Steinacker, GustavAntiquariat.de
67 résultats
1855125775Druck: Weimar, Hof-Buchdruckerei 1855. * 29 Seiten. 16,5 x 13 cm. Bedruckte graue Original-Broschur (fleckig).
18370030531837 Paris, Félix Bonnaire, 1837. Deux volumes in-8 (146 X 227 mm) demi-maroquin noir à grain long et à petits coins, dos lisse composé de deux grands compartiments entièrement ornés de fers dorés à décor rocaille et d'un petit compartiment central contenant auteur, titre et tomaison dorés, plats et dos (petits manques aux dos) de la couverture conservés (BERNASCONI). Tome I : faux-titre, titre, 422 pages ; Tome II : faux-titre, titre, 414 pages.
186030660AB1860. Leipzig Breitkopf & Härtel um 1860. 4°. 51 S. Moderner Einband. Platten-Nr. V.A. 484. 6 Etüden «seule édition authentique entièrment revue et corrigée par l'auteur» Titelbatt. Ders.: Zwei Episoden aus Lenau's Faust für grosses Orchester Piano zu zwei Händen. Leipzig J. Schuberth um 1860. 26 S. Ders.: Etudes d'exécution transcendante pour le piano par F. Liszt. Cah. 1. Leipzig Breitkopf und Härtel um 1860. 54 S. gestochene Noten. Ders.: Légendes. No. 1 St. Francois d'Assise. Piano. Pars Ménestrel um 1870. 13 S. Platten-Nr. H. 4612. Papier gebräunt zum Teil mit hinterlegten Einrissen. Mit handschr. Namenszügen auf den Titelblättern. unknown
186030660ABLeipzig, Breitkopf & Härtel, um 1860. 4°. 51 S. Moderner Einband.
189831157ADresden und Leipzig, Verlag von Carl Reißner, 1898. Ca. 20 x 14 cm. 3 Blätter Verlagswerbung, 3 Blätter, 325 (1) Seiten, mit 1 Abbildung, 1 Blatt Verlagswerbung. Original-Leinenband.
189571501ABLeipzig, Seemann (um 1895). (6), 325, (3) S., OLwd. (etw. berieben). Schnitt stärker stockfl., das erste Bl. mit 2 Namenszügen. Insges. wohlerhalten. EA. OLwd. (etw. berieben). Schnitt stärker stockfl., das erste Bl. mit 2 Namenszügen. Insges. wohlerhalten. EA.
188025355ALeipzig, Breitkopf & Härtel, 1880-1894. Ca. 22,7 x 15,5 cm. XII Seiten, 570 (2) Seiten; VIII Seiten, 315 Seiten, XII Seiten, 531 (1) Seiten, mit 2 Abbildungen auf Tafeln. Mit zahlreichen Notenbeispielen. Original-Leinenbände mit goldgeprägten Deckel- und Rückentiteln und Farbschnitt. 3 Teile in drei Bänden.
187514164Berlin - Wien: Schlesinger-Haslinger Ca. 1875. Used; Like New/Used; Like New. Score of Liszt's Hungarian Rhapsody no. 12 "A J. Joachim" with the ownership stamp of the important twentieth-century German pianist Elly Ney who has also penned "12. Ungarische Rhapsodie" in blue ink at the head. A few paper repair within edges lightly nicked with small tears spine reinforced with green cloth overall very good. There are no markings within the score. <br style="">Elly Ney was one of the 20th century's outstanding pianists and at 16 won the Mendelssohn prize 1900—in a contest of which the famous Hungarian violinist Joseph Joachim was one of the judges.  The present work by Liszt is dedicated to Joachim. <br>Of Ney's great performing Willhelm Kempff wrote: "My ears still hear her melodious voice with its unmistakable hint of her Rhineland origins which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord Beethoven's D minor sonata for instance and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words nor should it be scientifically dissected. Those who had ears heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."<br style=""> Schlesinger-Haslinger hardcover books
189627251ABZürich, Orell, Füssli und Comp., 1896. Gross-8°. 25 S. Mit 1 gest. Portrait von Robert Leemann. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 27251A = "Neujahrsblatt der Allgemeinen Musikgesellschaft Zürich", Nr. 84.
188720303Boston: Oliver Ditson 1887. First US Edition. 8vo pp. 233. Engraved frontispiece portrait a very good tight copy bound in brown cloth. DeBeaufort was editor and translator of The Life and Letters of George Sand. Oliver Ditson unknown books
1882074912Leipzig: Breitkopf & Härtel 1882. Franz Liszt's Gesammelte Schriften Bd. 4; VIII 273 S.; mit Register; übertragen von E. Ramann; fliegender Vorsatz mit Besitzerstempel Titelblatt mit Besitzervermerk Kanten berieben Ecken leicht gestaucht Rücken professionell erneuert. Erste Auflage. Leinen. Befriedigend. 244 cm. Breitkopf & Härtel Hardcover
183840939Vienne: Tob. Haslinger PN T. H. 7573 1838. Folio. Disbound. i title 2-23 i blank pp. Engraved. With secondary pagination to rectos in manuscript.<br /> <br /> Small oval handstamp of P.K. Weizel Brooklyn NY to lower margin of title. <br /> <br /> Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper outer corner of title and several pages.<br /> <br /> Very slightly worn soiled and foxed; outer bifolium separated at spine; small blank piece of ivory paper laid down to final blank page. First Edition. Searle 419. Raabe 230. Tob. Haslinger [PN T. H. 7573] unknown
183940937Berlin: Ad. Mr. Schlesinger PN S. 2224 1839. Folio. Disbound. 1f. recto title verso blank i blank 4-13 i blank pp. Engraved. With secondary pagination to rectos in manuscript.<br /> <br /> Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper outer corner of title and several pages.<br /> <br /> Slightly worn and browned; outer leaf separated at spine; narrow strip of early paper tape to inner margin of title. First Edition later issue. Searle 470. Raabe 134. Ad. Mr. Schlesinger [PN S. 2224] unknown
1880066737Leipzig: Breitkopf & Härtel 1880. 215 S.; aus dem Französischen von La Mara d. i. Ida Marie Lipsius; Privateinband etwas späterer Zeit; Titelblatt mit Besitzerstempel stellenweise mässig stockfleckig Kanten teils etwas berieben u. bestossen stabiles Expl. Erste deutsche Ausgabe. Halbleinen. Gut. 249 cm. Privateinband. Breitkopf & Härtel Hardcover
18822020187Leipzig: Breitkopf und Hartel 1882. First Edition. Hardcover. Good. Tall octavo 234 pages half morocco speckled papers spine worn top joint splitting <br/><br/>Edited by Lina Ramann. Essays on Goethe Weimar music. etc. Breitkopf und Hartel hardcover
18802020161Leipzig: Breitkopf und Hartel 1880. First Edition. Hardcover. Good. Tall octavo half morocco speckled papers spine worn top joint splitting. <br/><br/>Edited by La Mara. Breitkopf und Hartel hardcover
18822020185Leipzig: Breitkopf und Hartel 1882. First Edition. Hardcover. Good. Tall octavo 273 pages half morocco speckled papers spine worn top joint splitting <br/><br/>Edited by Lina Ramann. Essays on Robert Schumann Berlioz Clara Schumann Robert Franz John Field. Breitkopf und Hartel hardcover
18812020184Leipzig: Breitkopf und Hartel 1881. First Edition. Hardcover. Good. Tall octavo half morocco speckled papers spine worn <br/><br/>Edited by Lina Ramann. Essays on Church Music George Sand Thalberg Robert Schumann Louis de Rouchand La Scala Heinrich Heine Berlioz Italian music Breitkopf und Hartel hardcover
188022872Leipzig: Breitkopf Und Hartel. Very Good. 1880. First German Edition. Hardcover. Bound in three-quarter leather with paper covered boards. Text is in Old German. I believe this is the first German edition. ; Small 4to 9" - 11" tall; 215 pages . Breitkopf Und Hartel hardcover
185040941Leipzig: Breitkopf & Härtel PN 8090 1850. Folio. Unbound as issued. 1f. recto title verso blank 3-29 i blank pp. Engraved.<br /> <br /> Small oval handstamp to blank lower margin of title.<br /> <br /> Slightly worn browned and foxed. First Edition. Searle 414:3. Raab 223.<br /> <br /> Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le Diable. Breitkopf & Härtel [PN 8090] unknown
1859008609Paris: Librairie Nouvelle / A. Bourdilliat et C. 1859. Book. Near Fine. Hardcover. First Edition. 12mo - over 6¾" - 7¾" tall. SCARCE in First Edition and RARE in a punched gilt leather binding the punched gilt leather panels applied over the original leather binding to the front and rear boards leaving the original leather spine uncovered and with newer end papers. The panels are remnants of a much larger gilt leather wall hanging likely Dutch or Flemish in origin. Stamped at front end page and title page "Mária Dorothea Egyesület" a Hungarian institution in Budapest that houses retired teachers. Near Fine some pencil notations at end pages and title page. Hungarian composer Franz Liszt's " Des Bohemiens et De Leur Musique En Hongrie" was a pioneering work in creating a national music for Hungary which he believed to be the folk music of the Roma Gypsies. The book sparked much debate and controversy throughout 19th century Hungary and the world of music and remains controversial today. An essential Classical music study in an exceedingly uncommon and virtuosic binding. . Librairie Nouvelle / A. Bourdilliat et C. Hardcover
189455718Berlin - Paris : Otto Liebmann - Pedone-Lauriel 1894. 265x175mm. XXVI- demi-basane dos ˆ nerfs piÂce de titres rouge et verte cuir par endroit frottÂŽ cachet de bibliothÂque sur la page de titre cuir tachÂŽ sur un bord. 1821 Otto Liebmann - Pedone-Lauriel unknown
1877mon0000210225William Reeves 1877-01-01. Hardcover. Acceptable. in x in x in. Ex-library book usual markings. Hardback with dust cover. Well read copy with some spine wear. Pages are rough cut and have coloured edges due to age. The bottom corner of the back cover board has been torn off. William Reeves hardcover
1851578930Leipzig: Brockhaus 1851. Hardcover. Very Good. First edition. Thin octavo. 185 1 errata pp. Text in French. Contemporary quarter cloth and patterned paper over boards with paper label on spine. Folded sheet of music tipped-in at rear. Boards well rubbed a few marginal light pencil notes in text some modest foxing throughout but a pleasing very good copy of a rare first edition preceding by a year the German language edition published in Cologne. The first book by Liszt who wrote it in French and the first serious appraisal of Wagner before he was widely recognized. Brockhaus hardcover
185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br /> <br /> Plate numbers and imprint of Brandus from their first edition of 1850.<br /> <br /> From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br /> <br /> Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br /> <br /> Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown
