Offenbach; Henry J Byron; F C BurnandBiblio.com
42 résultats
1879939Q22Not Stated: Not Stated 1879. First edition. Brochure/Pamphlet. Good. 9.5" by 7.5". None. A very scarce opera programme for a night at the Gaiety Theatre in London presenting three shows commencing on Monday December 15th 1879. A very scarce programme for a theatre performance in 1897. Presenting a series of three shows taking place at The Gaiety Theatre in London on Monday December 15th 1879. The first show commenced at 6.45pm the second following at 7.45 and the final concluding the night at 9.45. This series of shows are comprised of the following: 'Rose of Auvergne' one act of the operetta written by French composer Jacques Offenbach.'Uncle' a "New and Original Farcical Piece in Three Acts" by English dramatist Henry Jame Byron who had a number of plays performed at the Gaiety. 'Robbing Roy; Or Scotched and Kilt' a burlesque play written by English comic writer and prolific playwright F. C. Burnand. With a number of original advertisements including for other shows for opera glasses "on hire of the attendants" Vaseline Spence's Velveteens and a large advert for J. Grunebaum Cigarettes taking up the entirety of the front cover. Bound in the publisher's original wraps. Externally generally smart with light edge wear and the odd mark and crease. Internally firmly attached. Pages are a little age toned and generally clean. Good Not Stated unknown
18741174261Paris, Heugel et Cie., 1874. 4to. 2 Bl., 301, (1) S. Noten. Hldrbd d. Zeit m. eingeb. OVorderumschl. (nach Barbizet) (Vordergelenk gelockert, gering braunfl.).
186950519New York: Metropolitan Job Printing and Engraving Establishment 1869. wraps. fair. 19p octavo. A fair copy in original tan printed wraps. Moisture stain in lower right corner of pages throughout light soiling wear and tear throughout margins. This is Offenbach's first full length opera and is a lampoon of the ancient myth of Orpheus and Eurydice. <br/><br/> Metropolitan Job Printing and Engraving Establishment paperback
1877539518New York: G.W. Carleton & Co. Publishers 1877. Hardcover. Near Fine. First American edition. Octavo. 211 4 ads pp. Purple endpapers. Green cloth stamped in gilt and blind. A couple of tiny tears at the crown very near fine. A scarce title likely pirated. G.W. Carleton & Co. Publishers hardcover
1867100095256Michel Lévy Frères 1867. couverture défraîchie frottements coins émoussés intérieur taché de rousseurs tranche ternie. in12. 1867. Relié. Michel Lévy Frères unknown
189029223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp.<br /> <br /> Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck.<br /> <br /> Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on 28 December 1878. <br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown
188726622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. <br /> <br /> Binding slightly worn and soiled. Browned. First Edition. OCLC 19727866.<br /> <br /> Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on 28 December 1878. Performed nearly 200 times in Paris it was a welcome success for Offenbach.<br /> <br /> "A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown
18422076638Offenbach: Selbstverlag (gedruckt in der Buchdruckerei Fried. Krähe in Offenbach) 1842. XX, 508 Seiten. Frakturdruck. Ohne das Portrait-Frontispiz. Kl. 8° (17 x 12 cm). 32 fadengeheftete Lagen mit Resten des Interimseinbandes auf dem Rücken und gesprenkeltem Schnitt in schlichtem Papierumschlag.
186429224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed.<br /> <br /> Named cast includes Zulma Bouffar and Désiré.<br /> <br /> Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue.<br /> <br /> Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on 21 July 1863 and in Paris at the Bouffes-Parisiens on 5 January 1864.<br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown
190028863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates.<br /> <br /> Bound with:<br /> Offenbach. Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition.<br /> <br /> Bound with:<br /> Offenbach.<br /> Mesdames de la Halle . Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858.<br /> <br /> Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. <br /> <br /> Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown
