1 186 résultats
7 S. + 6 Tafeln. OBrosch. Numeriertes Expl.: Nr. 165.
193131884Cotta, Stgt. 1931. Mit 3 Abbildungen u.1 Faks. Gr.-8°. 325 S. Roter Ledereinband mit Goldprägung auf 6 Bünden in rotem, marmoriertem Pappschuber. Rundumgoldschnitt.
50 pages. Features: Full-page ad for 'Barry Lyndon'; Full-page ad for 'Jaws'; Full-page ad for 'The Man Who Would Be King'; Ad for 'Lenny'; Review of book on Basil Rathbone; Photo-illustrated interview with Ann-Margret; 'The Man Who Would Be King' - photos; 'The Beloved' - photos; The Tender Touch - concluding an appreciation of the work of Fredric March - article with photos; Films and Filming Honours for 1975; Reviews - 'Jaws', 'Lisztomania and the Loves of Liszt', 'Dog Day Afternoon', 'La Caza', 'Hester Street', 'The Cannibals', 'The Streetfighter', 'The Man from Hong Kong', 'Innocents with Dirty Hands', 'Permission to Kill'; 'The Adventure of Sherlock Holmes' Smarter Brother' - photos and ad; Article on Dancing; Many photos on location with 'Won Ton Ton the Dog Who Saved Hollywood; and more. Average wear. Unmarked. A sound vintage copy. Magazine
196611922Basel u.a., Bärenreiter, 1966. Gr. 8°, 484 Seiten. mit Notenbeispielen und 24 Abbildungen auf Tafeln. Orig.Leinen mit Goldprägung und OSU.
484 S. 4°. Schutzumschlag.
br. "Lisztmania" la definì Heine e nessun paese europeo ne fu immune. E ancora oggi - nel mondo - Franz Liszt (Raiding 1811 - Bayreuth 1886) è ricordato più per quella fama di virtuoso del pianoforte che per la sua vasta produzione musicale. In questa biografia romanzata, ove non mancano temerarietà e ironia, e forse qualche abbaglio, si racconta l'intensa vita di Liszt usando i tempi verbali al passato e al presente, come se si passasse dal grandangolo al primo piano. Una vicenda umana e professionale in cui, in ogni dettaglio, si rivela la grande ammirazione per questo genio «dalla natura generosa che preferisce la follia alla mediocrità e sa che le musiche del cuore sono le uniche di cui l'intelligenza non si stanca mai».
194199912120Gallimard Gallimard 1941, In-8 broché, 314 pages. Bon état.
Gallimard 1941, In-8 broché, 314 pages. Bon état.
MUS5040M1987 chez Hachette. In-12, broché, 667 pages.
12496Genève, Editions du Journal de Genève, 1930 grand in 8 de 106 pages plus achevé d'imprimer, reliure pleine peau (box rouge) avec dentelles et motifs à froid sur les plats, couvertures et dos conservés, tête dorée
12496Genève, Editions du Journal de Genève, 1930 grand in 8 de 106 pages plus achevé d'imprimer, reliure pleine peau (box rouge) avec dentelles et motifs à froid sur les plats, couvertures et dos conservés, tête dorée
193029416Genève Éditions du Journal De Genève 1930 In-8 XX-106 pp et figures hors texte , Introduction de M. Robert Bory . Belle réédition de ce livre Romantique paru en 1838.
194712892BUrach, Port, 1947. (1.-5. Tsd.), Gr.-8° (21,8 x 13,5 cm), 247 Seiten, 8 Taf., 1 Faks. Brauner OHLn. (angestaubt) mit Kopffarbschnitt und farbigem Rückentitel Papier leicht gebräunt
19926009BMünchen - Zürich, Piper, 1992. Gr.-8° (22 x 14,3 cm), 278, (1) Seiten, zahlr. Notenbeispiele Hellgrauer OLn. mit grau illustr. OU Vorbesitzerstempel überklebt
466 pp. Index, bibl., notes, pl. D/j.
R130012188ODEON. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Sans pochette originale. Raymond Trouard, Piano Pleyel.. . . . Classification : 410-33 Tours
201054783Deutsche Grammophon, 2010. CD CD
200954841Deutsche Grammophon, 2009. 477 8362 CD Digipak
193610289Paris, Denoël et Steel, coll. "Célébrités d'hier et d'aujourd'hui" n° 10, 1936, 1936 in-8, broché, couverture illustrée, 41 pp.
193610289Paris, Denoël et Steel, coll. "Célébrités d'hier et d'aujourd'hui" n° 10, 1936, 1936 in-8, broché, couverture illustrée, 41 pp.
R130011189POLYDOR. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, un texte de JOSE BRUYR derrière la pochette.. . . . Classification : 410-33 Tours
241513Köln: Böhlau 2016. 672 S, 4 Abb. Br. *neuwertig*.
187514164Berlin - Wien: Schlesinger-Haslinger Ca. 1875. Used; Like New/Used; Like New. Score of Liszt's Hungarian Rhapsody no. 12 "A J. Joachim" with the ownership stamp of the important twentieth-century German pianist Elly Ney who has also penned "12. Ungarische Rhapsodie" in blue ink at the head. A few paper repair within edges lightly nicked with small tears spine reinforced with green cloth overall very good. There are no markings within the score. <br style="">Elly Ney was one of the 20th century's outstanding pianists and at 16 won the Mendelssohn prize 1900—in a contest of which the famous Hungarian violinist Joseph Joachim was one of the judges.  The present work by Liszt is dedicated to Joachim. <br>Of Ney's great performing Willhelm Kempff wrote: "My ears still hear her melodious voice with its unmistakable hint of her Rhineland origins which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord Beethoven's D minor sonata for instance and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words nor should it be scientifically dissected. Those who had ears heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."<br style=""> Schlesinger-Haslinger hardcover books
Fading to spine. Previous owners name on front free endpaper.
ill., br. La presenza a Firenze di Franz Liszt (Raiding/Doborján 1811 - Bayreuth 1886), il più celebre pianista dell'Ottocento e uno dei massimi compositori rivoluzionari del secolo, non poteva non lasciare un segno inconfondibile sulla musica della città; considerando soprattutto che l'artista ungherese vi frequentò gli ambiti culturali per un tempo singolarmente vasto: alcuni mesi tra il 1838 e il 1839; e poi, con regolare assiduità, dal 1864 fino all'anno della sua morte. Dai tempi di Heinrich Isaac, Liszt fu il primo grande compositore non italiano intensamente coinvolto nella vita artistica fiorentina, tramite la propria azione e quella dei suoi allievi.