Haydn, JosephBiblio.com
Haydn, Joseph,Biblio.com
Creation
46447472like new. unknown
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19844197CB1984. 2 Bände. New York Dover. 1984 Copyright. 4°. 6 217 S.; 6 234 S. Orig.-Broschur leicht berieben und bestossen. unknown
197084970OR H-248. Very Good with No dust jacket as issued. 1970. Edition Unstated. Non-Book. 6 records original jackets and sleeves; vol. X with clear plastic sleeve. Discs appear 8/10 or Very Good Plus faint surface issues sleeves with short creases jackets with rubbing toning light foxing paint spots on spine. International shipping billed at cost. ; LP; 4to 11" - 13" tall . OR H-248 unknown
2009DADAXB0009WE9GUG. Henle Verlag 2009-01-10. sheet_music. New. 9.33x0.20x12.20. Buy with confidence. Excellent Customer Service & Return policy. G. Henle Verlag unknown
46447472like new. unknown
16-3934Paris: Chez Naderman circa 1820. 13 pages. 35.5 x 27 cm. Printed on laid rag paper Stained througout. Facsimile of letter from Haydn to Louise-Alexandrine-Eugénie Moreau the French-Creole wife of the famous general Jean Victor Moreau dated 1803.Dernière sonate pour le piano forte avec accompaniment de violonÀ Paris : publiée par Naderman circa 1820Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtStanford University Libraries Memorial Library of Music MLM 498:In advance of a visit to Paris in 1803 Prince Esterházy asked Haydn to compose a new piano sonata as a gift for Louise-Alexandrine-Eugénie Moreau the French-Creole wife of the famous general Jean Victor Moreau and hostess of an influential Paris salon. Haydn pleading illness sent instead a copy of the sonata for piano with violin and 'cello accompaniment HXV:31 minus the somewhat superfluous ‘cello part. In an accompanying letter to Madame Moreau Haydn apologizes for not composing something new due to his failing health and promises to fulfill his duties once he regains his strength.This two-movement work in the unusual key of E flat minor was originally composed for piano violin and ‘cello. Haydn wrote it soon after his return to Vienna from London in 1795 and in 1805 it was published for three instruments by several publishing houses. The autograph manuscript is in the Zweig Collection at the British Library. Dated 1795 Haydn wrote at the top of the second movement: “Jacobs Dream by Dr. Haydn 794†which indicates that the second movement was likely composed first.The piano part contains a good amount of virtuosic writing and like other keyboard works of the time seeks to exploit the expressive possibilities inherent in the new English grand pianos of which Haydn was enamored. The violin part also presents technical challenges. “Jacob’s Dream†alludes to the bible story in which Jacob dreams of a stairway to heaven effortlessly trafficked by angels. The work was apparently so named to tease a certain violinist intending to perform the piece whose technique often failed him but whose hubris did not when attempting to play in the upper registers. Haydn always the joker!The work was published postumously as a piano sonata with violin accompaniment by Nadermann in Paris 1820 and in partnership with Clementi in London 1821. The title page of the London edition which is in the Memorial Library of Music features a neoclassical lithograph of the muse Erato with her lyre accompanied by a swan placing a myrtle wreath on Haydn’s grave marker. Aslo included is Haydn's letter to Madame Moreau reproduced in facsimile. Paris: Chez Naderman, circa 1820 unknown
1144109337.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1176042718.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
124143090X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
124134177X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1241445036.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
124142778X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1241451982.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1344739938.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1851423529London : Edward Moxon 1851. 5th edition. Hardcover. Poor copy in the original gilt-blocked leatherette-covered boards. Spine and panel edges somewhat bumped and rubbed as with age with some tears and wear to the material. Text block detaching from spine and boards. Scattered foxing internally. Remains quite well-preserved overall. Physical description; viii 673 1 p. ; 23 cm. Subjects; Encyclopedias and dictionaries. History ; Dictionaries. Chronology Historical. London : Edward Moxon hardcover
1018026606.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1247344665.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1342756541.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
9353703921.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1847222535London : Edward Moxon 1847. Fourth Edition. Hardback. Good copy bound in contemporary full leather. Spine bands and panel edges somewhat dulled and rubbed as with age. Small 2cm tear between spine over and front panel. All edges marbled; marbled endpapers. Remains quite well-preserved overall. Further scans images etc. and additional bibliographical material available on request.; 8vo 8"" - 9"" tall; 587 pages; Subjects: History -- Dictionaries -- Chronology Historical. ""Fourth edition to which is added a copious index of leading names."" --title page. Physical description: viii. 587p ; 22cm. London : Edward Moxon hardcover
114439Leipzig Breitkopf und Härtel 1801. Oblong folio. Lith. title blank 176 pp with printed music pp. 174-176 with Verlagsverzeichniss. Stain on title and first 40 pages foxing. Contemporary somewhat worn half calf spine with raised bands marbled but faded board papers the front with handwritten label stain on front board. Hoboken 1417 XXI:3. The first printed edition of Die Jahreszeiten Les Saisons The Seasons published the same year as the first performance and shortly before it was published in Mus. Magazin Hoboken. This edition is for piano and vocals with the text in German and English. The first partitur and a similar piano score as this with the text in German and French were published by Breitkopf & Härtel in 1802. The title vignette is signed by Schubert del. and F. W. Nettling sc. The last 3 pages contain a list of published works from Breitkopf und Härtel.The Seasons and The Creation were the two great oratoriums of Haydn’s later years. They both have their texts from English poets. The Seasons is by James Thompson and The Creation is based on Milton’s Paradise Lost. Haydn’s friend Baron Gottfried van Swieten translated both poems for the German librettos. hardcover
61903Carus-Verlag. Full Score. Hardback. As New hardback. . Hardback. The picture on this listing page is of the actual book for sale. Carus-Verlag hardcover
18021148München: Gedruckt bey Franz Seraph Hübschmann 1802. Bond together by a blue paper band as published. Wormhole to the first leaves at the inner margin with no effect on the text. Foxing that effects the first and the last leaves more intensely. Very slightly chipped. Overall in fine condition. Bond together by a blue paper band as published. 31 1 p. <p><br /> A very early edition of the libretto of Haydn’s oratorio Die Jahreszeiten The Seasons which was premiered in Vienna in 1801.<br /> <p><p><br /> The libretto was prepared by Baron Gottfried van Swieten who was also responsible for the text of The Creation and it is based on passages taken from the long English poem under the same title by James Thomson. <br /> The composition had a dual premier both held in Vienna first in April 1801 exclusively for the aristocracy whose members had financed the work and in about a month for the broader public.<br /> <p><p><br /> The libretto was published with no credit for the translator first in Vienna in 1801 while the music score in Leipzig by Breitkopf & Härtel in 1802. This Munich edition of the libretto possibly accompanied the oratorio’s premiere in the city.<br /> <p><p><br /> Scarce we could trace only one copy of this edition in institutional holdings in Austria.<br /> <p>. Gedruckt bey Franz Seraph Hübschmann unknown
NOTE0123Leipzig Breitkopf u. Härtel 1802. quer-4° 176 S. in Typendruck OKart. stärker berieb. Ecken bestoß. tls. mit einigen Knickspouren an den RüKanten rissig stockfleck. einige schwach gebräunte Fleckspuren Ränder tlw. knitterig. Hoboken II S. 59. - Erstausgabe mit deutsch/französischem Text. (Leipzig), Breitkopf u. Härtel (1802). unknown
187630663AB1876. Leipzig C. F. Peters 1876. Quer-4°. 92 S. Mit lithogr. Titel von C. G. Roder. Leinenband der Zeit. Platten-Nr. 5671. Papier zu Beginn stärker stockfleckig. Der Einband berieben. unknown
