Donizetti, GaetanoBiblio.com
962 résultats
1997DADAX8875925011Ricordi 1997-05-01. paperback. New. 8.00x0.63x10.75. Buy with confidence. Excellent Customer Service & Return policy. Ricordi paperback
0365077747.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483110043.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396750932.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391270452.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189826593Milano: R. Stabilimento Tito di Gio. Ricordi e Francesco Lucca PNs 9359-23839 1898. Oblong folio. Full modern maroon leatherette titling gilt to spine. 1f. recto title verso blank 1f. recto cast list verso table of contents with plate and page numbers 5-103 i blank pp. Engraved.<br/><br/>Publisher's blindstamp dated April 1914 to lower margin.<br/><br/>Occasional tears creases and worming; tape repairs to final leaf with no loss of music. An attractive copy overall. Later edition later issue dated inferred from the appearance of Francesco Lucca's name in imprint; see OCLC no. 52136762 incorporating numbers from both early and later printings. <br/><br/>Il campanello di notte was first performed at the Teatro Nuovo in Naples on June 1 1836 to a libretto by the composer after Brunswick M.-B. Troin and V. Lhérie. <br/><br/>"Enrico's role created by Giorgio Ronconi is fitted with all sorts of musical and dramatic opportunities. His encounters with Annibale develop in musical ingenuity. Particularly effective are the episode of the hoarse singer replete with musical allusions to other scores by Donizetti and by Rossini and the encounter over the prescription which develops into something with even more bizarre medical terms than Dr Dulcamara's aria in Elisir and with more frantic parlando than the Don Pasquale-Malatesta duet." William Ashbrook in Grove Music Online. R. Stabilimento Tito di Gio. Ricordi e Francesco Lucca [PNs 9359-23839] unknown books
185331271Napoli: B. Girard e Ci. PNs 4249-51 3163-6 1853. Oblong folio. Brown cloth-backed dark yellow mottled paper boards spine in gilt-ruled compartments with titling gilt. 1f. recto title verso blank 3-52 pp. Each number with separate caption title and pagination. Engraved. <br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn scuffed and rubbed; endpapers somewhat browned and stained. Minor internal soiling and staining. First Edition later issue with Girard's address from 1846-53. Inzaghi IN. 57 p. 177.<br/><br/>Donizetti composed his one-act opera Il Campanello di notte to his own libretto based on a French vaudeville La sonnette de nuit by Brunswick Mathieu-Barthélemy Troin and Victor Lhérie. It premiered at the Teatro Nuovo in Naples on June 1 1836. The absurd plot follows Enrico as he continually harasses pharmacist Don Annibale who is trying to celebrate his wedding night with Serafina whom Enrico still loves.<br/><br/>"Enrico's role created by Giorgio Ronconi is fitted with all sorts of musical and dramatic opportunities. His encounters with Annibale develop in musical ingenuity. Particularly effective are the episode of the hoarse singer replete with musical allusions to other scores by Donizetti and by Rossini and the encounter over the prescription which develops into something with even more bizarre medical terms than Dr Dulcamara's aria in Elisir and with more frantic parlando than the Don Pasquale-Malatesta duet." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PNs 4249-51, 3163-6] unknown books
182933415Milano: Epimaco e Pascquale Artaria PNs 74-77 95-96 79 97 1829. TROMBETTA Giuseppe arranger. Oblong octavo. Dark brown leather-backed textured red paper boards with decorative borders and titling gilt spine in gilt-ruled compartments. 61 pp. Engraved. <br/><br/>With previous owner's name "G. Lorini" gilt to lower outer corner of upper board.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat rubbed and bumped. Extensive pencilling to rear endpapers. Moderately worn and foxed; light scattered soiling. Title lacking. First Edition of this arrangement. Inzaghi IN. 31 p. 148. A vocal score was not published until 1856.<br/><br/>Elisabetta al castello di Kenilworth a melodramma in 3 acts to a libretto by Andrea Leone Tottola after Scribe and Hugo premiered in Naples at the Teatro di S Carlo on 6 July 1829. [Epimaco e Pascquale Artaria] [PNs 74-77, 95-96, 79, 97] unknown books
1396237550.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483448168.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985SONG0757931766Alfred Music 01/03/1985. paperback. Used: Good. 7.00x1.30x10.40. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
1985DADAX0757931766Alfred Music 1985-03-01. paperback. New. 7.00x1.30x10.40. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
0267066384.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396549528.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391269349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020467819.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483414522.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
006221Milano: Presso Epimaco e Pasquale Artaria. Half Vellum. Marbled paper on boards. Very Good. N.d. circa 1830s. Oblong 19.5 by 26.5 cm. The pagination is disorganized with a return to page one several times then many numbers skipped and ending on page 112 but it seems that the book is complete as published. Partial hand-coloring of the title page including of the lettering and the copper engraved illustration beneath. Scarce -- no copies found on OCLC First Search. This Donizetti opera had its premier in 1833 and thus this published piano version based on the opera score is both early and quite possibly the first published piano reduction of the score. Condition: soiling of the vellum spine and light wear to the binding generally. Occasional light foxing and soiling to the interior but mostly clean and tight. Presso Epimaco e Pasquale Artaria unknown
183331313Milano: G. Ricordi e Co. PN 6755 1833. Oblong folio. Red marbled paper wrappers. Sewn. 11 1 blank pp. Engraved.<br /> <br /> From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br /> <br /> Wrappers slightly worn and faded. Slightly worn and browned; partially detached at lower inner margin; minor foxing and staining throughout; occasional small tears; some corners creased;. First Edition. Inzaghi IN. 44 pp. 158-9. <br /> <br /> Il Furioso nell'isola di San Domingo to a libretto by Jacopo Ferretti based on a play of the same name after Don Quixote was first performed at the Teatro Valle in Rome on January 2 1833.<br /> <br /> The duet "Di quegli occhi" between Cardenio and Kaidamà comes near the end of the first Act.<br /> <br /> "Il furioso is sometimes described as an opera semiseria because of the presence in the cast of a buffo character - Kaidamà who is a 'natural' defective and therefore a foil to Cardenio's delusions; but he is a figure of pathos rather than fun. It is in fact a Romantic melodramma through and through and is so described in the original libretto. The score contains some finely wrought arias and moving ensembles." William Ashbrook in Grove Music Online.<br /> <br /> Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. G. Ricordi e Co. [PN 6755] unknown
0267072392.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390026388.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366749161.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428658016.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428657826.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390307336.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
