156 résultats
8 pages. A pleasing arrangement of the marvelous song. Average wear. Unmarked. A quality copy. Book
12 pages. A pleasing arrangement of this timeless song. Average wear. Unmarked. Sheet music
013486Adelina Patti (1843-1919), soprano colorature italienne. Photographie cdv originale par Reutlinger, datée 1865 au crayon au dos. Très bel état, un peu éclaircie. [187]
014772Olga Michailoff - Olga Wood - princesse Olga Oroussov (1869-1906), soprano anglaise, épouse du chef d'orchestre Henry Wood. L.A.S. + enveloppe, 8 juin 1906, 4p in-8. A Marie Simpson, épouse de l'agent publicitaire James R. Simpson à Edimbourg. En anglais. Lettre amicale, remerciant pour un paquet, espérant qu'elle a passé un bon séjour à Paris, etc. [359]
014773Olga Michailoff - Olga Wood - princesse Olga Oroussov (1869-1906), soprano anglaise, épouse du chef d'orchestre Henry Wood. L.A.S., 26 juin 1919, 4p in-8. A Marie Simpson, épouse de l'agent publicitaire James R. Simpson à Edimbourg. Longue lettre en anglais. [359]
2012x-0761858784Univ Pr of Amer 2012. Paperback. New. 125 pages. 9.00x6.00x0.50 inches. Univ Pr of Amer paperback
17921The 9 x 7 inch portrait inscribed "To the dear Cannans in affectionate remembrance Marie Tempest". Tipped on to the photographer's mount. Fine. Inscribed in another hand on verso "Mrs. A. M. Cannan c/o Reiss & Co.". unknown
2006Q-0446579114Grand Central Publishing 2006-02-13. Hardcover. New. In shrink wrap. Looks like an interesting title! Grand Central Publishing hardcover
014925Elina Barthélémy dite Mademoiselle Elian (1819-?), soprano, chanteuse, fille du poète Auguste-Marseille Barthélémy, créatrice du rôle d'Inès dans La Favorite de Donizetti. L.A.S., 1er janvier 1836, 1p in-8. A un de ses professeurs. Elle lui envoie ses voeux et un livre de son père pour lui « donner quelques instants de distractions ». Elian eut trois professeurs au Conservatoire : François-Louis Henry, Laurent-Joseph Morin et Adolphe Nourrit. Après des prix en 1837 et 1838, Elian débute à Paris en 1836, créa quelques petites rôles puis, après 1842, se produisit en province (Bordeaux, Rouen). On la retrouve à Bruxelles en 1848 puis on perd sa trace. Félix Deriège nous donne probablement la raison de cette courte carrière parisienne: « Mademoiselle Élian Barthélemy a le malheur de n'être pas jolie, de grimacer quand elle chante, et d'éprouver souvent de ces embarras de larynx que les artistes ont nommés des chats » (Physiologie du lion. Paris, Delahaye, 1842, p.75). Peu commun. [362]
2002USD_9780896039308Humana Press 2002. 1st. Hardcover. UsedLikeNew/UsedLikeNew. Humana Press hardcover
2002AME_9780896039308Humana Press 2002. 1st. Hardcover. New/New. Humana Press hardcover
20202-0367588110Taylor & Francis 2020. Paperback. New. 176 pages. 9.21x6.14x0.39 inches. Taylor & Francis paperback
380 pages. Features: Rosey Chan and Cassie Yukawa; Elizabeth Peyton's first large-scale retrospective; The tailors and dressmakers behind the Paris haute couture; Full Tweed Ahead; Furry coats and jackets; Rachel Weisz - cover story; Valerie Jarrett; Soprano Renee Fleming; the work of Karl Lagerfeld; Lash mania is gripping the nation; new boots for fall. Unmarked. Average wear. A sound copy. Book
013487Adelina Patti (1843-1919), soprano colorature italienne. Photographie cdv originale par Mayer et Pierson, datée 1863 au crayon au dos. Très bel état, bien contrastée, légères rousseurs. [187]
015464Maria Escalaïs-Lureau (1860-1923), soprano, créatrice du rôle d'Anahita dans Le Mage de Massenet. L.A.S., Paris, 19 avril 1881, 3p in-8. Elle ne peut accepter le programme que demande son correspondant en raison de la difficulté des airs qu'il propose. Elle lui propose donc : « 1 Argonnaise 2 Pardon de Ploërmel 3 Les Huguenots ou la folie d'Hamlet (l'un des deux, mais pas les deux) ». Ce programme est pour une soirée à Alençon le 21 mai 1881. Sympathique courrier autour de son activité. [68-2]
015465Maria Escalaïs-Lureau (1860-1923), soprano, créatrice du rôle d'Anahita dans Le Mage de Massenet. L.A.S., 26 avril 1881, 3p 1/2 in-8. Elle se rend compte que la chanteuse Caroline Brun a choisi un duo qui ne lui convient pas et « ce sera horriblement mauvais ». Cela lui cause une grande anxiété. Elle propose éventuellement l'Ave Maria de Gounod en remplacement. Elle devait participer à une soirée à Alençon le 21 mai 1881. Sympathique courrier autour de son activité. [68-2]
014771Olga Michailoff - Olga Wood - princesse Olga Oroussov (1869-1906), soprano anglaise, épouse du chef d'orchestre Henry Wood. L.A.S., 9 mai 1908, 4p in-8. A James R. Simpson, agent publicitaire à Edimbourg. En anglais. Elle donne les compositeurs qui seront joués lors de la prochaine saison : Claude Debussy, Vincent d'Indy, Jean Sibelius. Elle dit notamment que son mari pourrait avoir plus de succès en tant que pianiste dans un récital que comme chef d'orchestre. On joint deux enveloppe au même datées 1907 et 1908. Belle lettre. [359]
193537052April 20 1935. 1935. Very good. - An original 10 inch high by 8 inch wide matte-finish sienna-toned photograph of the soprano by Melbourne Spurr of Los Angeles. The photograph a head and shoulders portrait of Mary McCormic portrays her in a dark jacket over a matching dark blouse with a brooch in the lapel of the jacket. The singer gently smiles straight at the camera. The photographer's name "Melbourne Spurr Los Angeles" is embossed in blind at the bottom left of the image and his credits are stamped in blue on the verso. The photograph is inscribed diagonally at left to the Nashville Golden Glove Boxing referee Fitz Waldrip and signed and dated by the singer: "To Fitz Waldrip with best wishes / Mary McCormic / April 20 1935". The first 2 letters in "April" are slightly smudged. The top edge of the photograph is roughed possibly from having been removed from an album as would be indicated by rubbing evident along the top edge of the verso. The bottom corners are very lightly bumped. Very good. <p>Said to have been among most famous sopranos in the world during the 1920's and 30's Mary McCormic 1889-1981 was known for her leading roles with the Paris National Opera the Opera Comique the Monte Carlo Opera and the Chicago Civic Opera. Born in Belleville Arkansas McCormic became interested in becoming an opera star at the age of 9 years old. She first studied voice with Emil Frey Myers and her potential became known to others by way of a singing contest sponsored by Mary Garden. She would become a protege of Mary Garden. Following her opera career the dean of the University of North Texas College of Music Wilfred Bain convinced her to create an Opera Workshop at the school in 1944. McCormic founded directed and defended the school's workshop which she built from scratch on a shoestring budget. She went on to mold the school's opera workshop over 16 years. The only opera company in existence in the Southwest the North Texas Opera Workshop was the first collegiate touring opera workshop west of the Mississippi and McCormic pioneered an approach to low-cost opera in an era of dwindling funds. Upon its founding in 1957 the Dallas Opera drew on the North Texas Opera Workshop for a steady supply of gifted singers for its chorus. April 20, 1935. unknown
2090502113706398Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
26754No place or date. Attractive Page extracted from autograph album 19.5 x 16cms sl. foxed edge rough where extracted good condition comprising: a. Harry Lauder's signature to which he appends the phrase "The saftest o'the Family" with the signatures of Henry Simson and Lena Ashwell Simson SEE IMAGE. On verso signature after subscription as follows: "With all good wishes Sincerely Yours Amy Evans 1914". No place or date. unknown
boz_003878Mariette SULLY. Lettre autographe signée. État : Très bon état. Dimensions : 13,3 x 20,5 cm. 2 pages.
22266Undated; on letterhead of the Prince of Wales Theatre Coventry Street London. 2pp 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. Hoping you are well – with kind regards. Yours sincerely Decima Moore'. Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London]. unknown
21478Headed "Eva Turner" 26 Palace Court London W2 4HZ 12 Dec. 1977. One page cr. 8vo fold marks very good condition. She appreciates his thoughtfulnes concerning her personal life and is sympathetic about his personal life. She goes on: "I think there are enough biographies and autobiographies on the market without my inflicting more and so I have decided against it! Notwithstanding I am very touched by all your kind observances regarding myself." She then discusses her promising students Linda Esther Gray later her biographer and Stuart Harling. She appreciates his remembering her Pekingese which had died after a long life and not been replaced. She sends good wishes from her longtime companion/secretary Miss Ridyard for Christmas and the New Year. A postscript anounces that she's sending no Christmas cards "this year". [Headed, "Eva Turner"] 26 Palace Court, London, W2 4HZ, 12 Dec. 1977 unknown
26150No date or place. London 1868. See her entry in Grove. The letter can be dated by the reference to Sir William Mitchell see Oxford DNB and the operetta 'The Rival Beauties' which he produced in London and then Plymouth. The letter is on one side of the paper has been cut down to 11 x 9 cm and laid down on a piece of card. Aged and worn with slight loss at top right affecting one word of text. Thirteen lines of close and neatly-written text addressed to ‘Dearest Mrs. Sprague’ and signed ‘Yours affectionately / Erminia Rudersdorff’ with a little of the flourish beneath the signature cut away. Begins: ‘I did not write before because Albert was not certain about Saturday and now he cannot come as he has - as he expected had a letter this morning to say that they can rehearse the “Rival beauties†at Sir William Mittchell’s sic tomorrow evening. So we must find some other evening.’ She hopes it will be possible for Mrs Sprage ‘and Sidney’ to ‘drop in in the evening’ of the following day ‘for I very much want you to know Pepi better’. Image on request. No date or place. [London, 1868.] unknown
21987542like new. unknown
