Liszt, FranzBiblio.com
637 résultats
0486290832.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9788571477841-11-66224Renovar. New. Renovar unknown
2016BN71471Königshausen u. Neumann 2016. 2016. Musikalische Haus- und Lebensregeln: Faksimile der Handschrift im Robert-Schumann-Haus Zwickau. Textabdruck und Kommentar Schumann-Studien - Sonderbände Faksimile der Handschrift im Robert-Schumann-Haus Zwickau. Textabdruck und Kommentar <br/><br/> Königshausen u. Neumann unknown
0366043757.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366185837.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
185940579Viennae: Typis Caes. Reg. Status Officinae 1859. Elephant folio 545 x 390 mm. Original black cloth-backed grey printed boards. 1f. recto title. verso blank 130 pp. With J. Schuberth & Co. overpaste to upper board and title.<br /> <br /> Binding somewhat worn rubbed and bumped. First Edition. Scarce. Raabe 484. Searle 9. Hoboken Catalogue Vol. 10 38. <br /> <br /> The "Grau" mass is one of Liszt's major works composed for the consecration of the new basilica at Grau in his native Hungary. It was first performed under Liszt's direction on 31 August 1856 to an audience of approximately 4000 people. "This music is religious to the point of converting Satan himself!" Walker II pp. 403-406. <br /> <br /> An important work in large striking format. Typis Caes. Reg. Status Officinae unknown
1019173319.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1871125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover
185340935Lipsiae: Breitkopfii et Härtelii PN 8636 1853. Folio. Dark yellow cloth-backed light gray boards. 1f. recto title verso blank 1f. recto dedication to "Patri Venerabili Albach" verso blank 3-35 i blank pp. Engraved.<br /> <br /> Scored for Tenors I and II Basses I and II and Organ.<br /> <br /> Handstamps of the Music Institute of the University of Vienna to title and dedication; deaccession note and stamp to verso of title.<br /> <br /> Binding somewhat worn rubbed and bumped with remnants of label to inner corner of upper board. Minor internal wear; lower outer corners bumped. First Edition of the first version. Searle 8a. Raab 485a. <br /> <br /> The Mass for four male voices and organ was composed in 1846-47 and was first performed in 1852 in Weimar "to celebrate the birthday of the President of the French Republic - later the Emperor Napoleon III. This is an unusual and austere work in which singers effectively declaim not sing parts of the Credo. The melodic line of the Gloria reveals the influence of plainchant." Collet: Franz Liszt. The Man & His Music Alan Walker ed. p. 340. Breitkopfii et Härtelii [PN 8636] unknown
1993Q-0849795656Kjos Music Company 1993-01-01. Sheet music. New. In shrink wrap. Looks like an interesting title! Kjos Music Company unknown
1994Q-0486281477Dover Publications 1994-08-18. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1480305138.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
184040936Vienne: A. Diabelli & Comp. PN D et C No. 6959 1840. Folio. Unbound. 1f. recto title with vignette of dancing couple and group of musicians 3-1. i blank pp. Engraved<br /> <br /> Some wear and minor foxing; outer bifolium separated at spine' 6" in contemporary manuscript to upper outer corner of title.<br /> <br /> Indecipherable signature in pencil to lower outer corner of title with several annotations in purple ink. First Edition. Searle 425. Raab 250. Auman and White 124a. A. Diabelli & Comp. [PN D et C No. 6959] unknown
0267665539.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0259099732.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020666943.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1930303424Leipzig Eulenburg ca. 1930. 1930. Small 8vo. Musical score. Introduction by Georg Munzer in German. Text of the Victor Hugo poem in French and German. 2 pages of publisher's advertisements at end. Contemporary 1/2 gilt stamped black morocco over white cloth upper cover with George Cukor's name stamped in gilt in lower right corner patterned endpapers. Very good. 120 pages 4 pages of acvertisements at end. Musical score: Eulenburg Edition No. 52. Signed and inscribed on third preliminary page to director George Cukor by composer/conductor Daniele Amfitheatrof: "For George Cukor as a remembrance of the exciting work on 'Heller With a Gun' With admiration Daniele Amfitheatrof 1959" Amfitheatrof scored the music for the 1960 Paramount film based on Louis L'Amour's novel and directed by Cukor which was released under the title "Heller in Pink Tights." Amfitheatrof 1901-1983 born October 29 1901; died June 4 1983; Russian-born composer/conductor emigrated to the United States in 1937 and conducted in Boston and Minneapolis; signed by MGM in 1939 but waited until 1943 for his first Hollywood film score "Lassie Come Home"; worked on over 130 films. From the library of noted "Gone With The Wind" Hollywood director George Cukor with his Paul Landacre bookplate on the front pastedown. Hardcover. Very Good/No Jacket. Leipzig, Eulenburg [ca. 1930]. hardcover
184031569Braunschweig: G.M. Meyer PN 361 1840. SCHUBERT Franz 1797-1828. Folio. 1 title 2-19 1 blank pp. Engraved.<br /> <br /> Contents: <br /> - Erlkönig D 328<br /> - Sei mir gegrüsst D 741<br /> - Du bist die Ruh D 776<br /> - Auf dem Wasser zu singen D 774<br /> <br /> Musicseller's handstamp to foot of title.<br /> <br /> Slightly worn; very minor soiling offsetting and foxing throughout. An early edition. LW A42. Searle 558. Raabe 243. <br /> <br /> Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br /> <br /> "His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. G.M. Meyer [PN 361] unknown
186131545Leipzig: C. F. Kahnt PN 787 1861. Folio. 1f. title within decorative shield engraving 3-11 1 blank pp. Engraved.<br /> <br /> Contents: 1. Vor der Schlacht; 2. Nicht gezagt; 2. Es rufet Gott uns mahnend.<br /> <br /> Musicseller's handstamp to foot of title.<br /> <br /> Spine reinforced with tape; slightly worn and browned; corners and edges frayed; dampstaining to right margin just touching music; title soiled; offsetting to caption titles. Second Edition with German titles. LW A207. Searle 511. Raabe 202. LC Catalog 164.<br /> <br /> Liszt's transcriptions of his three works for men's chorus S. 560/4-6 originally published in 1845. C. F. Kahnt [PN 787] unknown
186631560Paris: S. Richault PN 15383 R 1866. BERLIOZ Hector 1803-1869. Folio. Original publisher's light green printed wrappers. 1f. title 7 1 blank pp. Engraved.<br /> <br /> From the collection of pianist Mario Feninger 1923-2016 with his small handstamp to upper wrapper "Ex Mario Feninger de Rogatis Libris" and head of first page. Publisher's handstamp to foot of title.<br /> <br /> Wrappers detached. Somewhat worn and soiled; minor offsetting. First Edition co-published with Biedermann in Germany. LW A205. Searle 475. Raabe 142. LC Catalog 152.<br /> <br /> Liszt was a fervent champion of Berlioz while in Paris and transcribed a number of his works for piano. It was Berlioz who first introduced Liszt to Goethe's Faust. <br /> <br /> "A lucid and delicately laid-out scherzo of charming effect." Derek Watson: Liszt p. 201. S. Richault [PN 15383 R] unknown
185531566Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br /> <br /> Plate numbers and imprint of Brandus from their first edition of 1850.<br /> <br /> From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br /> <br /> Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br /> <br /> Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown
192943963097841706Leningrad: Triton 1929. Paperback. Good. Лот из 5 редких нотных изданий Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. Ленинград: Музыкальное издательÑтво «Тритон» 1929–1935. 1. И. С. Бах — БранденбургÑкие концерты: 1. Adagio из Концерта â„–1; 2. Andante из Концерта â„–2. / Переложение Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ в 2 руки Ю. Ð. Тюлина; под ред. Ðœ. Ð’. Юдиной. — 1932. 2. И. С. Бах — ПрелюдиÑ. / ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð½Ð°Ñ Ñ‚Ñ€Ð°Ð½ÑÐºÑ€Ð¸Ð¿Ñ†Ð¸Ñ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ ÐлекÑандра Зилоти. — 1934. 3. И. С. Бах — Л. ГодовÑкий — Сарабанда. / Ð”Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ Ñоло. — 1935. 4. Л. ГодовÑкий — РенеÑÑÐ°Ð½Ñ Renaissance. Рамо. ÐÐ»ÐµÐ³Ð¸Ñ â€” Лолли. Жига. — 1935. 5. Ференц ЛиÑÑ‚ — Паганини-Ñтюд â„–2 ми-бемоль мажор. — 1929. . Lot of 5 rare piano editions. Leningrad: Triton Publishing House 1929–1935. 1. J. S. Bach — Brandenburg Concertos: 1. Adagio from Concerto No. 1; 2. Andante from Concerto No. 2. / Arrangement for piano for two hands by Yu. N. Tyulin; edited by M. V. Yudina. — 1932. 2. J. S. Bach — Prelude. / Concert transcription for piano by Alexander Siloti. — 1934. 3. J. S. Bach / Godowsky — Sarabande. / For piano solo. — 1935. 4. Godowsky — Renaissance. Rameau. Elegy — Lolli. Gigue. — 1935. 5. Franz Liszt — Étude de Paganini No. 2 in E-flat major. — 1929. This extraordinary collection of sheet music from the legendary Leningrad cooperative publishing house Triton represents the pinnacle of Soviet piano culture and avant-garde editorial practice during the 1920s and 30s. The text provides a deep dive into the internal logic of the "Leningrad school" of performance including the arrangement of Bach’s orchestral works for the keyboard by Yuri Tyulin under the meticulous editorship of the great Maria Yudina. These editions reflect a period of intense artistic refinement where the boundary between Baroque tradition and Modernist interpretation was actively explored. Notably the lot includes transcriptions by Alexander Siloti—Liszt’s pupil and Rachmaninoff’s cousin—and the hyper-virtuosic "Renaissance" arrangements by Leopold Godowsky which were highly sought after by the elite conservatory circles of the era. The physical identity of these scores is defined by the distinctive often minimalist cover designs characteristic of the Triton imprint which operated as a private-public cooperative before its absorption into State control. From the 1929 Liszt Étude to the mid-30s Godowsky transcriptions these editions document the persistence of world-class pianism and international repertoire in Leningrad. The presence of Maria Yudina’s editorial hand and Siloti’s transcriptions makes this lot a vital primary source for musicologists studying the history of Russian piano performance and the dissemination of Western virtuoso traditions within the early Soviet state. For bibliophiles and collectors of rare musicalia these imprints are a testament to the high aesthetic and technical standards of Leningrad’s pre-war musical publishing. Triton paperback
1851578930Leipzig: Brockhaus 1851. Hardcover. Very Good. First edition. Thin octavo. 185 1 errata pp. Text in French. Contemporary quarter cloth and patterned paper over boards with paper label on spine. Folded sheet of music tipped-in at rear. Boards well rubbed a few marginal light pencil notes in text some modest foxing throughout but a pleasing very good copy of a rare first edition preceding by a year the German language edition published in Cologne. The first book by Liszt who wrote it in French and the first serious appraisal of Wagner before he was widely recognized. Brockhaus hardcover
40-18031Shunjusha. Paperback. Good. Paperback songbook in good condition with minor spine tear and wear. Shunjusha paperback
1854722042.Gsheet_music. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
