72 résultats
22266Undated; on letterhead of the Prince of Wales Theatre Coventry Street London. 2pp 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. Hoping you are well – with kind regards. Yours sincerely Decima Moore'. Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London]. unknown
2394324 June 1930. On letterhead of the Clarendon Hotel Oxford. For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p 12mo. In good condition lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ the period of her appearance in a London Palladium production. In a hurried untidy loose hand she writes: ‘Dear Sir / If you like a small Autograph I can give it for You / Yours sincerely / Odali Careno’. See image. [24 June 1930.] On letterhead of the Clarendon Hotel, Oxford. unknown
1940100795<p>Chicago: Chicago Civic Opera House 1940. 1940. Very good. - Quarto 12-1/2 inches high by 9 inches wide. Softcover bound in light grayish white wraps with a black & gray toned Art Deco illustration of Salome by Elmer Jacobs illustrating the front cover. The corners are slightly bumped and the edges of the covers are very slightly darkened. 43 unnumbered pages with the title page illustration of Salome by Elmer Jacobs and profuse illustrated ads throughout. Very good.</p><p>The program for "Salome" appears on page 21 followed by that for "Swan Lake" under the baton of Alexander Smallens with Nana Gollner and Anton Dolin in the principle roles on page 25.</p><p>Marjorie Lawrence was initially scheduled to sing the role of Salome but was not able to appear due to illness. A 5-3/8 inch high by 8-1/2 inch wide insert printed in brown on light gold paper announces "Miss Marjorie Lawrence has been forced to cancel her appearance in 'Salome' this evening due to sudden illness. The management was fortunate enough to secure for the role of Salome Mme Rose Pauly who is famous for her interpretation of Richard Strauss heroines".</p><p>The Hungarian dramatic soprano Rose Pauly 1894-1975 studied in Vienna with Rosa Papier-Paumgartner. She appeared in the German premiere of Kata Kabanova in Koln and went on to sing such roles as Sieglinde the Empress and Rachel creating the role of Agave in Egon Wellesz' "Die Bakchantinnen". She won recognition for her role as Marie in "Wozzeck" and title roles in Jenufa and Elektra a role which she would also sing at the Royal Opera House and the Metropolitan Opera.</p><p>The maverick artist and illustrator Elmer Jacobs born 1901 or 1902 was highly influenced by the New Bauhaus and the School of Design in Chicago. A member of the 27 Chicago Designers the Nine Illustrators and the Society of Typographic Arts he was invited to join the staffs at the Art Institute and the Bauhaus in Chicago as well as a residence at Indiana University. His subjects went on to include works on the American West including works created along the Santa Fe and Oregon Trails.</p><p>The music critic for the Chicago Daily Tribune Cecil Smith wrote the following: "Thanks to Dr. Rodzinski's staggering mastery of the score to Miss Pauly's exceptional self-command and equally exceptional operatic gifts and to the high merit of the other principal artists this revival of 'Salome' was absolutely electric. The huge audience responded after the final curtain with one of the greatest ovations Chicago has seen and heard in a decade."</p> Chicago: Chicago Civic Opera House, 1940. paperback
1333890087.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19944Place and date not stated. Written one above the other on one side of a pink 12mo leaf of paper removed from an album. In fair condition aged and worn with small square of tape staining at head and some light offsetting of ink over Nicholls' signature. Reads: 'Yours sincerely Ben Davies.' and 'In remembrance of Agnes Nicholls'. Place and date not stated. unknown
ria9781118413999_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Robust management of liquidity risk within the changing regulatory framework Liquidity Management applies current risk management theory techniques and processes to liquidity risk control and management to help organizations prepare i hardcover
19101213-nnew. unknown
19101213like new. unknown
A9781118413999Hardback. New. Robust management of liquidity risk within the changing regulatory framework Liquidity Management applies current risk management theory techniques and processes to liquidity risk control and management to help organizations prepare in case of future economic crisis and changing regulatory framework. hardcover
650524691John Wiley & Sons pp. 216 . Hardback. New. John Wiley & Sons hardcover
2002USD_9780896039308Humana Press 2002. 1st. Hardcover. UsedLikeNew/UsedLikeNew. Humana Press hardcover
2002AME_9780896039308Humana Press 2002. 1st. Hardcover. New/New. Humana Press hardcover
26364‘13 Westbourne Park West / Saturday’. no date. See her entry in the Oxford DNB. LETTER: 3pp 12mo. Thirty-one lines. Bifolium. In fair condition with slight staining at foot of first leaf and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’. The conclusion is similarly indecipherable. CALLING CARD: Conventional copperplate calling card with mourning border. Edges and reverse carrying traces of glue from mount. Centred: ‘Mrs. W. Avery Bushnell / née / Catherine Hayes.’ In bottom left-hand corner: 13 Westbourne Park West.’ ‘13 Westbourne Park West / Saturday’. [no date] unknown
22341'26 April 1854. Porchester Lodge 8A Porchester Terrace Hyde Park London. 4pp 16mo. Bifolium. In good condition lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named and the letter begins: 'Dear Sir I have not heard from Mr. Bussell of your Concert but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st. May.' She continues: 'I purpose singing the following unless you particularly wish any class of music especially.' She lists four pieces by Handel Mozart and Cagnoni explaining that she has 'not named any concerted piece not knowing who may be at the concert with me' and she will be obliged by a 'line to tell me which parts for orchestra you have' intending herself to 'bring those to the Can: of Cagnoni'. '26 April 1854. Porchester Lodge, 8A Porchester Terrace, Hyde Park [London]. unknown
2012x-0761858784Univ Pr of Amer 2012. Paperback. New. 125 pages. 9.00x6.00x0.50 inches. Univ Pr of Amer paperback
5641'Fermo. Marche August 24th. 1863.'. One page octavo. Very good on lightly aged paper with embossed blue ink monogram at head. 'Dear Sir My Sister Isabella just arrived tells me you desire my autograph I have great pleasure in complying with your flattering request. .' The blank second leaf of the bifolium is carefully attached to a larger piece of neatly-docketed paper and has the two newspaper cuttings partially laid down on it. The short Times obituary dated 17 March 1908 states that 'She must surely have been the last person alive to whom Charles Lamb addressed a poem'. The other obituary equally short is unattributed. 'Fermo. Marche | August 24th. 1863.' unknown
2150526 Palace Court London W2. 6 April 1962. 1p 4to. In fair condition lightly aged and worn with the top part of the blank reverse pasted onto a slip of paper cut from an album. Adressed to 'Miss Constance M. Evans Raventhorpe Carmel Road N. Darlington.' She begins by stating that Evans's letter has been forwarded to her by Julian Herbage. She is 'most interested to know that your birthday coincides with mine and that you claim to be the earliest private accompanist I ever had' and thinks from all that Evans says in her letter that 'that is more than likely and your mention of my great friend Rose Budd and Helen Taylor arouses so many happy memories.' She exclaims 'Alas!' on giving the news that Budd died in April 1949 adding that she still visits her husband occasionally. 'Helen Taylor of course became Helen Cowan but I have not seen her for years. I also knew Mr. McKenzie who played the 'cello.' She ends in the hope that life has treated Evans well 'and that all progresses for you as you desire'. Turner was born in Werneth Oldham and her first formal singing lessons were with Dan Rootham teacher of the contralto Clara Butt. 26 Palace Court, London, W2. 6 April 1962. unknown
21478Headed "Eva Turner" 26 Palace Court London W2 4HZ 12 Dec. 1977. One page cr. 8vo fold marks very good condition. She appreciates his thoughtfulnes concerning her personal life and is sympathetic about his personal life. She goes on: "I think there are enough biographies and autobiographies on the market without my inflicting more and so I have decided against it! Notwithstanding I am very touched by all your kind observances regarding myself." She then discusses her promising students Linda Esther Gray later her biographer and Stuart Harling. She appreciates his remembering her Pekingese which had died after a long life and not been replaced. She sends good wishes from her longtime companion/secretary Miss Ridyard for Christmas and the New Year. A postscript anounces that she's sending no Christmas cards "this year". [Headed, "Eva Turner"] 26 Palace Court, London, W2 4HZ, 12 Dec. 1977 unknown
2582717 January 1968; on letterhead of 3 Langford Close London NW8. 1p 12mo. On blue-grey paper with matching stamped postmarked envelope with typed address to ‘Mr. James Butt / 23 Hartop Rd. / St. Marychurch / TORQUAY’. In good condition lightly aged. Folded for postage. Good large signature: ‘Isobel Baillie’. In response to his enquiry she reports that she has ‘several good pupils who could make satisfactory Sacred Records’ but she would like him to hear them first. In what is possibly a reference to Kiri Te Kanawa she writes: ‘One is a young New Zealand girl with a sweet voice and some experience of sacred work.’ She end by asking whether he will be in London soon ‘and able to spare time to hear her’. 17 January 1968; on letterhead of 3 Langford Close, London, NW8. unknown
0364437340.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364840927.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3042'Monday morning'; on letterhead '15 Marlborough Road St. John's Wood N.W.'. Anglo-German soprano vocalist mother of Richard Mansfield. 2 pages 16mo. Grubby and creased but in good condition overall. Written in purple ink in a small tight hand. She wonders whether the Maitlands have 'set me down by this time as the most illmannered and ungratefull of all beings' or if they know what she has been doing since they sent her 'the information about Liverpool'. After the evening they spent together she 'had the children home your kind information came and I discussed the matter with Harry'. She then had to leave for Germany 'where I had indeed a delightful Time!' She will recount how the Queen and King of Prussia and the Crown princess received her in private audiences when they meet again. 'Then I returned home only to start again for Nottingham and then I wound up by behaving like an idiot; catching cold and havingg such an attack of Influenza as I do not recollect to have had in this state of my existence certainly'. She has only just emerged from the 'strictest privacy of my bedchamber'. 'Monday morning'; on letterhead '15, Marlborough Road, | St. John's Wood, | N.W.' unknown
26150No date or place. London 1868. See her entry in Grove. The letter can be dated by the reference to Sir William Mitchell see Oxford DNB and the operetta 'The Rival Beauties' which he produced in London and then Plymouth. The letter is on one side of the paper has been cut down to 11 x 9 cm and laid down on a piece of card. Aged and worn with slight loss at top right affecting one word of text. Thirteen lines of close and neatly-written text addressed to ‘Dearest Mrs. Sprague’ and signed ‘Yours affectionately / Erminia Rudersdorff’ with a little of the flourish beneath the signature cut away. Begins: ‘I did not write before because Albert was not certain about Saturday and now he cannot come as he has - as he expected had a letter this morning to say that they can rehearse the “Rival beauties†at Sir William Mittchell’s sic tomorrow evening. So we must find some other evening.’ She hopes it will be possible for Mrs Sprage ‘and Sidney’ to ‘drop in in the evening’ of the following day ‘for I very much want you to know Pepi better’. Image on request. No date or place. [London, 1868.] unknown
2405630 September no year. On letterhead of 8 Longridge Road Earl’s Court S.W. London. 1p 4to. In good condition lightly aged with unobtrusive grease stain stain to one blank corner. Folded twice. Good bold hand with large signature. ‘My dear Miss Atkins - / How very kind of you to return me my old book. It was very valuable to me & I was wondering where it was - so I am very glad to have it back again. / Hoping we shall meet before long / With kindest regards & many thanks / Yours very sincerely / Ethel Henry Bird.’ 30 September [no year]. On letterhead of 8 Longridge Road, Earl’s Court, S.W. [London.] unknown
1977100063<p>New York: March 12 1977. 1977. Fine. - Over 55 words typed on her 10 inch high by 6-1/2 inch wide light blue personal stationery. The soprano Carole Farley expresses her's and her husband conductor Jose Serebrier's gratitude for Jean Dalrymple's "help and kindness". "You are one of the most beautiful human beings we know." "I hope you will accept these tickets for my first performance." Signed "Carole". Fine.</p><p>The first production of Alban Berg's "Lulu" at the Metropolitan Opera premiered on March 18 1977 with Carole Farley in the leading role in a production by John Dexter.</p><p>Born in 1946 the American opera soprano Carole Farley was principal singer with the Metropolitan Opera. In 1977 at the age of 19 Farley performed the title role of "Lulu" in the METs premiere production of Berg's opera. Her performances of Poulenc's "La Voix Humaine" and Menotti's "The Telephone" were filmed by Decca in co-production with the BBC and are now re-issued on DVD a best-seller in the New York Times charts. Farley is married to the conductor Jose Serebrier.</p><p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York: March 12, 1977.