477 résultats
98158Bruxelles, Maison d'Edition Véronique Wintgens, 1997. 23 x 28, 69 pp., nombreuses illustrations en N/B, broché, couverture à larges rabats, bon état.
14x18 cm (locandina), 11x9 (biglietto); 11 righe autografe e firmate dall'autore con affettuosi ringraziamenti ad un suo allievo (Guido Guerrini)
Edizione di fine ottocento, primi del novecento di questo manuale sullo studio del violino elementare e progressivo scritto da Bernardo Ferrara (1810-1882). L'opera era composta da sei libri, siamo purtroppo in possesso della seconda e terza parte (che termina a pag. 152). In discrete condizioni. Copertina in mezza tela con etichetta al piatto anteriore in discrete condizioni generali con usure e parti mancanti ai margini e usure al dorso. Legatura in buone condizioni. Pagine in buone condizioni con fioriture. Formato cm. 34x25,5, 32,5x25. Pp. da 41 a 105, da 106 a 152.Edition of late 19th or early 20th century of this manual about the study of violin written by Bernardo Ferrara (1810-1882). the work was made up of six books, unfortunately we onyl have the second and third part (finishing until pag. 152). In fair conditions. Half cloth cover with label in front plate in fair conditions with wearings and missing parts in the edges and spine. Binding in good conditions. Pages in good conditions with foxings. Formato cm. 34x25,5, 32,5x25. Pp. da 41 a 105, da 106 a 152.
199153554Cremona, Editrice Turris, 1991. 4°. Mit 163 tlw. gefalt. bzw. farb. Tafeln. 351 S., OLwd. m. illustr. OUmschlag.
337131 page in4 - trés bon état - En tête: Association Amicale des Prix de Violon du Conservatoire de Paris -
337141 page 1/2 in2 - trés bon état -
in-16, broché Bel exemplaire. [FR-4]
47428P., Librairie Renouard, Laurens éditeur (Collection "Les Musiciens Célèbres"), 1922, in 8° relié pleine percaline de l'éditeur, 128 pages ; illustrations ; le faux-titre manque.
24223PUF, Que-Sais-Je ? n° 267, 1967. Format poche. Tres bon etat.
44842Londres The Holland Press 1963 in 4 (28x21,5) 1 fort volume reliure cartonnée illustrée de l'éditeur sous jaquette assortie, 222 pages (CCXXII). Tiré à 500 exemplaires. Tome 3 seul (sur 3). Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
in-8°, 254 pages, 16 illustrations et une discographie, broche, jaq. ill. Bel exemplaire. [DV-2] Casadessus, Casals, Cortot, Horowitz, Kempff, Menuhin, Oistrach, etc.
26746l'AUTEUR - Paris : M. Schlesinger ,[s.d.]In-fol.2p.; ENVOI autographe AUTEUR coupé,trés rare
184729822Paris: Aubert & Cie 1847. 215 x 220 mm. sheet size 346 x 253 mm. Printed on wove paper. Signed by the artist in the stone.<br/><br/>Some foxing; remnants of paper mounting tape to verso. Aubert & Cie unknown books
184729822Paris: Aubert & Cie 1847. 215 x 220 mm. sheet size 346 x 253 mm. Printed on wove paper. Signed by the artist in the stone.<br /> <br /> Some foxing; remnants of paper mounting tape to verso. Aubert & Cie unknown
197710cb10in4 reliure toilée bordeaux à titres dorés - 522 pp illustrations nb et couleurs. Texte en Français, en Anglais et en Allemand
1901024362Paris Charles Schmid 1901 un volume in-4°, XXVII 290 (1) pp. (couverture défraîchie : petites coupures, salissures et petits manques, dos décollé en sommet et en queue). Édition illustrée de nombreux dessins et photos. Chapitres concernant : le crouth; la lyra; la vièle; la rote; la rubèbe et le rebec; la gigue; la trompette marine; les violes; les instruments à archet de l'orient. TOME 1 SEUL (sur 2 PARUS).
19011008851901 Charles Schmid Editeur, 2 volumes, 1901, 290-409 pp., demi-reliures à coins, plats d'origine conservés, environ 29x19cm, reliures en mauvais état (frottements, 1 mors fragile, manques de cuir sur les dos), 1 signature sur le premier plat conservé du tome 1, intérieurs bien propres.
19631729AG1963. Lithografie auf festem Papier. Bildgrösse: 48 x 40 cm. Blattgrösse: 62 x 49,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
19631729AG1963. Lithografie auf festem Papier. Bildgrösse: 48 x 40 cm. Blattgrösse: 62 x 49,5 cm.
First collected edition of Messiaen's detailed accounts of each of Mozart's piano concertos, which had appeared individually in concert programs. Olivier Messiaen (1908-1992) was the pre-eminent French composer of the second half of the 20th century. From a total edition of 100 numbered copies, this is ONE OF ONLY 50 COPIES WITH A LOOSE COLOR LITHOGRAPH BY BALTHUS. The lithograph, in soft colors, depicts a bay with a smoking volcano in the background. Balthus (Balthazar Klossowski de Rola, 1908-2001) was one of the great French artists of the 20th century. In theory, the book is supposed to be signed by Messiaen and the lithograph by Balthus, but in fact neither is signed. The publication of this book was carried out in the most chaotic possible way: Messiaen ended up signing only presentation copies, and Balthus ended up signing only a few impressions of the lithograph. Large folio (56 x 38.5 cm). Loose as issued in printed wraps and publisher's cloth portfolio/clamshell box. FINE AND BRIGHT, with no defects.
in-16°, 487 pages, broché, couverture illustree. Accroc au 1er plat sinon bel exemplaire. [FNAC]
1925536211925 Nantes, Durance, sans date (vers 1925), grand in 8° broché, XVII-236 pages ; un frontispice, 2 planches hors-texte et 8 figures dans le texte ; couverture très légèrement fanée
1927181481927 un volume, broché gris-souris in-quarto Editeur (paperback editor in-4) (16,5 x 25,3 cm), dos et couverture imprimés en noir et rouge (cover printed), toutes tranches non rognées, orné d'un portrait en frontispice en noir + 2 planches hors-texte en noir in-fine, XVII-236 pages, 1927 Nantes L. Durance Editeur,
In 8°, br. edit., pp. 84, intonso, con num. fot. b.n. nel t. e tabelle più volte ripieg. f.t.; testo in francese, buon esemplare. (m183)
