Haydn, JosephBiblio.com
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1851423529London : Edward Moxon 1851. 5th edition. Hardcover. Poor copy in the original gilt-blocked leatherette-covered boards. Spine and panel edges somewhat bumped and rubbed as with age with some tears and wear to the material. Text block detaching from spine and boards. Scattered foxing internally. Remains quite well-preserved overall. Physical description; viii 673 1 p. ; 23 cm. Subjects; Encyclopedias and dictionaries. History ; Dictionaries. Chronology Historical. London : Edward Moxon hardcover
1018026606.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1247344665.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1342756541.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
9353703921.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1847222535London : Edward Moxon 1847. Fourth Edition. Hardback. Good copy bound in contemporary full leather. Spine bands and panel edges somewhat dulled and rubbed as with age. Small 2cm tear between spine over and front panel. All edges marbled; marbled endpapers. Remains quite well-preserved overall. Further scans images etc. and additional bibliographical material available on request.; 8vo 8"" - 9"" tall; 587 pages; Subjects: History -- Dictionaries -- Chronology Historical. ""Fourth edition to which is added a copious index of leading names."" --title page. Physical description: viii. 587p ; 22cm. London : Edward Moxon hardcover
114439Leipzig Breitkopf und Härtel 1801. Oblong folio. Lith. title blank 176 pp with printed music pp. 174-176 with Verlagsverzeichniss. Stain on title and first 40 pages foxing. Contemporary somewhat worn half calf spine with raised bands marbled but faded board papers the front with handwritten label stain on front board. Hoboken 1417 XXI:3. The first printed edition of Die Jahreszeiten Les Saisons The Seasons published the same year as the first performance and shortly before it was published in Mus. Magazin Hoboken. This edition is for piano and vocals with the text in German and English. The first partitur and a similar piano score as this with the text in German and French were published by Breitkopf & Härtel in 1802. The title vignette is signed by Schubert del. and F. W. Nettling sc. The last 3 pages contain a list of published works from Breitkopf und Härtel.The Seasons and The Creation were the two great oratoriums of Haydn’s later years. They both have their texts from English poets. The Seasons is by James Thompson and The Creation is based on Milton’s Paradise Lost. Haydn’s friend Baron Gottfried van Swieten translated both poems for the German librettos. hardcover
61903Carus-Verlag. Full Score. Hardback. As New hardback. . Hardback. The picture on this listing page is of the actual book for sale. Carus-Verlag hardcover
18021148München: Gedruckt bey Franz Seraph Hübschmann 1802. Bond together by a blue paper band as published. Wormhole to the first leaves at the inner margin with no effect on the text. Foxing that effects the first and the last leaves more intensely. Very slightly chipped. Overall in fine condition. Bond together by a blue paper band as published. 31 1 p. <p><br /> A very early edition of the libretto of Haydn’s oratorio Die Jahreszeiten The Seasons which was premiered in Vienna in 1801.<br /> <p><p><br /> The libretto was prepared by Baron Gottfried van Swieten who was also responsible for the text of The Creation and it is based on passages taken from the long English poem under the same title by James Thomson. <br /> The composition had a dual premier both held in Vienna first in April 1801 exclusively for the aristocracy whose members had financed the work and in about a month for the broader public.<br /> <p><p><br /> The libretto was published with no credit for the translator first in Vienna in 1801 while the music score in Leipzig by Breitkopf & Härtel in 1802. This Munich edition of the libretto possibly accompanied the oratorio’s premiere in the city.<br /> <p><p><br /> Scarce we could trace only one copy of this edition in institutional holdings in Austria.<br /> <p>. Gedruckt bey Franz Seraph Hübschmann unknown
NOTE0123Leipzig Breitkopf u. Härtel 1802. quer-4° 176 S. in Typendruck OKart. stärker berieb. Ecken bestoß. tls. mit einigen Knickspouren an den RüKanten rissig stockfleck. einige schwach gebräunte Fleckspuren Ränder tlw. knitterig. Hoboken II S. 59. - Erstausgabe mit deutsch/französischem Text. (Leipzig), Breitkopf u. Härtel (1802). unknown
187630663AB1876. Leipzig C. F. Peters 1876. Quer-4°. 92 S. Mit lithogr. Titel von C. G. Roder. Leinenband der Zeit. Platten-Nr. 5671. Papier zu Beginn stärker stockfleckig. Der Einband berieben. unknown
178641286Vienne: Chez Artaria Comp. PN 86 1786. Oblong folio. Disbound. i title with oval vignette engraved by Seb. Mansfeld of an aristocratic lady seated at a fortepiano playing from a large folio music book 2-15 i blank pp. Engraved throughout.<br /> <br /> Contains 10 short works for keyboard including arrangements of music from Haydn's opera La Vera Costanza. <br /> <br /> With contemporary signature and early stamp incorporating a shield topped by a crown to blank upper outer corner of title.<br /> <br /> Slightly worn; minor foxing mainly to blank margins of title; small dampstain to upper outer corner; some pages with irregular vertical ink lines as a result of printing from cracked plates. First Edition in this form. Rare. Weinmann p. 18. Hob. I:81/2 Hob. XXVIII:8/6 Hob. I:79/2 Hob. I:85/3 Hob. I:85/2 Hob. Ia:15/2 Hob. XVII:9 Hob. XXVIII:8 Hob. I:53/2 Hob. III:41/4. RISM H 4300 and HH 4300 no copies in the U.S. <br /> <br /> Haydn "began his career in the traditional patronage system of the late Austrian Baroque and ended as a 'free' artist within the burgeoning Romanticism of the early 19th century. Famous as early as the mid-1760s by the 1780s he had become the most celebrated composer of his time and from the 1790s until his death was a culture-hero throughout Europe. Since the early 19th century he has been venerated as the first of the three 'Viennese Classics' Haydn Mozart Beethoven. He excelled in every musical genre; during the first half of his career his vocal works were as famous as his instrumental ones although after his death the reception of his music focussed on the latter except for The Creation. He is familiarly known as the 'father of the symphony' and could with greater justice be thus regarded for the string quartet; no other composer approaches his combination of productivity quality and historical importance in these genres. In the 20th century he was understood primarily as an 'absolute' musician exhibiting wit originality of form motivic saturation and a 'modernist' tendency to problematize music rather than merely to compose it but earnestness depth of feeling and referential tendencies are equally important to his art." Georg Feder and James Webster in Grove Music Online. Chez Artaria Comp. [PN 86] unknown
2d7330Arte Nova ohne Ort 1995. 4 CDs mit einer Gesamtspielzeit von ca. 249 Minuten in original Kunststoffhülle im kartonierten Schuber. - gute Exemplare/gespielt von den Hamburg Soloists/dirigiert von Emil Klein - unknown
1979Q-0486237532Dover Publications 1979-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
9638303484.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1950001168Boston Wien: Haydn Society 1950 xii 343 pp. Red cloth folio full scores. Previous owner's stamp else clean and unmarked. Includes a thematic index of all the symphonies and editorial revisions listed in back. Edited by H. C. Robbins Landon. Sinfonia Hob. I:82. ''The Clock'' C major; Sinfonia. Hob. I:83. ''The Hen'' G minor; Sinfonia Hob. I:84. Eb Major; Sinfonia Hob. I: 85 ''The Queen'' Bb major; Sinfonia Hob. I:86 Dmajor; Sinfonia Hob. I:87 A major. Printed in Wien. Cloth. Very Good. Folio - over 12" - 15" tall. Haydn Society hardcover
1951001170Boston Wien: Haydn Society 1951 x 404 pp. Red cloth folio full scores. Previous owner's stamp a few dynamics marked in red in the Missa Brevis else clean and unmarked. Edited by Carl Maria Brand. Includes Missa brevis in F; Missa in honorem Beatissimae Virginis Mariae; Missa Sanctae Caeciliae; Missa Sancti Nicolai. Thematic index of all of Haydn's masses. Printed in Wien. Cloth. Very Good. Folio - over 12" - 15" tall. Haydn Society hardcover
0486287289New. Brand new and still unused unknown
0486287289.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
84622Brillant Classics 2011. 150 CDs compl. u. 1 CD-Rom in Kassette. Tadell. 010 Brillant Classics, 2011 unknown
1969555078Bath: Firecrest Publishing Limited 1969. Hardcover. Fine/Near Fine. Reprint. xxviii 1170pp. Modest soiling to page edges else fine in a lightly spine-sunned near fine dust jacket with very minor edge wear. Firecrest Publishing Limited hardcover
181340615London: Printed by Clementi Banger Collard Davis & Collard 26 Cheapside 1813. CLEMENTI Muzio 1752-1832. Folio. Disbound. 1f. recto title verso blank i blank 2-19 pp. Engraved. Watermark 1813.<br /> <br /> "With M. Clementi's Compliments to Miss Hime" in contemporary manuscript to head of title in an unknown hand.<br /> <br /> Slightly worn; occasional scattered foxing and minor creasing. Tyson p. 130. OCLC 1314089583 2 copies only in the U.S. at Princeton and Duke.<br /> <br /> An adaptation of that of Salomon flute string quartet and piano ad lib. Hoboken I p. 208: S.Coll.Sy.15a but for reduced forces of piano accompanied by flute violin and cello ad lib.<br /> <br /> "The last six symphonies are even more brilliant clarinets are added except in no. 102; Haydn's determination to conquer new territory with each work is palpable. No. 99 in E♭ is his most elaborate symphonic essay in remote tonal relations; it also features a particularly warm slow movement in G major with extensive wind writing much commented on at the time. No. 101 'Clock' has by far the longest minuet and trio Haydn ever composed and a particularly brilliant rondo finale. No. 100 'Military' rapidly became his most popular owing to the slow movement based on a romance from the lyre concerto hVIIh:3 overlaid by massive percussion outbursts that audiences found deliciously terrifying." Georg Feder and James Webster in Grove Music Online. Printed by Clementi, Banger, Collard, Davis & Collard, 26, Cheapside unknown
180441316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. <br /> <br /> 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved.<br /> <br /> Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts.<br /> <br /> In very good condition overall. <br /> <br /> Provenance<br /> Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. <br /> <br /> The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown
1241513260.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
