Soprano, AldoBiblio.com
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DADAX1118413997Wiley 2015-05-04. 1. hardcover. New. 6.02x0.84x9.30. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
SONG1118413997Wiley 2015-05-04. 1. hardcover. Used: Good. 6.02x0.84x9.30. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
268481907 or after. Page of album 20 x 16cm good condition signed as follows: " Luisa Tetrazzini Souvenir de la Saison au Covent Garden - 6.12.1907 London.". On the verso of the album page there are several unconnected signatures dating 1900-1923. which I didn'feel would repay research.See IMAGE. [1907 or after] unknown
650524691John Wiley & Sons pp. 216 . Hardback. New. John Wiley & Sons hardcover
65731923. The sepia photograph 11 x 4 cm is a full-length shot of a radiant Jeritza posing stylishly in Grecian décolleté dress and sandals. It is neatly mounted in the top left-hand corner of a leaf of cream paper 24 x 20 cm removed from an album. The whole attractive and in good condition. In a large bold hand Jeritza has written diagonally across the paper and upwards towards the photograph 'With best wishes signed Maria Jeritza 1923.' Scan on application. 1923. unknown
98801859. Piece of paper c. 13 x 8cm splodge of a black seal botton left other marks but text clear and complete: '"Lucia di Lammermoor" Regnava nel silenzio . . . Maria Piccolomini'. The recipient has written on the verso: "from herself recd 26 May 1859 signature not deciphered. [1859] unknown
2012x-0761858784Univ Pr of Amer 2012. Paperback. New. 125 pages. 9.00x6.00x0.50 inches. Univ Pr of Amer paperback
193537052April 20 1935. 1935. Very good. - An original 10 inch high by 8 inch wide matte-finish sienna-toned photograph of the soprano by Melbourne Spurr of Los Angeles. The photograph a head and shoulders portrait of Mary McCormic portrays her in a dark jacket over a matching dark blouse with a brooch in the lapel of the jacket. The singer gently smiles straight at the camera. The photographer's name "Melbourne Spurr Los Angeles" is embossed in blind at the bottom left of the image and his credits are stamped in blue on the verso. The photograph is inscribed diagonally at left to the Nashville Golden Glove Boxing referee Fitz Waldrip and signed and dated by the singer: "To Fitz Waldrip with best wishes / Mary McCormic / April 20 1935". The first 2 letters in "April" are slightly smudged. The top edge of the photograph is roughed possibly from having been removed from an album as would be indicated by rubbing evident along the top edge of the verso. The bottom corners are very lightly bumped. Very good. <p>Said to have been among most famous sopranos in the world during the 1920's and 30's Mary McCormic 1889-1981 was known for her leading roles with the Paris National Opera the Opera Comique the Monte Carlo Opera and the Chicago Civic Opera. Born in Belleville Arkansas McCormic became interested in becoming an opera star at the age of 9 years old. She first studied voice with Emil Frey Myers and her potential became known to others by way of a singing contest sponsored by Mary Garden. She would become a protege of Mary Garden. Following her opera career the dean of the University of North Texas College of Music Wilfred Bain convinced her to create an Opera Workshop at the school in 1944. McCormic founded directed and defended the school's workshop which she built from scratch on a shoestring budget. She went on to mold the school's opera workshop over 16 years. The only opera company in existence in the Southwest the North Texas Opera Workshop was the first collegiate touring opera workshop west of the Mississippi and McCormic pioneered an approach to low-cost opera in an era of dwindling funds. Upon its founding in 1957 the Dallas Opera drew on the North Texas Opera Workshop for a steady supply of gifted singers for its chorus. April 20, 1935. unknown
2156510 x 7 3/4 inches. Professionally laid-down on light card. Very good. Since 1922 Anello & Davide of London have been the premier brand in dance and theatrical footwear with a reputation for specialised handcrafted shoes. NB Postage will be reduced to actual cost when the order is processed. unknown
1333890087.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992053360Istanbul: Akbank 1992. Soft cover. Fine. Paperback. Oblong large 8vo. 23 x 24 cm. In English and Turkish. 36 p. color ills. Signed and inscribed by the artist as 'Coskun Sensoy'a saygilarla'. Dated 2.10.1992. Semiha Berksoy was a Turkish opera singer and painter. Berksoy started her acting career in the role of Semiha in the first Turkish sound movie Istanbul Sokaklarinda directed by Muhsin Ertugrul in 1931. She was cast in operettas in Istanbul theaters early in her career. She sang in the first Turkish opera Özsoy in 1934 commissioned by Kemal Atatürk composed by Adnan Saygun. She was honored as the First Turkish Opera Singer and awarded the opportunity to go to Berlin Music Academy for further training. She started her international singing career in 1934 performing in Turkey Germany and Portugal becoming known as a Wagnerian soprano. In 1939 for the 75th birthday of Richard Strauss in Berlin she sang the role of Ariadne in Ariadne Auf Naxos becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey she worked with Carl Ebert helping him in his efforts to create the Turkish State Opera and Ballet. This initiative leads to the creation of the Experimental Stage of the Ankara State Conservatory 1940. She retired from the Istanbul Opera in 1972. She was decorated with the "Atatürk Opera Award" at the 50th-anniversary ceremonies commemorating the introduction of women's rights to vote and to be elected. She received the title of "State Artist" in Turkey in 1998. Following her retirement she remained active mostly as a theater artist. Four years preceding her death at the age of 90 she appeared in a dramatic scene singing Liebestod in Robert Wilson's opera The Days Before: Death Destruction and Detroit III at the Lincoln Center in New York City 1999. <br/> <br/> Akbank paperback
0266063519.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1940100795<p>Chicago: Chicago Civic Opera House 1940. 1940. Very good. - Quarto 12-1/2 inches high by 9 inches wide. Softcover bound in light grayish white wraps with a black & gray toned Art Deco illustration of Salome by Elmer Jacobs illustrating the front cover. The corners are slightly bumped and the edges of the covers are very slightly darkened. 43 unnumbered pages with the title page illustration of Salome by Elmer Jacobs and profuse illustrated ads throughout. Very good.</p><p>The program for "Salome" appears on page 21 followed by that for "Swan Lake" under the baton of Alexander Smallens with Nana Gollner and Anton Dolin in the principle roles on page 25.</p><p>Marjorie Lawrence was initially scheduled to sing the role of Salome but was not able to appear due to illness. A 5-3/8 inch high by 8-1/2 inch wide insert printed in brown on light gold paper announces "Miss Marjorie Lawrence has been forced to cancel her appearance in 'Salome' this evening due to sudden illness. The management was fortunate enough to secure for the role of Salome Mme Rose Pauly who is famous for her interpretation of Richard Strauss heroines".</p><p>The Hungarian dramatic soprano Rose Pauly 1894-1975 studied in Vienna with Rosa Papier-Paumgartner. She appeared in the German premiere of Kata Kabanova in Koln and went on to sing such roles as Sieglinde the Empress and Rachel creating the role of Agave in Egon Wellesz' "Die Bakchantinnen". She won recognition for her role as Marie in "Wozzeck" and title roles in Jenufa and Elektra a role which she would also sing at the Royal Opera House and the Metropolitan Opera.</p><p>The maverick artist and illustrator Elmer Jacobs born 1901 or 1902 was highly influenced by the New Bauhaus and the School of Design in Chicago. A member of the 27 Chicago Designers the Nine Illustrators and the Society of Typographic Arts he was invited to join the staffs at the Art Institute and the Bauhaus in Chicago as well as a residence at Indiana University. His subjects went on to include works on the American West including works created along the Santa Fe and Oregon Trails.</p><p>The music critic for the Chicago Daily Tribune Cecil Smith wrote the following: "Thanks to Dr. Rodzinski's staggering mastery of the score to Miss Pauly's exceptional self-command and equally exceptional operatic gifts and to the high merit of the other principal artists this revival of 'Salome' was absolutely electric. The huge audience responded after the final curtain with one of the greatest ovations Chicago has seen and heard in a decade."</p> Chicago: Chicago Civic Opera House, 1940. paperback
1977100063<p>New York: March 12 1977. 1977. Fine. - Over 55 words typed on her 10 inch high by 6-1/2 inch wide light blue personal stationery. The soprano Carole Farley expresses her's and her husband conductor Jose Serebrier's gratitude for Jean Dalrymple's "help and kindness". "You are one of the most beautiful human beings we know." "I hope you will accept these tickets for my first performance." Signed "Carole". Fine.</p><p>The first production of Alban Berg's "Lulu" at the Metropolitan Opera premiered on March 18 1977 with Carole Farley in the leading role in a production by John Dexter.</p><p>Born in 1946 the American opera soprano Carole Farley was principal singer with the Metropolitan Opera. In 1977 at the age of 19 Farley performed the title role of "Lulu" in the METs premiere production of Berg's opera. Her performances of Poulenc's "La Voix Humaine" and Menotti's "The Telephone" were filmed by Decca in co-production with the BBC and are now re-issued on DVD a best-seller in the New York Times charts. Farley is married to the conductor Jose Serebrier.</p><p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> New York: March 12, 1977.
198296511New York September 23 1982. 1982. Very good. - Over 125 words typed on her husband Jose Serebrier's 11 inch high by 8-1/2 inch wide embossed stationery. In her letter addressed to her friend and press agent Jean Dalrymple the soprano mentions the dates of her forthcoming performances: "I am singing LA VEUVE JOYEUSE The Merry Widow at Theatre Chatelet . 30-some performances in all. It is a new production especially for me." She then mentions heading to Puerto Rico and subsequently Australia where "I will be making a film of the Poulenc opera 'La Voix Humaine' for television." She concludes "Looking forward to our lunch on Thursday and catching up" signed "Carole". In a postscript Farley asks if Jean Dalrymple could "bring me a copy or copies of your release on Thur". Dalrymple's press release is included with the letter. Folded for mailing there are rust stains from a paper clip to the top and bottom edges. Very good. <p>Born in 1946 the American opera soprano Carole Farley was principal singer with the Metropolitan Opera. In 1977 at the age of 19 Farley performed the title role of "Lulu" in the METs premiere production of Berg's opera. Her performances of Poulenc's "La Voix Humaine" and Menotti's "The Telephone" were filmed by Decca in co-production with the BBC and are now re-issued on DVD a best-seller in the New York Times charts. Farley is married to the conductor Jose Serebrier.<p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jose Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. New York, September 23, 1982. unknown
1332937829.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2019Manohar-9781138729230Routledge 2019. Hardcover. New. Routledge hardcover
2019Manohar-9781138729230Routledge 2019. Hardcover. New. Routledge hardcover
A9780367588113Paperback / softback. New. <p>World Trade Organisation WTO trade remedies antidumping anti-subsidy and safeguard agreements are instruments used by WTO members to counter the economic injury caused by dumping subsidies and the sudden and unforeseen increased imports. They are exceptions to the WTO principle of free trade and to the prohibition for States to react unila</p> paperback
20202-0367588110Taylor & Francis 2020. Paperback. New. 176 pages. 9.21x6.14x0.39 inches. Taylor & Francis paperback
0367588110.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2394324 June 1930. On letterhead of the Clarendon Hotel Oxford. For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p 12mo. In good condition lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ the period of her appearance in a London Palladium production. In a hurried untidy loose hand she writes: ‘Dear Sir / If you like a small Autograph I can give it for You / Yours sincerely / Odali Careno’. See image. [24 June 1930.] On letterhead of the Clarendon Hotel, Oxford. unknown
