1 000 résultats
20320Paris Choudens, Editeur, sans date ( fin XIXème ) 0 in 8 (28x19) 1 volume reliure plein maroquin chocolat de l'époque, dos à nerfs, très orné, plats orné d'un décor d'encadrement de triple filets dorés avec fleurons d'angle, avec au centre du plat supérieur les lettres dorées: M D, tranches dorées, belle dentelle dorée intérieure, page de titre illustrée (lithographie tirée en sépia) 267 pages de musique notée. 4ème édition avec récitatifs. Superbe exemplaire, très finement relié ( Photographies sur demande / We can send pictures of this book on simple request )
R110262967CHOUDENS. NON DATE. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 132 pages. Edition originale. Couverture muette.. . . . Classification Dewey : 780.26-Partitions
1925RO80153825CHOUDENS. 1925. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 116 pages de partitions, accompagnées des paroles. Quelques tampons en marges. Charnières usées sur la coiffe en pied.. . . . Classification Dewey : 780.26-Partitions
100131748Choudens Père & Fils 267 pages in4. Sans date. Relié. 267 pages.
10468Edition Choudens a Paris, partition pour chant seul, non date, circa 1900. Superbe petite demi-reliure fine, nerfs, filets, decors dores, 96 pages.Tres bon etat.
1986Q-0793512123G. Schirmer Inc 1986-11-01. Sheet music. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc unknown
1992Q-0793511968Hal Leonard 1992-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Hal Leonard paperback
RO50038061AU MENESTREL / HEUGEL ET CIE. non daté. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 pages. Partition pour Violon, Orgue et Piano. Tampon et scotch sur les pages intérieures n'altérant pas la lecture de la partition. Ornement sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
wc1354Alphonse Leduc Partition "In-4 (26,5 x 34 cm), partition pour piano : ""Envoi de fleurs"", poésie d'Emile Augier, musique de Ch. Gounod ; bords des plats et pages brunis, renforcés au ruban adhésif, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
2596Paris, Lévy, 1851, 1 cartonnage muet, couverture conservée. in-8 de (4)-47 pp. ;
RO50063835Non communiqué. Non daté. In-4. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 6 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50061064CHOUDENS. NON DATE. In-8. En feuillets. Etat passable, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 6 pages de partitions - clé de sol et clé de fa. . . . Classification Dewey : 780.26-Partitions
7116viii 32 pp. 8vo 212 x 138 mm. modern aubergine cloth a little sunned title on upper cover. Paris: Félix & Regnault-Delalande 1824. A rare sale catalogue issued by the prolific expert Regnault-Delalande 1762-1824 describing the painter's extensive collection. This copy is printed on large paper and begins with a valuable biography of the artist. Gounod 1758-1823 was a pupil of Lépicié; his first appearance at the Paris Salon was in 1799. His son Charles became a famous musician and composer. 192 lots. The catalogue describes paintings by S. Bourdon Chardin van Dyck Gounod La Tour Miel and Rembrandt; drawings by Bouchardon Ant. Carracci Cochin fils van Dyck Gounod Greuze Jordaens Le Brun N. Poussin Raphael C. J. Vernet etc.; prints by G. & B. Audran Bartolozzi Callot Earlom Morghen Nanteuil Porporati Rembrandt C. Vernet etc. The print suites and books include the works of Palladio Scamozzi Perrault Newton Barbault Bartoli Piranesi etc. We also find the standard art historical books and artistic treatises of the 18th century. Fine copy. In the characteristic binding of the Bibliothèque Heim and with the library's stamp on verso of title. ❧ Lugt 10600. Oxford Art Online. hardcover books
1970143973London : OSA 1286 1970. LP Record. Very Good/Box : Fair. 0x0x0. Both the libretto and the inside of the box are signed by Joan Sutherland in large flamboyant hand--two collectible signatures; both discs in clean sleeves are without visible wear; includes catalog; box has breaks at corners London : OSA 1286 unknown
Mm 315x450 Fascicolo in folio di pp. 8 con prima e ultima carta illustrate a colori, alcune illustrazioni in nero nel testo. Copertina con molte inserzioni pubblicitarie, vignette di Julio e brevi rubriche. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
GF11963Photographie 7,5x4 cm - collée sur carton - vers 1900 -
200713472, s.d. ; in-4, demi cuir.
9895Paris, Choudens fils, s.d. 1 vol. in-4°, cart. éditeur, charnière sup. fendue. (1) f., 213 pp. [C04]
1955LFA-126739505Revue de 192 pages, format 155 x 235 mm, brochée, bon état
48648P., Bonne Presse (Collection "Les Grandes Figures Chrétiennes"), 1942, in 12 broché, 102 pages.
66114P., Melottée, 1922, in 12 broché, 165 pages.
17868P., NRF, Gallimard, 1942, in 12 broché, 277 pages ; couverture illustrée (légèrement fanée).
15493Paris, H. Laurens (coll. "Les Musiciens célèbres"), s.d. In-8°, 126p. Reliure cartonnée d'éditeur.
58167P., Choudens, sans date, petit in 8° relié demi basane rouge, dos lisse orné, 116 pages.
189140524AB1891. London Sampson Low Marston Searle & Rivington 1891. 23cm x 14.5cm. xxxii 3 244 pages. Original Hardcover. Gilt lettering on spine and cover. Very good condition with only minor signs of wear. Minor stain on endpaper. Stamp and annotation by previous owner on end paper. Spine starting to separate from the block. Minor traces of foxing to end papers and title page. Text itself in excellent condition. Very Rare ! Includes for Example: Gounod at home/ The Monceau quarter/ His house family and study/ Sociability of musicians/ What Gounod thinks of virtuosi/ His favourite interpreters: Madame Viardot Madame Carvalho Madame Krauss/ Gounod rehearsing his interpreters/ His privacy invaded by professionals and amateurs/ His correspondence/ His unvarying politeness and inexhaustible good nature/ Concerts and festivals/ Leader of the orchestra/ Why a composer likes to direct the execution of his music/ Sensitiveness of musicians/ Opinions of St. Augustine and Alexandre Dumas on play-acting/ Over the 500th performance of "Faust" and the first of "L'Arlesienne"/ Gounod's marriage/ His theatrical work/ The choruses of "Ulysses" at the Theatre Francais/ Grecian without being Pagan/ Two symphonies/ The "Nonne Sanglante" at the Opera/ "Faust" Gounod's masterpiece/ First application of the "leit motiv" by Monteverde in the sixteenth century/ State of French musical art at the time of "Faust's" appearance/ Jules Barbier Gounod's librettist/ The quest for a manager M. Carvalho accepts "Faust" for the Theatre Lyrique/ Gounod composes "Le Medecin malgre lui"/ Madame Miolhan Carvalho/ Demands for a final a l'Italienne/ Gounod looked upon as a revolutionary/ His views on music and musicians/ His reverance for Mozart/ What he thought of Bach Weber Palestrina Gluck Rossini Meyerbeer Berlioz Bizet/ The burning question of Wagner/ How Gounod understood art/ His ironical catechism of modern music etc. hardcover
