James HollandLivre Rare Book
310 résultats
198013875HATIER 1980 287 pages in8. 1980. broché. 287 pages. Cet ouvrage de James Holland publié chez Hatier en 1980 offre un vaste panorama des instruments de percussion avec descriptions diagrammes et informations historiques. Il est conçu comme un guide de référence pour un public large incluant musiciens et musicologues
1985Q-0824506863Crossroad 1985-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Crossroad paperback
1991Q-1855381664Thorsons 1991-11-21. Paperback. New. In shrink wrap. Looks like an interesting title! Thorsons paperback
2007Q-8472455955Editorial Kairos 2007-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Editorial Kairos paperback
2011Q-8472453685Editorial Kairos 2011-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Editorial Kairos paperback
19792309930New York: Schocken Books 1979. Revised Edition. Revised Edition. Near Fine. A nice copy. 1979 Trade Paperback. 544 pp. "The definitive guide to the philosophy and practice of Yoga--the ancient healing discipline for body and mind--by its greatest living teacher. Light on Yoga provides complete descriptions and illustrations of all the positions and breathing exercises. Features a foreword by Yehudi Menuhin. Illustrations throughout. Schocken Books unknown books
Poetry and prose expressing the magnificence, dignity, pathos and humour of the teeming life which in two thousand years the river Thames has gathered to its banks and upon its waters. 272pp. Dust jacket has edgewear and chips. Inscription by previous owner, Diana Menuhin, on front free endpaper.
63-9451London UK: Yehudi Menuhin Festival 1979. Program. 8vo. Stapled Wraps ca. 20 pp. Very Good. B&W photos inside color photo to cover. From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. London, UK: Yehudi Menuhin Festival, 1979. paperback
1957049992Englewood Cliffs Nj: Prentice-Hall 1957. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. Xxvi 226 Pp. Orange Cloth. First Printing 1957. Near Fine; Ownership Signature Dj With Light Chipping. Eugenie Peterson ; 1899 -2002 Born In St. Petersburg. Eugenie And Her Mother Escaped To Latvia As The Bolsheviks Came To Power In 1917 Losing The Family Fortune; In 1920 They Moved To Poland And In 1921 To Berlin Where She Became An Actress And Dancer. She Set Off To India In 1927 And Came Back Three Months Later A Changed Woman Speaking Only Of India. She Soon Went Back To India Selling Her Valuables To Pay For The Trip. At The Theosophical Society In Adyar Madras Now Chennai Dancing "An Indian Temple Dance" She Met Jawaharlal Nehru Starting A Long-Term Friendship And The Indian Film Director Bhagwati Mishra Who Gave Her A Part In Sher-E-Arab Arabian Knight: The 1930 Premiere Made Her A Film Star In India Under A New Stage Name Indra Devi. In 1930 She Married Jan Strakaty A Commercial Attache To The Czechoslovak Consulate In Bombay And For Some Years Lived As A Society Hostess There. She Became Interested In Yoga Nepal's Prince Mussoorie Showing Her Some Asanas And She Was Impressed By The Yoga Guru Krishnamacharya's Demonstration Of Apparently Stopping His Heart. In 1938 He Reluctantly Accepted Her As A Student. She Was The First Foreign Woman Among His Students In The Yogasala In The Mysore Palace Studying Alongside B.K.S Iyengar And K. Pattabhi Jois Who Went On To Become World-Famous Yoga Teachers. When She Was Leaving India To Follow Her Husband To China Krishnamacharya Asked Her To Work As A Yoga Teacher There. In 1939 She Held What Are Believed To Be The First Yoga Classes In China And Opened A School In Shanghai At The House Of Madame Chiang Kai-Shek. There Were Many Americans And Russians Among Her Pupils; She Also Taught Free Classes In Orphanages. More And More People Began To Call Her Mataji Which Means "Respected Mother. Her Husband Died Unexpectedly In 1946 And Devi Returned To India Arriving In Bombay As The British Raj Was Coming To An End. She Was Hosted By The Maharajah Of Tehri Garhwal . She Was Hoping To Stay In Kashmir To Teach Yoga In A Centre To Be Run By The Cambodian Monk Bellong Mahathera But Her Mother Called Her Back To Shanghai Where Devi's House Was Being Requisitioned By The Army In The Chinese Civil War. She Obtained A United States Visa And To San Francisco At The End Of 1947. In California She Met The Author And Philosopher Aldous Huxley And Krishnamurti Giving Her Access To Spiritually-Inclined Americans; An Especially Valuable Contact Was The Diet And Health Guru Paul Bragg Who Advised Film And Stage Stars. In 1948 She Opened A Yoga Studio In Hollywood The First In Los Angeles. Devi Taught Her Own Form Of Hatha Yoga With Asanas Postures And Pranayama Breath Control; She Avoided Spiritual Teaching Which She Preferred To Leave To Yoga Gurus. Her Teaching Style Was In Stefanie Syman's Words "Gentle And Even Relaxing". She Was Almost Immediately Successful In Attracting Leading Stars Including Men As Well As Women; Syman Notes That "She Could Charm The Pants Off Men". Elliott Goldberg Gives A Different Explanation For Her Success Attributing It To Her Packaging Of Yoga For Women As A "Beauty Secret Youth Elixir And Health Tonic". More Generally In His View Devi Saw Yoga As A Remedy For Anxiety And Stress Noting That This Transformed Yoga From Something That Dissolved The Ego To Something That Strengthened It Because He Commented Americans Did Want To Change "But Not All That Much". Devi's Advocacy Of Yoga For Stress Relief Contributed In Goldberg's View To The Widespread Acceptance Of Yoga In America And Earned Her The Nickname "First Lady Of Yoga". She Taught Yoga To Many Celebrities Including Greta Garbo Eva Gabor Gloria Swanson Ramon Novarro Robert Ryan Yul Brynner Jennifer Jones And The Violinist Yehudi Menuhin. See Wikipedia The Early Ancient Yoga Texts Are The First Psychologies. <br/> <br/> Prentice-Hall hardcover
29334Chambers. 1979. Ownership inscription ffep else a VG copy in VG dustwrapper. . Gilt on brown cloth boards. unnumbered pages of musical scores xxxii text and notes. 4to. 1.0kg. Chambers. (1979), hardcover
1977Q-0193213516Oxford University Press 1977-04-21. Paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
2006BN30548Dohr Ch Köln 2006. 2006. Hardcover. 246 x 182 x 62 cm. Mit Stellungnahmen von Daniel Barenboim Dietrich Fischer-Dieskau Elisabeth Furtwängler Nicolai Gedda Reinhard Goebel Yehudi Menuhin Günter Pichler Wolfgang Sawallisch Heinrich Schiff Elisabeth Schwarzkopf Günter Wand Christian Zacharias Frank Peter Zimmermann und einem Beitrag von Johann-Nikolaus Matthes. Aus dem Inhalt: Einführung. Die Mediamorphose technisch gespeicherter Musik - Musikaufnahmen im Wandel der Zeiten - Die Tonträgerindustrie heute. Die Antworten der Interpreten zu Themen wie: Umgang mit dem Tonträger - Der Produzent: Partner und Publikumsersatz - Live oder Studio - Die Suche nach dem idealen Klang - Die Wahrnehmung des Tonträgers als ein Medium - Der Tonträger als Dokument. Herfrid Kier Jahrgang 1935 begann seine Musikausbildung in Linz Graz und Wien studierte Musikwissenschaft Kunstgeschichte Neuere Geschichte und Psychologie an den Universitäten in Wien und Köln wo er mit einer Arbeit über den musikalischen Historismus zu Beginn des 19. Jahrhunderts promoviert wurde. Von 1959 bis 1990 war er in der Tonträgerindustrie zuletzt als Künstlerischer Direktor für das Klassik-Programm der EMI tätig um anschließend Lehraufträgen an verschiedenen deutschen Hochschulen nachzugehen. Co-Autor: Daniel Barenboim Dietrich Fischer-Dieskau Elisabeth Furtwängler Nicolai Gedda Reinhard Goebel Yehudi Menuhin Günter Pichler Wolfgang Sawallisch Heinrich Schiff Elisabeth Schwarzkopf Günter Wand Christian Zacharias Frank P Zimmermann Johann N Matthes Zusatzinfo über 70 Abb. Sprache deutsch Maße 180 x 245 mm Einbandart gebunden Kunst Musik Theater Musik Barenboim Daniel Fischer-Dieskau Dietrich Furtwängler Elisabeth Furtwängler Wilhelm Gedda Nicolai Goebel Reinhard Klassik Klassische Musik Menuhin Yehudi Pichler Günter Sawallisch Wolfgang Schallplatte Schiff Heinrich Schwarzkopf Elisabeth Tonträger Wand Günter Zacharias Christian Zimmermann Frank Peter ISBN-10 3-936655-31-6 / 3936655316 ISBN-13 978-3-936655-31-5 / 9783936655315 <br/><br/>Kunst Musik Theater Musik Barenboim Daniel Fischer-Dieskau Dietrich Furtwängler Elisabeth Furtwängler Wilhelm Gedda Nicolai Goebel Reinhard Klassik Klassische Musik Menuhin Yehudi Pichler Günter Sawallisch Wolfgang Schallplatte Schiff Heinrich Schwarzkopf Elisabeth Tonträger Wand Günter Zacharias Christian Zimmermann Frank Peter ISBN-10 3-936655-31-6 / 3936655316 ISBN-13 978-3-936655-31-5 / 9783936655315 Mit Stellungnahmen von Daniel Barenboim Dietrich Fischer-Dieskau Elisabeth Furtwängler Nicolai Gedda Reinhard Goebel Yehudi Menuhin Günter Pichler Wolfgang Sawallisch Heinrich Schiff Elisabeth Schwarzkopf Günter Wand Christian Zacharias Frank Peter Zimmermann und einem Beitrag von Johann-Nikolaus Matthes. Aus dem Inhalt: Einführung. Die Mediamorphose technisch gespeicherter Musik - Musikaufnahmen im Wandel der Zeiten - Die Tonträgerindustrie heute. Die Antworten der Interpreten zu Themen wie: Umgang mit dem Tonträger - Der Produzent: Partner und Publikumsersatz - Live oder Studio - Die Suche nach dem idealen Klang - Die Wahrnehmung des Tonträgers als ein Medium - Der Tonträger als Dokument. Herfrid Kier Jahrgang 1935 begann seine Musikausbildung in Linz Graz und Wien studierte Musikwissenschaft Kunstgeschichte Neuere Geschichte und Psychologie an den Universitäten in Wien und Köln wo er mit einer Arbeit über den musikalischen Historismus zu Beginn des 19. Jahrhunderts promoviert wurde. Von 1959 bis 1990 war er in der Tonträgerindustrie zuletzt als Künstlerischer Direktor für das Klassik-Programm der EMI tätig um anschließend Lehraufträgen an verschiedenen deutschen Hochschulen nachzugehen. Co-Autor: Daniel Barenboim Dietrich Fischer-Dieskau Elisabeth Furtwängler Nicolai Gedda Reinhard Goebel Yehudi Menuhin Günter Pichler Wolfgang Sawallisch Heinrich Schiff Elisabeth Schwarzkopf Günter Wand Christian Zacharias Frank P Zimmermann Johann N Matthes Zusatzinfo über 70 Abb. Sprache deutsch Maße 180 x 245 mm Einbandart gebunden Dohr, Ch Köln hardcover
Text in German. From the library of Yehudi Menuhin, with a gift note written to him by Olivier von Winterstein, Director of the Dresden Philharmonic Orchestra, on the front free endpaper. Photographs of hotels, cafes and restaurants of Dresden before the Second World War. This book is extra heavy, and may involve extra shipping charges to some countries
45018Hamburg, Zeitverlag Gerd Bucerius GmbH & Co. KG, ohne Angaben. 64 Seiten , 22 cm, Hardcover/Pappeinband
6542026 juillet 1946 - Numéro 87 - in-4 broché - revue illustrée - 16 pages
197214615S. Fischer, Frankfurt 1972. 302 S. u. 28 Abb. auf Tafeln. Leinen mit Schutzumschlag. Leichte Gebrsp. Buchblock etwas locker. Umschlag an den Rändern etwas beschädigt, berieben u. mit Knickfalten.
63-9450Gstaad Switzerland: Yehudi Menuhin Festival 1966. Program. 8vo. Stapled Wraps ca. 20 pp. Very Good. B&W photos. Insert loosely laid in. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1966. paperback
63-9436Gstaad Switzerland: Yehudi Menuhin Festival 1968. Program. 8vo. Stapled Wraps 18 pp. Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1968. paperback
63-9446Gstaad Switzerland: Yehudi Menuhin Festival 1970. Program. 8vo. Stapled Wraps 32 pp. loose insert. Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1970. paperback
63-9439Gstaad Switzerland: Yehudi Menuhin Festival 1971. Program. 8vo. Stapled Wraps 40 pp. Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1971. paperback
63-9442Gstaad Switzerland: Yehudi Menuhin Festival 1972. Program. 8vo. Stapled Wraps 12 pp.ads Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1972. paperback
63-9440Gstaad Switzerland: Yehudi Menuhin Festival 1973. Program. 8vo. Stapled Wraps 40 pp. Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1973. paperback
63-9441Gstaad Switzerland: Yehudi Menuhin Festival 1976. Program. 8vo. Stapled Wraps 12 pp.ads Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1976. paperback
63-9438Gstaad Switzerland: Yehudi Menuhin Festival 1977. Program. 8vo. Stapled Wraps 10 pp. ads. Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1977. paperback
63-9443Gstaad Switzerland: Yehudi Menuhin Festival 1978. Program. 8vo. Stapled Wraps 20 pp. Very Good. B&W photos. Text in German & French.From the Collection of Audrey J. Burford supporter of Classical Music from Blackheath London. Gstaad, Switzerland: Yehudi Menuhin Festival, 1978. paperback
