Haydn, JosephBiblio.com
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1951001170Boston Wien: Haydn Society 1951 x 404 pp. Red cloth folio full scores. Previous owner's stamp a few dynamics marked in red in the Missa Brevis else clean and unmarked. Edited by Carl Maria Brand. Includes Missa brevis in F; Missa in honorem Beatissimae Virginis Mariae; Missa Sanctae Caeciliae; Missa Sancti Nicolai. Thematic index of all of Haydn's masses. Printed in Wien. Cloth. Very Good. Folio - over 12" - 15" tall. Haydn Society hardcover
0486287289New. Brand new and still unused unknown
0486287289.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
84622Brillant Classics 2011. 150 CDs compl. u. 1 CD-Rom in Kassette. Tadell. 010 Brillant Classics, 2011 unknown
1969555078Bath: Firecrest Publishing Limited 1969. Hardcover. Fine/Near Fine. Reprint. xxviii 1170pp. Modest soiling to page edges else fine in a lightly spine-sunned near fine dust jacket with very minor edge wear. Firecrest Publishing Limited hardcover
181340615London: Printed by Clementi Banger Collard Davis & Collard 26 Cheapside 1813. CLEMENTI Muzio 1752-1832. Folio. Disbound. 1f. recto title verso blank i blank 2-19 pp. Engraved. Watermark 1813.<br /> <br /> "With M. Clementi's Compliments to Miss Hime" in contemporary manuscript to head of title in an unknown hand.<br /> <br /> Slightly worn; occasional scattered foxing and minor creasing. Tyson p. 130. OCLC 1314089583 2 copies only in the U.S. at Princeton and Duke.<br /> <br /> An adaptation of that of Salomon flute string quartet and piano ad lib. Hoboken I p. 208: S.Coll.Sy.15a but for reduced forces of piano accompanied by flute violin and cello ad lib.<br /> <br /> "The last six symphonies are even more brilliant clarinets are added except in no. 102; Haydn's determination to conquer new territory with each work is palpable. No. 99 in E♭ is his most elaborate symphonic essay in remote tonal relations; it also features a particularly warm slow movement in G major with extensive wind writing much commented on at the time. No. 101 'Clock' has by far the longest minuet and trio Haydn ever composed and a particularly brilliant rondo finale. No. 100 'Military' rapidly became his most popular owing to the slow movement based on a romance from the lyre concerto hVIIh:3 overlaid by massive percussion outbursts that audiences found deliciously terrifying." Georg Feder and James Webster in Grove Music Online. Printed by Clementi, Banger, Collard, Davis & Collard, 26, Cheapside unknown
180441316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. <br /> <br /> 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved.<br /> <br /> Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts.<br /> <br /> In very good condition overall. <br /> <br /> Provenance<br /> Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. <br /> <br /> The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown
1241513260.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1241428816.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1271458381.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
188172648London: Ward Lock & Co. 1881. Large 8vo.Prize Binding. vi vi 920 pp. Full calf prize binding with gilt crest to board and gilt decoration and green label to spine; edges and endpapers marbled. Rubbing to extremities and spotting to prelims otherwise quite clean. Bookplate detailing awarding of prize to Charles Ernest Reeve of Sir John Gresham's Free Grammar School Norfolk presented by The Worshipful Company of Fishmongers governors of the school and dated 1882. . Very Good. Full Calf - Prize Binding. Seventeenth Edition. 1881. Ward, Lock, & Co. 1881 unknown
1878423245London : E. Moxon Son & Co 1878. 16th edition. Hardcover. Good copy in the original gilt-blocked cloth. Spine and panel edges somewhat bumped and rubbed as with age with some tears to the cloth. Scattered foxing internally. Remains quite well-preserved overall. Physical description; vi6 872 10 p. ; 8vo. Notes; ""London: Bradbury Agnew & Co. printers Whitefriars"": title page verso. Includes index. With a half-title: Haydn's Dictionary of dates comprehending remarkable occurrences ancient and modern . particularly of the British Empire. 10 p. of publisher's advertisements at end. Subjects; Chronology Historical. History ; Dictionaries. World history. London : E. Moxon, Son & Co hardcover
1892437469New York : Putnam 1892. 20th edition. Hardcover. Finely bound in modern gilt-blocked leather over marble boards. Raised bands. Spine compartments uniformly tooled in gilt. Particularly well-preserved; tight bright clean and strong. Further scans images etc. and additional bibliographical material available on request. Physical description: 1136 170 pages 24 cm. Subjects: History ; Dictionaries; Chronology Historical. New York : Putnam hardcover
12449330like new. unknown
3752521562.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1016115431.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1016110197.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3337375219.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3337375200.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3337375227.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1346289956.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1898253076London: Ward Lock & Co. Limited 1898. Twenty-Second Edition. Hardcover. Poor copy with wear tear and dust-dulling as with age. Text remains clear and without blemish. Edition; 22nd edition containing the history of the world to the autumn of 1898 / by Benjamin Vincent. Physical description; vi 6 1290 p. ; 23 cm. Subjects; History — Dictionaries. Chronology Historical. London: Ward, Lock & Co., Limited hardcover
1528109406.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9353865905.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
179740149London: Mr. Salomon 1797. Folio. Disbound. i title 98-115 pp. Engraved. Watermark 1796. "Sinfonia XII" printed at left of first system.<br /> <br /> With autograph control signature "J Salomon" with flourish to lower outer corner of title. <br /> <br /> Slightly worn and browned; very small tear to blank outer margin of title. First Edition of this arrangement by Johann Peter Salomon 1745-1815 entered at Stationer's Hall on 2 October 1797. HWV Vol. I p. 208 and appendix Coll.Sy.15b. Hoboken Collection Vol. 6 265 lacking string parts. RISM H4522 no complete sets of parts; copy in the Österreichische Nationalbibliothek ex-Hoboken lacks the Violoncello part; separate piano parts at Österreichische Nationalbibliothek and Royal Danish Library Copenhagen. WorldCat records two complete sets of parts only at the University of Oxford OCLC 28445245 and the Sächsische Landesbibliothek Dresden OCLC 315930218 and a piano part only OCLC 41830929 at Princeton University. <br /> <br /> "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies." James Webster in Grove Music Online<br /> <br /> Johann Peter Salomon a German violinist impresario and composer "played a leading part in English musical life not only in London but in the provinces as well. Having made his name as a brilliant violinist he made progressively fewer solo appearances and turned his attention to conducting and especially promoting concerts. He mounted subscription concerts from 1783 featuring such international artists as the soprano Mme Mara and his greatest triumph was to secure Haydn's visits to London in 1790-91 and 1794-5 for which the two sets of six 'Salomon' or 'London' symphonies h I:93-104 were written. Haydn's esteem for his impresario and orchestral leader can sometimes be seen in the symphonies for example the phrase marked 'Salomon solo ma piano' in the trio of no.97 and the florid violin part of no.103 second movement; the Concertante in B♭ h I:105 was composed for Salomon who played the solo violin part; and the six string quartets opp.71 and 74 h III:69-74 written between the two London visits in 1793 though dedicated to Count Apponyi were clearly designed for the public performances that Salomon's quartet gave in London. Salomon is also said to have had a hand in providing Haydn with the original model for the text of The Creation." Hubert Unverricht in Grove Music Online. Mr. Salomon unknown
