LISZT, Franz 1811-1886Biblio.com
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183940937Berlin: Ad. Mr. Schlesinger PN S. 2224 1839. Folio. Disbound. 1f. recto title verso blank i blank 4-13 i blank pp. Engraved. With secondary pagination to rectos in manuscript.<br /> <br /> Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper outer corner of title and several pages.<br /> <br /> Slightly worn and browned; outer leaf separated at spine; narrow strip of early paper tape to inner margin of title. First Edition later issue. Searle 470. Raabe 134. Ad. Mr. Schlesinger [PN S. 2224] unknown
187441065Leipzig: Breitkopf & Härtel PN 9056 1874. Octavo. Original publisher's dark ivory wrappers. 1f. recto title verso blank 1f. recto preface in German verso preface in French 1f. recto composer's note in German on performance practice verso same note in French dated "Weimar Mars 1856" 97 i blank pp. Title preface and note lithographed; music engraved. <br /> <br /> Small B & H stamp to lower outer corner of title.<br /> <br /> With publisher's catalogue to verso of lower wrapper. <br /> <br /> Wrappers slightly worn and soiled; spine lacking. Occasional small stains; dampstaining to lower outer corners of first leaves; one signature partiallky detached. Re-issue from first edition plates. Searle 97. Raabe 414. Sonneck p. 266. <br /> <br /> Liszt was a distinguished Hungarian composer pianist conductor and writer.<br /> <br /> "Sketchbook evidence points to 1846-7 as the years when Liszt began to conceive the idea of a series of programmatic orchestral works. Of the four works he named all based on French poetry Ce qu'on entend sur la montagne and Les Préludes eventually became symphonic poems. . <br /> <br /> Liszt's concentration on the symphonic poem largely coincided with his tenure as Kapellmeister in Weimar where he had an orchestra at his disposal and provided music for performances at the Court Theatre. The Grand Duke commissioned Liszt's 'overtures' to preface specific dramas which thereby determined the subject matter of what were to become a number of his symphonic poems. Cormac F2017 argues that Liszt's approach to the overtures and their transformation into symphonic poems was influenced by his experience of an array of dramatic media opera plays melodramas tableaux vivants and by his interaction with staff and actors involved in the dramatic productions in Weimar. A New German School acolyte Felix Draeseke writing about the symphonic poems in a series of essays from the late 1850s acknowledged the influence of dramatic music especially opera on Liszt's Festklänge. Draeseke also addressed the issue that continues to interest scholars - the symphonic poems' engagement with sonata form. .<br /> <br /> Looking at the 12 Weimar symphonic poems Vande Moortele . views all but three Orpheus Héroide funèbre and Hunnenschlacht as using sonata form as one of the central principles guiding their large-scale organization. Furthermore Liszt seems to have attempted the same merging of sonata form and sonata cycle evident in the B Minor Sonata in Tasso Les préludes and Die Ideale and possibly Ce qu'on entend sur la montagne. .<br /> <br /> Some of the symphonic poems include mimetic representation of scenes and actions such as Hunnenschlacht's depiction of a battle and Prometheus's evocation of a voice followed by a storm. The inclusion of such passages drew criticism that a number of the symphonic poems seemed formless and could not be understood without access to a programme. In other symphonic poems such as Les Préludes and Orpheus Liszt responded to a philosophical programme without compromising musical logic. In these cases critics recognized Liszt the 'tone poet' who could capture a poetic stimulus in an expressive evocative musical flow unified by a single theme that underwent transformations. In general Liszt's sumptuous orchestral colorings were the dominant focus of critics' positive reception of his symphonic poems and programme symphonies." Dolores Pesce Maria Eckhardt and Rena Charnin Mueller in Grove Music Online. Breitkopf & Härtel [PN 9056] unknown
0486431177.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1976biblio1001<p>Annees De Pelerinage I - 130 pages;</p><p>Annees De Pelerinage II - 124 pages;<br /></p><p>Annees De Pelerinage III - 48 pages.<br /></p> Editio Musica paperback
3658210222.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986Q-3795762189SCHOTT MUSIK INTL MAINZ 1986-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
1986Q-079350502XG. Schirmer 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer paperback
2011Q-0739073230Alfred Music 2011-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1971Q-0739022121Alfred Music 1971-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1801387532.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
x-3662362066Springer 1921. Paperback. New. 11 edition. 575 pages. German language. 9.02x5.99x1.31 inches. Springer paperback
191031769Berlin J. Guttentag 1910. Bound in one cont. hcalf. V;428;490 pp. unknown
1986Q-0793545331GS LIBRARY 5 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! GS LIBRARY 5 paperback
62093Jurgenson Moscou o J. 1111. Ohln. 4° 214 einige Seiten mit Wurmfrass bzw. Rissen hinterlegt. teilw. gebräunt sonst in gutem Zustand MSA10.8. HC Jurgenson, Moscou o J., unknown
0486431177New. Brand new and still unused unknown
193250-17163Edition Peters 1932-01-01. Paperback. New. Edited by Emil Von Sauer. Edition Peters paperback
193250-17215Edition Peters 1932-01-01. Paperback. New. Edited by Emil Von Sauer. Edition Peters paperback
198650-02823Belwin Mills Distributed By Columbia Pictures Publications 1986-01-01. Paperback. Very Good. Very good condition with light wear on edges and spine. Belwin Mills, Distributed By Columbia Pictures Publications paperback
1999Q-0486406229Dover Publications 1999-02-02. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1983Q-379576808XSCHOTT MUSIK INTL MAINZ 1983-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
1988Q-0486256278Dover Publications 1988-05-01. paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
19492090202120404752Uno shoten 1949. Soft Cover. Fine. Number of books: 1 Uno shoten paperback
SKU1026673Verlag von Gustav Heckenast. Very Good. Verlag von Gustav Heckenast; Pest 1861. Hardcover. Text in German written in old German lettering. Very Good three quarter leather binding rubbing to joints and board/spine edges binding sturdy and intact specked text block edges small abrasion bottom leather spine edge some discoloration to boards and front/back matters sunning to text block edges and pages some age toning throughout previous owner bookplate front pastedown else unmarked book is in a very good antiquarian condition. 8vooctavo or approx. 6 x 9 inches 259pp. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. Verlag von Gustav Heckenast hardcover
2019s00036613Budapest: Editio Musica Budapest 2019. Hardcover. Near Fine. Quarto 9x12 inches blue cloth covered boards musical score with forward in English German and Hungarian 141pp. Book is near fine with minor shelfwear to boards some faint red staining to rear board text is bright and unmarked binding tight. Editio Musica Budapest hardcover
a87970Leipzig no date 19th century Gustav Heinze. 4to. 25p. original printed wraps. Schirmer company stamp on front. VG light toning. Music clean. . paperback
