52 résultats
182015094P. Pacini 1820 br. (tiré d'un recueil). in-4, titre, 12pp., (cot. 19)
1807269901807 Paris : Imprimerie du Conservatoire JANET & Cotelle ,sd - [ca.1807]- 1 partituur (24 p.) ; 35 cm.rousseurs
189099911372H. Litolff SD (vers H. Litolff SD (vers 1890), In-4 pleine percaline de l'éditeur, 96 pages. Bon état.
183040871England 1830. Pierre Rode 1774-1830; Sir Henry Rowley Bishop 1786-1855; Adalbert Gyrowetz 1763-1850; Anon. Copyist musical manuscript. Oblong folio 245 x 305 mm. Sewn. Notated in black and brown ink on 14-stave rastrum-ruled paper. 10 pp. <br /> <br /> Contains five variation sets for violin by various composers:<br /> <br /> 1 Tema with Variations for the Violin. 3 pp. <br /> Nine variations on a waltz-like theme in F major. Following each variation the scribe indicates "tutti" or "to the tutti" indicating that these variations may have been performed with an ensemble of musicians. Unlocated.<br /> <br /> 2 Bishop Sir Henry Rowley 1786-1855 and Anon<br /> Variations from Home Sweet Home. 2 pp.<br /> Five variations on Rowley's well-known song. Bishop was an English composer who "in his day he enjoyed a commanding reputation as the guardian of the best traditions of English song and for a time he kept English opera alive almost single-handed. Yet he is now remembered for little but the song Home Sweet Home." Nicholas Temperley and Bruce Carr in Grove Music Online<br /> <br /> 3 Rode Pierre 1774-1830<br /> Theme with Variations for the Violin. 2 pp. <br /> Four variations originally published as a solo for violin accompanied by a second violin viola and cello. "At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . His innate gifts as a teacher are demonstrated in his 24 Caprices which balance the musical and technical needs of the student and have become an indispensable part of the violin curriculum." Boris Schwarz revised by Clive Brown in Grove Music Online<br /> <br /> 4 Gyrowetz Adalbert 1763-1850 <br /> Variations. 3 pp.<br /> Eight variations on a Tyrolean folksong popular at the time and the subject of numerous variation sets. Gyrowetz was a noted Bohemian composer and conductor.<br /> <br /> 5 Rossini Gioachino 1792-1868<br /> Variations from the Tanti Palpiti. 2 pp.<br /> Five variations. The composer's Di tanti palpiti was the subject of variation sets by celebrated composers including Paganini Giuliani and Gelinek. Unlocated.<br /> <br /> Several small stains mainly to blank margins; minor soiling to final page mainly affecting its eight blank staves. These variations by the composers represented in the present manuscript are virtuosic incorporating rapid scales and arpeggios passages in double stops and bariolage. unknown
182046029(Paris, Crochard, 1820). No wrappers. In ""Annales"". In ""Annales de Chimie et de Physique, Par MM. Gay-Lussac et Arago"" Tome XIV, Juin issue, pp. 113-222. (Entire issue offered with halftitlepage to vol. 14). Savart's paper: pp. 113-172 and 3 folded engraved plates. Plates with some scattered brownspots.
182046032Paris, Crochard, 1820. Uncut with orig. printed wrappers (Juin-issue). In ""Annales de Chimie et de Physique, Par MM. Gay-Lussac et Arago"" Tome XIV, Juin issue, pp. 113-222. (Entire issue in orig. wrappers). Savart's paper: pp. 113-172 and 3 folded engraved plates.
182046032Paris Crochard 1820. Uncut with orig. printed wrappers Juin-issue. In "Annales de Chimie et de Physique Par MM. Gay-Lussac et Arago" Tome XIV Juin issue pp. 113-222. Entire issue in orig. wrappers. Savart's paper: pp. 113-172 and 3 folded engraved plates. <br/><br/><em>First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle."In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center; he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations; that the plate can be made to vibrate at any frequency; and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot the Composer Cherubini and other members of the Academy of Sciences and the Académie des Beaux-Arts its tone was judged as extremely clear and even but somewhat subdued."DSB.The issue also contains Eilhard Mitscherlich' famous paper in the first French version "Sur la Relation qui existe entre la forme cristalline et les proportions chimiques" pp. 172-190. </em> unknown
182046029Paris Crochard 1820. No wrappers. In "Annales". In "Annales de Chimie et de Physique Par MM. Gay-Lussac et Arago" Tome XIV Juin issue pp. 113-222. Entire issue offered with halftitlepage to vol. 14. Savart's paper: pp. 113-172 and 3 folded engraved plates. Plates with some scattered brownspots. <br/><br/><em>First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle."In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center; he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations; that the plate can be made to vibrate at any frequency; and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot the Composer Cherubini and other members of the Academy of Sciences and the Académie des Beaux-Arts its tone was judged as extremely clear and even but somewhat subdued."DSB.The issue also contains Eilhard Mitscherlich' famous paper in the first French version "Sur la Relation qui existe entre la forme cristalline et les proportions chimiques" pp. 172-190. </em> unknown
19009993429Enoch Paris Enoch SD (vers 1900), collection Litolff, In-4 de 92 pages, percaline éditeur marron. Premier feuillet détaché.
19009993430Enoch Paris Enoch SD (vers 1900), In-4 de 284 pages. dernier feuillet détaché.
189099936086Leipzig C.F. Peters SD Leipzig C.F. Peters SD (vers 1890), In-4 demi chagrin noir, 248 pages. Trés bon état.
18983163CBLeipzig u.a. Brüssel, London u. New York, Breitkopf & Härtel, 1898. 4°. 37 S.; 11 S. Orig.-Broschur + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bnd. (Gebrauchsspuren). = "Violin - Bibliothek".
18983163CB2 Bnd. Leipzig u.a. Brüssel, London u. New York, Breitkopf & Härtel, 1898. 4°. 37 S.; 11 S. Orig.-Broschur (Gebrauchsspuren). = "Violin - Bibliothek".
186025909ABLeipzig u. Augsburg u. Bonn u. Frankfurt Otto Forberg u. Anton Böhm u. Simrock u. L. Massute (Böhm u. Simrock:) ca. 1860. 4°. Mit meist gestochenen Noten-Seiten. Halbleinenbd. d. Zt. mit mont. Titelschild u. Deckel-Titel von alter Hand (berieben u. bestossen, Schild gebräunt).
186025909ABLeipzig u. Augsburg u. Bonn u. Frankfurt, Otto Forberg u. Anton Böhm u. Simrock u. L. Massute, (Böhm u. Simrock:) ca. 1860. 4°. Mit meist gestochenen Noten-Seiten. Halbleinenbd. d. Zt. mit mont. Titelschild u. Deckel-Titel von alter Hand + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (berieben u. bestossen, Schild gebräunt).
187030642ABLeipzig, Breitkopf & Härtel, o. J., um 1870. 4°. 3, 9 S. gestochene Noten. Orig.-Umschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
187030642ABLeipzig, Breitkopf & Härtel, o. J., um 1870. 4°. 3, 9 S. gestochene Noten. Orig.-Umschlag.
188027346London: Richard Bentley & Son 1880. 1st one-volume edition. Not in NCBEL. Original green publisher's cloth with gilt lettering to spine & boards stamped in blind professionally recased. Eps replaced. VG extremity wear/cloth dull. 2 413 3 pp. Publisher advert last 2 pp. Frontispiece. Crown 8vo. <br/><br/>A novel set against the background of the 1862-63 Lancashire cotton famine. Richard Bentley & Son hardcover books
187929849London: Richard Bentley and Son 1879. Hardcover. First Edition First Impression. 4.5 x 7in. 277pp.; 308pp.; 335pp. Publisher's blind-stamped cloth boards with gilt titling. All 3 volumes are in VERY GOOD condition showing typical shelf rubbing of the extremities spines and endpapers lightly toned over-opened in several places throughout otherwise the bindings are strong and tight the texts are clean and unmarked and the boards remain distinct. As pictured. Richard Bentley and Son hardcover
186011122P. Leduc 1860 demi-percaline rouge. 4 parties en 1 vol. in-4, 4 titres et 164pp.,
190019623Paris, Durdilly vers 900 Paris, Durdilly vers 1900. In-8 broché de 36 pages
189077843Partitions sur les Instruments de musique Dupont Paul 1890 approx.
190047694Couverture rigide. Cartonnage, légèrement défraîchi. 26 x 33 cm. 62 pages. Pages de garde froissées.
1900205089- Partition. 257 pages. Dos réparé et défraîchi. Signé sur la couverture.
