LISZTLivre Rare Book
1 186 résultats
RO50033647PETERS. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 11 pages de partitions, première page illustrée d'une gravure noir et blanc.. . . . Classification Dewey : 780.26-Partitions
240919011Audio CD. New. 0x0x0. Brand new factory sealed condition. unknown
1919290041Paris.: Henry Lemoine & Cie. 1919-1921. Quarter black leather over blue cloth boards red spine labels gilt titles original wraps bound in. . Very good pages toned. . 29.7x22.3 cm. . Classical favorites for the piano 9th volume 3 parts. Heavy set may require extra shipping. Henry Lemoine & Cie. hardcover books
1854722042.Gsheet_music. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1859008609Paris: Librairie Nouvelle / A. Bourdilliat et C. 1859. SCARCE in First Edition and lovely period perhaps Hungarian binding. In unique Art Nouveau binding that has been rebound preserving the embossed boards and with newer back and end papers. Stamped at front end page and title page "Mária Dorothea Egyesület" a Hungarian institution in Budapest that houses retired teachers.Near Fine some pencil notations at end pages and title page. . First Edition. Embossed Morocco . Near Fine. 12mo - over 6¾" - 7¾" tall. Librairie Nouvelle / A. Bourdilliat et C. Hardcover books
189461511London:: H. Grevel & Co. Very Good. 1894. Hardcover. Complete in two volumes. Volume I: From Paris to Rome: Years of Travel as Virtuoso. Volume II: From Rome to the End. Collected and edited by La Mara. Translated by Constance Bache. First edition thus. Octavos half-bound in green leather with green cloth covered boards raised band along spines gilt lettering and elaborate design along the spines top edges gilt marbled endpapers. Previous owner's book-plate on front paste-downs leather along the spines is toned brown else both volumes are very good or better. Bindings are solid and tight. . H. Grevel & Co., hardcover books
186200London: William Reeves not listed. Hardcover. Good Ex-library with stamps and labels on spine inside front and rear covers ffep and block. Shelfwear to boards and block. Light age toning but pages are otherwise clean. Bound in burgundy cloth with gilt spine lettering; bw illustrated frontispiece; xx 369 30 pp; bw illustrations. The result of the Author's Life-long experiences and investigations of the Gipsies and their Music. Gipsy and Jew two wandering races -- Gipsy life in relation to art -- Gipsy music and musicians. William Reeves hardcover books
186036281Leipzig 1860. Oblong folio approximately 234 x 320 mm. 19 measures. Notated in dark brown ink on 9-stave rastrum-drawn paper on the first page of a bifolium. With several corrections in Liszt's hand and the addition of numbering both above and within the staves referring to additional measures possibly being directions to a copyist. <br/><br/>Pages 2 and 3 of the bifolium contain a manuscript copy of Felix Mendelssohn's Gondellied opus 19 number 6 entitled "Venetianisches Gondellied" at the head of the first page<br/><br/>Page 4 is ruled but blank except for a short 1-1/2 measure sketch in pencil in an unknown hand. <br/><br/>Moderate browning; somewhat creased and with some showthrough; small 7 mm tear to upper edge of first leaf; paperclip stain to upper corner of outer pages; minor remnants of mounting paper to final page. <br/><br/>In quite good condition overall. The Liszt manuscript would appear to be an accompaniment to a song. <br/><br/>The inclusion of the Mendelssohn copyist manuscript with the present Liszt autograph is quite interesting; it may in fact be in the hand of one of the copyists in Liszt's circle in Leipzig although this point will require further research. Liszt made arrangements of six of Mendelssohn's songs in the 1840s.<br/><br/>We would like to thanks Drs. Rena Mueller David Cannata and Alan Walker for their advice regarding this manuscript. unknown books
34353G. Henle Verlag. Folio. Original publisher's blue printed wrappers. 42 pp. Commentary to pp. 40-42 in German English and French. G. Henle Verlag unknown books
191033749Leipzig: Breitkopf & Härtel 1910. Publisher's decorative black cloth boards with titling gilt to upper and spine; decorative endpapers. 182; 48 pp. Text in German. Binding slightly worn and rubbed; hinges cracked; bookplate to front pastedown. Light uniform browning; upper edge slightly cockled. Breitkopf & Härtel unknown books
34397Folio. Original publisher's full royal blue cloth with facsimile of Liszt's autograph signature gilt to upper and titling gilt to spine. 120 pp. Text in German and English. Endpapers slightly browned. Volume 3 of the New Edition of The Complete Works Series I: Works for Piano Solo. unknown books
190432061Mayence: Schott PN 13377.1 1904. Folio. Publisher's dark ivory illustrated wrappers printed in dark green. 1 title printed in green 2-9 i blank pp. 1f. advertisements. <br/><br/>Musicseller's handstamp to blank lower margin of title.<br/><br/>Slightly worn browned and soiled. A later edition. LW A159. Searle 160. Raabe 10/4. <br/><br/>Number 4 from the first year of the "Années de Pèlerinage. Schott [PN 13377.1] unknown books
185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br/><br/>Plate numbers and imprint of Brandus from their first edition of 1850.<br/><br/>From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br/><br/>Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br/><br/>Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown books
185131564Leipzig: Breitkopf & Härtel PN 8271 1851. MENDELSSOHN Felix 1809-1847. Folio. Disbound. 1f. title 3-27 1 blank pp. Engraved.<br/><br/>Title detached and slightly foxed with publisher's and musicseller's handstamps to foot. First Edition. LW A166. Searle 410. Raabe 219. LC Catalog 114. <br/><br/>Liszt's paraphrase of Mendelssohn's incidental music to Midsummer Night's Dream includes the fairies' music and the famous wedding march. Breitkopf & Härtel [PN 8271] unknown books
186631560Paris: S. Richault PN 15383 R 1866. BERLIOZ Hector 1803-1869. Folio. Original publisher's light green printed wrappers. 1f. title 7 1 blank pp. Engraved.<br/><br/>From the collection of pianist Mario Feninger 1923-2016 with his small handstamp to upper wrapper "Ex Mario Feninger de Rogatis Libris" and head of first page. Publisher's handstamp to foot of title.<br/><br/>Wrappers detached. Somewhat worn and soiled; minor offsetting. First Edition co-published with Biedermann in Germany. LW A205. Searle 475. Raabe 142. LC Catalog 152.<br/><br/>Liszt was a fervent champion of Berlioz while in Paris and transcribed a number of his works for piano. It was Berlioz who first introduced Liszt to Goethe's Faust. <br/><br/>"A lucid and delicately laid-out scherzo of charming effect." Derek Watson: Liszt p. 201. S. Richault [PN 15383 R] unknown books
186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved.<br/><br/>Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend.<br/><br/>Musicseller's handstamp to foot of title.<br/><br/>Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164.<br/><br/>Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown books
184031569Braunschweig: G.M. Meyer PN 361 1840. SCHUBERT Franz 1797-1828. Folio. 1 title 2-19 1 blank pp. Engraved.<br/><br/>Contents: <br/>- Erlkönig D 328<br/>- Sei mir gegrüsst D 741<br/>- Du bist die Ruh D 776<br/>- Auf dem Wasser zu singen D 774<br/><br/>Musicseller's handstamp to foot of title.<br/><br/>Slightly worn; very minor soiling offsetting and foxing throughout. An early edition. LW A42. Searle 558. Raabe 243. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. G.M. Meyer [PN 361] unknown books
187531570Wien: Ant. Diabelli und Comp. Friedrich Schreiber PN F.S. 6541 1875. SCHUBERT Franz 1797-1828. Folio. 1 title 2-7 1 blank pp. Engraved.<br/> <br/>Somewhat worn and browned; slightly foxed. Re-issue from first edition plates with "F.S." preceding the plate number with "Druck von A. Eckel in Wien" to lower left of first page of music. LW A42/11. Searle 558/11. Raabe 243/11. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Ant. Diabelli und Comp. [Friedrich Schreiber] [PN F.S. 6541] unknown books
183831571Wien: A. Diabelli und Comp. PN D. et C. No. 6532 1838. SCHUBERT Franz 1797-1828. Large octavo. Disbound. 1 title 2-15 1 blank pp. Engraved.<br/><br/>Occasional light offsetting. First Edition. LW A42/2. Searle 558/2. Raabe 243/2. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. A. Diabelli und Comp. [PN D. et C. No. 6532] unknown books
185031576Wien: Tobias Haslinger PN C.H. 7775 1850. SCHUBERT Franz 1797-1828. Octavo. Original publisher's dark pink printed wrappers with contents of Schwanengesang Winterreise Lob der Thränen and Die Rose to upper. 1 title 2-7 1 blank pp. Engraved. Song text printed to p. 2<br/><br/>Wrappers with imprint of Carl Haslinger quondam Tobias.<br/><br/>Wrappers somewhat worn and soiled. Dampstain to lower inner margin; occasional offsetting. First Edition later issue. LW A45. Searle 557. Raabe 242. LC Catalog 183. Hoboken 10 92.<br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Tobias Haslinger [PN C.H. 7775] unknown books
184031559Leipzig: Breitkopf & Härtel PN 6266 1840. BEETHOVEN Ludwig van 1770-1827. Folio. 1 decorative lithographic title printed in green 2-15 1 blank pp. Engraved. Music printed within decorative blue borders.<br/><br/>Disbound. Slightly soiled and foxed; occasional performer's markings in pencil. Publisher's handstamp to foot of title. First Edition. LW A58. Searle 466. Raabe 121. LC Catalog 146. Hoboken 10 98. <br/><br/>Liszt's transcription of Beethoven's Adelaide Op. 46; 1795 was the first of many arrangements he made of Beethoven's songs. He dedicated the work to the Marchese Maria Martellini an Italian noblewoman who was one of Liszt's early supporters and patrons. Breitkopf & Härtel [PN 6266] unknown books
189031557Mayence: Les fils de B. Schott PN 6490 1890. BELLINI Vincenzo 1801-1835. Folio. 1f. printed title 9 1 blank pp. Engraved.<br/><br/>Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper corner of title and several pages. Musicseller's handstamp to foot of title.<br/><br/>Moderate offsetting; pagination in ink to upper corners; "Bellini's" in ink above title with underlining in red ink. First Edition later issue. LW A74. Searle 391. Raabe 130.<br/><br/>Liszt composed his Réminiscences des Puritains de Bellini in 1836 and from this adapted the Polacca into the present Introduction et Polonaise in 1841. Les fils de B. Schott [PN 6490] unknown books
187831536Mainz: B. Schott's Söhnen PN 16617 1878. Folio. Sewn. 1f. decorative lithographic title 1 blank 2-55 1 blank pp. Engraved.<br/><br/>Common title page with plate numbers of the version for two pianos 16617 as well as for solo piano 22109. Musicseller's handstamp to foot of title.<br/><br/>Partially disbound; outer leaves worn and frayed with minor paper loss to blank right margin of title. Moderate soiling; corners slightly thumbed; occasional offsetting. First Edition later issue. LW C23. Searle 651. Raabe 373. Hoboken 10 16 first issue.<br/><br/>Liszt's Piano Concerto No. 2 in A major was dedicated to pianist and composer Hans von Bronsart 1830-1913 who premiered the work on January 7 1857 in Weimar with Liszt conducting.<br/><br/>As with the first concerto the second has both its detractors and admirers - in this regard there is similarity to the concertos of Chopin. <br/><br/>"Like its predecessor the A major Concerto is a continuously unfolding 'cyclic' structure in which Liszt employs his 'metamorphosis of themes' technique to great advantage. Unlike the E flat major Concerto however it does not easily lend itself to a division into separate movements; neither does it conform to the opposite kind of structural pattern evinced by the B minor Sonata-a single long movement constructed on the principles of sonata first-movement form. It is possible that Liszt was here aiming at a type of structure intermediate between the two and this may explain why the Concerto may seem to have a certain ambiguity of form." Robert Collet: Franz Liszt: The Man and his Music p. 267. B. Schott's Söhnen [PN 16617] unknown books
186431533Leipzig: Gustav Heinze PN G. 61 H. 1864. Folio. 1f. title 3-25 1 blank pp. Lithographed.<br/><br/>Small oval musicseller's handstamp to foot of title.<br/><br/>Slightly worn and browned; spine splitting. Lithographic re-issue of the first edition. LW H12. Searle 123. Raabe 458. LC Catalog 26.<br/><br/>Liszt's Fantasie über ungarische Volksmelodien was dedicated to Hans von Bülow who premiered the work on June 1 1853 in Pest with Ferenc Erkel conducting. It is based on the same melody used for the Hungarian Rhapsody No. 14 which was written at the same time and also dedicated to Bülow. Gustav Heinze [PN G. 61 H.] unknown books
201534398Budapest: Editio Musica Budapest 2015. Folio. Original publisher's full royal blue cloth with facsimile of Liszt's autograph signature gilt to upper and titling gilt to spine. 161 pp. Text in German English and Hungarian. Volume 7 of the New Edition of the Complete Works: Supplements to Works for Piano Solo. Editio Musica Budapest unknown books
