Donizetti

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Gaetano DonizettiBiblio.com

Anna Boléna Gaetano Donizetti

DONIZETTI Gaetano 1797 1848ABAA

Torquato Tasso Piano-vocal score pre-publication proof copy

183336254Milano: F. Lucca PNs 900 904 905 912 e 913 914 and 915 1833. Oblong folio. Original blue wrappers with publisher's large ivory printed title label to upper. Engraved. Uncut. With text in Italian. On high quality paper. Contains the following 6 complete numbers all with secondary pagination: - Scene e Duetto. In un etasi che uguale. 19 i blank pp. secondary pagination 49-67. PNs 900 L900L. - Duetto. Colei Safronia. 17 i blank pp. secondary pagination 87-103. PNs 904 P904P z904z. - Seguito del finale primo. Torquato! mira. Il Fratel t'invia 35 i blank pp. secondary pagination 104-138. PNs 905 n905n. - Scena e duetto. Poco dunque ti pare. 13 i blank pp. secondary paginatio 183-197. PNs 912 e 913 R912-913R R913R. - Sei mia . 34 pp. secondary pagination 198-231. PN 914. - Perche dell'aure in sen Gran scena ed aria. Eseguita dal Sigr. Giorgio Ronconi. 27 i blank pp. secondary pagaination 232-258. PNs 915 Z915Z. Upper portion of first page of many numbers blank where title imprint etc. would be added for subsequent commercial publication. Wrappers slightly worn and soiled spine reinforced with dark ivory tape. Minor internal browning; edges dusty. CPM Vol. 17 p. 259. Bergamo catalogue 80 complete plate nos. 897-915. Inzaghi 46. A "melodramma semiserio" in three acts to a libretto by Jacopo Ferretti after Giovanni Rosini's Torquato Tasso and to a lesser degree Carlo Goldoni 's Tasso Johann Wolfgang von Goethe 's Tasso and Byron 's The Lament of Tasso Donizetti's Torquato Tasso was first performed in Rome at the Teatro Valle on 9 September 1833. "Eleonora's expressive sortita 'Io l'udia nei suoi bei carmi' and her duet with the poet that follows 'Colei Sofronia' are notable passages. The finest music in the score however comes in the last act with Tasso's Larghetto 'PerchÃ© dell'aure in sen' leading into a touching dialogue with chorus; this culminates in a mournful cantabile to form the lyric section of the tempo di mezzo and is followed by an elegiac cabaletta in C major. As in Anna Bolena Donizetti here expanded the structure of the aria-finale to fill out an entire scene." William Ashbrook in Grove Music Online. One of the earliest publications issued by Lucca. [F. Lucca] [PNs 900, 904, 905, 912 e 913, 914 and 915] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis605,00 $US≈ 511,89 €

DONIZETTI Gaetano 1797 1848ABAA

Betly Piano-vocal score

185033581Napoli: Stabilimento Musicale Partenopeo PNs 3205-10 3219 3590-1 3607 4054 4010-1 4207-8 1850. Oblong folio. 19th century dark red leather-backed green cloth boards with decorative devices gilt to spine; marbled endpapers. 123 pp. Each number with separate caption title and secondary pagination. Engraved. Printed note to title indicating the 5 pieces added to the original version. With handstamp "Scuola di Canto dei Mo. Lombardini" to title and several pages throughout. Occasional performance markings in lead and blue pencil including notated vocal embellishments. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn rubbed and bumped; remnants of paper label to spine. Lightly thumbed and foxed heavier to some leaves; several corners with tape repairs. First Edition later issue of the two-act version later issue. Inzaghi IN. 58 p. 178. Scarce 3 copies only outside Italy. Betly or La capanna svizzera a dramma giocoso to Donizetti's own libretto after Scribe MÃ©lesville and Goethe premiered in one act in Naples at the Teatro Nuovo on 21 August 1836. The present revised version in two acts was also premiered in Naples on 29 September 1837. "Betly has a score full of unpretentious charm and a plot that works well on the stage. The role of Daniele is akin to that of Nemorino in L'elisir d'amore. The highlights of the score are Betly's solo moments: her sortita and her aria-finale the former particularly for its local colour with a yodel-like refrain." William Ashbrook in Grove Dictionary of Opera Scores containing 19th century unpublished vocal embellishments are particularly interesting as they document contemporary performance practice. Stabilimento Musicale Partenopeo [PNs 3205-10, 3219, 3590-1, 3607, 4054, 4010-1, 4207-8] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis715,00 $US≈ 604,96 €

DONIZETTI Gaetano 1797 1848ABAA

Don Pasquale Piano-vocal score

184333507Wien: Ant. Diabelli und Comp. PN D. & C. No. 7642-59 1843. PROCH Heinrich 1809-1878 trans. Folio. Brown cloth-backed plain blue wrappers. 1f. recto title verso contents 1 cast list 2-285 1 blank pp. Engraved. Text in Italian and German. Early signature "Josephine Rudolf" and handstamp "Musik-Antiquariat Karl Schwager" to title. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Wrappers worn and chipped. Occasional light foxing heavier to title; some offsetting; several leaves with paper tape repairs to blank margins; two lines on title underlined in red pencil. First German edition. Inzaghi IN. 75 p. 195. Scarce 2 copies located in the U.S. at Duke and the Library of Congress. The first edition to contain Donizetti's revisions for the Viennese performance. Don Pasquale a dramma buffo in 3 acts to a libretto by Giovanni Ruffini and Donizetti after Angelo Anelli premiered in Paris at the ThÃ©Ã¢tre Italien on 3 January 1843. The incredible success of the opera led to a series of performances the same year in Milan 17 April Vienna 14 May and London 19 June. "Don Pasquale was an instant success . For its Viennese premiÃ¨re at the KÃ¤rntnertortheater on 14 May 1843 in Italian a production prepared by Donizetti he added to the score the baritone-buffo duet 'Cheti cheti immantinente' borrowing it from a discarded section of the unperformed L'ange de Nisida; Don Pasquale was sung on that occasion by Tadolini Norina Rovere Pasquale Salvi Ernesto and Ronconi Malatesta . " . The opera has been described as 'Mozartian' and clearly it shares certain characteristics with Mozart's approach: the characters are humanized not mere farcical stereotypes and the melodies mirror the emotions they express. This comparison is often made in apparent astonishment that a Donizetti could achieve such an irresistibly heartfelt comedy. Rather it is more appropriate to describe the opera as supremely 'Donizettian' for it stands as a summation of all his most valuable qualities." William Ashbrook in Grove Dictionary of Opera. Ant. Diabelli und Comp. [PN D. & C. No. 7642-59] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis715,00 $US≈ 604,96 €

DONIZETTI Gaetano 1797 1848ABAA

Linda di Chamounix Melodramma in tre atti di G. Rossi Posto in musica ed umilmente dedicato a Sua MaestÃ Maria Anna Carolina Imperatrice d'Austria Regina di Boemia ecc. ecc. ecc. Riduzione per canto con accompo. di pianoforte del Mo. P. Tonassi. Piano-vocal score

184228417Milano: Ricordi PNs 13931-55 1842. Oblong folio. Contemporary dark blue cloth with decorative blindstamping gilt rules to edges and spine "E.P. Mavromihali" stamped in gilt to upper. 1f. title within decorative dark yellow border ii recto named cast list verso listing 25 numbers 3-275 pp. Engraved. Each individual number with separate pagination. With overpaste of the contemporary music seller Domenico Vicentini of Trieste to title. Cast list includes Eugenia Tadolini as Linda Agostino Rovere Napoleone Moriani Prospero Derivis Felice Varese and Marietta Brambilla. With early musical embellishments to Linda's part in Number 12 p. 127 and additional occasional performance markings in pencil. Binding worn rubbed and bumped at extremities. Slightly worn; some minor foxing; minor thumbing to lower outer corners; very minor staining to lower margin of final leaves; occasional vertical creasing; upper margin trimmed occasionally just affecting printed area and titles but with no loss of music. Second edition first Italian edition published just months after the first edition published in Vienna in May of 1842. Bergamo catalogue 46. Inzaghi IN. 73 p. 192. Crawford pp. 146-7 incorrectly describing this as the first edition. A melodramma semiserio in three acts to a libretto by Gaetano Rossi after Adolphe-Philippe d'Ennery and Gustave Lemoine's play La grace de Dieu Linda di Chamounix was first performed in Vienna at the Kartnerthortheater on May 19 1842. "The score of Linda is a monument to Donizetti's unfailing good taste from the finely crafted overture to the final ensemble. Along with Bellini Donizetti epitomized the Italian Romantic spirit of the 1830s. If Bellini expressed Italian Romanticism in its most concentrated form Donizetti compensated by a greater versatility and resource and a stronger feeling for dramatic movement. He also had the benefit of a more thorough musical training under Mayr and Mattei and this contributed much to his superior fluency of technique and invention." TNG II online. Ricordi [PNs 13931-55] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis1 045,00 $US≈ 884,17 €

DONIZETTI, Gaetano 1797-1848Biblio.com

Linda di Chamounix Melodramma in tre atti di G. Rossi Posto in musica ed umilmente dedicato a Sua Maestà Maria Anna Carolina Imperatrice d'Austria Regina di Boemia ecc. ecc. ecc. Riduzione per canto con accompo. di pianoforte del Mo. P. Tonassi. Piano-vocal score

184228417Milano: Ricordi PNs 13931-55 1842. Oblong folio. Contemporary dark blue cloth with decorative blindstamping gilt rules to edges and spine "E.P. Mavromihali" stamped in gilt to upper. 1f. title within decorative dark yellow border ii recto named cast list verso listing 25 numbers 3-275 pp. Engraved. Each individual number with separate pagination. With overpaste of the contemporary music seller Domenico Vicentini of Trieste to title. Cast list includes Eugenia Tadolini as Linda Agostino Rovere Napoleone Moriani Prospero Derivis Felice Varese and Marietta Brambilla. With early musical embellishments to Linda's part in Number 12 p. 127 and additional occasional performance markings in pencil. Binding worn rubbed and bumped at extremities. Slightly worn; some minor foxing; minor thumbing to lower outer corners; very minor staining to lower margin of final leaves; occasional vertical creasing; upper margin trimmed occasionally just affecting printed area and titles but with no loss of music. Second edition first Italian edition published just months after the first edition published in Vienna in May of 1842. Bergamo catalogue 46. Inzaghi IN. 73 p. 192. Crawford pp. 146-7 incorrectly describing this as the first edition. A melodramma semiserio in three acts to a libretto by Gaetano Rossi after Adolphe-Philippe d'Ennery and Gustave Lemoine's play La grace de Dieu Linda di Chamounix was first performed in Vienna at the Kartnerthortheater on May 19 1842. "The score of Linda is a monument to Donizetti's unfailing good taste from the finely crafted overture to the final ensemble. Along with Bellini Donizetti epitomized the Italian Romantic spirit of the 1830s. If Bellini expressed Italian Romanticism in its most concentrated form Donizetti compensated by a greater versatility and resource and a stronger feeling for dramatic movement. He also had the benefit of a more thorough musical training under Mayr and Mattei and this contributed much to his superior fluency of technique and invention." TNG II online. Ricordi [PNs 13931-55] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis1 093,00 $US≈ 924,79 €

Sosson, Alexander; Mauro Guiliani, A Bertioli, F W Brandau, Alexander Lee, Osmond G Phipps Donizetti, Auber, Thomas Haynes BaylyBiblio.com

A complete instruction book for the Spanish guitar with rules to facilitate a knowledge of that elegant instrument progressive lessons duets and songs. Written and arranged by Alexander Sosson bound with 25 contemporary scores:

008610D'Almaine and Co; A Bertioli; S Chappell; Goulding and D'Almaine; Keith Prowse; T Holloway; J Power; H Falkner; . 1st Edition . Half Calf. Fair/No Jacket. Folio - over 12 - 15" tall. Circa 1830 - 1850. This is a fascinating bound volume of guitar music scores from the early part of the 19th Century including an early instruction book on how to play the Spanish Guitar: "A complete instruction book for the Spanish guitar with rules to facilitate a knowledge of that elegant instrument progressive lessons duets and songs. Written and arranged by Alexander Sosson." This section runs to 35 pages and has music and exercises for the guitar student discussing finger position tuning arpeggios slurring chords barring and much more. Thereafter are bound 24 contemporary scores as follows most pub by D'Almaine unless otherwise stated: 1. Three Variations for the Spanish Guitar Die Feindlichen Vollkstame composed by Mauro Guiliani Op 7 Fingered by A Bertioli published by the Author expressly for his Pupils 42 Rathbone Place Oxford Street. 2. An Italian Air Composed for the Piano Forte and Spanish Guitar respectfully dedicated with permission to Miss Spike by Alexander Bertioli pub by S Chappell 50 New Bond Street. 3. Love Will Play The Leading Part sung by Mr H Phillips at the Theatre Royal Covent Garden in the Grand Opera of Lestocq or the Fete of the Hermitage arranged for the Spanish Guitar and Dedicated to James Hepburn Esq by F W Brandau pub by D'Almaine. 4. Come Dwell With Me Ballad Sung by Mrs Waylett The Poetry by T Haynes Bayly The Music Composed by Alexander Lee arranged. by F W Brandau. 5. Bochsa's Celebrated Harp March arranged. by Osmond G Phipps pub by D'Almaine and Co. 6. The Wind and the Beam Loved The Rose sung by Mrs Keeley in the Musical Romance of the Last Days of Pompeii arranged by F W Brandau pub by D'Almaine. 7. Vivi Tu Te Ne Scongiuro from Anna Bolena composed by Donizetti arranged. by F W Brandau. 8. Cielo A Miei Lunghi Spasimi Prayer. by Donizetti arr. Brandau. 9. Masquerade Song sung by Miss Shirreff. in the Grand Opera Gustavus the Third. by Auber arr. Brandau. 10. Teach Me To Forget Ballad. Poetry by Thomas Haynes Bayly. arr. C M Sola. 11. Non Giova Il Sospirar arr. C Eulenstein 12. A Savoyard Air arr. A Bertioli. 13. Carulli's Preludes and Scale with Six Variations by Giuliani. by Bertoli 14. Though the Day of My Destiny's Over. by Lord Byron. Alexander Lee. by F W Brandau 15. Kate Kearney. by Miss Owenson. arr C Eulenstein 16. Non V'Ha Squardi Cavatina. by Donizetti arr. F W Brandau 17. Night At Sea. composed by Henri Herz. arr. Osmond G Phipps. 18. Oh! Gentle Love!. arr. F W Brandau 19. Ye Banks and Braes from Flowers of Song arr by T B Phipps and other composers pub T Holloway London 20. Memory from Flowers of Song arr by T B Phipps and other composers pub T Holloway London. 21. Ye Mariners of Spain Song of the Galley from a Set of Six Ancient Spanish Ballads. words by John Lockhart. composed. by Mrs Robert Arkwright. pub J Power. 22. The Light Bark. by Miss Mahony. arr by J T Craven. 23. Roland the Brave. by Thomas Campbell. arr by Mrs Robert Arkwright 24. A Canadian Boat Song arr for Three Voices by Thomas Moor. The book is in half green calf rubbed and worn with the backstrip separating. There is a small amount of of bookworm damage to the outer edge of the leaves not affecting the print area and one leaf has a lateral closed tear no loss. In all this is a rarety with guitar scores being fairly unusual and with songs here little-known. Searches for the titles herein reveal most are not available for sale elsewhere. Scarce if not rare. D'Almaine and Co; A Bertioli; S Chappell; Goulding and D'Almaine; Keith Prowse; T Holloway; J Power; H Falkner; unknown

Tobo Books · Royaume-Uni2 000,00 £GB≈ 2 283,60 €

DONIZETTI, Gaetano 1797-1848Biblio.com

Autograph musical quotation signed "Donizetti Lucia di Lammermoor - 1836

398711 leaf. Oblong quarto 210 x 284 mm. Four measures in keyboard score from the duet between Lucia and Edgardo in Act I Scene IV set to the words "A' miei voti in vovo il cielo" From all danger be guarded for ever. Notated in ink at the blank lower margin of an original accomplished drawing depicting a male and female figure in costume presumably the characters Lucy and Edgardo in Donizetti's opera. Signed and dated by the artist in ink: "Clelia de Vera d'Aragona fece 14 Luglio 1838." In pen watercolor and brown wash with highlights in light gray gouache. Slightly worn; quite browned; offsetting from contact with another leaf of textual manuscript creating a slightly bleached appearance; small binding holes and fraying to left edge. Partial watermark most probably of the English paper maker J. Whatman. Provenance Christie's Rome 13 December 2001 Lot 337. Lucia di Lammermoor with a libretto by Salvatore Cammarano was first performed in Naples at the Teatro San Carlo on 26 September 1835. "It . very quickly became one of the most universally popular operas of the nineteenth century. . Donizetti himself writing to Ricordi three days after the première was in a rare state of excited exaltation: 'Lucia di Lammermoor went on . It pleased and it pleased very much if I am to believe in the applause and the compliments I received. I was called out many times the singers even more often. . Its title role has been impersonated by almost every soprano since 1835 who has supposed herself or has been supposed by others to have sufficient agility and enough dependable very high tones; the role of Edgardo has been favored by most of the non-Wagnerian tenors . The opera's second-act sextet 'Chi mi frena in tal momento' achieved an almost unique universal familiarity . The 'Mad Scene' became the chosen proving ground and applause-gatherer for an apparently unending succession of prima donnas. . With Rossini operatically inactive and Bellini dead Lucia di Lammermoor went far toward establishing Donizetti as the most eagerly sought-for of living Italian composers of opera - and therefore of all Italian composers - for the rest of his active life." Weinstock: Donizetti pp. 110-111 The artist was presumably a member of the historic Italian family De Vera d'Aragona of Naples. A unique and attractive document despite defects as noted. unknown

J & J Lubrano Music Antiquarians LLC · États-Unis4 370,00 $US≈ 3 697,46 €

Donizetti

Anna Boléna Gaetano Donizetti

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Anna Boléna Gaetano Donizetti

Torquato Tasso Piano-vocal score pre-publication proof copy

Betly Piano-vocal score

Don Pasquale Piano-vocal score

Anna Bolena Tragedia Lirica di F. Romani postain. e dal medesimo Dedicato alli Signori Giuditta Pasta e G. B. Rubini. No. 27. de la Collection. Prix: 36f. Piano-vocal score

Linda di Chamounix Melodramma in tre atti di G. Rossi Posto in musica ed umilmente dedicato a Sua MaestÃ Maria Anna Carolina Imperatrice d'Austria Regina di Boemia ecc. ecc. ecc. Riduzione per canto con accompo. di pianoforte del Mo. P. Tonassi. Piano-vocal score

Linda di Chamounix Melodramma in tre atti di G. Rossi Posto in musica ed umilmente dedicato a Sua Maestà Maria Anna Carolina Imperatrice d'Austria Regina di Boemia ecc. ecc. ecc. Riduzione per canto con accompo. di pianoforte del Mo. P. Tonassi. Piano-vocal score

Funeral March Performed at the Funeral of Abraham Lincoln

Funeral March Performed at the Funeral of Abraham Lincoln

Sextet from "Lucia" SHEET MUSIC

A complete instruction book for the Spanish guitar with rules to facilitate a knowledge of that elegant instrument progressive lessons duets and songs. Written and arranged by Alexander Sosson bound with 25 contemporary scores:

Autograph musical quotation signed "Donizetti Lucia di Lammermoor - 1836

Siècle

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Sujets

Catalogues

Siècle

Langage

Ajouté

Sujets

Catalogues