Nisenson, EricAntiquariat.de
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19971154493Da capo Press, 1997. X; 262 S.; 23 cm; kart.
199227192Cmp (Efa), 1992. 1 CD CD
199187200BBAndrä-Wördern:, Hannibal, 1991. 8°. XXI, 361, [30] S., sw-Abbildungen, broschiert Neu überarbeitete und aktualisierte Ausgabe. (Papierbedingt leicht gebräunt; gut erhalten) (=Reihe: Jazz- und Swingbiographien - Jazzgeschichte)
197581537Linz, Blues Notes, 1975. 74 S. Gr.-8° Groß-Oktav, Softcover/Paperback
19716160245London: Studio vista 1971. 112 S., schw/w Abb., 20cm x 13cm
19513990CB(Paris), Escales, 1951. Kl. 8°. 30 (1) S. OBr. OPergaminumschlag., 1 (= Collection poetique d'escales 3).
199924297London [u.a.] : Greenwood Press, 1999. XV, 290 S. ; 24 cm ; petrolfarb. Org.-Leinen / blue cloth
198157266Creative Arts Book Company, Berkeley 1981. Broschur Signiert Softcover/Paperback, book in good condition, Exemplar in gutem Erhaltungszustand
199427241Jaro Medien, 1994. 1 CD CD
199742151ABReinbek bei Hamburg, Rowohlt, 1997. 19 cm, 588 Seiten, mit Schwarzweißfotos auf Tafeln, Taschenbuch. leichte Gebrauchsspuren, gut erhalten. rororo 13972.
199242208Blondell Prod., 1992. CD 822 CD CD
198447365Random House Value Publishing 1984. 208 Seiten, mit Schutzumschlag Gebundene Ausgabe, Halbleinen, Schnitt stockfleckig, sonst Exemplar in gutem Erhaltungszustand
19891605270804zbvkEssex, Storyville Publications, 1989. viii, 258 pages. - Publisher's gilt-titled blue cloth-binding; 8vo.(20 x 16 x 2 cm).
199553712Columbia, 1995. 4765329 2 CD CD
199324043Metuchen [u.a.] : The Scarecrow Press - Rutgers : Institut of Jazz Studies, c. 1993. XII, 261 S. : Mit Illustr. ; 22 cm ; Org.-Leinen / cloth
198039642BBLübbecke:, Uhle und Kleimann, 1980. 8°. 76 S., zahlreiche sw-Abbildungen, geheftet (Einband leicht berieben; gut erhalten)
192839300New York: Rae D. Henkle 1928. 8vo. viii 182 pp. Yellow boards orange lettrng w/ d.j. NF/NF. First edition of this scarce and riotous anthology of essays and humor on the Jazz era including Flappers are safeguards Men are the vainer sex Parents are snobs Stupid men marry early and much more. Rae D. Henkle, hardcover
193560373New York: Grosset & Dunlap c. 1935 1941. 8vo. 310 pp. Beige publisher’s cloth blue lettering on spine minor shelwear soiling w/ d.j. moody Art Deco cover art by Arthur Hawkins representing Manhattan’s Upper Eastside minor chipping head of spine couple closed tears creasing edgewear still VG/G copy w/ original Newport OR drugstore stamp on front pastedown. First Grosset Edition reprinting the 1935 Harcourt Brace original of this novel set against the backdrop of the waning years of the Jazz Age and the promiscuous experiences of Gloria Wondrous including her affair with Weston Liggett and assorted friends. In 1960 25 years after its first publication the novel was adapted into the film starring Elizabeth Taylor for which she won the Academy Award for Best Actress. Grosset & Dunlap, hardcover
199028285Teartrop Rec., 1990. 260890 1 CD CD
199154887Tomato, 1991. R2 70383 CD CD
198854570American Clavé, 1988. AMCL 1015 CD CD
198827561American Clave, 1988. AMCL 1015 CD CD
1924List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music.<br /> <br /> The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’â€.3<br /> <br /> Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC.<br /> <br /> 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978.<br /> 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992.<br /> 3 “Act 3. New York Introduction: 1924–1925†Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown
