962 résultats
RO50004017Chez PACINI. sans date. In-4. En feuillets. Etat du neuf, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 10 pages.. . . . Classification Dewey : 780.26-Partitions
RO50054068BERNARD LATTE. XIX° SIECLE. In-Folio. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. 10 pages de partitions. Tampons sur la première page.. . . . Classification Dewey : 780.26-Partitions
RO50055958BERNARD LATTE. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 3 pages de partitions. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50059719ENOCH PERE & FILS. NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 44 pages de partitions. Page de titre illustrée en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
21281Paris: chez Pacini,reliure epoque demi basane dos lisse titré usé,avec manque de 8cm en pied,Plate no.: 3591. Vocal score.ca. 1832?; 209 p.gravées.Partition entièrement gravée.TRES RARE
185231245Napoli: Stabilimento Musicale Partenopeo Successore di B. Girard e Co. PNs 10407-10420 10422-10427 2163-2165 2197 2320 2324 5757 1852. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original light pink publisher's printed wrappers bound in. 1f. recto title verso blank 1f. recto cast list and table of contents verso blank 5-226 pp. Each number with separate caption title and pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn bumped and scuffed. Minimal foxing throughout primarily confined to margins. Later edition later issue. Inzaghi IN. 41 pp. 155-7.<br/><br/>Girard's first edition of L'elisir d'amore appeared circa 1833. This new issue from 1852 contains many new plates alongside the older ones.<br/><br/>L'elisir d'amore to a libretto by Felice Romani after Eugène Scribe's text for Auber's Le philtre 1831 was first performed at the Teatro Cannobiana in Milan on May 12 1832.<br/><br/>"Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Stabilimento Musicale Partenopeo, Successore di B. Girard e Co. [PNs 10407-10420, 10422-10427, 2163-2165, 2197, 2320, 2324, 5757 unknown books
183833430Paris: Marquerie Frères 1838. Octavo. Half brown morocco with matching cloth boards raised bands on spine decorative devices and titling gilt. 1f. title 1f. contents 240 pp. Engraved. Text in Italian. With an elaborate engraved title page by Hibon and A. Lafon. <br/><br/>Former owner's name "S.L. Norris" gilt to upper board.<br/><br/>Binding slightly rubbed. Sligthly browned and foxed; trimmed within platemark. An early edition. Inzaghi IN. 41 p. 156.<br/><br/>L'elisir d'amore a melodramma giocoso in 2 acts to a libretto by Felice Romani after Scribe's Le philtre 1831 premiered in Milan at the Teatro alla Cannobiana on 12 May 1832. Donizetti arrived in Paris on 21 October 1838 and the work was first performed at the Théâtre-Italien there on 17 December 1839 to great acclaim<br/><br/>"Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online. Marquerie Frères unknown books
0364788917.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391960580.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
cm. 17 x 24,5, 48 pp. con 4 tavv. f.t. Quaderni dell'Accademia Chigiana 116 gr. 48 p.
1396544011.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364409673.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365087637.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366450247.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
cm. 17 x 24,5, 42 pp. con 1 ripr. Quaderni dell'Accademia Chigiana 89 gr. 42 p.
1024127834.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0331666235.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996293583Delprado 1996 poche. 1996. Broché.
cm. 24 brossura; pp. 94, una tavola in nero in antiporta. Pubblicazione a cura degli "Amici dell'Istituto Musicale G. Donizetti"
4002New Orleans:: Michon & Schweitzer . Not illustrated; 21 pp. uncut. Large 8vo ochre printed wrappers; a trimming error has resulted in the top of the advertisements on the back outer cover lacking some letters; text block side-stitched but the wrappers never were sewn to the text which is simply laid into them. OCLC lists four New Orleans institutions and Harvard. The inside front wrapper and both sides of the back wrapper contain small advertisements of local firms. Dating is based on two of the advertisers who only appear in New Orleans City Directories in the 1870s. [New Orleans]:: Michon & Schweitzer, ,. unknown
186226082BARCELONA-MADRID: Imprenta de Tomás Gorchs 1862. Gran 8º.- Rústica cubiertas originales.- 53 páginas. . Imprenta de Tomás Gorchs unknown
008939Paris s.d.: Montgredien et Cie. This is a very good hardcover copy bound beautifully in half leather and marbled boards gray leather spine label title in gilt. Bound in dark red leather and 19th century marbled paper in dark red pale blues and grays gold and cream colors. Just light rubbing to edges. Completely clean inside and out. Text in French. Frontispiece and illustrations by Ch. Clerice in black & white. Complete text and music for Donizetti's four act opera 'La Favorite'. 11" high X 8" wide 268 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Very Good. Montgredien et Cie. Hardcover
1024912698.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3563231478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
