1 000 résultats
RO50049786CHOUDENS. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Plats abîmés, Coiffe en tête abîmée, Quelques rousseurs. 123 pages de partitions. Page de titre illustrée en couleur monochrome par Barbizet. Edition C : pour Contralto ou basse. Compositeur, titre et filets dorés au dos de l'ouvrage. Coins des plats frottés.. . . . Classification Dewey : 780.26-Partitions
RO50059717CHOUDENS FILS. NON DATE. In-8. Relié. Etat d'usage, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 267 pages de partitions. Tampon sur la page de titre. Couverture cartonnée avec déchirures et manques sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50056826CHOUDENS. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos plié, Non coupé. 277 pages de partitions. Opéra de Jules Barbier et Michel Carré.. . . . Classification Dewey : 780.26-Partitions
RO50053747CHOUDENS. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Intérieur acceptable. 268 pages de partitions. 4° édition. Page de titre en couleur. Opéra de Jules Barbier et Michel Carré. Plats et coins frottés. Partition chant et piano transcrite pat Léo Delibes. Roulettes, fleurons, compositeur et titre dorés au dos de l'ouvrage. Plats jaspés. Dos légèrement frotté.. . . . Classification Dewey : 780.26-Partitions
RO50059704CHOUDENS. NON DATE. In-4. Relié demi-cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 268 pages de partitions. Transcrite par Léo Delibes. Tranche en tête dorée. Fleurons dorés au dos de l'ouvrage.. . . . Classification Dewey : 780.26-Partitions
RO50052774CHOUDENS FILS. NON DATE. In-4. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 5 pages de partitions. Paroles françaises de Jules Barbier et paroles latines du frère Nicéphore. A 1 voix. Transcrit par Xavier Leroux. Premier plat illustré en couleur monochrome par E. Buval.. . . . Classification Dewey : 780.26-Partitions
RO50053750CHOUDENS. NON DATE. In-8. Relié. Etat d'usage, Coins frottés, Dos abîmé, Quelques rousseurs. 242 pages de partitions. Plats jaspés. Compositeur et titre dorés au dos de l'ouvrage. Tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
RO50059621CHOUDENS FILS. NON DATE. In-4. Relié. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 178 pages de partitions. A Madame Carvalho.. . . . Classification Dewey : 780.26-Partitions
RO50052289INCONNUE. NON DATE. In-Folio. En feuillets. Etat d'usage, Livré sans Couverture, Coiffe en tête abîmée, Intérieur acceptable. 8 pages de partitions manuscrites non paginées. Opéra de J. Barbier et M. Carré. L'acte 2 : Scène du balcon.. . . . Classification Dewey : 780.26-Partitions
RO50013160Choudens. XIXème. In-8. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Rousseurs. 123 pages. Plats manquants. Coin de la dernière page manquant altérant la lecture. Quelques petites déchirures.. . . . Classification Dewey : 780.26-Partitions
RO50012568Choudens. XIXème. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Rousseurs. 245 pages. Quelques mouillures. Quelques déchirures. Nombreuses bandes adhésives sur les bords des pages.. . . . Classification Dewey : 780.26-Partitions
RO50012947Choudens. début XXème. In-8. Cartonnage d'éditeurs. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. 123 pages. Titre, auteur, lettrages et décoration argentés sur la couverture. Titre et auteur argentés sur le dos.. . . . Classification Dewey : 780.26-Partitions
186528785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br/><br/>Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br/><br/>Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864.<br/><br/>"There are. fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization. Mireille. is a noteworthy contribution to the French lyric stage. It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br/><br/>"In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown books
187025625Paris: Choudens A.C. 1482. 1870. Large octavo. Half dark blue morocco with maroon pebbled cloth boards and gilt rules spine in decorative compartments gilt titling gilt. 1f. recto decorative lithographic title by Barbizet printed in blue verso blank 1 recto cast list and table of contents 2-271 i blank pp.<br/><br/>Publisher's handstamp to lower margin of title; oval handstamp of Dachauer & Vilanova in New York to lower margin of title and first page. <br/><br/>Binding slightly worn rubbed and bumped; head of spine slightly chipped. Slightly worn; occasional foxing and creasing; first signature partially detached. Probable First German Edition. Lesure p. 108.<br/><br/>Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on April 27 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1482.] unknown books
1909boz_001614Jean GOUNOD - Lettre Autographe Signée "bonnes vacances" - Savoie - 1909 Dimensions : 11,2 x 14,2 cm État : Voir photos pour plus de détails. Nombre de pages : 1 page
187136758Paris: Choudens PN A.C. 2260 1871. Large octavo. Quarter dark brown morocco with marbled boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title printed in dark brown verso blank 3 contents 4-39 i pp. Text in French and Latin. Lithographed. Performance markings in pencil to first number; minor annotatioins in ink to p. 15. Binding quite worn and rubbed corners slightly bumped. Minor to moderate browning. First French edition the Novello Ewer & Co. edition most probably pre-dates the French edition. <br /> <br /> Bound with: <br /> Schubert Franz<br /> Collection 40 Mélodies Choisies avec accompt. de Piano . avec les Paroles Allemande s originales et une Traduction Française de Maurice Bourges et Emile Deschamps . Prix 7f. net. Paris: Brandus et Cie. PN B. et Cie. 5199 after 1850. 1f. recto full-page half-length lithographic portrait of Schubert verso blank 1f. recto title verso blank 1f. recto contents verso blank 174 pp. Text in French and German. Lithographed. Minor wear; some foxing and browning; several signatures partially detached; publisher's facsimile signature handstamp to blank foot of title. Choudens [PN A.C. 2260] unknown
186528785Paris: Choudens PN A.C. 1005.1012 1865. Large octavo. Quarter black calf with marbled boards spine in gilt-ruled compartments titling gilt marbled endpapers. 1f. recto title illustrated by T. Laval 1f. dedication 1f. named cast list and contents 3-32 132-328 33-214 pp.<br /> <br /> Binding slightly worn rubbed and bumped; hinges split. Occasional light to moderate foxing; some signatures split; several leaves partially detached; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer edge of p. 189 not affecting music. Third version. <br /> <br /> Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on 19 March 1864.<br /> <br /> "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine."<br /> <br /> "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005.(1012)] unknown
187025625Paris: Choudens A.C. 1482. 1870. Large octavo. Half dark blue morocco with maroon pebbled cloth boards and gilt rules spine in decorative compartments gilt titling gilt. 1f. recto decorative lithographic title by Barbizet printed in blue verso blank 1 recto cast list and table of contents 2-271 i blank pp.<br /> <br /> Publisher's handstamp to lower margin of title; oval handstamp of Dachauer & Vilanova in New York to lower margin of title and first page. <br /> <br /> Binding slightly worn rubbed and bumped; head of spine slightly chipped. Slightly worn; occasional foxing and creasing; first signature partially detached. First German edition. Lesure p. 108.<br /> <br /> Roméo et Juliette was first performed at the Théâtre Lyrique in Paris on 27 April 1867. The opera was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1482.] unknown
19412083002116202834Tokyo Music Academy 1941. Soft Cover. Fine. The book is in fine condition. Tokyo Music Academy paperback
687710 Paris, Choudens, s.d., In huit, 123 pp, 123 pp, 123 pp, demi-veau brun , dos lisse, reliure usagée mais intérieur frais et de bonne tenue
1867415631 vol. in-folio reliure demi-basane marron, Choudens, Paris, s.d. [ circa 1867 ], 203 pp.
19259718Paris, Librairie Garnier Frères, 1925 ; in-8, broché ; (1) f. , (6), VIII, 210 pp. , (1) f. ; couverture verte imprimée.
18678085MN<p>Roméo et Juliette Opéra en 5 Actes de J. Barbier et M. Carré tiré de l'oeuvre de William Shakespeare composition musicale de Charles Gounod pour chant et piano et livret par Jules Barbier et Michel Carré. XIXe siècle. Couverture relié la couverture présente quelques rayures et usures. Le haut du dos est manquant mais les pages sont bien reliées la couverture intérieure estampillée par l'éditeur d'origine. Il y a des taches mais le texte est clair.</p><p>voir photos pour voir l'état. Prix indiqué après remise de 50%. N'hésitez pas à nous contacter nous serons heureux de répondre à toutes vos questions ou demandes de renseignements.</p> Choudens hardcover
1865244365Simrock`sche Musikhandlung Berlin 1865. Hardcover Großformat Die Jahresangabe ist ungefähr. Zustand: keine Beschädigungen eine Namenseintragung. Rücken Ecken Kanten bestoßen. Simrock`sche Musikhandlung, Berlin, hardcover
R110262967CHOUDENS. NON DATE. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 132 pages. Edition originale. Couverture muette.. . . . Classification Dewey : 780.26-Partitions
