. Lindbergh's essays introduced millions to the conservation cause.</p><p>Harold L. Oram 1907-1990 was the founder and president of the Oram Group a fund raising organization for humanitarian conservation and environmental causes. Oram started his career in 1939 by aiding the relief efforts for for Spanish Loyalists battling the Falangists led by Francisco Franco. Oram raised money for the NAACP Legal Defense and Educational Fund The World Population Emergency Campaign which merged with Planned Parenthood The Natural Resources Council the American Civil Liberties Union and the World Wildlife Fund WWF among others.</p> Darien, Connecticut, June 2, 1966.
19295848Great Neck 1929. unbound. Typed letter signed in full commenting on a watch she received from and an advertisement by the Helbros Watch Company. 1 page on personal stationery measuring 7" x 10.5" in part: ".I understand that you conceived and executed.this advertisement. It has been done extremely well and you are to be complimented on your work." Kenwood Great Neck NY November 9 1929. Very good condition.<br/> <br/> Aviator with Curtiss Flying Services.<br/> <br/> unknown
51-1343London: Circa 1932. Original photographs both inscribed one with "What a shirtmaker" to Harry Bacon. 8.75 x 6.75 inches. The National Library of Scotland mentions a 1932 film entitled FILM OF GLASGOW with a segment: "Peggy Moro and Shan. female ballroom dancer and two male partners on stage performing lifts 17.00;" London Musicals 1930-1934 mentions the 1931 play Blue Roses with "the speciality acrobatic act of Peggy Moro and Delso . . . "This is Harry Bacon the preeminent London shirtmaker and the brother of Max Bacon. Before becoming a character actor Max Bacon was one of the most significant drummers in Britain during the 1920s and 30s. He wrote Max on “Swing" 1934. London: Circa 1932 unknown
1997Q-0793578574Hal Leonard Corporation 1997-11-01. Sheet music. New. In shrink wrap. Looks like an interesting title! Hal Leonard Corporation unknown
1998Q-0793593816Hal Leonard Corporation 1998-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Hal Leonard Corporation paperback
1996Q-079356476XHal Leonard Corporation 1996-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Hal Leonard Corporation paperback
2001DADAX063403717XHal Leonard 2001-09-01. paperback. New. 9.00x0.32x12.00. Buy with confidence. Excellent Customer Service & Return policy. Hal Leonard paperback
1986WM-XAK5-VMLZSingspiration 1986-01-01. Paperback. Good. PB 1986. Ships next day. Book is in good shape; no tears scribbles highlighting or underlining; has a little rubbing on the edges; a little general wear; from a smoke-free environment. Singspiration paperback
08-0051Paris: Suzanne Thierry Parfums ca. 1965. Twenty 20 black & white photographic prints of Suzanne Thierry the creator of "Parfums Ondine Paris." 8 x 10". Publicity. Stamp "Suzanne Thierry Parfums Paris" on verso. Very Good. Provenance: The Suzanne Thierry archives. Paris: Suzanne Thierry Parfums, [ca. 1965]. unknown
021720036Script Format reprint. Like New. / 1995 REVISED DRAFT / I HAVE MORE TITLES LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /SHIPS WITHIN 24HRS!! unknown
1972742906PN. New. 1972. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
6202597011.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1968stela653Paris: 1968. 1968. square 8vo. pp. 10. Text by Denys Chevalier. French text. 5 b/w illus. wrs. institutional bookplate on endpaper. Exhibition catalogue. Hardcover. Very Good. Paris: 1968. Hardcover
192920354Paris: Opéra Privé de Paris 1929. Good/No Dust Jacket As Issued. <br /> RUSSIAN MODERNISM REBORN ON THE PARISIAN STAGE.<br /> A visually striking Première Saison program documenting the post-Diaghilev continuation of Russian operatic and theatrical culture in interwar Paris. Issued by the newly founded Opéra Privé de Paris in 1929 this richly illustrated production program for Rimsky-Korsakov's 'Tsar Saltan' preserves the artistic language of the Ballets Russes through tipped-in color costume and scenic designs after Ivan Bilibin and Alexandre Korovine.<br /> <br /> Founded immediately following the death of Sergei Diaghilev the Opéra Privé de Paris sought to sustain the creative energy of Russian émigré theater in Western Europe. This production united performers designers and musicians associated with the Russian diaspora transforming Pushkin's fairy-tale opera into a vivid expression of émigré modernism transplanted into the cultural life of Paris.<br /> <br /> PHYSICAL DESCRIPTION: Quarto format approximately 9.5 × 12.5 inches. Stapled illustrated wraps with full-color chromolithographic cover after Ivan Bilibin. Illustrated with six tipped-in color chromolithographs of costume designs after Bilibin executed from stage maquettes by Alexandre Korovine together with two additional tipped-in scenic plates and a tipped-in color portrait of Madame Maria Kousnezoff-Massenet by Nicolas Kousnezoff. Numerous illustrated period advertisements throughout including several full-page advertisements.<br /> <br /> CONDITION: One advertisement leaf detached but present. Plates remain vivid and visually strong with only light handling wear to the wraps. Staples sound. A well-preserved and unusually attractive example of interwar Parisian opera ephemera. Première Saison issue.<br /> <br /> Première Saison programs of the Opéra Privé de Paris survive in comparatively small numbers particularly examples retaining the full suite of tipped-in color plates after Ivan Bilibin. Comparable illustrated programs from this short-lived company appear only intermittently in the market especially in near-complete condition. HISTORICAL SIGNIFICANCE -<br /> The Opéra Privé de Paris was co-directed by the Russian soprano Maria Kousnezoff-Massenet and functioned as an important cultural bridge for displaced Russian artists after the Revolution. Though short-lived the company preserved important elements of Russian operatic staging and Ballets Russes visual identity during a transitional moment in European theater history.<br /> <br /> Ivan Bilibin's influence on Russian stage aesthetics remained profound well into the twentieth century and his designs for productions such as 'Tsar Saltan' helped define the visual mythology of Russian folklore on the international stage.<br /> <br /> This program captures a pivotal moment in the evolution of Russian theatrical modernism after the dissolution of the Ballets Russes. Following Diaghilev's death in 1929 Russian émigré artists in Paris sought new institutional forms through which to continue the aesthetic innovations that had transformed European stage culture during the previous two decades.<br /> <br /> The production of Rimsky-Korsakov's 'Tsar Saltan' adapted from Pushkin's fairy-tale poem provided an ideal vehicle for this visual and musical continuity. The decorative richness of Ivan Bilibin's folkloric imagery combined with the scenic interpretation of Alexandre Korovine preserves the highly ornamental stage language that became synonymous with Russian theatrical design in the early twentieth century.<br /> <br /> Beyond its theatrical importance the program also presents a vivid portrait of interwar Parisian cultural life. Its advertisements portraiture typography and chromolithographic inserts collectively illustrate the commercial and artistic environment surrounding Russian émigré performance culture in France between the wars.<br /> <br /> SUBJECTS: Ballets Russes Legacy Ivan Bilibin Stage Design Russian Émigré Art Paris Theater History Rimsky-Korsakov Tsar Saltan Interwar Opera Culture Russian Opera In Paris Chromolithographic Illustration Illustrated Performance Programs Opera Ephemera Theater History Russian Modernism Illustrated Programs. Opéra Privé de Paris unknown
17-5717Paris France: Bibliothèque Nationale 1975. 8vo. 306 pp. Soft Cover Wraps. Exhibition Catalogue. Black and White Plates. ‘Ex-Libris Jacques Laget’ Plate. From the Collection of Jacques Laget. Very Good. Paris, France: Bibliothèque Nationale, 1975. paperback
17-5126Paris France: Versailles Palais des Congrès 1975. 8vo. 75 pp. Softcovers. Black and White and Color Plates. Very Good with some discoloration on cover. Price notations in ink in margins. Text in French. Paris, France: Versailles Palais des Congrès, 1975. paperback
17-5218Paris France: Versailles Trianon Palace 1963. 4to. 50 pp. Softcovers. Black and White and Color Plates. Good. Supplement Included. Text in French. Paris, France: Versailles Trianon Palace, 1963. paperback
ria9780226504629_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
200023379<p>New York:: Basic Books 2000. First Printing of the First Edition. A Fine tight copy in a Fine bright unclipped dust jacket. Dolly Wilde the neice of Oscar Wilde lived an extraordinary though creatively unproductive life in her uncle's shadow. But her literary short-comings did not prevent her from making her social mark on Paris in the 20s especially in the company of the renown lesbian salonist Natalie Barney. Dolly Wilde was a modernist gender-bender in the 1920s known for her self-detructive and magnetic personality which garnered her the title of the "beautiful loser of the Wilde family."</p> Basic Books, hardcover
