814 résultats
1020654066.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189029223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp.<br/><br/>Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck.<br/><br/>Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. First performed in Paris at the Théâtre des Folies Dramatiques on the 28 December 1878.<br/><br/>Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on December 28 1878. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown books
188726622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. <br/><br/>Binding slightly worn and soiled. Browned. First Edition. OCLC no. 19727866.<br/><br/>Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on December 28 1878. Performed nearly 200 times in Paris it was a wlecome success for Offenbach.<br/><br/>"A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown books
0259213446.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365412554.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017302081.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189029223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp.<br /> <br /> Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck.<br /> <br /> Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on 28 December 1878. <br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown
188726622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. <br /> <br /> Binding slightly worn and soiled. Browned. First Edition. OCLC 19727866.<br /> <br /> Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on 28 December 1878. Performed nearly 200 times in Paris it was a welcome success for Offenbach.<br /> <br /> "A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown
22495London:Strand Theatre: 6 November 1879 . Programme for the 209th night of the first London production of the cleberated opera comique in three acts. With Florence St John as Justin Favart Mons. Marius as Charles Favart and Henry Lewens as Major Cotignac. Good condition. London:Strand Theatre: 6 November 1879 unknown
22494London:Strand Theatre: 25 July 1879 . Programme for the 100th night of the first London production of the celebrated opera comique in three acts. With Florence St John as Justine Favart Mons. Marius as Charles Favart and Henry Lewens as Major Cotignac. Good condition. London:Strand Theatre: 25 July 1879 unknown
22498London:Strand Theatre: 19 June 1879 . Programme for the first London production of the opera comique in three acts.With Florence St. John as Justine Favart Mons.Mariusas Charles Favart and Henry Lewens as Major Cotignac. Together with dated ticket stub for two orchestra stalls. Good condition. London:Strand Theatre: 19 June 1879 unknown
1930R320014049STOCK. 1930. In-12. Broché. Etat d'usage, Couv. défraîchie, Coiffe en tête abîmée, Intérieur acceptable. 126 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
RO50033073SANS EDITEUR. SANS DATE. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 page. Partition et chant.. . . . Classification Dewey : 780.26-Partitions
RO50016895Inconnue. XXème. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ.. . . . Classification Dewey : 780.26-Partitions
RO50016967Inconnue. XXème. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé. 4 pages environ.. . . . Classification Dewey : 780.26-Partitions
RO50049480CHOUDENS. NON DATE. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Déchirures. 3 pages de partitions. Premier plat illustré en noir et blanc par G. Fraipont. Chantée par Mr Lepers. Déchirure aux extrémités des pages, sans conséquences sur la lecture. Dos renforcé. Annotations au crayon à papier, sur quelques phrases.. . . . Classification Dewey : 780.26-Partitions
1927R150202257CALMANN LEVY. 1927. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
18422076638Offenbach: Selbstverlag (gedruckt in der Buchdruckerei Fried. Krähe in Offenbach) 1842. XX, 508 Seiten. Frakturdruck. Ohne das Portrait-Frontispiz. Kl. 8° (17 x 12 cm). 32 fadengeheftete Lagen mit Resten des Interimseinbandes auf dem Rücken und gesprenkeltem Schnitt in schlichtem Papierumschlag.
3566095311.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
186429224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed.<br/><br/>Named cast includes Zulma Bouffar and Désiré.<br/><br/>Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue.<br/><br/>Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on July 21 1863 and in Paris at the Bouffes-Parisiens on January 5 1864.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown books
1017201501.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
186429224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed.<br /> <br /> Named cast includes Zulma Bouffar and Désiré.<br /> <br /> Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue.<br /> <br /> Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on 21 July 1863 and in Paris at the Bouffes-Parisiens on 5 January 1864.<br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown
191029227Berlin: Ed. Bote & G. Bock PN 15785 1910. Large octavo. Original publisher's dark orange wrappers with titling within decorative border. 1f. recto decorative title verso blank 1f. recto cast list and contents verso blank 5-54 pp. Text in German and French.<br/><br/>Wrapper slightly worn and soiled; former owner's signatures to upper margin of upper wrapper and title one crossed out in black ink. Some signatures split; annotations in pencil and small publisher's handstamp to lower margin of title; former owner's signature to upper margin of second leaf; occasional performance markings. Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on July 21 1863 and in Paris at the Bouffes-Parisiens on January 5 1864. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 15785] unknown books
015241[Offenbach] Mélanie Waldor (1796-1871), poétesse, femme de lettres, maîtresse d'Alexandre Dumas. Lettre imprimée avec note A.S., sd [avril 1853], 1p in-8. A Monsieur Mathon de Fougères [ortographié de Forère]. Lettre imprimée invitant à une « assemblée de charité » en faveur des familles pauvres visitées et secourues par la conférence Saint-Vincent-de-Paul » de la paroisse d'Arcueil. On remarquera que Jacques Offenbach accompagnera la cérémonie. La liste des quêteuses est donnée, évidement que des dames de la sociétés, parmi lesquelles se trouve Mélanie Waldor. Au pied de la lettre, Waldor a ajouté deux lignes : « Monsieur, Votre aumône quelque légère qu'elle soit me trouverait bien reconnaissante. Mélanie Waldor de Villenave ». Belle pièce mentionnant Offenbach. [375]
1019927461.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover