Liszt

Lohengrin et Tannhauser de Richard Wagner

1851578930Leipzig: Brockhaus 1851. Hardcover. Very Good. First edition. Thin octavo. 185 1 errata pp. Text in French. Contemporary quarter cloth and patterned paper over boards with paper label on spine. Folded sheet of music tipped-in at rear. Boards well rubbed a few marginal light pencil notes in text some modest foxing throughout but a pleasing very good copy of a rare first edition preceding by a year the German language edition published in Cologne. The first book by Liszt who wrote it in French and the first serious appraisal of Wagner before he was widely recognized. Brockhaus hardcover

Between the Covers- Rare Books, Inc. ABAA · États-Unis2 750,00 $US≈ 2 326,78 €

Franz LisztABAA

Lohengrin et Tannhauser De Richard Wagner

1851W1410FLLeipzig: F.A.Brockhaus 1851. Red calf spine with gilt titling and rules and blindstamped rules. Red cloth covered boards and red patterned endpapers. Some wear and scuffing on spine. Original work in paper wraps is bound in in entirety. Wraps a little darkened and lower wrap has a small repair on top edge. A little foxing especially at rear. Errata page at rear is followed by fold outs of music sheets from each of the works. . First Edition. Half-Leather. Good/No Dust Jacket. 8vo - over 7¾" - 9¾" tall. Music. F.A.Brockhaus Hardcover books

The Title Page ABAA · États-Unis575,00 $US≈ 486,51 €

J S Bach, Maria Yudina, Alexander Siloti, Leopold Godowsky, Franz LisztBiblio.com

Lot of 5 rare piano editions Leningrad: Triton Publishing House 1929–1935. Features arrangements and transcriptions by Maria Yudina Alexander Siloti and Leopold Godowsky. In Russian.

192943963097841706Leningrad: Triton 1929. Paperback. Good. Ð›Ð¾Ñ‚ Ð¸Ð· 5 Ñ€ÐµÐ´ÐºÐ¸Ñ… Ð½Ð¾Ñ‚Ð½Ñ‹Ñ… Ð¸Ð·Ð´Ð°Ð½Ð¸Ð¹ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. Ð›ÐµÐ½Ð¸Ð½Ð³Ñ€Ð°Ð´: ÐœÑƒÐ·Ñ‹ÐºÐ°Ð»ÑŒÐ½Ð¾Ðµ Ð¸Ð·Ð´Ð°Ñ‚ÐµÐ»ÑŒÑÑ‚Ð²Ð¾ Â«Ð¢Ñ€Ð¸Ñ‚Ð¾Ð½Â» 1929â€“1935. 1. Ð˜. Ð¡. Ð‘Ð°Ñ… â€” Ð‘Ñ€Ð°Ð½Ð´ÐµÐ½Ð±ÑƒÑ€Ð³ÑÐºÐ¸Ðµ ÐºÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ñ‹: 1. Adagio Ð¸Ð· ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð° â„–1; 2. Andante Ð¸Ð· ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð° â„–2. / ÐŸÐµÑ€ÐµÐ»Ð¾Ð¶ÐµÐ½Ð¸Ðµ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ Ð² 2 Ñ€ÑƒÐºÐ¸ Ð®. Ð. Ð¢ÑŽÐ»Ð¸Ð½Ð°; Ð¿Ð¾Ð´ Ñ€ÐµÐ´. Ðœ. Ð’. Ð®Ð´Ð¸Ð½Ð¾Ð¹. â€” 1932. 2. Ð˜. Ð¡. Ð‘Ð°Ñ… â€” ÐŸÑ€ÐµÐ»ÑŽÐ´Ð¸Ñ. / ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð½Ð°Ñ Ñ‚Ñ€Ð°Ð½ÑÐºÑ€Ð¸Ð¿Ñ†Ð¸Ñ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ ÐÐ»ÐµÐºÑÐ°Ð½Ð´Ñ€Ð° Ð—Ð¸Ð»Ð¾Ñ‚Ð¸. â€” 1934. 3. Ð˜. Ð¡. Ð‘Ð°Ñ… â€” Ð›. Ð“Ð¾Ð´Ð¾Ð²ÑÐºÐ¸Ð¹ â€” Ð¡Ð°Ñ€Ð°Ð±Ð°Ð½Ð´Ð°. / Ð”Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ ÑÐ¾Ð»Ð¾. â€” 1935. 4. Ð›. Ð“Ð¾Ð´Ð¾Ð²ÑÐºÐ¸Ð¹ â€” Ð ÐµÐ½ÐµÑÑÐ°Ð½Ñ Renaissance. Ð Ð°Ð¼Ð¾. ÐÐ»ÐµÐ³Ð¸Ñ â€” Ð›Ð¾Ð»Ð»Ð¸. Ð–Ð¸Ð³Ð°. â€” 1935. 5. Ð¤ÐµÑ€ÐµÐ½Ñ† Ð›Ð¸ÑÑ‚ â€” ÐŸÐ°Ð³Ð°Ð½Ð¸Ð½Ð¸-ÑÑ‚ÑŽÐ´ â„–2 Ð¼Ð¸-Ð±ÐµÐ¼Ð¾Ð»ÑŒ Ð¼Ð°Ð¶Ð¾Ñ€. â€” 1929. . Lot of 5 rare piano editions. Leningrad: Triton Publishing House 1929â€“1935. 1. J. S. Bach â€” Brandenburg Concertos: 1. Adagio from Concerto No. 1; 2. Andante from Concerto No. 2. / Arrangement for piano for two hands by Yu. N. Tyulin; edited by M. V. Yudina. â€” 1932. 2. J. S. Bach â€” Prelude. / Concert transcription for piano by Alexander Siloti. â€” 1934. 3. J. S. Bach / Godowsky â€” Sarabande. / For piano solo. â€” 1935. 4. Godowsky â€” Renaissance. Rameau. Elegy â€” Lolli. Gigue. â€” 1935. 5. Franz Liszt â€” Ã‰tude de Paganini No. 2 in E-flat major. â€” 1929. This extraordinary collection of sheet music from the legendary Leningrad cooperative publishing house Triton represents the pinnacle of Soviet piano culture and avant-garde editorial practice during the 1920s and 30s. The text provides a deep dive into the internal logic of the "Leningrad school" of performance including the arrangement of Bachâ€™s orchestral works for the keyboard by Yuri Tyulin under the meticulous editorship of the great Maria Yudina. These editions reflect a period of intense artistic refinement where the boundary between Baroque tradition and Modernist interpretation was actively explored. Notably the lot includes transcriptions by Alexander Silotiâ€”Lisztâ€™s pupil and Rachmaninoffâ€™s cousinâ€”and the hyper-virtuosic "Renaissance" arrangements by Leopold Godowsky which were highly sought after by the elite conservatory circles of the era. The physical identity of these scores is defined by the distinctive often minimalist cover designs characteristic of the Triton imprint which operated as a private-public cooperative before its absorption into State control. From the 1929 Liszt Ã‰tude to the mid-30s Godowsky transcriptions these editions document the persistence of world-class pianism and international repertoire in Leningrad. The presence of Maria Yudinaâ€™s editorial hand and Silotiâ€™s transcriptions makes this lot a vital primary source for musicologists studying the history of Russian piano performance and the dissemination of Western virtuoso traditions within the early Soviet state. For bibliophiles and collectors of rare musicalia these imprints are a testament to the high aesthetic and technical standards of Leningradâ€™s pre-war musical publishing. Triton paperback

Rare Pages Collective · Géorgie70,00 $US≈ 59,23 €

LISZT Franz 1811 1886ABAA

LW A159. Au Bord d'une source

190432061Mayence: Schott PN 13377.1 1904. Folio. Publisher's dark ivory illustrated wrappers printed in dark green. 1 title printed in green 2-9 i blank pp. 1f. advertisements. Musicseller's handstamp to blank lower margin of title. Slightly worn browned and soiled. A later edition. LW A159. Searle 160. Raabe 10/4. Number 4 from the first year of the "AnnÃ©es de PÃ¨lerinage. Schott [PN 13377.1] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis28,00 $US≈ 23,69 €

LISZT, Franz 1811-1886Biblio.com

LW A165/1. Illustrations du Prophète . No.1 Prière Hymne triomphal Marche du Sacre

185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved. Plate numbers and imprint of Brandus from their first edition of 1850. From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1. Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis75,00 $US≈ 63,46 €

LISZT Franz 1811 1886ABAA

LW A165/1. Illustrations du ProphÃ¨te . No.1 PriÃ¨re Hymne triomphal Marche du Sacre

185531566Paris: Benoit ainÃ© PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved. Plate numbers and imprint of Brandus from their first edition of 1850. From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1. Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le ProphÃ¨te Les Huguenots and Robert le diable. Benoit ainÃ© [PN B. et C.ie 5187(1)] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis72,00 $US≈ 60,92 €

LISZT Franz 1811 1886ABAA

LW A166. Hochzeitmarsch u. Elfenreigen

185131564Leipzig: Breitkopf & HÃ¤rtel PN 8271 1851. MENDELSSOHN Felix 1809-1847. Folio. Disbound. 1f. title 3-27 1 blank pp. Engraved. Title detached and slightly foxed with publisher's and musicseller's handstamps to foot. First Edition. LW A166. Searle 410. Raabe 219. LC Catalog 114. Liszt's paraphrase of Mendelssohn's incidental music to Midsummer Night's Dream includes the fairies' music and the famous wedding march. Breitkopf & HÃ¤rtel [PN 8271] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis220,00 $US≈ 186,14 €

LISZT, Franz 1811-1886Biblio.com

LW A205. Danse des Sylphes

186631560Paris: S. Richault PN 15383 R 1866. BERLIOZ Hector 1803-1869. Folio. Original publisher's light green printed wrappers. 1f. title 7 1 blank pp. Engraved. From the collection of pianist Mario Feninger 1923-2016 with his small handstamp to upper wrapper "Ex Mario Feninger de Rogatis Libris" and head of first page. Publisher's handstamp to foot of title. Wrappers detached. Somewhat worn and soiled; minor offsetting. First Edition co-published with Biedermann in Germany. LW A205. Searle 475. Raabe 142. LC Catalog 152. Liszt was a fervent champion of Berlioz while in Paris and transcribed a number of his works for piano. It was Berlioz who first introduced Liszt to Goethe's Faust. "A lucid and delicately laid-out scherzo of charming effect." Derek Watson: Liszt p. 201. S. Richault [PN 15383 R] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis127,00 $US≈ 107,45 €

LISZT Franz 1811 1886ABAA

LW A205. Danse des Sylphes

186631560Paris: S. Richault PN 15383 R 1866. BERLIOZ Hector 1803-1869. Folio. Original publisher's light green printed wrappers. 1f. title 7 1 blank pp. Engraved. From the collection of pianist Mario Feninger 1923-2016 with his small handstamp to upper wrapper "Ex Mario Feninger de Rogatis Libris" and head of first page. Publisher's handstamp to foot of title. Wrappers detached. Somewhat worn and soiled; minor offsetting. First Edition co-published with Biedermann in Germany. LW A205. Searle 475. Raabe 142. LC Catalog 152. Liszt was a fervent champion of Berlioz while in Paris and transcribed a number of his works for piano. It was Berlioz who first introduced Liszt to Goethe's Faust. "A lucid and delicately laid-out scherzo of charming effect." Derek Watson: Liszt p. 201. S. Richault [PN 15383 R] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis121,00 $US≈ 102,38 €

LISZT, Franz 1811-1886Biblio.com

LW A207. Geharnischte Lieder

186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved. Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend. Musicseller's handstamp to foot of title. Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164. Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis86,00 $US≈ 72,76 €

LISZT Franz 1811 1886ABAA

LW A207. Geharnischte Lieder

186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved. Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend. Musicseller's handstamp to foot of title. Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164. Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis83,00 $US≈ 70,23 €

LISZT, Franz 1811-1886Biblio.com

LW A42/1-4. Lieder ohne Worte 2 Heft

184031569Braunschweig: G.M. Meyer PN 361 1840. SCHUBERT Franz 1797-1828. Folio. 1 title 2-19 1 blank pp. Engraved. Contents: - Erlkönig D 328 - Sei mir gegrüsst D 741 - Du bist die Ruh D 776 - Auf dem Wasser zu singen D 774 Musicseller's handstamp to foot of title. Slightly worn; very minor soiling offsetting and foxing throughout. An early edition. LW A42. Searle 558. Raabe 243. Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. "His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. G.M. Meyer [PN 361] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis98,00 $US≈ 82,92 €

LISZT Franz 1811 1886ABAA

LW A42/1-4. Lieder ohne Worte 2 Heft

184031569Braunschweig: G.M. Meyer PN 361 1840. SCHUBERT Franz 1797-1828. Folio. 1 title 2-19 1 blank pp. Engraved. Contents: - ErlkÃ¶nig D 328 - Sei mir gegrÃ¼sst D 741 - Du bist die Ruh D 776 - Auf dem Wasser zu singen D 774 Musicseller's handstamp to foot of title. Slightly worn; very minor soiling offsetting and foxing throughout. An early edition. LW A42. Searle 558. Raabe 243. Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. "His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. G.M. Meyer [PN 361] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis94,00 $US≈ 79,53 €

LISZT Franz 1811 1886ABAA

LW A42/11. Der Wanderer

187531570Wien: Ant. Diabelli und Comp. Friedrich Schreiber PN F.S. 6541 1875. SCHUBERT Franz 1797-1828. Folio. 1 title 2-7 1 blank pp. Engraved. Somewhat worn and browned; slightly foxed. Re-issue from first edition plates with "F.S." preceding the plate number with "Druck von A. Eckel in Wien" to lower left of first page of music. LW A42/11. Searle 558/11. Raabe 243/11. Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. "His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Ant. Diabelli und Comp. [Friedrich Schreiber] [PN F.S. 6541] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis44,00 $US≈ 37,23 €

LISZT Franz 1811 1886ABAA

LW A42/2. Auf dem Wasser zu singen

183831571Wien: A. Diabelli und Comp. PN D. et C. No. 6532 1838. SCHUBERT Franz 1797-1828. Large octavo. Disbound. 1 title 2-15 1 blank pp. Engraved. Occasional light offsetting. First Edition. LW A42/2. Searle 558/2. Raabe 243/2. Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. "His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. A. Diabelli und Comp. [PN D. et C. No. 6532] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis110,00 $US≈ 93,07 €

LISZT Franz 1811 1886ABAA

LW A45. Lob der ThrÃ¤nen

185031576Wien: Tobias Haslinger PN C.H. 7775 1850. SCHUBERT Franz 1797-1828. Octavo. Original publisher's dark pink printed wrappers with contents of Schwanengesang Winterreise Lob der ThrÃ¤nen and Die Rose to upper. 1 title 2-7 1 blank pp. Engraved. Song text printed to p. 2 Wrappers with imprint of Carl Haslinger quondam Tobias. Wrappers somewhat worn and soiled. Dampstain to lower inner margin; occasional offsetting. First Edition later issue. LW A45. Searle 557. Raabe 242. LC Catalog 183. Hoboken 10 92. Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. "His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. Tobias Haslinger [PN C.H. 7775] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis88,00 $US≈ 74,46 €

LISZT Franz 1811 1886ABAA

LW A58. Beethoven's Adelaide

184031559Leipzig: Breitkopf & HÃ¤rtel PN 6266 1840. BEETHOVEN Ludwig van 1770-1827. Folio. 1 decorative lithographic title printed in green 2-15 1 blank pp. Engraved. Music printed within decorative blue borders. Disbound. Slightly soiled and foxed; occasional performer's markings in pencil. Publisher's handstamp to foot of title. First Edition. LW A58. Searle 466. Raabe 121. LC Catalog 146. Hoboken 10 98. Liszt's transcription of Beethoven's Adelaide Op. 46; 1795 was the first of many arrangements he made of Beethoven's songs. He dedicated the work to the Marchese Maria Martellini an Italian noblewoman who was one of Liszt's early supporters and patrons. Breitkopf & HÃ¤rtel [PN 6266] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis275,00 $US≈ 232,68 €

LISZT Franz 1811 1886ABAA

LW A74. I Puritani Introduction et Polonaise

189031557Mayence: Les fils de B. Schott PN 6490 1890. BELLINI Vincenzo 1801-1835. Folio. 1f. printed title 9 1 blank pp. Engraved. Formerly in the collection of the Forbes Library in Northampton Massachusetts with their handstamp to upper corner of title and several pages. Musicseller's handstamp to foot of title. Moderate offsetting; pagination in ink to upper corners; "Bellini's" in ink above title with underlining in red ink. First Edition later issue. LW A74. Searle 391. Raabe 130. Liszt composed his RÃ©miniscences des Puritains de Bellini in 1836 and from this adapted the Polacca into the present Introduction et Polonaise in 1841. Les fils de B. Schott [PN 6490] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis44,00 $US≈ 37,23 €

LISZT Franz 1811 1886ABAA

LW C23. 2tes Concert. 2-piano score

187831536Mainz: B. Schott's SÃ¶hnen PN 16617 1878. Folio. Sewn. 1f. decorative lithographic title 1 blank 2-55 1 blank pp. Engraved. Common title page with plate numbers of the version for two pianos 16617 as well as for solo piano 22109. Musicseller's handstamp to foot of title. Partially disbound; outer leaves worn and frayed with minor paper loss to blank right margin of title. Moderate soiling; corners slightly thumbed; occasional offsetting. First Edition later issue. LW C23. Searle 651. Raabe 373. Hoboken 10 16 first issue. Liszt's Piano Concerto No. 2 in A major was dedicated to pianist and composer Hans von Bronsart 1830-1913 who premiered the work on January 7 1857 in Weimar with Liszt conducting. As with the first concerto the second has both its detractors and admirers - in this regard there is similarity to the concertos of Chopin. "Like its predecessor the A major Concerto is a continuously unfolding 'cyclic' structure in which Liszt employs his 'metamorphosis of themes' technique to great advantage. Unlike the E flat major Concerto however it does not easily lend itself to a division into separate movements; neither does it conform to the opposite kind of structural pattern evinced by the B minor Sonata-a single long movement constructed on the principles of sonata first-movement form. It is possible that Liszt was here aiming at a type of structure intermediate between the two and this may explain why the Concerto may seem to have a certain ambiguity of form." Robert Collet: Franz Liszt: The Man and his Music p. 267. B. Schott's SÃ¶hnen [PN 16617] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis275,00 $US≈ 232,68 €

LISZT Franz 1811 1886ABAA

LW H12. Fantasie Ã¼ber ungarische Volksmelodieen. Piano part

186431533Leipzig: Gustav Heinze PN G. 61 H. 1864. Folio. 1f. title 3-25 1 blank pp. Lithographed. Small oval musicseller's handstamp to foot of title. Slightly worn and browned; spine splitting. Lithographic re-issue of the first edition. LW H12. Searle 123. Raabe 458. LC Catalog 26. Liszt's Fantasie Ã¼ber ungarische Volksmelodien was dedicated to Hans von BÃ¼low who premiered the work on June 1 1853 in Pest with Ferenc Erkel conducting. It is based on the same melody used for the Hungarian Rhapsody No. 14 which was written at the same time and also dedicated to BÃ¼low. Gustav Heinze [PN G. 61 H.] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis44,00 $US≈ 37,23 €

MADAME D AGOULT LISZT HENRI LEHMANN/ JOUBERT S.Livre Rare Book

MADAME D AGOULT LISZT HENRI LEHMANN- UNE CORRESPONDANCE ROMANTIQUE

1947R150213440FLAMMARION. 1947. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 236 pages. . . . Classification Dewey : 94.4-Editions numérotées

Le-livre.fr / Le Village du Livre · Sablons, France59,25 €

LISZT Franz 1811 1886ABAA

Magyar Dallok Ungarische National-Melodien und andere Werke . Edited by Adrienne Kaczmarczyk

201534398Budapest: Editio Musica Budapest 2015. Folio. Original publisher's full royal blue cloth with facsimile of Liszt's autograph signature gilt to upper and titling gilt to spine. 161 pp. Text in German English and Hungarian. Volume 7 of the New Edition of the Complete Works: Supplements to Works for Piano Solo. Editio Musica Budapest unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis44,00 $US≈ 37,23 €

Liszt, F(ranz)Antiquariat.de

Marche Funèbre de la Symphonie heroique de L(udwig) van Beethoven. Partition de Piano.

184123488Paris, Richault, o. J. (1841). 15 S. in Kupferstich. 4°. OBrosch. (etw. lädiert, gebräunt und stark fleckig, Rückenbereich mit Klebeband verstärkt).

Matthäus Truppe · AT - Graz74,90 €

DUPECHEZ, Charles F.MareMagnum

Marie d'Agoult, le grand amour de Liszt 1805-1876. 2e edition corrigee.

in-8°, 404 pp., 1 cahier illustrations N/B, notes, chronologie, index, tabl. geneal., couverture carton souple illustree plastifiee. Tres bel exemplaire, tres frais. [HA-4]

Pique-Puces · BELFORT, FR13,00 €

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