GOUNOD Charles - BARBIER - CARRELivre Rare Book
133 résultats
189810900Opéra en 5 Actes de Jules Barbier et Michel Carré. Partition pour Chant et Piano. Transcrite par Léo Delibes.Quatrième édition avec les Récitatifs ajoutés par l'Auteur.Paris, Choudens, non daté, vers 1898. 268 pp.Reliure demi basane de l'époque. Dos à nerfs orné et doré avec pièces de titre noires. Tranches bordeaux. Couverture illustrée, conservée. Pas de rousseur. Bon état. Format in-4°(28x19).
189810902Opéra en 3 Actes tiré du Poème de Frédéric Mistral par Michel Carré. Partition pour Chant et Piano.Deuxième édition. Paris, Choudens Père et Fils, non daté, vers 1898. 213 pp. + catalogue.Reliure demi basane. Dos à nerfs orné et doré avec pièces de titre noires. Tranches bordeaux. Couverture illustrée, conservée. Dos légèrement frotté. Pas de rousseur. Bon état. Format in-4°(28x19).
187010272Opéra en 5 Actes de J. Barbier et M. Carré. Partition Piano seule arrangée par Em. Périer.Paris, Choudens non daté vers 1870 - 265 pp.Reliure demi chagrin prune de l'époque. Dos à nerfs. Titre orné. Quelques rousseurs. 3 feuillets déchirés sans manque dont 2 détachés. Coins frottés. Format in-4°(27x19).
18508735A. Vialon : Une nuit du vieux Paris - La fournaise - Les couronnes triomphales - Les pêcheurs napolitains - Le réveil aux champs - Dieu le veut!J. Concone : Les chasseurs d'Afrique.Ambroise Thomas : France! France!Laurent de Rillé : La noce de village - La retraite - Patrie!Auguste Pilati : Réveil aux champs.Victor Hanssens : Les buveurs.Ch. Gounod : Faust, choeur des Soldats.A. Mermet : Roland à Roncevaux - Montjoie et Charlemagne - Choeur des buveurs - Chanson de Roland.Diverses partitions, vers 1850.Reliure demi chagrin violine de l'époque. Dos lisse orné et doré. Quelques rousseurs. Bon état. Format in-4°(27x18).
189516060197Chicago: Rand McNally & Co. 1895. gilt pictorial green cloth t.e.g. others untrimmed. Cracked front hinge reglued cover extremities lightly rubbed: VG/no dj. 12mo. frontispiece of Gounod. trans. Annette E. Crocker Rand, McNally & Co. hardcover
1889R150201168CALMANN LEVY. 1889. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 56 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1892R150201167CALMANN LEVY. 1892. In-8. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 40 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1889R150201174CALMANN LEVY. 1889. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Rousseurs. 68 pages- coiffes légèrement usées par le temps. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1896R150201160CALMANN LEVY. 1896. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Intérieur frais. 361 pages- 1ère page de garde tâchée + dernière page de garde: de substitution-. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
1885GF57951885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort - Il est représenté assis, les mains croisées sur les genoux.
190099910054Choudens Paris Choudens SD ( vers 1900), In-4 demi chagrin bleu à coins, dos à nerfs orné de fleurons dorés, 213 pages. Bel exemplaire, bien relié.
1900130739Editions Choudens. Paris 1900. sheet music. <b>Partition en français</b>. - Partition chant et piano transcrite par Léo Delibes. Reliure demi-chagrin. 268 pages. 19 x 28 cm. <i>ref. 130739</i> Editions Choudens. Paris unknown
186044.472Barcelona / Madrid: Imp. de Tomás Gorchs/ Vda. e Hijos de D. J. Cuesta / Eduardo Cuesta 1861 / s.a. aprox. 1860 / 1869. Piel blanda con títulos y adornos dorados. 11.5x16.7. Imp. de Tomás Gorchs/ Vda. e Hijos de D. J. Cuesta / Eduardo Cuesta unknown
1864620624Boston: G.D. Russell & Company 1864. Softcover. Fair. Sheet music. Translated by Chas. J. Sprague. Folio. Notched and worn along the fold with page numbers stamped in the top corners from once being bound within an album as a result the insert remains attached to the back cover the front cover is detached but present light offsetting throughout and a dampstain at the top of the front cover affecting throughout a complete but fair to good only copy. For voice and piano. Plate number 327. This stand-alone edition of "Now Thy Sleep Is All Pretended" from Gounod's Faust is surprisingly rare OCLC locates no holdings and we cannot find any copies in the trade. G.D. Russell & Company unknown
1886M91565Paris, Charpentier 1886 xxii + 569pp., 19cm., br.orig. (dos restauré) bien protégée par une couv. supplémentaire de papier cristal, qqs. rousseurs, [contient une chronique pour l'année 1885 sur la vie et les activités de théatre et de musique en France], M91565
1875362321Paris : Choudens 1875. First Edition. Hardcover. Very good copy bound in contemporary leather-backed marbled boards. Gilt-blocked title to spine with raised bands. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: Pages unnumbered. Subjects: Songs High voice with piano. Genre: Music score. Language: French. Paris : Choudens hardcover
1890038425London: Various Heugel Joseph Williams Hopwood & Crew Edwin Ashdown and others 1890. Book. Very Good. Hardcover. Original. Folio. over 12 scores privately bound from various publishers two with colour lithographic title pages a mix of piano scores some with vocals. Bound in green cloth covered boards with fine gilt to the spine some light wear and marking to boards. Contents clean and tight a couple of inscriptions dated 1890 and 1892 owner's name Dennis Turner in ink a few discrete stamps of music circulation companies such as Mills no other marks. A very good copy. An interesting collection of piano pieces. . Various Heugel, Joseph Williams, Hopwood & Crew, Edwin Ashdown and others Hardcover
188071382Ed. Bote & Bock 1880. Hardcover. Collectable very good. In German. Very large 12" x 9.4" hardcover marbled paper covered boards brown leather-like cloth spine very large tan front cover paste-on illustration of red-headed man in red cape and tights juggling a red heart back cover paste-on illustration with a white daisy in each corner and publisher in the center; 187pp no publication date so we have provided an estimate of 1880. CONDITION: Cover illustrations have slightest wear remanats of 1" white sticker on front cover fraying on ends of spine outer tips of corners starting to round; binding is sound name on first page else interior clean and unmarked occasional light brown age spots. Overall rather nice consdition. OVERSIZE - priority and overseas orders may require additional shipping. We are a small family business with over 30 years experience providing fine new and pre-owned books online. You can expect professional service and individual attention to your order daily shipments and sturdy packaging. Ed. Bote & Bock, hardcover
1870270058Italy. Good with no dust jacket. ca. 1870. Hardcover. Scuffing to leather outer corners and in one case adjacent paper. Leather has wear to the ends and scuffing to the edges. Very slight scattered foxing. ; Italian version of Charles Gounod's opera Romeo et Juliette. Early written owner information dated 1873. Three-quarter leather binding. . hardcover
1867boz_002116Émile Ollivier - Lettre autographe signée - [1867] Dimensions : 9,7 x 13,6 cm Nombre de pages : 1 page Émile Ollivier
187928957Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed<br/><br/>Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon.<br/><br/>With an inscription signed A. Giacometti to dedication.<br/><br/>Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue.<br/><br/>Commission by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on April 5 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown books
187928957Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed<br /> <br /> Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon.<br /> <br /> With an inscription signed A. Giacometti to dedication.<br /> <br /> Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue.<br /> <br /> Commissioned by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on 5 April 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention. ." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown
188636796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only.<br /> <br /> Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown
1880137141880 percaline rouge éditeur, tr. dor. (plats un peu passés). in-8, 2 pl. lith., 101, 46, 75, 131pp., P. Fouquet ca. 1880
189140524AB1891. London Sampson Low Marston Searle & Rivington 1891. 23cm x 14.5cm. xxxii 3 244 pages. Original Hardcover. Gilt lettering on spine and cover. Very good condition with only minor signs of wear. Minor stain on endpaper. Stamp and annotation by previous owner on end paper. Spine starting to separate from the block. Minor traces of foxing to end papers and title page. Text itself in excellent condition. Very Rare ! Includes for Example: Gounod at home/ The Monceau quarter/ His house family and study/ Sociability of musicians/ What Gounod thinks of virtuosi/ His favourite interpreters: Madame Viardot Madame Carvalho Madame Krauss/ Gounod rehearsing his interpreters/ His privacy invaded by professionals and amateurs/ His correspondence/ His unvarying politeness and inexhaustible good nature/ Concerts and festivals/ Leader of the orchestra/ Why a composer likes to direct the execution of his music/ Sensitiveness of musicians/ Opinions of St. Augustine and Alexandre Dumas on play-acting/ Over the 500th performance of "Faust" and the first of "L'Arlesienne"/ Gounod's marriage/ His theatrical work/ The choruses of "Ulysses" at the Theatre Francais/ Grecian without being Pagan/ Two symphonies/ The "Nonne Sanglante" at the Opera/ "Faust" Gounod's masterpiece/ First application of the "leit motiv" by Monteverde in the sixteenth century/ State of French musical art at the time of "Faust's" appearance/ Jules Barbier Gounod's librettist/ The quest for a manager M. Carvalho accepts "Faust" for the Theatre Lyrique/ Gounod composes "Le Medecin malgre lui"/ Madame Miolhan Carvalho/ Demands for a final a l'Italienne/ Gounod looked upon as a revolutionary/ His views on music and musicians/ His reverance for Mozart/ What he thought of Bach Weber Palestrina Gluck Rossini Meyerbeer Berlioz Bizet/ The burning question of Wagner/ How Gounod understood art/ His ironical catechism of modern music etc. hardcover
