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RO50063885Choudens. Non daté. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 152 pages de partitions en noir et blanc.Couverture désolidarisée et renforcée par de l'ashésif bleu au dos. Quelques annotation au crayon à papier et crayon de couleurs dans les marges.. . . . Classification Dewey : 780.26-Partitions
18008581Paris Pleyel 1800 plein veau moucheté, dos lisse à décor floral, motif central sur les plats avec effet de teinte plus foncé, guirlande, tranche dorée. in-4 oblong, titre, 118pp., [Cot. 358]
RO50063481Choudens. Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 152 pages de partitions en noir et blanc. Quelques traits de croyon bleu sur certaines pages sans conséquence pour la lecture de la partition.. . . . Classification Dewey : 780.26-Partitions
1340025892Album de 140 pages relié plein cuir entretenu à la cire 213 de la BnF ; couverture frottée, quelques rousseurs à l'intérieur mais bon état général ; DX2-C50, Mme Ve Launer, Editeur de musique classique et facteur de pianos, Boulevard Montmartre, Paris
026151édition de luxe et de propriété publiée par Mme Vve LAUNER, Paris, sans date (vers 1850) 0 un volume grand in-8°, 140 pp. Reliure en demi-chagrin bleu nuit, dos à faux nerfs, soulignés de pointillés dorés, orné du titre doré, gardes cailloutées. (dos très légèrement frotté, rousseurs). Cachet de l'éditeur sur le titre.
15263- Les Chefs d'Oeuvre de la Musique Sacrée, éditions Du Figaro, 2014 - In-8 oblong, 2 cd. Etat neuf, sous blister.
18354044Turin 1835. <p>Manuscript on paper. 4to binding size 264 x 197 mm. 26 pp. Contents: Fol. 1r title verso blank f. 2r-5v text La Creazione incipit: "Raffaele / Creò dapprima Iddio il ciel la terra; / Ma giaceva la terra informe e vuota" f. 6r half-title for Le quattro Stagioni 6v-13v text Le quattro Stagioni incipit: "Coro di Contadini e Contadine. / Vieni deh Flora vieni / Prezioso don del Ciel." Written in brown ink in an elegant Italian cursive on fine wove paper no visible watermarks. Three blank leaves at front and back the outermost being a wrapper of thicker paper second flyleaf at back adhered to the third the text block stitched into a Piedmontese case binding of gold-embroidered ivory silk over thin pasteboards both covers with outer border of a leafy scrolling vine with floral sprigs composed of gilt or silver-gilt appliqués of leaves blossoms and roundels on stems of couched silver-gilt thread a larger flowering branch at each corner at center of upper cover a large gilt monogram CF within a cartouche of repeated leaf appliqués with at top a closed crown at center of lower cover a large flowering plant of gilt appliqués couched thread sequins etc. turn-ins of upper cover unsewn dampstain within upper left quadrant of upper cover. <br /><br />A manuscript of excerpts from the librettos for Haydn's late oratorios the Creation Die Schöpfung first performed 1798 and the Seasons Die Jahreszeiten 1801 translated into Italian from the German of his librettist and patron Gottfried van Swieten 1733-1803. Bound in brightly gilt embroidered silk binding the manuscript was probably produced for a court or private musical event.<br /><br />Both librettos had an English origin. The Creation text based on Genesis and Milton's Paradise Lost was taken from a manuscript libretto by an unknown author originally intended for Handel given to Haydn by the English impresario Johann Peter Salomon and brought back by him from England in 1795. The Seasons was loosely based on extracts from James Thomson's poem of the same title 1730 but van Swieten had greater leeway in rearranging the text.<br /><br />It was still considered a given in the early nineteenth century that vocal compositions in languages other than Latin and Italian would be translated into the language of the audience. The Creation was first performed in Italian in Milan in 1810 using Giuseppe Carpani's verse translation of van Swieten's libretto first published in Vienna in 1801. The manuscript contains an abridged version of Carpani's text with some variants. The Quattro stagione is also abridged and seems to be based on portions of an anonymous translation first published in Dresden in 1802 and used for the oratorio's first performances in Italian in 1811 in Milan and Bologna cf. editions of Milan: Mussi 1811 and Bologna: Ramponi 1811.<br /><br />The manuscript was exhibited in Turin in 1998: cf. Francesco Malaguzzi Legature romantiche piemontese: legature del periodo romantico in raccolte private no. 67 and p. 30. Malaguzzi stated that the manuscript contains "watermarks of the Biella papermakers the brothers Avondo datable to the third decade of the 19th century" but this cataloguer failed to see any watermarks.</p> unknown books
In 8, pp. 21. Br. ed. polverosa. Edizione originale della traduzione del Carpani del famoso oratorio di Haydn, composto nel 1798 e rappresentata a Vienna nello stesso anno. A p. 3 e 4 sono indicati i nomi di tutti gli accademici compositori: Angeli e Arcangeli, il coro degli angeli, il direttore d'orchestra e tutti gli strumenti. Il Carpani fu scrittore e librettista. Passo' molto tempo alla corte di Vienna. Fu un grande estimatore di Haydn al quale dedico' le Haydine, ossia lettere sulla vita e le opere...
In 16, pp. 22. Br. ed. muta. Traduzione di questo noto oratorio, composto da Haydn tra il 1796 e il '98, probabilmente ispirato dai suoi viaggi in Inghilterra. L'oratorio venne rappresentato per la prima volta a vienna nel 1798, per un pubblico molto ristretto di nobili. Nel marzo del 1799, venne rappresentato nel Burgtheatre sempre in Vienna con un'orchestra di 120 elementi e 60 cantanti. Una traduzione italiana ad opera del Carpani data il 1825.
18354044Turin 1835. <p>Manuscript on paper. 4to binding size 264 x 197 mm. 26 pp. Contents: Fol. 1r title verso blank f. 2r-5v text La Creazione incipit: "Raffaele / Creò dapprima Iddio il ciel la terra; / Ma giaceva la terra informe e vuota" f. 6r half-title for Le quattro Stagioni 6v-13v text Le quattro Stagioni incipit: "Coro di Contadini e Contadine. / Vieni deh Flora vieni / Prezioso don del Ciel." Written in brown ink in an elegant Italian cursive on fine wove paper no visible watermarks. Three blank leaves at front and back the outermost being a wrapper of thicker paper second flyleaf at back adhered to the third the text block stitched into a Piedmontese case binding of gold-embroidered ivory silk over thin pasteboards both covers with outer border of a leafy scrolling vine with floral sprigs composed of gilt or silver-gilt appliqués of leaves blossoms and roundels on stems of couched silver-gilt thread a larger flowering branch at each corner at center of upper cover a large gilt monogram CF within a cartouche of repeated leaf appliqués with at top a closed crown at center of lower cover a large flowering plant of gilt appliqués couched thread sequins etc. turn-ins of upper cover unsewn dampstain within upper left quadrant of upper cover. <br /> <br /> A manuscript of excerpts from the librettos for Haydn's late oratorios the Creation Die Schöpfung first performed 1798 and the Seasons Die Jahreszeiten 1801 translated into Italian from the German of his librettist and patron Gottfried van Swieten 1733-1803. Bound in brightly gilt embroidered silk binding the manuscript was probably produced for a court or private musical event.<br /> <br /> Both librettos had an English origin. The Creation text based on Genesis and Milton's Paradise Lost was taken from a manuscript libretto by an unknown author originally intended for Handel given to Haydn by the English impresario Johann Peter Salomon and brought back by him from England in 1795. The Seasons was loosely based on extracts from James Thomson's poem of the same title 1730 but van Swieten had greater leeway in rearranging the text.<br /> <br /> It was still considered a given in the early nineteenth century that vocal compositions in languages other than Latin and Italian would be translated into the language of the audience. The Creation was first performed in Italian in Milan in 1810 using Giuseppe Carpani's verse translation of van Swieten's libretto first published in Vienna in 1801. The manuscript contains an abridged version of Carpani's text with some variants. The Quattro stagione is also abridged and seems to be based on portions of an anonymous translation first published in Dresden in 1802 and used for the oratorio's first performances in Italian in 1811 in Milan and Bologna cf. editions of Milan: Mussi 1811 and Bologna: Ramponi 1811.<br /> <br /> The manuscript was exhibited in Turin in 1998: cf. Francesco Malaguzzi Legature romantiche piemontese: legature del periodo romantico in raccolte private no. 67 and p. 30. Malaguzzi stated that the manuscript contains "watermarks of the Biella papermakers the brothers Avondo datable to the third decade of the 19th century" but this cataloguer failed to see any watermarks.</p> unknown
0365535923.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365535966.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390302962.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
139186817X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396242007.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364851295.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3385084245.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3385084253.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3563210306.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
356323129X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
50562896like new. unknown
3385072689.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396237992.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396225838.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
RO50059899LITOLFF'S HENRY. NON DATE. In-4. Broché. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 138 pages de partitions - clés de sol et fa - OUVRAGE PARTIELLEMENT DESOLIDARISE -. . . . Classification Dewey : 780.26-Partitions
