242 résultats
027019Elibron Classics SCARCE FRENCH / RUSSIAN LANGUAGE EDITION. Very Good condition. Flat uncreased spine. Light cover wear. NO chips tears or fading. NO owner's name or bookplate. NOT a library discard. NOT a remainder. Small stain smaller than a half-dollar coin in the margin only of a few pages at the end NO text is affected. A few page numbers in the table of contents are circled in pencil. Pages are otherwise clean and unmarked. Werther Opera Vocal Score Text in French and Russian side-by side. No year of publication is indicated. Bound in the original white pictorial wraps stamped in black. Oversize Softcover. 9" wide by 11.75" tall. This large book may require extra postage for international shipments but only the standard charge for priority or media mail. "WERTHER received its first performance in February 1892. It was not until a revival by the Opéra-Comique in 1903 that the work became an established favourite . Complete French recordings of Werther conducted by Élie Cohen were issued in 1932 and 1933 and have been republished on CD . The critic Alan Blyth comments that they embody the original intimate Opéra-Comique style of performing Massenet In THE PENGUIN OPERA GUIDE 1993 Hugh Macdonald wrote that though Massenet's operas never equalled the grandeur of Berlioz's LES TROYENS the genius of Bizet's CARMEN or the profundity of Debussy's PELLÉAS ET MÉLISANDE from the 1860s until the years before the First World War the composer gave the French lyric stage a remarkable series of works two of which - MANON and WERTHER - are 'masterpieces that will always grace the repertoire' Rodney Milnes in THE NEW GROVE DICTIONARY OF OPERA 1992 agrees that Manon and Werther have a secure place in the international repertoire." -- Wikipedia. Reprint of the Moscow edition. Oversize Hardcover. Very Good condition. Illus. by NOT a library discard. ii 224pp. Great Packaging Fast Shipping. Elibron Classics Hardcover
2505ET1484<p>Parole di Enrico Meilhac e Filippo Gille. Musica di. Testo italiano prezzo netto: 20 franchi. Au Ménestrel. Paris. S.d.</p>_x000d_<p>De 28x19 cm. Com iv 383 págs. Encadernação com lombada em pele e ferros a ouro e folhas de guarda em papel decorativo. Profusamente ilustrado com pautas musicais.</p>_x000d_<p>Exemplar com etiqueta da Raul de Almeida Encadernador no verso da folha de guarda picos de acidez nas folhas preliminares e finais carimbo assinatura de posse na folha de rosto e na página 1.</p>_x000d_<p> </p>_x000d_<p> </p> SACO ET139-10 unknown
189475347Paris: Au Menestrel / Heugel 1894. Original boards with cloth spine. 288 pp.; 28x19 cm. Sheet music - title in ink on spine stamps partly removed on title page and last endpaper previous owner's name notes in ink on rear index page some spots/ foxing Although very good see pictures Au Menestrel / Heugel hardcover
1984Q-0714540412Oneworld Classics 1984-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Oneworld Classics paperback
99999-1135Paris n.d. Paris n.d. Calling card with printed name "J. Massenet" and address "38 rue du Général Foy". To an unnamed recipient: "Vos très charmants félicitations me causent un vrai plaisir - vous pensez à moi et je vous en remercie tant!!" - Glue marks on verso. AUTOGRAPHS ; MUSIC ; Paris , unknown
190843963097088042St. Petersburg / Petrograd Moscow: S. Ya. Yambor 1908. Paperback. Good. ÐšÐ¾Ð»Ð»ÐµÐºÑ†Ð¸Ñ Ð¸Ð· 8 редких дореволюционных нотных изданий популÑрной музыки. Петербург / Петроград МоÑква: Издатели Ð. П. Кононов Ð. К. Соколова С. Я. Ямбор ок. 1908–1916. 8 отд. изд. ; 195 × 135 / 205 × 13 / 24 × 165 Ñм. Ð’ издательÑких иллюÑтрированных литографированных обложках Ñпохи модерна. СоÑтоÑние хорошее: незначительные надрывы и потёртоÑти по краÑм. 1. «Тихо так тихо» — РоманÑ. — С.-Петербург: Изд. Ð. П. Кононова â„– 42. 2. «Я помню вальÑа звук прелеÑтный» — Старинный вальÑ. — Петроград: Изд. «М-ръ ЛытÑ» Ð. К. Соколова â„– 465. 3. Ж. Бизе — «ИÑкатели жемчуга»: Ð Ð¾Ð¼Ð°Ð½Ñ Ðадира. / Перевод Ð’. Берга. — МоÑква: Изд. С. Я. Ямбора â„– 109. 4. М. Файнберг — «Мечты о прошлом Anagara»: Ð’Ð°Ð»ÑŒÑ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. — МоÑква: Изд. С. Я. Ямбора â„– 255. 5. Дж. Ф. Суза — «Под звёздным знаменем»: Знаменитый американÑкий марш. — МоÑква: Изд. С. Я. Ямбора â„– 507. 6. Ф. Легар — «Дорогой мой дружок» из оперетты «Граф ЛюкÑембург». — МоÑква: Изд. С. Я. Ямбора â„– 157. 7. Ж. МаÑÑне — «Грёзы де-Грие» из оперы «Манон». — МоÑква: Изд. С. Я. Ямбора â„– 141. 8. Б. Ðайхович — «В угаре ÑтраÑти»: ДраматичеÑкий вальÑ. — МоÑква: Изд. С. Я. Ямбора â„– 329. . Collection of 8 rare pre-revolutionary Russian sheet music editions. St. Petersburg / Petrograd Moscow: ca. 1908–1916. 1. “So Quiet So Peaceful†Tikho tak tikho — Romance. — St. Petersburg: A. P. Kononov No. 42. 2. “I Recall the Enchanting Sound of a Waltz†— Old-time waltz. — Petrograd: «М-ръ ЛытÑ» A. K. Sokolova No. 465. 3. G. Bizet — “The Pearl Fishersâ€: Romance of Nadir. / Russian text by V. Berg. — Moscow: S. Ya. Yambor No. 109. 4. M. Feinberg — “Dreams of the Past Anagaraâ€: Waltz for piano. — Moscow: S. Ya. Yambor No. 255. 5. John Philip Sousa — “Under the Starry Banner†The Stars and Stripes Forever. — Moscow: S. Ya. Yambor No. 507. 6. Franz Lehár — “My Dear Friend†from “Der Graf von Luxemburgâ€. — Moscow: S. Ya. Yambor No. 157. 7. Jules Massenet — “Des Grieux’s Dream†from the opera “Manonâ€. — Moscow: S. Ya. Yambor No. 141. 8. B. Naykhovich — “In the Heat of Passion†V ugare strasti: Dramatic waltz. — Moscow: S. Ya. Yambor No. 329. This evocative collection of eight sheet music editions represents the vibrant "Silver Age" of Russian popular culture capturing the diverse soundscape of pre-revolutionary St. Petersburg and Moscow. The text provides a deep dive into the internal logic of the early 20th-century commercial music market including the arrangement of world-famous operatic arias by Bizet and Massenet popular salon waltzes like the dramatic "In the Heat of Passion" and even international sensations such as John Philip Sousa’s "The Stars and Stripes Forever." Published by leading specialized houses such as S. Ya. Yambor and A. P. Kononov these issues were the essential soundtracks to the private salons and public variety stages estrada of the era. The physical identity of this lot is distinguished by its stunning lithographed covers which are true masterpieces of Russian commercial Art Nouveau. Many of these wrappers feature photographic portraits of the era's stars creating a visual connection between the music and the legendary performers who popularized them. From the melancholic strains of "I Recall the Enchanting Sound of a Waltz" to the lighthearted melodies of Franz Lehár’s operettas this collection preserves the ephemeral beauty of a society on the brink of transformation. For bibliophiles musicologists and collectors of Russian heritage these 1908–1916 imprints are vital primary sources documenting the synthesis of high-art operatic tradition and the emerging mass-media hits of the early 20th century. S. Ya. Yambor paperback
1909135275Paris: Heugel 1909. Hardbound. VG exlibrary with minimal to moderate markings. Wholly usable. Red library buckram. 355 pp. Reprinted chiefly from the plates of G. Hartmann 1881. Text in English and French. Heugel hardcover
16-5316Paris: 30 avril 1912. Short letter to "Cher confrère." 16.5 x 12.2cm. Provenance: André Mars 1896-1957. Il devient avocat à la cour d’appel de Paris. Puis c’est le chef de cabinet du sous-secrétaire d’État au ministère de la guerre puis un commissaire de la République membre du Conseil supérieur de la magistrature. Il décède en 1957. Il repose avec François Mars 1933-1974 journaliste au Cimetière du Père Lachaise. Paris: 30 avril 1912 unknown
1999PA1696A near fine Hardcover with near fine DJ ex-library with stamps stickers & markings.<br /> Somogy hardcover
22515Egreville 17 June no year given. In French across 3 pp. 6 x 5 inches fine. Jules Massenet 1842-1912 French composer. unknown
22512Brussels 23 January 1883. In French. 2 separate pages. 7 x 4 iches in good condition. Jules Massenet 1842-1912 French composer. unknown
22533Paris 21 October 1885. In French. 2 pp. 7 x 4 inches fine. Jules Massenet 1842-1912 French composer. unknown
190125633Paris: Heugel & Cie PN H. et Cie. 8114. 1901. Large octavo. Quarter mid-tan morocco with marbled boards spine with decorative elements and titling gilt upper edge gilt decorative endpapers with original publisher's decorative ivory embossed wrappers printed in gilt bound in. 1f. recto dedication "En témoignage de Reconnaissance Au Collaborateur à l'Ami Albert Carré Directeur de l'Opéra-Comique" by Eugène Morand and Massenet verso blank 1f. recto title printed within red line border verso blank 1f. recto named cast list verso blank 2ff. table of contents printed note relative to performance 235 i blank pp. <br /> <br /> Named cast includes Mlle. Lucienne Bréval as Grisélidis Tiphaine Daffetye Lucien Fugère Maréchal Dufranne Jacquinm and Huberdeau. <br /> <br /> With small publisher's handstamp to blank lower margin of title. <br /> <br /> Binding slightly worn rubbed and bumped; endpapers and wrappers somewhat browned; outer margins of several leaves with scattered light foxing. A clean attractive copy overall. First Edition.<br /> <br /> Grisélidis was first performed in Paris at the Théâtre National de l'Opéra-Comique on 20 November 1901.<br /> <br /> " . on its own terms Grisélidis is one of Massenet's most successful operas. The action moves swiftly through just over two hours of music the instrumentation shows the composer at his most economic and delicate and in no other of his operas are his melodies so unconstrained. The use of reminiscence motif is judiciously calculated. Much of the score's appeal lies in its skilful mixture of comedy and sentiment. The role of the Devil was written for Lucien Fugère one of Massenet's favourite singers; his music is full of sprightly dry Gallic wit . the title role is as touching in its delineation as it is vocally rewarding - it was originally sung by Lucienne Bréval who also created Fauré's Pénélope and Dukas' Ariane . the tenderly nostalgic duet for Grisélidis and her first love written with rare psychological insight . shows the composer at his best." Rodney Milnes in Grove Music Online. Heugel & Cie [PN H. et Cie. 8114.] unknown
190229459Paris: Au Ménestrel Heugel & Cie. H. et Cie. 21081 1902. Large octavo. Full dark red cloth with "Julius Rünger" gilt to lower margin of upper titling gilt to spine; decorative endpapers. 1f. recto dedication verso blank 1f. recto title within decorative red border verso cast list 1f. contents 160 pp. <br /> <br /> Occasional performance markings and corrections in pencil most likely in Rünger's hand.<br /> <br /> Binding slightly worn and soiled. Lightly vertical crease to first 20 leaves; occasional annotations in pencil; small rectangular publisher's handstamp to lower margin of title; publisher's handstamps and annotations in ink to upper margin of first page of music. First German edition. <br /> <br /> Le jongleur de Notre-Dame to a libretto by M. Léna after France's L'étui de nacre was first performed in Paris at the Opéra Comique on 18 February 1902.<br /> <br /> "The work is little known considering its unusual appeal. Religious practice is here at the centre of a little drama that combines humour and piety." <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th ." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online<br /> <br /> Rünger 1874-1932 a noted German baritone was also a conductor and composer. Au Ménestrel, Heugel & Cie. [H. et Cie. 21081] unknown
005931Various. Library Compilation . Hardcover. Very Good/None as Issued. EX-LIB. Collection of 9 variously sized soft cover librettos bound by The Free Public Library of Concord MA in Feb 1943 as Volume 2 of two. Black boards w/gilt spine lettering/NF. The librettos are: 1 L'AMORE DEI TRE RE Tragic Poem in 3 Acts Sem Benelli; the original Italian with English translation by R.H. Elkin published by Fred. Rullman for the Chicago Civic Opera Co; text Near New & bright. 2 LUCIA DI LAMMERMOOR Donizetti published by Oliver Ditson Boston; Italian/English text and music of princial airs; text Near New soft cover discolored & chipped. 3 LA JUIVE The Jewess in 5 acts Havlevy Fred. Rullman for the Chicago Civic Opera Co; text/Near New; discoloration to cover. 4 THAIS Lyric Comedy in 3 acts music by Jules Massenet; French/English text; printed as performed at the Manhattan Opera House under the direction of Oscar Hammerstein for the Boston Opera House by Fred. Rullman; Text/As New w/trace margin discoloration cover/Fine. 5 DON GIOVANNI Mozart with Italian/English text; Oliver Ditson Boston. Text/Near New w/curled corners to upper corner of last pgs. Cover/NF. 6 LA BOHÉME Puccini Italian/English text. Published by G. Ricordi New York. Text/As New w/trace margin discoloration. Cover/NF w/pencil notations. 7 MADAMA BUTTERFLY Puccini Italian/English text. Published by Boosey New York for the Boston Opera Co.Text/As New. Cover/NF w/edge discoloration. 8 SNEGOUROTCHKA The Snow Maiden Rimsky-Koraskoff French/English text. Fred. Rullman for the Chicago Civic Opera Co. Text/As New; with edge wear. Cover w/edge discoloration & wear. And 9 SAMSON AND DALILAH Camille Saint-Saëns French/English text. Fred. Rullman for the Boston Opera House. Text/As New. Cover/NF w/light soiling. <br/> <br/> Various hardcover
1992I-122-788Actes Sud 1992. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Actes Sud paperback
189479656Paris: Heugel 1894. First. hardcover. fair. Vocal score. Hardcover with significant fraying and scuffing to edges. Assumed first edition but has been rebound at some point in marbled cardboard with a cloth spine. French text. Da Capo Vocal Scores Section PAS 2/22 Heugel hardcover
188029554Paris: G. Hartmann PN G.H. 1093 1880. Large octavo. Original publisher's blue cloth-backed blue decorative printed wrappers with printed titling to spine. 1f. recto polychrome title verso blank 1f. half-title within decorative device verso named cast list 1f. recto contents verso blank 214 pp. <br /> <br /> With an autograph inscription signed by the composer "J. Massenet" to Madame de Grandval the composer Marie-Félicie Clémence de Reiset 1828-1907 and dated 1880 to upper outer corner of half-title.<br /> <br /> With small oval publisher's handstamp to blank lower outer corner of title. <br /> <br /> Wrappers worn; splitting at spine; chipped at edges. Somewhat worn; moderately foxed; signatures separated; some edges chipped and with small tears; lacking final page of music supplied in photocopy; some bleeding to inscription. First Edition. <br /> <br /> First performed in Paris at the Opéra on 22 May 1880. <br /> <br /> "La Vierge completed in 1878 is a 'légende sacrée' with a text by Grandmougin and a considerable cast. Its four scenes are 'The Annunciation' 'The Wedding at Cana' 'Good Friday' and 'The Assumption'; there is a Galilean Dance during the wedding scene. The single movement that makes up the Good Friday scene is one of Massenet's best creations broad in conception and strongly dramatic in character but the work has never found favour with the exception of the prelude to the last scene 'Le dernier sommeil de la Vierge' featuring a solo cello and muted strings." Hugh Macdonald in Grove Music Online. <br /> <br /> We would like to thank Mr. Bernard Peyrotte of Librairie Arioso in Paris for kindly informing us of the identity of the person to whom Massenet inscribed the present score. G. Hartmann [PN G.H. 1093] unknown
BN328488Warner Bros. Publications Inc.U.S. Softcover. Thais: An Opera in Three Acts with French and English text: Vocal Score Kalmus Classic Edition <br/><br/>Thais: An Opera in Three Acts with French and English text: Vocal Score Kalmus Classic Edition Jules Massenet Warner Bros. Publications Inc.,U.S. paperback
18801381AG1880. Paris Chalot um 1880. Photographie Brustbild. Format: Kabinettkarte. unknown
302841 page. In black ink on light green airletter with integral address panel. No date but postmarked "2. 1. 12" January 2 1912. In French. <br /> <br /> Massenet thanks Emmanuel for his heartfelt words saying "the future belongs to you" lamenting the fact that he will not be there and thanking his correspondent "with all his soul."<br /> <br /> "Je vous dis absolument mon émotion charmée de toutes vos paroles. Vous êtes un professeur éminent et l'avenir vos appartient. J'aimerais être la. alors! De toute mon âme merci! Massenet."<br /> <br /> Provenance<br /> The collection of the distinguished American mezzo-soprano Marilyn Horne b. 1934.<br /> <br /> Together with:<br /> An autograph letter signed "Lucette" to Marilyn Horne. 1-1/2 pp. Folio. Dated Paris February 1st 1991. On printed letterhead of Arts Opera-Promotion. In French. Horne's correspondent calls her "an exceptional artist with an exceptional personality" and thanks her "a million times" for coming hoping that they will be able to do other concerts together; she goes on to transcribe the Massenet note. <br /> <br /> Massenet note slightly worn; creased overall and at folds; "120" in blue pencil to address panel; with small perforations to edges as issued. "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online.<br /> <br /> A distinguished American mezzo-soprano "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown
23407Colour photo-mechanical portrait printed in tones of sepia red black and tan with short textual addition below portrait. Published in the satiric journal L'Assiette au Beurre in 1902. Sheet size 313 x 241 mm. With portrait of the French composer Charles-Marie Widor 1844-1937 to verso. <br /> <br /> Fine impression on tan wove paper. <br /> <br /> Slightly worn browned and brittle; frayed at right margin with some paper loss not affecting image. unknown
190629920Paris: Au Ménestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp.<br /> <br /> Named cast includes Bréval Grandjean Lucy Arbell Demougeot B. Mendès Laute Muratore Delmas Triadou and Stamler.<br /> <br /> Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition.<br /> <br /> First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. <br /> <br /> "Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love."<br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 22179] unknown
36474Au Ménestrel - Heugel In-4 x-366pp. présentation sur feuillets illustrés en couleurs gravés par Devambez reliure demi-basane époque unknown
1898315088Paris 1898. 2-3/8 x 3-11/16 inches. Matted and framed. 2-3/8 x 3-11/16 inches. Underneath his printed name Massenet has added this autograph note "avec mon plus sincère félicitations & ma meilleur sentiments. M unknown