Haydn joseph

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Haydn MiddletonBiblio.com

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HAYDN, Joseph 1732-1809Biblio.com

Hob. XXI:3. Die Jahreszeiten . Klavierauszug

180240453Leipzig: Breitkopf & Härtel 1802. Oblong quarto. Half green cloth with modern marbled boards decorative cut paper label with manuscript titling to upper. 174 pp. Typeset. Text in German and French. With first part of publisher's catalogue to foot of final page of music. With "Haydn's J.Z." printed to lower margin of some pages. Light uniform browning heavier to some leaves; some minor foxing and staining; very slightly trimmed at upper and lower margins not affecting text or notation but very occasionally just touching or cropping pagination. Somewhat tightly bound occasionally just slightly affecting ease of legibility at extreme inner margins. Lacking title leaf and one leaf containing continuation of publisher's catalogue at conclusion. HWV II p. 59. Hoboken Collection 9 1419. RISM H4691. One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. [Breitkopf & Härtel] unknown

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HAYDN, Joseph 1732-1809Biblio.com

Haydn's celebrated Symphonies composed for and performed at Mr. Salomon's and The Opera Concerts adapted for the Piano-forte with an Accompaniment for a Violin & Violoncello ad libitum No. I-XII. Hoboken I:96 arr. Keyboard part only

180441316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved. Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts. In very good condition overall. Provenance Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown

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HAYDN, Joseph 1732-1809Biblio.com

Hob. XXX:1a etc. A Select Collection of Original Scottish Airs for the Voice. With Introductory & Concluding Symphonies & Accompaniments for the Piano Forte Violin & Violoncello . With Select & Characteristic Verses both Scottish and English adapted to the Airs including upwards of One Hundred New Songs by Burns. Price of each Volume the Voice & Piano Forte One Guinea. The Violin & Violo. parts separate 6.sh

180540142London: Printed & Sold by T. Preston 97 Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh 1805. Large folio. Sewn. 1f. recto portrait of Burns verso blank i title with engraved vignette 98 pp. numbered 151-200 with each page number duplicated and music and poetry alternating on engraved and typeset pages respectively i blank. Oval stipple engraved portrait of Robert Burns by Paton Thomson after Nasmyth and engraved vignette to title by Thomson after Stothard depicting an urn with Burns's portrait in relief floral motifs and a kneeling maiden in Classical garb with verse "Now see where Caledonias Genius mourns / And plants the holly round the tomb of Burns." Manuscript inscription to upper margin of title "To Ms. Richardson from the Editor" and signature of the editor "G Thomson" to right of imprint. Some wear browning foxing and soiling; portrait of Burns detached soiled and torn at edges with paper loss; losses and tears to margins. Lacking 2-page index and 5-page glossary. First Edition. Hopkinson & Oldman p. 19. RISM H2737. Hoboken XXX1a: 226 4bis 227 228 8bis 61bis 229 122bis 230. 231 149bis 232 233 89bis 234 221bis 235 236 76bis 237 238 60bis 239 240 241 81bis 242 145bis 243 244 245 148bis 246 24bis 247 115bis 20bis 22bis 248 249 46bis 52bis 250 69bis 70bis 31bis 251 252 253A 253B 254. RISM 2737. Printed & Sold by T. Preston, 97, Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh unknown

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HAYDN, Joseph 1732-1809Biblio.com

Violino Accompaniment To the Select Collection of Original Scotish Airs for the Voice With Characteristic Verses both Scotish & English including upwards of One hundred new Songs by Burns in four Volumes. Vol. 2-4

180241312London: Printed & Sold by Preston No. 97 Strand. Sold also by the Proprietor G. Thomson York Place Edinburgh 1802. 3 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 2: 1f. recto title verso blank 17-32 pp. Watermark dated 1803 Vol. 3: 1f. recto title verso blank 33-48 pp. Watermark dated 1802 Vol. 4: 1f. recto title verso blank 49-64 pp. Watermark dated 1802 Price given as "3 Shs." With "Neele sculp. Strand" to foot of titles. Title to vol. 2 signed "Go. Thomson" vols. 3 and 4 signed with his initials. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violoncello Accompaniment To the Selected Collection of Original Scotish Airs for the Voice . In three Volumes !4. London . Edinburgh: Preston . G. Thomson Vols. 3 and 4. 2 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 3: 1f. recto title verso blank 21-30 pp. Watermark dated 1802. Vol. 4: 1f. recto title verso blank 31-40 pp. Watermark dated 1802. Price given as "3 Shs." "Neele sc. Strand" to foot of titles. Titles to each volume initialed by Thomson. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violin Accompaniment by Pleyel To the first Set of Scotish! Songs. Folio. Contemporary plain mid-purple wrappers. Sewn. 8 pp. No title page present possibly not issued with such. Hoboken XXXIa. RISM H2735-37 A fifth volume of songs in the series with music by Beethoven was issued in 1818. The accompanying instrumental parts to the Scottish Songs are very rare. "It is . impossible to speak with assurance in treating of these part books. They are exceedingly rare and we have not found any that can be associated with any volume or edition later than 1818." Hopkinson and Oldman; Thomson's Collections of National Song with special reference to the contributions of Haydn and Beethoven p. 11. Printed & Sold by Preston, No. 97 Strand. Sold also by the Proprietor G. Thomson, York Place, Edinburgh unknown

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Haydn joseph

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