962 résultats
186131239Milano: F. Lucca PNs 10001-10034 1861. Oblong folio. Full dark brown cloth with decorative blindstamping and floral device gilt to upper titling gilt to spine. 1f. recto title printed in brown within decorative borders by G. Sperati verso blank 1f. recto named cast list verso table of contents 5-268 pp. Each number with separate caption title and pagination. Engraved.<br/><br/>Title includes an index of pieces with individual plate numbers and prices. Cast list from the first performance includes Rosine Stoltz Gilbert Duprez Paul Barroilhet and Nicolas Levasseur. <br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn rubbed and bumped spine slightly faded. Light scattered foxing throughout heavier to a few signatures. Second Italian edition later issue. Inzaghi IN. 67 pp. 187-89. Bergamo catalog p. 123 a similar issue.<br/><br/>Based on the plate numbers the second edition is from 1855 but the decorative title page of this issue by Sperati is dated 1861. Instrumental-only pieces have dual plate numbers from the first edition of 1841: Sinfonia PN 10001 2844 Ballet PNs 10014 2840 10015 2841 10016 2842 10017 2843.<br/><br/>La Favorite to a libretto by Alphonse Royer and Gustave Vaëz with additions by Eugène Scribe was first performed at the Paris Opéra on December 2 1840. Donizetti used his earlier unperformed opera L'ange de Nisida as the basis for La Favorite though the plots are considerably different. The original French version would become a standard in Paris performed regularly at the Opéra until 1918. It has become widely regarded as one of Donzietti's best operas with considerable attention given to the fourth act. <br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. F. Lucca [PNs 10001-10034] unknown books
185331235Napoli: B. Girard e C.i PNs 3185 3192-3203 3065-3066 3075 3110-3111 1853. Oblong folio. Vellum-backed and edged boards with dark brown cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light pink publisher's printed wrappers bound in. 1f. recto title verso blank 3-21 A-I 23-78 1f. r. title v. blank 83-155 pp. Complete. Each number with separate caption title and pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn bumped and scuffed. Minimal foxing throughout confined to edge of margins; a few small stains. An early edition later issue. Inzaghi IN. 56 pp. 175-7.<br/><br/>Some pieces have dual plate numbers and pagination on some pages that shared plates with abbreviated forms: "A si tremendo annunzio" PN 3067 3200 "Eterno Iddio!" PN 3069 3110 and "Da quel di che l'innocente" PN 3070 3111. While the individual plate numbers suggest a date circa 1836 Antolini 175 the title page lists Girard's address on Largo S Ferdinando their location from 1846. Furthermore the wrappers on this issue are issued under Stabilimento Musicale Partenopeo the name of publisher Girard beginning in 1853.<br/><br/>Belisario was composed to a libretto by Salvadore Cammarano after Luigi Marchionni's adaptation of Eduard von Schenk's Belisarius 1820. It premiered at the Teatro La Fenice in Venice on February 4 1836 and was dedicated to his friend Giovanni Agostino Perotti 1769/70-1855 composer and maestro di cappella at San Marco. <br/><br/>"Well and widely received during its first decade Belisario was however overtaken by the vogue for Lucia di Lammermoor which immediately precedes it in the Donizetti canon. That rarity an opera without a romantic love interest Belisario had problems sustaining its popularity because the prima donna's role is unsympathetic dramatically in spite of her brilliant arias in the first and last acts. The plot is in sum an uneasy mixture of classical and Romantic elements; but considering the eloquence of the music it drew from Donizetti it is fair to say that Belisario does not deserve the neglect into which it has largely fallen." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e C.i [PNs 3185, 3192-3203, 3065-3066, 3075, 3110-3111] unknown books
185033419Napoli: B. Girard e Ci. PNs 5591-96 5718 5734-39 5803 5849-62 1850. Oblong folio. Dark red cloth-backed patterned boards. 1f. title 1 named cast list contents 4-252 pp. Each number with separate caption titles and secondary pagination. Engraved.<br/><br/>Named cast list includes performers from the Vienna Paris and Naples premieres.<br/><br/>A few performance markings in red pencil.<br/><br/>Sinfonia arranged for two pianos by Czerny.<br/><br/>Binding rather worn; paper loss to all edges; spine mostly lacking. Scattered light soiling and foxing. First Naples edition later issue with alternative numbers. Inzaghi IN. 73 p. 192.<br/><br/>In 3 acts to a libretto by Gaetano Rossi after d'Ennery and Lemoine's play La grâce de Dieu 1841 Linda di Chamounix premiered in Vienna at the Kärntnertortheater on 19 May 1842.<br/><br/>"The score of Linda is a monument to Donizetti's unfailing good taste from the finely crafted overture to the final ensemble. A particularly effective moment is the brief unaccompanied prayer for five solo voices in Act 3. Linda although a fixture on the Italian stage for its first 50 years deserves to be better known: it makes clear much about the musical environment in which Verdi developed. Although its naive demi-caractère plot strains the credulity the score is vocally so grateful and possesses so much cohesiveness that it largely overcomes this liability." William Ashbrook in Grove Dictionary of Opera. B. Girard e Ci. [PNs 5591-96, 5718, 5734-39, 5803, 5849-62] unknown books
185331243Napoli: Stabilimento Musicale Partenopeo PNs 6056-6060 6063 6065 6133 6136-6141 6402 6492 6535 6652 6659-6660 6721-6724 6727-6730 1853. Oblong folio. Vellum-backed and edged boards with dark brown cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original yellow publisher's printed wrappers bound in. 1f. recto title verso named cast list table of contents 3-158 pp. Each number with separate caption title and secondary pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title. Named cast list includes the performers from the premieres in Vienna Paris and Naples including: Eugenia Tadolini Giorgio Ronconi Carlo Guasco Lorenzo Salvi Giulia Grisi Marietta Brambilla Gaetano Fraschini and Filippo Coletti. <br/><br/>Piano reduction of the Sinfonia by Czerny "nello stile elegante."<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn and with minor defects. Minimal foxing throughout primarily confined to margins. An early edition later issue. Inzaghi IN. 76 pp. 196-7.<br/><br/>Girard's first edition of Maria di Rohan appeared circa 1844 but this issue contains a new title page with Girard's later imprint Stabilimento Musicale Partenopeo.<br/><br/>Maria di Rohan was composed to a libretto by Salvadore Cammarano after Lockroy and Badon's play Un duel sous le Cardinal de Richelieu 1832. It premiered at the Kärntnertortheater in Vienna on June 5 1843.<br/><br/>"The most tautly constructed of Donizetti's romantic melodrammi Maria di Rohan shows clear signs particularly in Act 3 that Donizetti was moving towards the effect of unbroken musical continuity abandoning the closed patterns of conventional 'number' opera. Even in Act 1 the usual succession of 'entrance' arias is given new force and dynamism by Donizetti's tendency to reduce the fixed forms to their minimum and to inject vivid musical characterization. It is a work that calls for accomplished singers who are also powerful actors particularly for the baritone role of Chevreuse. Chorley described the powerful effect produced by Giorgio Ronconi in this part.<br/><br/>Maria di Rohan contains some of Donizetti's most expressive music. The soprano's first-act aria 'Cupa fatal mestizia' suggests Un ballo in maschera. The tenor's aria at the beginning of Act 2 'Alma soave e cara' is one of a number of fine single-movement tenor arias from the final years of Donizetti's output that reveal how effectively he wrote for this range of voice. The baritone's scene in Act 3 'Bella e di sol vestita' has been eloquently recorded by Mattia Battistini." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Stabilimento Musicale Partenopeo [PNs 6056-6060, 6063, 6065, 6133, 6136-6141, 6402, 6492, 6535, 6652, 6659-6660, 6721-6724, 6727 unknown books
1865386080Boston: Oliver Ditson & Co. 277 Washington St 1865. Softcover. Fair. First edition. Folio. 5pp. engraved cover and music. A stain and early thin piece of tape at the spine three inch tape repair on the top margin of the front cover foxing a sound fair copy. Two early dealer ink stamps on the bottom margin of the front cover: "C.E. Dudley Music Dealer 299 Chapel St. New Haven Ct" and "E. Lucas Watchmaker . AnsoniaCt. also dealer in music fancy goods &c." Scarce. OCLC locates six copies over two records. Oliver Ditson & Co. 277 Washington St unknown
1981biblio1937<p>TWO VOLUMES SET. Garland Publishing Inc. 1981. Hardcover Red cloth. Gilt title on the spine. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD. 12.3"x9.25". be75295. For International and/or Expedited shipping contact seller.</p> Garland Publishing, Inc. hardcover
185231245Napoli: Stabilimento Musicale Partenopeo Successore di B. Girard e Co. PNs 10407-10420 10422-10427 2163-2165 2197 2320 2324 5757 1852. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light pink publisher's printed wrappers bound in. 1f. recto title verso blank 1f. recto cast list and table of contents verso blank 5-226 pp. Each number with separate caption title and pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn bumped and scuffed. Minimal foxing throughout primarily confined to margins. Later edition later issue. Inzaghi IN. 41 pp. 155-7.<br/><br/>Girard's first edition of L'elisir d'amore appeared circa 1833. This new issue from 1852 contains many new plates alongside the older ones.<br/><br/>L'elisir d'amore to a libretto by Felice Romani after Eugène Scribe's text for Auber's Le philtre 1831 was first performed at the Teatro Cannobiana in Milan on May 12 1832.<br/><br/>"Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Stabilimento Musicale Partenopeo, Successore di B. Girard e Co. [PNs 10407-10420, 10422-10427, 2163-2165, 2197, 2320, 2324, 5757 unknown books
19192092902138300712Senoo Music Publishing Company 1919. Soft Cover. Fine. The book is in fine condition. Senoo Music Publishing Company paperback
185426743Roma: Tipografia dell Rev. Cam. Apostolica 1854. Small octavo. Modern marbled wrappers. 1 title 2 "Direttori della Musica" 3-26 1f. printer's note pp. With decorative woodcut device to p. 26.<br/><br/>Minor foxing heavier to endpapers. Probable First Edition. Rare. Worldcat 2 copies only at the Universities of Chicago and Dayton. OCLC no. 57468047.<br/><br/>Luigi Moroni Gaetano Capocci and Giuseppe Negri are named as the "Direttori della Musica." Negri has provided the libretto for four of Verdi's works and one each for Rossini and Donizetti. Two more texts by Salvatore Martini are set to music by Moroni and Mercadante.<br/><br/>Verdi's first contribution "Salve o Madre: un sacro patto tutti stringe i figli tuoi" comes from the opening chorus of La Battaglia di Legnano 1849; the second "Silenzio misterio" from the opening chorus of I due Foscari" 1844; and the third "Plaudiam di letizia" from the opening chorus of the Act I finale of Stiffelio 1850. We have been unable to identify Verdi's final contribution "Regina dell' alme" Rossini's "Pura stella-del mattino" Mercadante's "Sacro alla pace degli eletti" and Donizetti's cantata "Celeste un' aura dal tempio move." <br/><br/>An intriguing source of libretti for little known works of some of the 19th century's most renowned composers.<br/><br/>We would like to thank Dr. Philip Gossett for his kind assistance in the cataloging of this item. Tipografia dell Rev. Cam. Apostolica unknown books
1982biblio1935<p>TWO VOLUMES SET. Garland Publishing Inc. 1982. Hardcover Red cloth. Gilt title on the spine. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD. 12.1"x9.25". be75296. For International and/or Expedited shipping contact seller.</p> Garland Publishing, Inc. hardcover
186226082BARCELONA-MADRID: Imprenta de Tomás Gorchs 1862. Gran 8º.- Rústica cubiertas originales.- 53 páginas. . Imprenta de Tomás Gorchs unknown
1840152051840 demi-basane. in-4, (2ff.), 200pp., P. L. Mayaud (cot. BL 2485), ca. 1840
RO50045034LEON GRUS. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Tâchée, Dos frotté, Quelques rousseurs. 268 pages de partitions. Titre, compositeur et filets dorés sur le dos de l'ouvrage.. . . . Classification Dewey : 780.26-Partitions
RO80043009TALLANDIER Jules. Non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 220 + 244 pages. Planches de partitions, accompagnées des chants. Titre et filets dorés sur le dos toilé rouge.. . . . Classification Dewey : 780.26-Partitions
2006BN197796Ricordi Berlin 2006. 2006. Softcover. Die Sitten und Unsitten am Theater Klavierauszug <br/><br/>Die Sitten und Unsitten am Theater Klavierauszug Gaetano Donizetti Ricordi Berlin paperback
185331271Napoli: B. Girard e Ci. PNs 4249-51 3163-6 1853. Oblong folio. Brown cloth-backed dark yellow mottled paper boards spine in gilt-ruled compartments with titling gilt. 1f. recto title verso blank 3-52 pp. Each number with separate caption title and pagination. Engraved. <br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn scuffed and rubbed; endpapers somewhat browned and stained. Minor internal soiling and staining. First Edition later issue with Girard's address from 1846-53. Inzaghi IN. 57 p. 177.<br/><br/>Donizetti composed his one-act opera Il Campanello di notte to his own libretto based on a French vaudeville La sonnette de nuit by Brunswick Mathieu-Barthélemy Troin and Victor Lhérie. It premiered at the Teatro Nuovo in Naples on June 1 1836. The absurd plot follows Enrico as he continually harasses pharmacist Don Annibale who is trying to celebrate his wedding night with Serafina whom Enrico still loves.<br/><br/>"Enrico's role created by Giorgio Ronconi is fitted with all sorts of musical and dramatic opportunities. His encounters with Annibale develop in musical ingenuity. Particularly effective are the episode of the hoarse singer replete with musical allusions to other scores by Donizetti and by Rossini and the encounter over the prescription which develops into something with even more bizarre medical terms than Dr Dulcamara's aria in Elisir and with more frantic parlando than the Don Pasquale-Malatesta duet." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PNs 4249-51, 3163-6] unknown books
183033414Milano: Epimaco e Pascquale Artaria PNs 128-136 1830. CONCONE Paolo Giuseppe 1801-1861 arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. illustrated lithographic title 82 pp. Engraved. With publisher's catalogue to verso of lower wrapper.<br/><br/>With lithograph by Le Brass depicting a scene from Act I Scene VI of the opera. <br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat worn rubbed and soiled; dampstain to upper right. Scattered light foxing. First Edition of this arrangement. Rare. OCLC one copy only in Switzerland. Inzaghi IN. 22 p. 142.<br/><br/>A melodramma in 2 acts to a libretto by Jacopo Ferretti after Simeone Antonio Sografi Olivo e Pasquale premiered in Rome at the Teatro Valle on 7 January 1827. Epimaco e Pascquale Artaria [PNs 128-136] unknown books
1839102816ABLeipzig, Breitkopf & Härtel, (1839). 33 x 27 cm. Mit lithogr. Titelblatt u. 154 S. (ab S. 3 gestoch. Notenblätter). Halblederbd. der Zeit. - Plattennummer 6060. - Gutes bis sehr gutes Ex.
184330256Paris: Launer PN Vve. L. 3396 1843. Large octavo. Quarter black calf with marbled boards. 1f. recto blank verso publisher's catalogue 1f. recto title within decorative border verso blank 220 pp. Engraved. <br /> <br /> Overpaste of the French 19th century music and musical instrument dealer Henri Masson to foot of title with small oval handstamp to lower margin obscured.<br /> <br /> Named cast list in pencil to verso of title.<br /> <br /> Binding worn rubbed and bumped; minor paper loss; hinges partially split; minor discoloration to rear pastedown; minor ink staining to verso of front endpaper and facing blank leaf. Occasional light foxing; some signatures split or partially split; minor dampstaining to upper corners of pp. 177 on; minor tear to upper outer margin of pp. 95/96 and outer margin of pp. 165/166 not affecting music; pp. 217-20 partially detached with wear and minor tears to outer edge not affecting music. The present edition includes an additional aria on pp. 216-220 composed by Tadolini for the Italian tenor Giovanni Rubini 1794-1854 known particularly for his performances of the works of both Bellini and Donizetti. Launer [PN Vve. L. 3396] unknown
183424293Milan: Gio. Ricordi 1834. Wraps. Very good overall. Scarce Donizetti musical score for the piano for 'Lucrezia Borgia' printed from copper plates considered to be his bel canto masterpiece. WorldCat records one copy at the Staats & Universitatsbibliothek Hamburg. <br /> <br /> Lucrezia Borgia is a melodramatic opera in a prologue and two acts. The libretto was based on the play of the same name by Victor Hugo. The opera was first performed in December of 1833 at La Scala in Milan. <br /> <br /> Oblong 4to 107pp. Originally bound in hardcover; disbound. Text block tight and complete; all pages called for in Indice. Music shop stamp at title page. OCLC: 837960631. Gio. Ricordi paperback
184330256Paris: Launer PN Vve. L. 3396 1843. Large octavo. Quarter black calf with marbled boards. 1f. recto blank verso publisher's catalogue 1f. recto title within decorative border verso blank 220 pp. Engraved. <br/><br/>Overpaste of the French 19th century music and musical instrument dealer Henri Masson to foot of title with small oval handstamp to lower margin obscured.<br/><br/>Named cast list in pencil to verso of title.<br/><br/>Binding worn rubbed and bumped; minor paper loss; hinges partially split; minor discoloration to rear pastedown; minor ink staining to verso of front endpaper and facing blank leaf. Occasional light foxing; some signatures split or partially split; minor dampstaining to upper corners of pp. 177 on; minor tear to upper outer margin of pp. 95/96 and outer margin of pp. 165/166 not affecting music; pp. 217-20 partially detached with wear and minor tears to outer edge not affecting music. The present edition includes an additional aria on pp. 216-220 composed by Tadolini for the Italian tenor Giovanni Rubini 1794-1854 known particularly for his performances of the works of both Bellini and Donizetti. Launer [PN Vve. L. 3396] unknown books
188043809La 1ª Opera de Donizetti "Lucia de Lammermoor" S.l. pero Milán: Edición Económica Ricordi s.a. ca. 1880.- 2 h. 103 p. de partituras / La 2ª Opera de Donizetti "Lucrecia Borja" Idem.- 2 h. 87 p. de partituras / La 3ª Opera de Donizetti "La Favorita" Idem.- 2 h. 130 p. de partituras / La 4ª Opera de Bellini "La Norma" Idem.- 2 h. 82 p. de partituras / La 5ª Opera de Bellini "La Sonámbula" Idem.- 2 h. 80 p. de partituras. Las 5 Operas van precedidas de una corta biografÃa del compositor en español y su retrato grabado; Encuadernadas todas juntas en un volumen en Media Piel de la época 1880 de tamaño 4º mayor 274 x 21 cm. La encuadernación con algunas rozaduras en las esquinas y normales señales del tiempo. Interior en muy buen estado. Creemos que le faltan las portadas y la parte del libreto que hemos visto en otras ediciones. Todas tienen el sello tampón de una antigua librerÃa en la primera hoja. MÚSICA DANZA INSTRUMENTOS MUSICALES Y DISCOGRAFÃA Libro en español Edición Económica Ricordi hardcover
1992I-122-830Actes Sud 1992. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Actes Sud paperback
183920047086Paris France: Marquerie Fréres 1839. Hardcover. Good. 4to - over 9¾ - 12" tall. Bound in brown leather with gilt title on spine. Spine has raised bands and gilt ornament. 244 pp. Marbled endpapers lacking ffep. Former owner's inscription on upper title page. Scuffing to leather especially at extremities. Tightly bound interior. Additional information happily supplied upon request. <br/> <br/> Marquerie Fréres hardcover
182933413Milan: Epimaque et Pascal Artaria PNs 58-67 1829. TROMBETTA Giuseppe arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. title printed in blue and black 96 pp. Engraved. With publisher's catalog to verso of lower wrapper. On laid paper.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat worn and rubbed; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement first issue. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27.<br/><br/>An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt the present work premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
