Livre Rare Book
156 résultats
1909ABE-15286236712699 CM X 14 CM-EN PIEDS-MAIN GAUCHE POSEE SUR COLONNE-FAC SIMILE SIGNATURE EN MARGE INF-LEGERE PLIURE COIN INF G (BCP5)
22266Undated; on letterhead of the Prince of Wales Theatre Coventry Street London. 2pp 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. Hoping you are well – with kind regards. Yours sincerely Decima Moore'. Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London]. unknown
2394324 June 1930. On letterhead of the Clarendon Hotel Oxford. For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p 12mo. In good condition lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ the period of her appearance in a London Palladium production. In a hurried untidy loose hand she writes: ‘Dear Sir / If you like a small Autograph I can give it for You / Yours sincerely / Odali Careno’. See image. [24 June 1930.] On letterhead of the Clarendon Hotel, Oxford. unknown
1940100795<p>Chicago: Chicago Civic Opera House 1940. 1940. Very good. - Quarto 12-1/2 inches high by 9 inches wide. Softcover bound in light grayish white wraps with a black & gray toned Art Deco illustration of Salome by Elmer Jacobs illustrating the front cover. The corners are slightly bumped and the edges of the covers are very slightly darkened. 43 unnumbered pages with the title page illustration of Salome by Elmer Jacobs and profuse illustrated ads throughout. Very good.</p><p>The program for "Salome" appears on page 21 followed by that for "Swan Lake" under the baton of Alexander Smallens with Nana Gollner and Anton Dolin in the principle roles on page 25.</p><p>Marjorie Lawrence was initially scheduled to sing the role of Salome but was not able to appear due to illness. A 5-3/8 inch high by 8-1/2 inch wide insert printed in brown on light gold paper announces "Miss Marjorie Lawrence has been forced to cancel her appearance in 'Salome' this evening due to sudden illness. The management was fortunate enough to secure for the role of Salome Mme Rose Pauly who is famous for her interpretation of Richard Strauss heroines".</p><p>The Hungarian dramatic soprano Rose Pauly 1894-1975 studied in Vienna with Rosa Papier-Paumgartner. She appeared in the German premiere of Kata Kabanova in Koln and went on to sing such roles as Sieglinde the Empress and Rachel creating the role of Agave in Egon Wellesz' "Die Bakchantinnen". She won recognition for her role as Marie in "Wozzeck" and title roles in Jenufa and Elektra a role which she would also sing at the Royal Opera House and the Metropolitan Opera.</p><p>The maverick artist and illustrator Elmer Jacobs born 1901 or 1902 was highly influenced by the New Bauhaus and the School of Design in Chicago. A member of the 27 Chicago Designers the Nine Illustrators and the Society of Typographic Arts he was invited to join the staffs at the Art Institute and the Bauhaus in Chicago as well as a residence at Indiana University. His subjects went on to include works on the American West including works created along the Santa Fe and Oregon Trails.</p><p>The music critic for the Chicago Daily Tribune Cecil Smith wrote the following: "Thanks to Dr. Rodzinski's staggering mastery of the score to Miss Pauly's exceptional self-command and equally exceptional operatic gifts and to the high merit of the other principal artists this revival of 'Salome' was absolutely electric. The huge audience responded after the final curtain with one of the greatest ovations Chicago has seen and heard in a decade."</p> Chicago: Chicago Civic Opera House, 1940. paperback
1911009679Hambourg [Paris] A fond de cale 1911 In-12 Demi-reliure
1333890087.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
013487Adelina Patti (1843-1919), soprano colorature italienne. Photographie cdv originale par Mayer et Pierson, datée 1863 au crayon au dos. Très bel état, bien contrastée, légères rousseurs. [187]
013486Adelina Patti (1843-1919), soprano colorature italienne. Photographie cdv originale par Reutlinger, datée 1865 au crayon au dos. Très bel état, un peu éclaircie. [187]
19944Place and date not stated. Written one above the other on one side of a pink 12mo leaf of paper removed from an album. In fair condition aged and worn with small square of tape staining at head and some light offsetting of ink over Nicholls' signature. Reads: 'Yours sincerely Ben Davies.' and 'In remembrance of Agnes Nicholls'. Place and date not stated. unknown
ria9781118413999_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Robust management of liquidity risk within the changing regulatory framework Liquidity Management applies current risk management theory techniques and processes to liquidity risk control and management to help organizations prepare i hardcover
19101213-nnew. unknown
19101213like new. unknown
A9781118413999Hardback. New. Robust management of liquidity risk within the changing regulatory framework Liquidity Management applies current risk management theory techniques and processes to liquidity risk control and management to help organizations prepare in case of future economic crisis and changing regulatory framework. hardcover
650524691John Wiley & Sons pp. 216 . Hardback. New. John Wiley & Sons hardcover
2002USD_9780896039308Humana Press 2002. 1st. Hardcover. UsedLikeNew/UsedLikeNew. Humana Press hardcover
2002AME_9780896039308Humana Press 2002. 1st. Hardcover. New/New. Humana Press hardcover
8 pages. A pleasing arrangement of the marvelous song. Average wear. Unmarked. A quality copy. Book
200631637FREQUENZ - Italia 2006 13x13x1cm. 2006. CD.
EINAUDI 1964, 122 pagine PRIMA EDIZIONE. DUE PICCOLI TAGLI ALLA SOVRACCOPERTA (NELL'ORDINE DI 1 MILLIMETRO), PER IL RESTO IN OTTIME CONDIZIONI.
012538Caroline Carvalho (1827-1895), soprano colorature. L.A.S., 24 mars 1889, 1p in-12. A mademoiselle M Grunebaum, une de ses élèves. Elle est navrée de la savoir enrhumée. Carvalho l'est aussi et ses occupations l'empêcheront de donner un cours à son élève avant le 1er avril. [249]
018183Caron Rose (1857-1930), soprano. L.A.S., 11 février 1891, 1p in-8. « Voici cher Monsieur la pension du mois de février. À vendredi j'espère et mes meilleures amitiés. Rose Caron ». [420]
018184Caron Rose (1857-1930), soprano. L.A.S., 11 novembre 1890, 1p in-8. « Voici cher Monsieur les deux cents francs de la pension. Bien amicalement à vous. Rose Caron ». [420]
000534P.A.S., 19 septembre 1904, 1p In-12 (8 lignes). Carte postale envoyée à la violoniste Magdeleine Godard (sour de Benjamin) depuis Châtel-Guyon où elle est en cure. Peu commun
26364‘13 Westbourne Park West / Saturday’. no date. See her entry in the Oxford DNB. LETTER: 3pp 12mo. Thirty-one lines. Bifolium. In fair condition with slight staining at foot of first leaf and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’. The conclusion is similarly indecipherable. CALLING CARD: Conventional copperplate calling card with mourning border. Edges and reverse carrying traces of glue from mount. Centred: ‘Mrs. W. Avery Bushnell / née / Catherine Hayes.’ In bottom left-hand corner: 13 Westbourne Park West.’ ‘13 Westbourne Park West / Saturday’. [no date] unknown
22341'26 April 1854. Porchester Lodge 8A Porchester Terrace Hyde Park London. 4pp 16mo. Bifolium. In good condition lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named and the letter begins: 'Dear Sir I have not heard from Mr. Bussell of your Concert but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st. May.' She continues: 'I purpose singing the following unless you particularly wish any class of music especially.' She lists four pieces by Handel Mozart and Cagnoni explaining that she has 'not named any concerted piece not knowing who may be at the concert with me' and she will be obliged by a 'line to tell me which parts for orchestra you have' intending herself to 'bring those to the Can: of Cagnoni'. '26 April 1854. Porchester Lodge, 8A Porchester Terrace, Hyde Park [London]. unknown
