118 résultats
181040444Wien: Camesinaische Buchhandlung 1810. Octavo. Full 19th century dark red calf with gilt rules and blindstamping to boards titling gilt to upper dark red doublure endpapers. Preserved in a modern quarter brown mid-tan leather clamshell box with dark ivory linen boards titling gilt to spine. <br /> <br /> 1f. fine engraved frontispiece portrait of Haydn by D. Weiss after Ihrwack's medallion 1f. recto title verso 3-line verse by D. Tomas de Yriarte 1f. recto dedication verso blank v-x 11-220 pp. 1 folding plate of engraved music. <br /> <br /> Binding slightly worn rubbed and bumped. Minor to moderate foxing throughout; small tear to lower outer corner of pp. 157/158 with no loss of text; frontispiece loose. First Edition. Catalogue of the Printed Books in the British Museum. Accessions Third Series . Books in the Hirsch Library. P. 118. Eitner III p. 197.<br /> <br /> Dies was a German writer composer and painter. "Esterhazy sponsored the publication of his Biographische Nachrichten von Joseph Haydn . for which Dies collected material from 30 conversations with the aged composer. Because of its factual tone and the typically Classical standpoint of its aesthetic judgments this work occupies a significant position in early Haydn literature alongside Griesinger and Carpani. . Many Haydn documents appeared for the first time in the Nachtrichten and it contains a 'list of all the works Haydn composed in London' taken from the lost London notebook." Horst Seeger in Grove Music Online<br /> <br /> An early and important biographical account of Haydn. Camesinaische Buchhandlung unknown
181239523Milano: Candido Buccinelli . contrada di s. Margherita num. 1118 1812. Octavo. Dark blue calf-backed marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title verso publisher's note v-viii 298 i errata ii "Contorni delle Medaglie" i blank pp. <br /> <br /> First Edition of one of the first biographical accounts of Haydn preceded only by the far less important biographical pieces by Framery and Le Breton. Wolffheim II 523. The present work was translated into English in 1839 as The Life of Haydn in Letters. <br /> <br /> Carpani was an Italian librettist critic and poet. "Among various writings two books are particularly important: Le Haydine . and Le Rossininane ossia lettere musico-teatrali. . The former was plagiarized by Stendhal and this created a lively controversy. These books show that Carpani was very knowledgeable about all contemporary music and an astute judge of the renewal movement in the early 19th century. He was in touch with all the major composers of his period and accompanied Rossini on his celebrated visit to Beethoven in 1822." TNG Vol. 3 p. 818.<br /> <br /> Bound with:<br /> Majer Andrea 1765-1837. Discorse sulla Origine Progressi e Stato Attuale della Musica Italiana. Padova: Minerva 1821. 1f. recto title verso quotation from Quintil 3-173 i "Avvertimento" 1f. recto "Indice" verso colophon "Della Nuova Società Tipografica in Ditta N.Z. Bettoni e Compagni 1821". First Edition. OCLC copies in France and Italy only. With the fine engraved half-length frontispiece portrait of Haydn by J. Neidl after Zitterer often lacking.<br /> <br /> Binding slightly worn rubbed and bumped. Some minor wear and foxing but in very good condition overall. Candido Buccinelli ... contrada di s. Margherita num. 1118 unknown
181041428Dublin Ireland: Hime at his Musical Circulating Library No. 34 College Green No 40 College Green 1810. Folio. ff. 25. Sheets: 12 3/4 x 9 inches. Plates: 10 3/4 x 7 1/2 inches. 25 copper-plated engraved pieces of sheet music printed in black. Most sheets hand-foliated in ink. With the ownership signature in ink on the back of songs 9 and 10 written "Susan Buchanan's." 9 of the pieces of sheet music are loose 16 are loosely bound together.<br/> <br/> Provenance: Family of Founding Father Francis Hopkinson<br/> <br/> 25 pieces of sheet music printed in Ireland by Hime at the end of the 18th century from the family collection of Francis Hopkinson America's first composer.<br/> <br/> "American society from about 1805 on was especially enamored of Irish and Scotch tunes particularly the Irish Melodies of Thomas Moore and other national music." - Richard J. Wolfe Early American Music Engraving and Printing Founding Father Francis Hopkinson 1737-1791 was a signatory for New Jersey to the Declaration of Independence and the first American to compose a song which he attested to himself: "I cannot I believe be refused the Credit of being the first Native of the United States who has produced a Musical Composition." Hopkinson published three of the earliest American song collections: Collection of Plain Tunes with a Few from Anthems and Hymns printed by Carr in 1763; America Independent or Temple of Minerva the first American opera printed by Carr in 1781; and Seven Songs for the Harpsichord or Forte Piano printed by T. Dobson in 1788. All sheets were printed by Hime. Hime was an English and Irish music publishing firm run by two brothers Humphrey and Morris. Hime began in Liverpool but moved to Dublin in 1790. The firm continued printing until the 1870s as Hime & Son. The Himes did the largest provincial trade in Britain at the end of the 18th century because English copyright law did not apply to Irish publishers so Hime could flood the English market with bootleg copies of popular songs. The song titles are: 1. "TEARS THAT EXHALE: An admired SONG in the PRISONER Composed by Mr. Attwood." 2. "I'D THINK on THEE MY LOVE. A Favorite NEW SEA SONG Composed by Mr. HOOK." 3. "HENRY's COTTAGEMAID." 4. "AS WRAPT IN SLEEP I LAY: A favorite Song sung by Mrs CROUCH in the Opera of The PIRATES Composed by STEPN STORACE." 5. "WINDS SOFTLY TELL MY LOVE: As Sung by Mrs MOUNTAIN in the Opera of the FARMER with uncommon Applause." 6. "THE MANSION OF PEACE: A Much Admired SONG Composed by Mr. WEBBE." 7. "THE NEW MANSION OF PEACE: A Favorite NEW SONG Composed by Mr. MOULDS." 8. "DEAR MARY TO THEE: A much Admired NEW Song Composed by Mr. HOOK." 9. "DEAR IMAGE OF THE MAID I LOVE: Composed by SIGr. GIORDANI." 10. "WHILST WITH VILLAGE MAIDS: A favorite Song in the Opera of ROSINA Sung by Mrs BILLINGTON." 11. "COME BLUSHING ROSE: Composed by Pleyel." 12. "EVENING: A Favorite BALLAD Composed by HAYDN: The WORDS by DOCr. JOHNSON." 13. "EDWIN AND ELLA: Composed by MR. HOOK." 14. "GO HAPPYGALES: A favorite SONNETT translated from PETRACH by Mr HOOK." 15. "ENCOMPASSED IN AN ANGELS FRAME: A much Admired Song." 16. "THE SHIPWRECK'D BOY. A Favorite NEW Song Written by Geo. Saville Carey." 17. "THERE THE SILVER'D WATERS ROAM: An admired Song in the PIRATES. Sung by Mr Sedgwick. composed by Sigr. STORACE." 18. "Charming Delia: A Favorite BALLAD Composed by Mr. PLEYEL." 19. "DIRE IS HIS GRIEF: An Admired Song in the new Historical Romance of the CRUSADE sung by Mr Incldeon." 20. "NOW THE WOODLAND CHORISTS SING: A Favorite PASTORAL BALLAD composed by J PLEYEL." 21. "O!EVER IN MY BOSOM LIVE: A favorite Duett in OSCAR and MALVINA sung by Mrs Mountain and Miss Keys." 22. "DEAR IS MY LITTLE NATIVE VALE: A favorite NEW Ballad." 23. "YOUNG JOCKEY TRIPT IT O'ER THE MEAD: An Admired BALLAD Composed by SIGr PLEYEL." 24. "BLOW HIGH BLOW LOW: A favorite SONG." 25. "WHEN FAIR SUSAN I LEFT: A much Admired SEA SONG." These scores were part of a Sammelband acquired at the Francis Hopkinson Family Americana Collection sale in June 2020.<br/> <br/> Wolfe Early American Music Engraving and Printing 1980. Hime at his Musical Circulating Library No. 34 College Green, No 40 College Green unknown
181478167Paris: De l'Imprimerie de P. Didot l'aîné 1814. Fine. De l'Imprimerie de P. Didot l'aîné Paris 1814 12.50 x 20.50 cm relié De l'Imprimerie de P. Didot l'Aîné Paris 1814 125 x 205 cm bound in calf First edition of Stendhal's very first book published under the pseudonym of Louis-Alexandre-César Bombet. Contemporary binding in half brown calf spine decorated with gilt fillets and tooling as well as a red morocco title piece. Very rare according to Clouzot De l'Imprimerie de P. Didot l'aîné unknown
18354044Turin 1835. <p>Manuscript on paper. 4to binding size 264 x 197 mm. 26 pp. Contents: Fol. 1r title verso blank f. 2r-5v text La Creazione incipit: "Raffaele / Creò dapprima Iddio il ciel la terra; / Ma giaceva la terra informe e vuota" f. 6r half-title for Le quattro Stagioni 6v-13v text Le quattro Stagioni incipit: "Coro di Contadini e Contadine. / Vieni deh Flora vieni / Prezioso don del Ciel." Written in brown ink in an elegant Italian cursive on fine wove paper no visible watermarks. Three blank leaves at front and back the outermost being a wrapper of thicker paper second flyleaf at back adhered to the third the text block stitched into a Piedmontese case binding of gold-embroidered ivory silk over thin pasteboards both covers with outer border of a leafy scrolling vine with floral sprigs composed of gilt or silver-gilt appliqués of leaves blossoms and roundels on stems of couched silver-gilt thread a larger flowering branch at each corner at center of upper cover a large gilt monogram CF within a cartouche of repeated leaf appliqués with at top a closed crown at center of lower cover a large flowering plant of gilt appliqués couched thread sequins etc. turn-ins of upper cover unsewn dampstain within upper left quadrant of upper cover. <br /> <br /> A manuscript of excerpts from the librettos for Haydn's late oratorios the Creation Die Schöpfung first performed 1798 and the Seasons Die Jahreszeiten 1801 translated into Italian from the German of his librettist and patron Gottfried van Swieten 1733-1803. Bound in brightly gilt embroidered silk binding the manuscript was probably produced for a court or private musical event.<br /> <br /> Both librettos had an English origin. The Creation text based on Genesis and Milton's Paradise Lost was taken from a manuscript libretto by an unknown author originally intended for Handel given to Haydn by the English impresario Johann Peter Salomon and brought back by him from England in 1795. The Seasons was loosely based on extracts from James Thomson's poem of the same title 1730 but van Swieten had greater leeway in rearranging the text.<br /> <br /> It was still considered a given in the early nineteenth century that vocal compositions in languages other than Latin and Italian would be translated into the language of the audience. The Creation was first performed in Italian in Milan in 1810 using Giuseppe Carpani's verse translation of van Swieten's libretto first published in Vienna in 1801. The manuscript contains an abridged version of Carpani's text with some variants. The Quattro stagione is also abridged and seems to be based on portions of an anonymous translation first published in Dresden in 1802 and used for the oratorio's first performances in Italian in 1811 in Milan and Bologna cf. editions of Milan: Mussi 1811 and Bologna: Ramponi 1811.<br /> <br /> The manuscript was exhibited in Turin in 1998: cf. Francesco Malaguzzi Legature romantiche piemontese: legature del periodo romantico in raccolte private no. 67 and p. 30. Malaguzzi stated that the manuscript contains "watermarks of the Biella papermakers the brothers Avondo datable to the third decade of the 19th century" but this cataloguer failed to see any watermarks.</p> unknown
180895829London: Lavenu Cianchettini & Sperati 1808-1810. First editions of the first printings of the full orchestral scores of the complete symphonies of Beethoven Mozart and Hadyn. Quarto two volumes bound in three quarters morocco over marbled boards wit gilt titles and tooling to the spine including A Complete Collection of Haydn Mozart and Beethoven's Symphonies Cianchettini and Sperati and A Complete Collection of <span class="match">Mozart</span> and Beethoven's <span class="match">Symphonies. </span>A Compleat Collection of Haydn Mozart and Beethoven's Symphonies contains the first appearance of the full scores of <span class="match">Mozart</span>'s Overture to the Marriage of Figaro <span class="match">Mozart</span>'s Symphony no. 40 and no. 41. Fuld The Book of World-Famous Music 564-567. A Complete Collection of <span class="match">Mozart</span> and Beethoven's <span class="match">Symphonies Lavenu contains the first appearance of the </span>full scores of <span class="match">Mozart</span>'s Symphony no. 39 no 13 and no. 38. In very good condition with light toning to the text. An exceptional collection of the utmost rarity. 1786 saw the successful premiere of Mozart's The Marriage of Figaro in Vienna. Its reception in Prague later in the year was even warmer and this led to a second collaboration with Da Ponte: the opera Don Giovanni which premiered in October 1787 to acclaim in Prague but less success in Vienna in 1788. The two are among Mozart's most important works and are mainstays of the operatic repertoire today. In 1787 the young Ludwig van Beethoven spent several weeks in Vienna hoping to study with Mozart. No reliable records survive to indicate whether the two composers ever met. Beethoven would go on to become a crucial figure in the transition between the Classical and Romantic eras in classical music he remains one of the most recognized and influential of all composers with his best-known compositions including 9 symphonies; 5 piano concertos; 1 violin concerto; 32 piano sonatas; 16 string quartets; a mass the Missa solemnis; and an opera Fidelio. Lavenu, Cianchettini & Sperati hardcover books
180895829London: Lavenu Cianchettini & Sperati 1808-1810. First editions of the first printings of the full orchestral scores of the complete symphonies of Beethoven Mozart and Hadyn. Quarto two volumes bound in three quarters morocco over marbled boards wit gilt titles and tooling to the spine including A Complete Collection of Haydn Mozart and Beethoven's Symphonies Cianchettini and Sperati and A Complete Collection of Mozart and Beethoven's Symphonies. A Compleat Collection of Haydn Mozart and Beethoven's Symphonies contains the first appearance of the full scores of Mozart's Overture to the Marriage of Figaro Mozart's Symphony no. 40 and no. 41. Fuld The Book of World-Famous Music 564-567. A Complete Collection of Mozart and Beethoven's Symphonies Lavenu contains the first appearance of the full scores of Mozart's Symphony no. 39 no 13 and no. 38. In very good condition with light toning to the text. An exceptional collection of the utmost rarity. 1786 saw the successful premiere of Mozart's The Marriage of Figaro in Vienna. Its reception in Prague later in the year was even warmer and this led to a second collaboration with Da Ponte: the opera Don Giovanni which premiered in October 1787 to acclaim in Prague but less success in Vienna in 1788. The two are among Mozart's most important works and are mainstays of the operatic repertoire today. In 1787 the young Ludwig van Beethoven spent several weeks in Vienna hoping to study with Mozart. No reliable records survive to indicate whether the two composers ever met. Beethoven would go on to become a crucial figure in the transition between the Classical and Romantic eras in classical music he remains one of the most recognized and influential of all composers with his best-known compositions including 9 symphonies; 5 piano concertos; 1 violin concerto; 32 piano sonatas; 16 string quartets; a mass the Missa solemnis; and an opera Fidelio. Lavenu, Cianchettini & Sperati hardcover
1860960H20London: Edward Moxon 1860. Leather. Very Good Indeed. 8.5" by 5.5". None. The 9th edition of Hadyn's Dictionary of Dates revised and enlarged in a signed W. H. Smith and Son binding. Bound in half calf binding with marbled paper boards.Signed binding by W. H. Smith and Son.This is the ninth edition which has been revised and greatly enlarged. A comprehensive dictionary of world history arranged in alphabetical order with a copious appendix to the rear. This dictionary serves as a comprehensive reference providing chronological accounts of significant events and developments in science literature politics and history this work is a sweeping historical reference work compiled by Benjamin Vincent. Bound in signed half calf binding with marbled paper boards. Externally very smart. Slight rubbing to spine extremities and boards with the odd handling mark. Internally firmly bound. Pages bright and clean with minor spotting to the first few leaves. Previous owner's ink inscription to title page. Very Good Indeed Edward Moxon hardcover
18851011B12London; New York: Ward Lock & Co. 1885. Leather. Good. 9" by 6.5". None. A smart full-calf later edition of Haydn's popular historical dictionary including dates up to Summer 1885. Eighteenth edition. In full brown calf binding with marbled endpapers. A comprehensive dictionary of dates relating to world history up until Summer 1885. Originally compiled in 1841 by Joseph Timothy Haydn a British journalist known for his dictionaries this edition was revised for the contemporary reader by Benjamin Vincent notable historian and librarian of the Royal Institution of Great Britain. In full brown calf binding with marbled endpapers. Externally smart with slight bumping and rubbing resulting in minor loss of leather to the spine head tail and joints light marking to boards and more prominent scratching to the rear. Internally firmly bound. A bright and clean copy with the occasional spot more common to the first and last few pages and a faint tide mark affecting the front free endpapers and following four pages. Good Ward, Lock & Co. hardcover
1878825W18London: E. Moxon Son & Co. 1878. Leather. Very Good. 9.5" by 6". None. The scarce sixteenth edition of this popular historical dictionary. The sixteenth edition of Haydn's Dictionary of Dates by Benjamin Vincent. Originally written by Joseph Timothy Haydn a dictionary compiler most known for the Dictionary of Dates. This edition was edited by Benjamin Vincent. An A-Z alphabetical dictionary of the historical meanings of words and their origin dates. Subjects are vast and various. Gold lettering to the spine. Includes an ink inscription to the first free endpaper from prior owners:'L J MargetsouWith Mother's kind loveMarch 1st 1881.' In full leather binding. Externally very smart. Some minor bumping to the head and tail of the spine and to the extremities. Some general shelf ware to the spine. The boards have some marks. The hinges are starting but firm. Internally firmly bound. Pages are very bright and clean. Ink inscription from prior owners from 1881. Very Good E. Moxon, Son & Co. hardcover
1823ZB1325137Boston: Richardson & Lord 1823. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item 340 pp. original printed boards hardcover covers very worn masonic book plate inside the front cover vertical split to the final leaf about good only. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Boston: Richardson & Lord hardcover
1885770R75London & New York: Novello Ewer and Co. c1885. Leather. Very Good. 10.5" by 7". None. A wonderful leather-bound collection of scores of 'Mors et Vita' by Charles Gounod and 'The Passion' by Joseph Haydn. 'Mors et Vita' is a three-part oratorio which premiered at the Birmingham Festival in 1885 conceived as a sequel to the successful 'La Redemption'.'The Passion The Seven Words of our Saviour on the Cross' is here set to music by J. Haydn in an adaptation by the Reverent H. Clementi-Smith.Charles Francois Gounod 1818-1893 was a French composer most renowned for his twelve operas including 'Faust' and 'Romeo et Juliette'. He studied at the Conservatoire de Paris. He was extremely influential upon later French musicians.Joseph Haydn 1732-1809 was a Classical composer hailing from Austria. Haydn was an extremely prolific and influential composer being a friend and mentor to Mozart and the tutor of Beethoven.Undated; dated from copies on Jisc. In a half straight grain morocco binding. Externally a trifle rubbed to the head of the spine resulting in slight loss to the leather; some slight wear to the hinges and bumping to the extremities otherwise general wear. Internally firmly bound. Pages are bright and clean. Very Good Novello, Ewer and Co. hardcover
183030318A Paris, aux Bureaux de la Chanson du Jour illustrée, sans date (vers 1830) . Album relié demi-toile rouge au format 27 x 18 cm, 30 livraisons de "Conservatoire Populaire du Chant", 4 pages chacune ayant paru "tous les samedis" (première série. Il ne semble pas y avoir eu d'autres séries au même titre). Oeuvres présentes : Adolphe et Clara, Gulistan ou le Hulla de Samarcande, Colinette à la cour, Alceste, Cosi fan Tutte, Obéron, Adieu, Vivre loin de ses Amours, La Molinara, Didon, Les deux jaloux, la Dot de Suzette, Gulnare, Camille ou le souterrain, Les Maris garçons, Les deux aveugles, La fausse magie, La belle Arsène, Annette & Lubin, Ariodant, Ernelinde, L'italienne à Londres, L'attente, Zoroastre, Blaise & Babet, Les Danaïdes, Nina, La création, La servante maitresse, Persée, - Puis 18 numéros de "La Chanson du jour", aux Bureaux de la Chanson illustrée dont les titres sont : Oui ! j'aime à rire, Mon chien fidèle, Aux fleurs la brise, Rose & marguerite, Le compagnon maçon, Le printemps, Légende de l'ange gardien, La dernière pensée du Christ, Les deux Pierrots, L'écaillère, La fête-Dieu, Que dites-vous ?, La réponse de Rosette, Grandis mon fils, Les rêves au pays breton, Le bon pasteur, Le loup & le chien, Page & chatelaine, Puis 24 numéros de "Les Chants de la Maison" (recueil bi-mensuel dirigé par M. Alberty, chez Amand Chevé, sans date, vers 1840).- Revues peu courantes dont les textes sont de Marsollier, Henri second, Marc Constantin, Jeaure, Marmontel, Favart, Poinsinet, Cahuzac, Monvel, Comte de Ségur, Baurans, Quinault etc.- Musique de Dalayrac, Grétry, Gluck, Werer, Shubert, Boieldieu, Paisiello, Piccinni, Madame Gail, Mehul, Monsigny, Martini, Phildor, Cimarosa, A. Pilati, Rameau, Dezède, Salieri, Haydn, Pergolèse etc.- 710g.- Très bon état.
189656585Handel and Haydn Society Boston Massachusetts 1896. Pamphlet. Used - Good. 3-9 pages each. 9.5 x 6.5" stitched. Saint Paul; Messiah; Verdi Requiem; Bach Passion Music; Haydn Creation. Creasing soiling G. Handel and Haydn Society, Boston, Massachusetts unknown
187340354Boston: Handel and Haydn Society 1873. 8vo 20.5 cm 8". 2 ff. <br><br>The Handel and Haydn Society is an American chorus and period instrument orchestra based in Boston. It was founded in 1815 and is the third oldest musical organization in the U.S. Until 1873 the chorus did not admit women but did invite small numbers of them to sing for specific performances.<br>Â Â Â Â This is the explanation of the 1875 rule change and the pertinent extract from the by-laws that was given to women who were admitted to the chorus. => Accompanied by the membership card of Miss Jennie Cassidy an alto who was admitted for the 187677 season. At some time in the past folded in thirds; very good. Membership card age-toned and bent across one corner. Handel and Haydn Society unknown books
1868RO50049685L. FARRENC. 1868. In-Folio. Relié demi-cuir. Etat d'usage, Tâchée, Dos frotté, Intérieur frais. 103 pages de partitions + 9 pages de notice biographique de François Joseph Haydn. Editeur, titre, compositeur et filets dorés au dos de l'ouvrage. Dos légèrement frotté.. . . . Classification Dewey : 780.26-Partitions
1893RO50022898"Imprimerie des Annales. 15 octobre 1893. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant ""L'artillerie russe aux manoeuvres"" par Caran d'Ache, Marie-Antoinette d'après le portrait de F. Dumont, ""Monseigneur le Dauphin et Madame, fille du roy"" de Louise Elisabeth.. . . . Classification Dewey : 780.26-Partitions"
1899RO50023197"Imprimerie des Annales. 9 juillet 1899. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Gravures noires et blanches représentant ""La promenade du soir"", et photos et gravures noires et blanches ayant pour thèmes ""Autour de l'affarie Dreyffus"" et ""Actualités : les cimetières de chiens en Angleterre et en France"".. . . . Classification Dewey : 780.26-Partitions"
181947344Stockholm, Johan Imnelius, 1819. Samtidigt marmoreret papbd. nederste del af ryg mangler. (4),88 pp. samt dobbelsidet kobberstukket nodeplanche. Et ormehul i indre marginpå de første blade. Nederste del af bladene med aftagende bruning.
1878117481878 Bourges, E. Pigelet imprimeur, 1878; pièce de 4 pages in-12 avec musique notée.
190099920985Leipzig Leipzig SD (vers 1900), In-4 relié demi basane bordeaux, 142 pages. Trés bon état.
1865RO50054816JOURNAL DES DEMOISELLES. Janvier 1865. In-8. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Pliures. 8 pages de partitions.. . . A l'italienne. Classification Dewey : 780.26-Partitions
1900135982Couverture rigide. Relié 20 x 27 cm. 110 pages. Petit manque à la coiffe inférieure.
1808249281808 Paris: IMBAULT (vers [1808-1809]- A PARIS chez Imbault M.d de Musique de leurs Majestes JJ. et RR. et Musicien de leur Chapelle, Rue S.t Honore N.o 125. pres celle des Poulies. Et Peristyle du Theatre de l'Opera Comique Imperial, Rue Favart N.o 461.- Folio.reliure demi basane,dos lisse orne de filets dores, titre rouge 205 p.gravées Half , , with boards -Van Hoboken III, 19-24, 37-42 ?
180369076Gravés par Lobry, 5 vol. in-12 cartonage bradel vert postérieur, collection "Bibliothèque Musicale", Chez Pleyel, Auteur et Editeur, Rue Neuve des Petits Champs n° 1286 ou n° 728, Chez Richault, (tome 7), Paris, s.d. [ 1803, vers 1810-1815 pour Richault pour le tome 7 ], Vol. I : portrait en frontispice, 2 ff., 126 pp., 3 ff., 124 pp. (Opus 76, Quatuors 1, 2, 3, 4, 5, 6); Vol. II : 2 ff., 130 pp., 2 ff., 116 pp. (Opus 20, Quatuors 1, 2, 3, 5, 4 et 6) ; Vol. III : 2 ff., 132 pp., 2 ff., 126 pp. (Opus 50, Quatuors 5, 2, 3, 6, 4, 1); Vol. IV : 1 f., 111 pp., 2 ff., 105 pp. (Opus 33, Quatuors 1, 2, 3, 4, 5, 6); Vol. V : 2 ff., 128 pp., 2 ff., 139 pp. (Opus 71, Quatuors 1, 2, 3 et Opus 74, Quatuor 1, 2, 3)
