53 résultats
184031312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. <br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. <br/><br/>The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. <br/><br/>Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. <br/><br/>The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618.<br/><br/>"This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown books
183733497Milano: Gio. Ricordi 1837. 5 numbers. Oblong folio. Disbound. Engraved.<br/><br/>- Cavatina nell'Introduzione: Cruda funesta smania PN 8986. 8 pp.<br/>- Cavatina: Regnava nel silenzio PN 8987. 9 1 blank pp.<br/>- Duetto: Il pallor funesto orrendo PN 8989 / 10083. 16 pp.<br/>- Aria: Ah cedi o piu seiagure PN 8990. 6 pp.<br/>- Recit e Cavatina: Regnava nel silenzio PN 10079. 11 1 blank pp. A revised edition of PN 8987.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Slightly worn and soiled; spines frayed; "Il pallor." more heavily worn. From the plates of the first edition. Inzaghi IN. 55 pp. 173.<br/><br/>Lucia di Lammermoor to a libretto by Salvadore Cammarano after Walter Scott's novel The Bride of Lammermoor 1819 premiered in Naples at the Teatro San Carlo on 26 September 26 1835.<br/><br/>"Both historically and artistically Lucia deserves its reputation. When it was new it was regarded as the apogee of high Romantic sensibility. The clear plot which trims away much of Scott's accessory detail possesses the stark tautness of a tale by Poe. It is no coincidence that Flaubert employed it as an important point of reference in the downward course of Emma Bovary that quintessential victim of Romantic illusions."<br/><br/>"Although all the principal roles are vocally challenging their music is uniformly grateful. The score contains scant sign of the unevenness that afflicts a number of Donizetti's works. Cammarano's libretto moved him deeply and inspired by his recent first exposure to Paris Donizetti produced what is certainly his masterpiece." William Ashbrook in Grove Music Online. Gio. Ricordi unknown books
189826593Milano: R. Stabilimento Tito di Gio. Ricordi e Francesco Lucca PNs 9359-23839 1898. Oblong folio. Full modern maroon leatherette titling gilt to spine. 1f. recto title verso blank 1f. recto cast list verso table of contents with plate and page numbers 5-103 i blank pp. Engraved.<br/><br/>Publisher's blindstamp dated April 1914 to lower margin.<br/><br/>Occasional tears creases and worming; tape repairs to final leaf with no loss of music. An attractive copy overall. Later edition later issue dated inferred from the appearance of Francesco Lucca's name in imprint; see OCLC no. 52136762 incorporating numbers from both early and later printings. <br/><br/>Il campanello di notte was first performed at the Teatro Nuovo in Naples on June 1 1836 to a libretto by the composer after Brunswick M.-B. Troin and V. Lhérie. <br/><br/>"Enrico's role created by Giorgio Ronconi is fitted with all sorts of musical and dramatic opportunities. His encounters with Annibale develop in musical ingenuity. Particularly effective are the episode of the hoarse singer replete with musical allusions to other scores by Donizetti and by Rossini and the encounter over the prescription which develops into something with even more bizarre medical terms than Dr Dulcamara's aria in Elisir and with more frantic parlando than the Don Pasquale-Malatesta duet." William Ashbrook in Grove Music Online. R. Stabilimento Tito di Gio. Ricordi e Francesco Lucca [PNs 9359-23839] unknown books
182933415Milano: Epimaco e Pascquale Artaria PNs 74-77 95-96 79 97 1829. TROMBETTA Giuseppe arranger. Oblong octavo. Dark brown leather-backed textured red paper boards with decorative borders and titling gilt spine in gilt-ruled compartments. 61 pp. Engraved. <br/><br/>With previous owner's name "G. Lorini" gilt to lower outer corner of upper board.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat rubbed and bumped. Extensive pencilling to rear endpapers. Moderately worn and foxed; light scattered soiling. Title lacking. First Edition of this arrangement. Inzaghi IN. 31 p. 148. A vocal score was not published until 1856.<br/><br/>Elisabetta al castello di Kenilworth a melodramma in 3 acts to a libretto by Andrea Leone Tottola after Scribe and Hugo premiered in Naples at the Teatro di S Carlo on 6 July 1829. [Epimaco e Pascquale Artaria] [PNs 74-77, 95-96, 79, 97] unknown books
185226482Paris: Schonenberger PNs S. 1828 1188 1852. Octavo. 1f. title i thematic table of contents i publisher's catalog 162 pp. Engraved.<br/><br/>Vendor's handstamp to lower margin of title.<br/><br/>Lacking wrappers with remnants of modern green paper to spine. Moderately foxed; some leaves stained; repairs to margins of some leaves affecting several measures of music. Later edition. Lesure II pp. 395-396. OCLC no. 7618582.<br/><br/>Poliuto a tragedia lirica to a libretto by Salvadore Cammarano after Pierre Corneille's play Polyeucte was first performed at the Teatro San Carlo in Naples on November 30 1848.<br/><br/>"Never very successful in Paris Les Martyrs enjoyed some circulation in an Italian translation as I martiri but in Italy the more compact three-act Poliuto was generally preferred. Its performance history there began in 1848 when it received its première in Naples soon after Donizetti's death; the recent granting of a constitution there made the mounting of the banned work seem a political gesture as well as an artistic one. Throughout the 19th century it was put on periodically as a vehicle for such dramatic tenors as Tamberlik and Tamagno. It has had some notable revivals: at La Scala in 1940 with Gigli and Caniglia and in 1960 with Corelli and Callas; in 1977 at the S Carlo; and in Vienna in 1986 with Carreras. A Rome revival in 1988 followed a text that removed many years' editorial accretions. Les martyrs too has been revived notably in Venice in 1978." William Ashbrook in Grove Music Online. Schonenberger [PNs S. 1828, 1188] unknown books
186033930Roma: Tipografia Menicanti 1860. Octavo. Plain yellow wrappers. 1f. recto title verso named cast list 3-6 named list of chorus and orchestra 7-36 pp.<br/><br/>Cast list includes Gaetano Giovannini Euginio Corsi Giovanni Bernardoni "N.N." Roberto Bompiani Luigi Martellotti Angela Monghini Giuseppe Giannoli and Giuseppe Crosanti.<br/><br/>Wrappers slightly worn and soiled; "18" in faint manuscript to upper. Light uniform browning; corners slightly creased. "A dominant figure in Italian opera Donizetti was equally successful in comic and serious genres and an important precursor of Verdi." Mary Ann Smart and Julian Budden in Grove Music Online. Tipografia Menicanti unknown books
183331313Milano: G. Ricordi e Co. PN 6755 1833. Oblong folio. Red marbled paper wrappers. Sewn. 11 1 blank pp. Engraved.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Wrappers slightly worn and faded. Slightly worn and browned; partially detached at lower inner margin; minor foxing and staining throughout; occasional small tears; some corners creased;. First Edition. Inzaghi IN. 44 pp. 158-9. <br/><br/>Il Furioso nell'isola di San Domingo to a libretto by Jacopo Ferretti based on a play of the same name after Don Quixote was first performed at the Teatro Valle in Rome on January 2 1833.<br/><br/>The duet "Di quegli occhi" between Cardenio and Kaidamà comes near the end of the first Act.<br/><br/>"Il furioso is sometimes described as an opera semiseria because of the presence in the cast of a buffo character - Kaidamà who is a 'natural' defective and therefore a foil to Cardenio's delusions; but he is a figure of pathos rather than fun. It is in fact a Romantic melodramma through and through and is so described in the original libretto. The score contains some finely wrought arias and moving ensembles." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. G. Ricordi e Co. [PN 6755] unknown books
33577Oblong folio. <br/><br/>Contains:<br/>- Gianni da Calais. Barcarola: Una barchetta in mar. Napoli: B. Girard e Ci. PN 819 ca. 1850. Original publisher's wrappers with catalogue to title. 6 pp. Engraved. Wrappers detached; slightly creased. Some wear; scattered light foxing. First Edition later issue.<br/><br/>- Marino Falliero. Aria: Bello ardir di congiurati. Roma: R. Gentilucci e C. PN 121 ca. 1836. 21 pp. Engraved.<br/>Spine reinforced with paper tape. Outer leaves somewhat worn foxed and soiled; light foxing and offsetting throughout. Rare Roman issue.<br/><br/>- Gemma di Vergy. Cavatina: Perchè Gemma soffra lieta. Napoli: B. Girard e Ci. PN 2833 1835. 7 pp. Engraved.<br/>Margins quite worn and frayed; leaves mostly detached; light foxing throughout. First Neapolitan edition issued shortly after that of Ricordi.<br/><br/>- Gemma di Vergy. Cavatina: Qui un pugnale! chi il confisse! Roma: Ratti e Ci. PN 561 1835. 9 pp. Lithographed. Margins somewhat worn; light staining to outer leaves. Rare Roman lithographed issue published the same year as the first Italian edition.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. unknown books
185533416Napoli: Regio Stabilimento Musicale di Teodoro Cottrau PNs 5207-13 5336-49 1855. Oblong octavo. Green cloth-backed marbled boards. 1f. title 3-92 pp. Engraved.<br/><br/>Endpapers watermarked with an anchor and "Alfonso Am ." "La Briglia." Blindstamp of Cottrau to title.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding slightly rubbed. Light browning to edges; occasional light foxing. First Edition of this arrangement later issue. Inzaghi IN. 67 p. 188.<br/><br/>La Favorite to a libretto by Alphonse Royer and Gustave Vaëz with additions by Eugène Scribe was first performed at the Paris Opéra on 2 December 2 1840. <br/><br/>Donizetti used his earlier unperformed opera L'ange de Nisida as the basis for La Favorite talhough the plots are considerably different. The original French version became a standard in Paris performed regularly at the Opéra until 1918. It is now widely regarded as one of Donzietti's best operas with considerable attention given to the fourth act. <br/><br/>"In spite of its mixture of sources La favorite must rank among Donizetti's best works although it slips from its high standard in a few instances such as the merely efficient ballet music." Ashbrook p. 447. Regio Stabilimento Musicale di Teodoro Cottrau [PNs 5207-13, 5336-49] unknown books
183631274Napoli: B. Girard e Ci. PN 3068 1836. Oblong folio. Sewn. 11 pp. 1 blank. Engraved.<br/><br/>Inscriptions to title in three hands: "Sr. Palombis " in faded black ink "N Spada" in blue ink "eseguito il 3 ottobre 1858" in brown ink.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Spine reinforced with contemporary paper tape partially split. Edges slightly frayed and with small tears; several corners creased; minor foxing and staining throughout. From the first Naples edition. Inzaghi IN. 56 pp. 175-7.<br/><br/>Belisario was composed to a libretto by Salvadore Cammarano after Luigi Marchionni's adaptation of Eduard von Schenk's Belisarius 1820. It premiered at the Teatro La Fenice in Venice on February 4 1836. <br/><br/>The duet "Se vederla a me non lice" is from the finale of Act 2 in which Irene prepares to lead her blinded father Belisarius into exile. The premiere was sung by Celestino Salvatori and Antonietta Vial. "The tenderness and intensity of their duet . prefigures another Verdi speciality the father-daughter duet." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PN 3068] unknown books
2005030283Milano: Ricordi 2005. Opéra en cinque actes de.Eugene Scribe. Riduzione per canto e painofort.a cura Mary Ann Smart. lxix 447p. music original stiff wrappers quarto format Opera vocal score series. Ricordi unknown books
1980030362Milano: Ricordi 1980. Libretto di Michele Accursi. Partitura. 497p. b/w port. music original stiff wrappers quarto format Opera full score series. Ricordi unknown books
030365N.pl: N.pub. n.d. Paroles de MM. de Saint-Georges et Bayard; musique de G. Donizetti: partition piano et chant. Addenda--recitatives. 265p. original stiff printed wrappers quarto format. N.pub unknown books
2001030369Milano: Casa Ricordi Editore and Fondazione Donizetti di Bergamo 2001. Tragedia lirica in three by Salvadore Cammarano. Reduction for voice and piano based on the critical edition of the orchestral score by William Ashbrooks and Roger Parker. l 276p. musi original stiff wrappers quarto format. Ricordi opera vocal socre series; Critical edition of the operas of Gaetano Donizett. Casa Ricordi Editore and Fondazione Donizetti di Bergamo unknown books
1926030366New York: G. Schirmer 1926. The Italian libretto based on Walter Scott's novel; the English version by Natalia Macfarren. With an essay on the story of the opera by E. Irenaeus Stevenson. xii 249p. music original green cloth quarto format. G. Schirmer unknown books
1974030367London: Egret House for the Donizetti Society 1974. Libretto by Felice Romani after Victor Hugo's play. 241p. music original stiff wrappers quarto format Collected works. Series 1; operas 3. Egret House for the Donizetti Society unknown books
185071300New York: William Hall & Son 1850. Paperback. Good. Sheet Music 6p. Disbound removed from a bound volume. 34cm. Substantial foxing and browning mainly around edges. Color lithographed illustration of an impossibly thin-waisted Jenny Lind in period costume on front cover. Cover title: Jenny Lind in the Opera of La Fille de la Regiment. The music which was taken from the opera is copyrighted 1845 but the copyright date on the cover is 1850. <br/><br/> William Hall & Son paperback books
030282Miami: Warner Bros. Publications. n.d. 283p. music original stiff wrappers with metal ring binding. Warner Bros. Publications unknown books
030370Melville NY: Belwin Mills Publishing Corp. n.d. 159p. music original stiff printed wrappers Kalmus vocal scores 9397. Belwin Mills Publishing Corp unknown books
198030255Melville NY: Belwin Mills 1980. Large octavo. Original publisher's dark ivory wrappers illustrated in colour. 1f. recto reproduction decorative title verso blank 1f. recto reproduction named cast list and contents verso blank 192 pp. <br/><br/>Named cast list includes Colson Gerard Vadé Petit Brière Tallon Laurent Junga Cabel Colson and Leroy. Kalmus Vocal Score 9891. [Belwin Mills] unknown books
192630261New York: G. Schirmer PN 14047 1926. Large octavo. Full dark green cloth with titling gilt to upper board and spine. 1f. recto title verso copyright statement iii-vi named cast list and introduction vii contents viii-xii essay by Estelle Liebling 1f. recto half title verso blank 240 pp.<br/><br/>Named cast list includes Cosselli Tacchinardi-Persiani Duprez Giacchini Porto Zappucci and Rossi. <br/><br/>Spine slightly faded; former owner's handstamp "William B. L. Janko" to front pastedown and former owner's signature "Dennis Fuscaldo" in red ink to free front endpaper. G. Schirmer [PN 14047] unknown books
197430266London: Egret House PN 41690 k 1974. Large octavo. Original publisher's decorative wrappers. 1f. recto half title verso blank 1f. recto title verso copyright statement 2ff. publisher's note and introduction 1f. recto chronology verso blank 1f. recto reproduction title verso blank 1f. recto named cast list verso contents 1f. blank 241 i device pp. <br/><br/>Named cast includes Mariani Luciano Lalande Enrichetta Pedrazzi Francesco Brambilla Marietta Marconi Napoleone Visanetti Giuseppe Guaita Ismaele Vaschetti Giuseppe Spiaggi Domenico Pochini Ranieri and Petrazzoli Francesco. <br/><br/>Wrappers slightly worn and soiled; bookseller's label to upper wrapper. Egret House [PN 41690 k] unknown books
1969030363New York: Edwin F. Kalmus 1969. 212p. music stiff wrapeprs Kalmus vocal scores 6161. Edwin F. Kalmus unknown books
1992UDONLUC00DADover 1992. Very Good. Donizetti Gaetano. Lucia di Lammermoor in Full Score. NY: Dover 1992. 511pp. 4to. Paperback. Book condition: Very good. Dover paperback books
1865275190New York.: Academy of Music. circa 1865. string stapled wrap. some staining corner and edge wear. 8vo. Academy of Music. unknown books
