1 186 résultats
93905Paris, Editions Hachette/Pluriel, 1987. 11 x 18, 669 pp., broché, bon état.
392 S. 8°. OLn. Schutzumschlag.
0945193343.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
200733671München ; Zürich : Piper, 2007. 587 S. Ill. 8°. Ill. OPpbd. mit Lesebändchen u. SU.
192943963097841706Leningrad: Triton 1929. Paperback. Good. Лот из 5 редких нотных изданий Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. Ленинград: Музыкальное издательÑтво «Тритон» 1929–1935. 1. И. С. Бах — БранденбургÑкие концерты: 1. Adagio из Концерта â„–1; 2. Andante из Концерта â„–2. / Переложение Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ в 2 руки Ю. Ð. Тюлина; под ред. Ðœ. Ð’. Юдиной. — 1932. 2. И. С. Бах — ПрелюдиÑ. / ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð½Ð°Ñ Ñ‚Ñ€Ð°Ð½ÑÐºÑ€Ð¸Ð¿Ñ†Ð¸Ñ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ ÐлекÑандра Зилоти. — 1934. 3. И. С. Бах — Л. ГодовÑкий — Сарабанда. / Ð”Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ Ñоло. — 1935. 4. Л. ГодовÑкий — РенеÑÑÐ°Ð½Ñ Renaissance. Рамо. ÐÐ»ÐµÐ³Ð¸Ñ â€” Лолли. Жига. — 1935. 5. Ференц ЛиÑÑ‚ — Паганини-Ñтюд â„–2 ми-бемоль мажор. — 1929. . Lot of 5 rare piano editions. Leningrad: Triton Publishing House 1929–1935. 1. J. S. Bach — Brandenburg Concertos: 1. Adagio from Concerto No. 1; 2. Andante from Concerto No. 2. / Arrangement for piano for two hands by Yu. N. Tyulin; edited by M. V. Yudina. — 1932. 2. J. S. Bach — Prelude. / Concert transcription for piano by Alexander Siloti. — 1934. 3. J. S. Bach / Godowsky — Sarabande. / For piano solo. — 1935. 4. Godowsky — Renaissance. Rameau. Elegy — Lolli. Gigue. — 1935. 5. Franz Liszt — Étude de Paganini No. 2 in E-flat major. — 1929. This extraordinary collection of sheet music from the legendary Leningrad cooperative publishing house Triton represents the pinnacle of Soviet piano culture and avant-garde editorial practice during the 1920s and 30s. The text provides a deep dive into the internal logic of the "Leningrad school" of performance including the arrangement of Bach’s orchestral works for the keyboard by Yuri Tyulin under the meticulous editorship of the great Maria Yudina. These editions reflect a period of intense artistic refinement where the boundary between Baroque tradition and Modernist interpretation was actively explored. Notably the lot includes transcriptions by Alexander Siloti—Liszt’s pupil and Rachmaninoff’s cousin—and the hyper-virtuosic "Renaissance" arrangements by Leopold Godowsky which were highly sought after by the elite conservatory circles of the era. The physical identity of these scores is defined by the distinctive often minimalist cover designs characteristic of the Triton imprint which operated as a private-public cooperative before its absorption into State control. From the 1929 Liszt Étude to the mid-30s Godowsky transcriptions these editions document the persistence of world-class pianism and international repertoire in Leningrad. The presence of Maria Yudina’s editorial hand and Siloti’s transcriptions makes this lot a vital primary source for musicologists studying the history of Russian piano performance and the dissemination of Western virtuoso traditions within the early Soviet state. For bibliophiles and collectors of rare musicalia these imprints are a testament to the high aesthetic and technical standards of Leningrad’s pre-war musical publishing. Triton paperback
193979532Meridian Nouvelles Editions 1939
1929013445Cambridge: Washburn & Thomas 1929. 1st Edition. Hardcover. Near Fine/Very Good. Memoir of a Eurocentric American musician who rubbed elbows with all the Continental and expat swells whose lives traversed teh turn of the 19th/20thC. 8vo dark blue half cloth over light blue paper-baked boards with title label front cover gilt title to spine gte sides untrimmed. 132p illustrated with duotone pictures. Apparently unread in uncommon printed dustjacket that shows some surface wear here and there. Washburn & Thomas hardcover
1986Q-063400042XGS LIBRARY 5 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! GS LIBRARY 5 paperback
1986Q-1423465997G. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
19841253196München ; Salzburg: Musikverlag Katzbichler., 1984. 153 S. : Noten. kart.
__3112379616De Gruyter 1911. Hardcover. New. reprint edition. 413 pages. German language. 6.14x1.06x9.21 inches. De Gruyter hardcover
191034608ALeipzig, Breitkopf & Härtel, 1910. Ca. 18 x 12,5 cm. VIII Seiten, 104 Seiten, mit 6 Abbildungen auf Tafeln, 4 Blätter Verlagswerbung. Original-Pappband mit Farbschnitt.
198944390Emi, 1989. CDZ 2521522 CD CD
19541372ABBerlin/Düsseldorf, Dt. Buchvertriebs- u. Verlagsges., 1954. 8°. 350 Seiten. Orig.-Halblederband mit Rückenvergoldung. (Deckel gering fleckig. Exlibris. Vorderes Innengelenk gebrochen und mit Tesa überklebt). - Im übrigen gut.
194815933BUrach, Port, 1948. ((2. Auflage). 6.-15. Tsd.), 8° (21,8 x 13,5 cm), 247 Seiten, 8 Taf., 1 Faks. Brauner OHLn. (foliert) Papier leicht gebräunt; elimin. Bibl.-Ex.
1933R0494-02Lpz.,Wagner 1933. gr.8°. 141 S. mit 3 Taf. u. zahlr. Notenbeispielen u. Faks. im Text. Okart., etw. bestoßen angestaubt und fleckig, Umnschlag mit geklebten Einrissen Titel mit Besitzstempel u. am Rand geklebt, insges. noch recht ordentlich erh.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 103 p., ills. Franz Liszt ve M[ahmut] R[agip] Gazimihal'in bir arastirmasi: 'Liszt'in Istanbul konserleri'. A study on Istanbul concerts of Franz Liszt, (1811-1886).
191131158ALeipzig, Breitkopf & Härtel, 1911. Ca. 19 x 13,5 cm. 4 Blätter, 321 Seiten, mit 23 Bildnissen auf Tafeln. Gold- und schwarzgeprägter roter Original-Leinenband mit Kopffarbschnitt.
viii, 426 S. 8°. Or. Umschlag. UNAUFGESCHNITTENS EXEMPLAR (EXEMPLAIRE NON-ROGNÉ)
19698728New York: Greenwood Press 1969. Usual library makings dampspots to top edge else VG. Reprint. Hard Cover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Ex-Library. Greenwood Press Hardcover
189859199Leipzig, Verlag Breitkopf&Härtel, 1898. origi.Broschur, 8°, 426 Seiten.
19393574Meridian 1939
MUS5031M2011 chez Hermann. In-8, broché, 394 pages.
2000974572Düsseldorf :: Staccato-Verl.. 2000. 111;. 21cm;. Reprint der Orig.-Ausg. von 1872 / [in Zusammenarbeit mit der EPTA - European Piano Teachers Association - Sektion der Bundesrepublik Deutschland]. Zustand: Sehr Gut, eher ungelesen (Innen); Kleiner Schrifteintrag vor dem Titelblatt; Schutzumschlag fehlt, oder es gibt keinen; Ppbd.
br. Contro Franz Liszt si è detto parecchio e assai si corre il rischio di ridire. Che egli si sia guadagnato l'immortalità, come assicura, bontà sua, Charles Rosen, non toglie che un pezzo di questa immortalità scaturisca dalla resistenza delle vecchie accuse. La critica, spesso poco longanime quando si tratta di 'pesare' un fenomeno recente, ha avuto tutto il tempo di 'soppesare' l'antico - e di ricredersi; e così di Liszt ha spesso finito per apprezzare proprio ciò che, in un primo tempo, aveva respinto. Gli annosi rimproveri sopravvivono mutati di segno. Consideriamo il linguaggio (musicale). Disordinato, zeppo di modulazioni acri, chiassose, di armonie incorrette e arroganti, secondo i primi commentatori; pionieristico e già così ardito negli anni giovanili (si consideri l'utilizzo di scale esafoniche, ottatoniche, tutto il bagaglio dell'etnico e del popolare), ammiccando ambiguamente alla musica slava, trascinando precocemente il discorso fuori della tonalità, si rileva oggi.
