2 609 résultats
186411928NY: James G. Gregory. Good with no dust jacket. 1864. First Edition; First Printing. Hardcover. Bound in full leather. The covers are intact but lightly rubbed along the edges. The contents however have come loose from the covers making this a binding copy. Other than being loose the contents would be very good to fine with some foxing. ; Large 8vo 9" - 10" tall . James G. Gregory hardcover
1864CH127NY: James G. Gregory 1864. First. Cloth. Sqaure 8vo. in blue textured cloth lined in gilt and with ornate gilt lettering "A Christmas Carol" on front and rear covers. All edges gilt half-title printed in red and green and a lovely color litho title plate again reading "A Christmas Carol" with lettering in red and gilt holly sprig and gilt border. Unpaginated 3 title 28 illustrated with 12 full page duotone litho drawings of religious and Christmas scenes and two page musical arrangement with lyrics. A tight copy all gilt clear and mostly bright; cloth somewhat dusty and with moderate wear at tips and spine ends. A very scarce title beautifully produced. <br/><br/> James G. Gregory hardcover
186331006Richmond VA / Columbia S.C.: Lithographed and Published by Geo. Dunn & Compy / Julian A. Selby 1863. 1st edition Harwell p. 119; Parrish & Willingham 7084. Not in Dichter & Shapiro EARLY AMERICAN SHEET MUSIC though 3 other Dunn Civil War sheet music publications are listed as is one other Selby. Printed self-wrappers with illustrated front wrapper. General wear & light foxing. Early gift inscription "C. H. Bell from / R. Anderson" at top of front wrapper. A VG copy. 4 pp 1 sheet folded. Music pp 2-3; last page blank. 7 stanzas of musical scores w/ lyrics followed by 1 additional verse of lyrics. 12-1/8" x 9-1/2" <br/><br/> Lithographed and Published by Geo. Dunn & Compy / Julian A. Selby unknown books
187828072New York: Beadle & Adams 98 William St 1878. 1st printing. Printed self-wrappers. VG wanting upper left corner of volume no text affected/faint tide-water line along spine of wrappers. 14 2 pp. Adverts last 2 pages for Nos 1-18 of the Singer's Library. Hand colored woodcut vignette to front wrapper signed by Nathaniel. Orr NY. 4to. 11-5/8" x 8-1/4" <br/><br/>Very scarce songster from this purveyor of popular Dime novels- only 43 issues were published between 18 May 1878 and 29 March 1879. Reprints can be distinguished by the lack of a color woodcut on the front wrapper. Cf. Johannsen BEADLE pp. 391 - 395. OCLC has no listings of this title; no copy recorded on the LoC on-line database. Beadle & Adams, 98 William St unknown books
187828049New York: Beadle & Adams 98 William St 1878. 1st printing. Printed self-wrappers. VG wanting upper left corner of volume no text affected. 12 4 pp. Adverts last 4 pages for Nos 1-34 of the Singer's Library. Hand colored woodcut vignette to front wrapper signed by Nathaniel. Orr NY. 4to. 11-5/8" x 8-1/4" <br/><br/>Very scarce songster from this purveyor of popular Dime novels- only 43 issues were published between 18 May 1878 and 29 March 1879. Reprints can be distinguished by the lack of a color woodcut on the front wrapper. Cf. Johannsen BEADLE pp. 391 - 395. OCLC has no listings of this title; no copy recorded on the LoC on-line database. Beadle & Adams, 98 William St unknown books
1900ga1273Plaquette 1900 In-4 (18,5 x 30 cm.), plaquette, couverture illustrée, 4 pages, programme musical ; quelques rousseurs aux plats un peu défraîchis, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
187828070New York: Beadle & Adams 98 William St 1878. 1st printing. Printed self-wrappers. VG wanting upper left corner of volume no text affected/fore-edge a tad ragged. 12 4 pp. Adverts last 4 pages for Nos 1-32 of the Singer's Library. Hand colored woodcut vignette to front wrapper signed by Nathaniel. Orr NY. 4to. 11-5/8" x 8-1/4" <br/><br/>Very scarce songster from this purveyor of popular Dime novels- only 43 issues were published between 18 May 1878 and 29 March 1879. Reprints can be distinguished by the lack of a color woodcut on the front wrapper. Cf. Johannsen BEADLE pp. 391 - 395. OCLC shows but one listing of this title NIU; no copy recorded on the LoC on-line database. Beadle & Adams, 98 William St unknown books
187024841london Stannard & Co 1870 Une Chromolithographie Originale en couleurs, ornant la première page d'une partition intitulée : "Nantes (fantasia on subjects from Mozarts Twelfth Mass) - Cathedral Gems Series No. 1 by LOUIS DUPUIS", Format total de la gravure : Hauteur : 33 centimètres Largeur : 23 centimètres, format de la gravure seule : 26 cm de haut par 19,5 cm de large, gravure sur papier épais blanc, avec imprimé en bas à droite de la litho couleur : PACKER & GRIFFIN LITH. + imprimé en bas à droite : Stannard & Co. 7 Poland Street London + imprimé en bas au centre CATHEDRAL OF NANTES, et aussi imprimé en haut de la litho couleur : NANTES, sans date (1870) LONDRES Stannard & Co Editeurs de Musique,
1895RO20167144BUREAUX DE LA REVUE DU CHANT GREGORIEN. 1895. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 24 pages - quelques partitions dans le texte.. . . . Classification Dewey : 780-Musique
187828071New York: Beadle & Adams 98 William St 1878. 1st printing. Printed self-wrappers. VG wanting upper left corner of volume no text affected. 13 3 pp. Adverts last 3 pages for Nos 1-22 of the Singer's Library. Hand colored woodcut vignette to front wrapper signed by Nathaniel. Orr NY. 4to. 11-5/8" x 8-1/4" <br/><br/>Very scarce songster from this purveyor of popular Dime novels- only 43 issues were published between 18 May 1878 and 29 March 1879. Reprints can be distinguished by the lack of a color woodcut on the front wrapper. Cf. Johannsen BEADLE pp. 391 - 395. OCLC has no listings of this title; no copy recorded on the LoC on-line database. Beadle & Adams, 98 William St unknown books
18430020# AUTEUR: # ILLUSTRATEUR: Trimolet (1812-1843) et divers # ÉDITEUR: Deloye - Paris # ANNÉE ÉDITION: 1843 # COUVERTURE: cartonnage lithographié en couleur. # DÉTAILS: 3 volumes grand in 8°, cartonnage lithographié en couleur de l'éditeur avec motifs différents pour chaque. Chemise demi-chagrin bleue et étui pour chaque exemplaire. Très rares encartonnages d'éditeur reproduits chacun â pleine page (Carteret III pp 147 149 151). Exemplaire enrichi de trois dessins très fins â la plume et réhaussés ayant servi â l'illustrateur. ”Existe-t-il aujourd'hui, même parmi les artistes, beaucoup de personnes qui connaissent les si spirituelles, si légères et si mordantes planches dont Trimolet, de mélancolique, dotait, il y a quelques années les almanachs comiques d'Aubert ? (Baudelaire, Curiosités esthétiques , Pléiade p. 845) # PHOTOS visibles sur www.latourinfernal.com
18142582# AUTEUR: Bochsa Robert Nicolas Charles # ÉDITEUR: Aux deus lyres chez Mme Duhan - Paris # ANNÉE ÉDITION: 1814 # COUVERTURE: 1/2 chagrin rouge - dos à faux nerfs - liserés et titre dorés - # DÉTAILS: In 4° relié 2ff.+ autoportrait à la harpe et dépliant explicatif + 36pp.+ 101 pp.(exercices de gammes). contient tous les principes généraux du doigté et donne l'explication générale de la harpe...Dédiée à son excellence monsieur le comte de Montesquiou Fezansac. Première partie seule. Edition originale. Bochsa (1789-1856) surnommé le Paganini de la harpe # PHOTOS visibles sur www.latourinfernal.com
186030636ABLeipzig, Breitkopf & Härtel, o. J. (um 1860). 4°. S. 51?86, 10 S.; S. 49-78, 8 S.; S. 45-74, 8 S.; S. 43-70, 8 S. mit gestochenen Noten. Blaue Umschläge der Zeit mit alter handschr. Beschriftung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A 4 Bände.
186030635ABLeipzig, Breitkopf & Härtel, o. J. (um 1860). 4°. 50, 48, 44, 42 S. mit gestochenen Noten. Blaue Umschläge der Zeit mit alter handschr. Beschriftung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A 4 Bände.
18101209542Bonn, Simrock, (etwa 1810). Quer-Gr.-8vo. 43 S. gestochene Noten m. gestochenem Titelblatt. Kart. d. Zeit (angestaubt u. fleckig, Bindung gelockert, innen etwas fingerfleckig u. gebräunt, vereinzelt braunfleckig, Name auf Titel).
187427508ABZürich, Orell, Füssli und Comp., 1874-1875. Gr.-8°. 26 S. Mit einem lithogr. Porträt (E. von Blumenthal) von J. Lier nach H. Bodmer; 20 S. Mit einem lithogr. Porträt (Alexander Müller). Orig.-Hefte. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bände. = "62. und 63. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft i
187427508AB2 Bände. Zürich, Orell, Füssli und Comp., 1874-1875. Gr.-8°. 26 S. Mit einem lithogr. Porträt (E. von Blumenthal) von J. Lier nach H. Bodmer; 20 S. Mit einem lithogr. Porträt (Alexander Müller). Orig.-Hefte. = "62. und 63. Neujahrsblatt (Neujahrsgeschenk an die Zürcherische Jugend sic.) von der allgemeinen Musik-Gesellschaft in Zürich auf das Jahr 1874 und 1875".
18521724Paris Imprimerie Nationale 1852 in-4, 669pp., 1 pl., br. (à relier).
185911366P. Dentu 1859 demi-rel. chagrin noir. in-8, 16pp., 1 tableau dépl., et II-140pp., 1 tableau dépl.
184011254P. L'auteur 1840 cart. (manque dos). in-4, (2ff.), 125pp., et titre, 60pp., (Cot. 162)
18399080P. Aulagnier 1839 demi-chagrin violet (qq. épid. au dos). in-4, 52pp., 160pp. et 161pp., (cot. AA 887),
188044181Boston: New England Conservatory of Music 1880. Small 8vo pp. 48. Paper wraps. Small program leaflet laid in. Cover somewhat stained with silverfish damage o/w a VG tight copy. Lists and describes courses offered. New England Conservatory of Music unknown books
1868158228Leipzig, Dt. Händelgesellschaft, (1868). Fol. 4 Bl., 140 S. in Notenstich. Neuer Ppbd. m. mont. vord. OU. Anfangs etwas stärker, sonst gering stockfl. (Werke, Lief. 28).
18191811018th and 19th century. The compositions include pieces for the voice piano violin and cello and range from sonatas to airs to operas. The majority of the works many with fine engravings were printed in Britain from notable music publishers. The publication dates vary from the late eighteenth to the mid-nineteenth century. The collection contains works by classical composers like Mozart Handel and Beethoven as well as poets like Felicia Hemans Lord Byron and Robert Burns. Overall the books offer an interesting survey in the history of British music publishing the printing of classical compositions and the collecting of music. A complete list of all compositions is available upon request.<br /> <br /> I. Countess of Lonsdale Music Collection<br /> Two volumes bound for the library of Grace Cecile Lowther née Gordon Countess of Lonsdale 1854-1941 wife of 5th Earl of Lonsdale and daughter of 10th Marquess of Huntly. The first volume contains eight violin compositions for sonatas and the second volume has the corresponding parts for the piano. The volumes contain the earliest imprints mostly from the 1790s and has works by Mozart Haydn and Pleyel among others. <br /> <br /> II. STEVENSON Sir John & Thomas MOORE<br /> A selection of Irish melodies with symphonies and accompaniments by Sir John Stevenson Mus. Doc. And characteristic words by Thomas Moore Esq.r. London: Published & sold at W. Powers c. 1808-1810.<br /> Two bound volumes of issues of Stevenson’s and Moore’s Irish Melodies c. 1808-1834. The first book includes issues 1-4 issue 1 is lacking the title-page. The second book includes issues 4-6 issue 4 is a duplicate. There were 10 total issues printed. Stevenson 1761–1833 was an Irish composer and Moore 1779–1852 was an Irish poet singer and songwriter. Irish Melodies is Stevenson’s best known work and he collaborated with Moore on several other projects.<br /> <br /> III. Original Scottish and Welsh Airs<br /> Three bound volumes that consist of Original Scottish airs and Orignal Welsh airs from the music publisher George Thomson with his signature. Between the three books there are early editions of four volumes of Original Scottish airs four volumes of the rare violin parts for Scottish airs and one volume of the Original Welsh airs and a volume of its optional violin part. Thomson employed composers like Pleyel and Haydn and the poet Robert Burns to produce his series of national airs. These volumes also contain many copperplate engravings in addition to the sheet music. Signature of John Carnegie Glasgow 1810 on all volumes.<br /> <br /> IV. HANDEL George Frederic<br /> Solomon composed by G.F. Handel arranged for the organ or piano-forte by Dr. John Clarke Cambridge. London: Printed by Clementi Collard & Collard c. 1825. Folio. iii 193 1 pp. Engraved title with border design and vignette by Isaac Taylor; inscription in brown ink of Charles Severn.<br /> Arrangement of the vocal score for Handel’s 1685–1759 oratorio Solomon HWV 67. Until recently the librettist of Solomon was unknown. However it is likely that the English/Jewish financier-poet Moses Mendes c. 1690–1758 provided the lyrics to Handel’s oratorio according to a new documentary source. The previous owner of this volume was Charles Severn 1806–1894 a musician and member of the Royal Society of Musicians in Great Britain.<br /> <br /> V. ROSSINI Gioachino Antonio<br /> Mosè in Egitto oratorio in tre atti musica di Rossini nuova edizione. Paris: Ou Magazin de Musique de Pacini c. 1825. Folio. ii 1 ii 203 pp.<br /> Rossini 1792–1868 was an Italian composer known for his comic operas including William Tell 1829. He composed Mosè in Egitto with the librettist Andrea Leone Tottola around 1818. Rossini later revised the opera adding a fourth act and a ballet in 1827 and renamed it Moïse et Pharaon. Both versions were highly successful and remain Rossini’s best known works.<br /> <br /> VI. Voice and piano-forte<br /> This volume contains 23 engraved pieces of music. The majority of works are romantic songs with lyrics for solos or duets. There are also works for the piano-forte. All entries except four are from British composers and/or poets. The exceptions are two songs from Italian composers based in England a duet from Mozart’s The Marriage of Figaro printed by a British music firm and a book of eight anonymous Italian duets. Highlights include three songs from Lord Bryon’s and Isaac Nathan’s Hebrew Melodies title-pages with lithographs from Maxim Gauci’s firm and many works by women composers and poets like Felicia Hermans.<br /> <br /> VII. Trios<br /> Three volumes of trios for the piano violin and cello. There are six compositions in total with each volume containing the parts for each instrument. The sheet music comes from a variety of publishing firms with a date range of the early to mid-nineteenth century and consists of works by Classical composers including Mendelssohn Mozart and Beethoven. unknown
187536045Boston: White Smith & Company 1875. First Edition. Hardcover. Fair. Small folio. 12" tall. Two volumes in one. Volume 12 January to June: 234 pages. Volume 13 July to December: 234 pages 2. Brownish marbled paper covered boards with leather corners and spine. Scuffs and scratches to the marbled paper covered boards. Leather is dry cracked scuffed. Large chip head of the spine. Board edges joints and corners are rubbed and scuffed. Several of the songs are creased with closed edge tears some small edge chips and some repaired tears. Large closed tear on pages 3 and 4 and pages 137 and 138 no loss of content. Light to moderate toning to the contents with some light damp stains towards the back. Fair. <br /> <br /> Contents include several music scores advertisements and short articles. One article with a nice drawn portrait records that Blind Tom has performed many times at Music Hall. Other interesting contributions includes an article on the Fiske Singers and Slave Songs of the South. Volume in fair condition only. White, Smith & Company hardcover