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1739237099.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007c15623ETCET 2007-05-29. audioCD. New. 5x0x4. Brand New sealed in shrink wrap. ETCET unknown
2003DADAX0757912486Alfred Publishing 2003-04-01. paperback. New. 7.87x5.51x1.57. Buy with confidence. Excellent Customer Service & Return policy. Alfred Publishing paperback
026585363X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1527802310.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0199119597.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0195214048.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1998Q-0195214048Oxford University Press 1998-02-12. Hardcover. New. In shrink wrap. Looks like an interesting title! Oxford University Press hardcover
1662270Oxford University Press. Hardcover. Used; Good. Simply Brit welcome to our online used book store where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books from classics to hidden gems ensuring theres something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us your trusted source for affordable books that do not compromise on quality. 04/30/1997 Oxford University Press hardcover
ria9781849713351_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Humans have always used denial. When we are afraid guilty confused or when something interferes with our self-image we tend to deny it. Yet denial is a delusion. When it impacts on the health of oneself or society or the world it hardcover
ria9781849713368_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Humans have always used denial. When we are afraid guilty confused or when something interferes with our self-image we tend to deny it. Climate change denial is such a case. This book shows how we can break through denial accept re paperback
A9781849713351Hardback. New. Humans have always used denial. When we are afraid guilty or when something interferes with our self-image we tend to deny it. When it impacts on the health of oneself or the world it becomes a pathology. Climate change denial is such a case. This book shows how we can break through denial accept reality and thus solve the climate crisis. hardcover
62434632Earthscan Publications Ltd. pp. 224 . Hardback. New. Earthscan Publications Ltd. hardcover
2011x-1849713359Earthscan / James & James 2011. Hardcover. New. 1st edition. 192 pages. 9.29x6.14x0.79 inches. Earthscan / James & James hardcover
12749888-nnew. unknown
12749888like new. unknown
2011SONG1849713359Routledge 2011-04-19. 1. hardcover. Used: Good. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
2011DADAX1849713359Routledge 2011-04-19. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1333585098.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1870HAY07975Sans Date v. 1870. Leipzig et Berlin C. F. Peters Bureau de musique. reliés demi-basane noire. Coiffes usées ou accidentées coupes et coins frottés ; quelques cahiers un peu déboités et quelques faibles rousseurs en fin d'ouvrages sinon ensemble en bon état et intérieurs frais. 4 volumes in-4. dos à 4 nerfs avec motifs et titres à froid. unknown
18401402070012Launer 1840-01-01. Hardcover. Very Good. 0x0x0. 6 volume set. Folio. 34 cm. 3/4 leather binding over marbled boards. Hardcover. Generally good bindings and covers except 2 boards detached. Chipping with loss to spine leather. Clean unmarked pages. This is an over sized or heavy book which requires additional postage for international delivery outside the US. Includes: 1re Cahier: Piano sonatas; H. xvi 37 39 38 35 20 44 45 46 27 28 29 30 31 32. -2me Cahier: Piano trios piano parts only; H. xv 21 22 23 3 4 5 14 17 30. 3me Cahier: Piano trios; H. xv 11 12 13 9 2 10 27 28 29. -4me Cahier: Piano sonatas; H. xvi 40 41 42 34 21 22 23 24 25 26 Piano pieces H. xvii 6 4. 5me Cahier: Piano trios; H.xv 18 19 20 6 7 8 16 24 25 26 6me Cahier: Piano sonatas; H. xvi 3 1 Die sieben letzen Worte unseres Erlosers am Kreuze H.xx Piano sonatas; H.xvi 51 12 13. Musical score : Sonatas : No Linguistic Content. Launer hardcover
179575760Beethoven's Trois Trios pour le Piano Forte Violin & Violoncelle Oeuvre 1r Paris: Pleyel circa 1800 3 62pp. engraved throughout bound with 26 contemporary engraved pieces of music including 7 pieces of music from Figaro Il Consiglio Imprudente Don Giovanni Cosi Fan Tutte by Mozart; Oh Magnify the Lord Angels Ever Bright & Fair Ye Sacred Priests by Handel; Music to A Midsummer Night's Dream and Two Gentlemen of Verona by Henry Bishop Published by Goulding D'Almaine, Potter & Co; Rt Birchall; G Shade; Pleyel hardcover
0483985813.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
179041127Paris 1790. Folio. Disbound. Engraved. <br /> <br /> Wenck arr. La Chasse Grande Simphonie de J: Haydn Arrangée pour le Clavecin ou Piano-Forte; Avec Accompagnement de Deux Violons et Basse à Volonté par A. H. Wenck. Prix 4₶. 4s. Hob. I/73. Keyboard part only. Paris: Chez Wenck Rue de la Michaudiere Maison de Mr. Garnier et chez les principaux Mds. de Musique. Gravé par Le Roy l'aîné Place de Cambray . 10e. Ca. 1785. Keyboard part. i title 2-15 i blank pp. With "No. 14" in contemporary black ink to head of first page of music. RISM H4478 1 copy of the keyboard part only at the Biblioteca civica musicale "A. della Corte" in Milan.<br /> <br /> Bound with: <br /> Fodor arr. Simphonie Composés Par J Haydn Arrangées pour Clavecin ou Piano forte Avec Accompagnement d'un Violon Par M Fodor. Prix 3₶. Hob. I/47. Keyboard part only. Paris: Chez le Sr. Sieber Musicien rue St. Honore entre la rue des Vieilles Etuve et celle Dorleans chez l'Apothicaire No 92 A. P. D. R. Ca. 1790. 1f. recto title verso blank i "Catalogue de Musique Vocale et Instrumentale appartenant à Mons. Sieber Rue St. Honore entre la Rue des Vielles Etuves et celle d'Orleans chez l'Apothicaire No. 92" 2-13 i blank pp. With Sieber's control signature to lower outer corner of title "3" to head of title and "No 15" to head of first page of music in contemporary manuscript. Outer margin of publisher's catalogue very slightly trimmed just touching text in several instances. RISM H4498 1 copy of the keyboard part only at the Bibliothèque nationale. <br /> <br /> Bound with:<br /> Wenck arr. Quatuor Détache de l'Œuvre XXXIIIe. de M. Haydn Arrangé pour le Piano-Forte ou Clavecin avec Accompagnement de Violon et Violoncelle à volonté par M. Wenck. Op. 33/5 Hob. III:41. Keyboard part only. Paris: Chez M. Wenck rue de la Michodiere Maison de M. Garnier. Et Chez Melle. Rivet au Palais Royal à côté du Caffé de foy. No. 55. Prix 3₶.12f. . 12e. . i title 2-11 i blank pp. With first ten measures printed to head of title. "No. 16." in contemporary manuscript to head of first page of music. Not located in RISM.<br /> <br /> Slightly worn browned and soiled; a few small tears. Haydn "began his career in the traditional patronage system of the late Austrian Baroque and ended as a 'free' artist within the burgeoning Romanticism of the early 19th century. Famous as early as the mid-1760s by the 1780s he had become the most celebrated composer of his time and from the 1790s until his death was a culture-hero throughout Europe. Since the early 19th century he has been venerated as the first of the three 'Viennese Classics' Haydn Mozart Beethoven. He excelled in every musical genre; during the first half of his career his vocal works were as famous as his instrumental ones although after his death the reception of his music focussed on the latter except for The Creation. He is familiarly known as the 'father of the symphony' and could with greater justice be thus regarded for the string quartet; no other composer approaches his combination of productivity quality and historical importance in these genres. In the 20th century he was understood primarily as an 'absolute' musician exhibiting wit originality of form motivic saturation and a 'modernist' tendency to problematize music rather than merely to compose it but earnestness depth of feeling and referential tendencies are equally important to his art." Georg Feder and James Webster in Grove Music Online<br /> <br /> Wenck was a German composer and glass harmonica player. "According to Gerber he studied the violin with Hataš and the harpsichord and composition with Georg Benda. He went to Paris with the latter in 1778 and stayed there until at least 1792 as an arranger of popular overtures and airs. On his return to Gotha he became honorary ducal secretary lived on his small estate made pianos that were much sought after and worked at perfecting the glass harmonica with which he toured as a virtuoso. In 1788 he launched a periodical music collection which was intended to appear quarterly but which seems never to have got beyond its first issue: Variétés musicales pour le piano-forte ou clavecin avec accompagnements . mêlées de chant avec paroles italiennes et françaises. In addition he published overtures and airs from favourite operas mostly for piano or harpsichord with violin accompaniment but in one case for string quartet. He also published a set of Six petites sonates op. 1 n.d. and another of Sonates et pièces op.2 four of each for keyboard with violin ad libitum as well as a Ier simphonie op.3 for the same combination. These last two were advertised in 1783; the simphonie in the style of a piano reduction of orchestral textures was to have been the first of six. In addition Gerber reported three violin trios and a bassoon concerto in manuscript. In 1798 Wenck made improvements to the metronome of Sauveur and Duclos which he described in Beschreibung eines Chronometers Magdeburg 1798 and which he sold in quantity. In 1806 he moved to Holland settling in Amsterdam where he was still living in 1810." David Fuller in Grove Music Online<br /> <br /> Fodor was a French harpsichordist of Dutch birth. "One of the foremost harpsichordists of his time in about 1780 he settled in Paris where he gave concerts and taught and composed harpsichord concertos and sonatas as well as a symphony and music for piano and strings." Elizabeth Forbes in Grove Music Online. unknown
