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198181289Duisburg, Wilhelm-Lehmbruck-Museum 1981. 1981. gr.-8°, 178 S. mit sehr zahlreichen Abbildungen, Illustr. Orig.-Karton.
1956140393Budapest, 1956. M. Tafelbeil., Portr. u. Notenbeisp. 544 S. OLwd. m. Goldpräg. Rücken u. hint. Einbd. teils etwas verblichen. Bind. bei Vorsatz etwas sichtbar.
19623914BBerlin, Merseburger, 1962. (= Veröffentlichungen des Instituts für neue Musik und Musikerziehung Darmstadt, 4), Gr.-8° (24 x 17 cm), 56 Seiten Lila OKt
19133391Budapest 1913. Near fine condition. 1 p. Béla Balázs 1884-1949 writer poet actor film aesthete film director critic film school teacher. His volume Misteriya Mysteries was published in Nyugat in 1912. It contains the one-act plays The Castle of the Bluebearded Prince The Fairy and The Blood of the Holy Virgin. At the time of the publication of The Mysteries Béla Bartók's musical transcription of The Bluebeard's Castle was already complete but no one agreed to perform the opera claiming that it could not be performed. But Béla Balázs did not rest. As a result of his efforts with the help of the Nyugat the original prose version of Bluebeard's Castle and The Blood of the Holy Virgin was staged in the Budapest Orfeum in 1913. Lajos Gulácsy created the sets for the performance. Béla Bartók played the piano between the two one-act plays. unknown
1017759227.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
39912The designs represent the characters Bluebeard Judith his current wife 2 and his 3 former wives. Sheet size 456 x 305 mm.<br /> <br /> Some minor light browning. In very good condition overall. "Bluebeard's Castle Hungarian: A kékszakállú herceg vára literally The Blue-Bearded Duke's Castle is a one-act Symbolist opera . to a Hungarian libretto by his friend and poet Béla Balázs. Based on the French folk legend or conte populaire as told by Charles Perrault it l. deploys just two singing characters: Bluebeard Kékszakállú and his newest wife Judith Judit; the two have just eloped and she is coming home to his castle for the first time." Wikipedia<br /> <br /> ". the one-act opera A Kékszakállú herceg vára 'Bluebeard's Castle' 1911 is however a masterful Hungarian emulation of the realism of Debussy's Pelléas et Mélisande. Written to an expressionistic libretto by Béla Balázs about the 'mystery of the soul' the action of Bluebeard's Castle is negligible involving just two singing protagonists Bluebeard and his new wife Judith who progress through the opening of the eponymous castle's seven doors drawn by the woman's curiosity. The opera's climactic turning-point comes at the fifth door to Bluebeard's kingdom after which Judith's jealousy becomes obsessive leading to her eventual entombment along with all Bluebeard's previous wives and eternal darkness. Bartók's work changed the course of Hungarian opera by successfully developing a fluid form of Hungarian declamation of Balázs's ballad-like text based largely upon the inflections of parlando rubato folksong." Malcolm Gillies in Grove Music Online<br /> <br /> Perdziola an internationally-recognized set and costume designer for theater opera and ballet has worked extensively throughout the United States at such venues as the Metropolitan Opera San Francisco Opera Santa Fe Opera Lyric Theatre of Chicago American Ballet Theater Shakespeare Theater in Washington Boston Ballet and Miami Ballet as well as for various Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera the Niedersächsische Staatsorchester in Hannover the Garsington Opera in the United Kingdom the Finnish National Ballet the Saito Kinen Festival in Japan and the Sydney Opera House. The artist has received three Helen Hayes awards and a Helpmann award; he has also been nominated for numerous additional awards. unknown
2915586543.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20061075434Frankfurt am Main : Peter Lang, 2006. 458 S. : Ill., Kt., Noten. Original brochure, 21 cm.
DL-GGZG-N38OThis is the MERCURY SR90311 record from 1978. Other than a tiny breather hole in the bottom corner of the cover corner the record is in excellent condition. There are no scratches under normal light see photo. Check my feedback to see that I sell exactly as I describe. So bid now to own this magnificent impossible-to-find RECORD COLLECTIBLE.Like New unknown
1785582194.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1956020614Budapest Hungary: Editio Musica Budapest. Good. 1956. Softcover. White paper boards with illustration and title on front cover. Gilt stripe on front cover. Black lettering on the spine. Sunning along the spine and front cover edge. Miniature sheet music for composer Bartok's Quartetto I. A list of his other musical compositions follow. ; Miniature; 2 1/2" x 1 7/8"; 41 pp . Editio Musica Budapest paperback books
1991030044London: John Calder; New York Riverrun Press 1991. Published in association with English National OPera. vi 112p. music b/w illus. stiff wrappers Opera guide 44. John Calder; New York, Riverrun Press unknown books
1995046183Homosassa FL: Bartok Records 1995. With a commentary by Laszlo Somfai & fair transcription of the draft with notes prepared by Nelson Dellamaggiore. 84p. music b/w illus. original black cloth with gilt lettering large folio format. Includes the 16-page colored facsimile of the holograph score. Titlepages and text in English Hungarian German Japanese and Spanish. Bartok Records unknown books
19095919Budapest: Rózsavölgyi & Cie. 1909. First Edition in score. Used; Like New/Used; Like New. Miniature score of Bartók's Quartet no. 1 op. 7 BB 52 Sz 40 W 20 Somfai 308. PN R. & Co. 3287. 38 pp. 5.25 x 7.5 inches 13.5 x 19 cm. Two slight creases to the cover some toning; overall in fine condition.<br>The work was at least in part inspired by Bartók's unrequited love for the violinist Stefi Geyer - in a letter to her he called the first movement a "funeral dirge" and its opening notes trace a motif which first appeared in his Violin Concerto No. 1 a work dedicated to Geyer and suppressed by Bartók for many years. The intense contrapuntal writing of this movement is often compared to Ludwig van Beethoven's String Quartet No. 14 the opening movement of which is a slow fugue.<br style=""> Rózsavölgyi & Cie. unknown books
14186Used; Like New/Used; Like New. Neatly penned autograph letter one page 5 x 6.5 no date but postmarked April 6 1922. Addressed on the reverse in Dukas's own hand to Henri Prunières and signed "Paul Dukas." The letter apologizes for missing a visit from the addressee and from "Monsieur Béla Bartok whose acquaintance I would have been delighted to make. All the more so since I must respond to your kind invitation for Saturday. I have to be in Valenciennes on Sunday to help with the concert of the Societé du Conservatoire there. And if I don't take the train at 5:10 in the evening on Saturday I will have to get up at 6:30 to leave on Sunday morning! So in this case despite all my regrets I must excuse myself." A scarce and rather charming letter from the French composer critic scholar and teacher best known for his "L'apprenti sorcier "The Sorcerer's Apprentice and his opera "Ariane et Barbe-bleue."<br style="">Bartok's 1922 visit to Paris was part of a larger concert tour of Britain France and Germany ending with the premieres of Bluebeard's Castle and The Wooden Prince on 13 May in Frankfurt. In Paris he met important French composers including Francis Poulenc and Erik Satie. The Saturday soirée to which Dukas refers would have taken place just after an occasion recalled by Poulenc: "I remember a strange lunch on Saturday 8 April 1922 where Bartok and Satie met at my house for the first and last time. Like two birds who do not sing the same tune Bartok and Satie observed each other with suspicion and maintained an overwhelming silence that Auric and I tried in vain to break. For me it is an extraordinary and symbolic memory." Quoted in Entrancing Muse: A Documented Biography of Francis Poulenc p. 113.<br style="">Henri Prunières 1861-1942 was a French musicologist and international propagandist of contemporary art in various forms: music dance painting etc. He occupies especially in music an important place in the art world between the wars. His major contribution was La Revue musicale a monthly musical periodical which he founded in 1920 and left in 1939.<br style=""> unknown books
1968004341Budapest Hungary: Editio Musica 1968. Ethnomusicology Writings Facsimile Reprints IV: Melodies of the Romanian Colinde Christmas Carols. Text is in German Fine No Jacket as Issued. SCARCE. . Reprint. Hard Cover. Fine/No Jacket As Issued. Editio Musica Hardcover books
197414513Racine WI: Merrigold Press 1974. Color composition binding. Nr Fine pos on front paste-down. Unpaginated. Illustrated in color by Jack C. Glover. Sq 8vo. <br/><br/> Merrigold Press unknown books
2011UBARMEM00JKNFree Press 2011. Very Good. Bartok Mira. The Memory Palace: A Memoir. New York : Free Press 2011. 306pp. Illustrated. 8vo. Paperback. Book condition: Very good. Slight shelf wear. Edges bumped. Free Press paperback books
2011UBARMEM00LRFree Press 2011. Very Good. Bartok Mira. The Memory Palace: A Memoir. New York : Free Press 2011. 306pp. Illustrated. 8vo. Paperback. Book condition: Very good. Free Press paperback books
2017034438Somerville: Candlewick Press. 2017. The advance reading copy of Bartok's Dickensian steampunk middle grade fantasy about orphaned "groundlings" which even before publication was slated to be both a movie and a Broadway musical. Signed by the author. Textual differences exist between this advance copy and the finished book. Light tap to spine crown else fine in wrappers. Bartok won the National Book Critics Circle Award for her memoir The Memory Palace. Uncommon as an advance copy and especially so signed. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Near Fine. Candlewick Press paperback books
2017Embry 173227Candlewick Press 2017. First edition first printing. Fine in fine dust jacket in mylar cover. Candlewick Press, 2017. First edition, first printing. unknown books
1976feb08976Kriterion 1976. Used. 1976; Romanian Edition of Scrisori I; For more details please contact me Kriterion unknown
x-3702417265Universal Edition 1923. Paperback. New. the exact release date is unfortunately unknown! edition. 56 pages. 11.80x8.70x0.30 inches. Universal Edition paperback
107917Regensburg Gustav Bosse 1956. 8vo. 91 1 pp. Underlinings and marginal notes with black and red pencil. Sewn as issued with somewhat worn wrapper. Forschungbeiträge zur Musikwissenschaft Band III. From the library of the Swedish composer Erland von Koch with his signature dated 1956 and with his comments in the text. Erland von Koch 1910-2009 var kompositör och bl.a. känd för filmmusik till Ingmar Bergmans filmer. Han var även liksom Bartok intresserad av folkmusik och använde detta i orkesterverken Oxbergsvariationer och Lappland-metamorfoser skrivna just 1956 resp. 1957. Boken är ställvis med rikliga annoteringar. unknown
1025061691.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
