242 résultats
223688 February no year. No place. 3pp 12mo. Bifolium. On aged paper with punch hole through both leaves at head small closed cut along bottom edge of first leaf and with paper and part of another letter from an album glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times 1 September 1912 which speaks of 'the composer's known antipathy to the name Jules … He preferred to be called “M. Massenet†simply'. The recipient of this enthusiastic letter is not named. The letter appears to have been written to a man who has sent a portrait of his wife the Swedish soprano Sigrid Arnoldson-Fischhof to Massenet. It begins: 'Cher ami Le portrait est admirable et si ressemblant! L'attention est exquise!' He continues with a reference to 'votre “merveille†de femme' and then writes: 'Nous sommes en voyage Mlle. Massenet & moi et je vais écrire à notre grand ami Hengel.' He ends with a message for 'Mme Arnoldson'. 8 February [no year]. No place. unknown
1903303411903. 1 page. Octavo. Dated Paris December 8 1887. In French with translation. <br /> <br /> Relative to rehearsals of Marie-Magdeleine etc.<br /> <br /> "It would be too late now the night before to tell you that on Friday I will be rehearsing "Marie-Magdeleine" all evening from 8 o'clock on so. how annoying!" Massenet goes on to tell his correspondent that it is a rehearsal "in case of colds. and it's the prudent thing to do" asking him to keep that just between themselves.<br /> <br /> From the collection of Marilyn Horne b. 1934. "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online.<br /> His Marie-Magdeleine was first performed as a 3-act drame sacré to a libretto by L. Gallet in Nice on February 9 1903 with Lina Pacary as Méryem Mlle. Hendrickx as Marthe Verdier as Jésus and Lequien as Judas. Irvine pp. 247-248. It was originally performed as an oratorio at the Odéon in Paris on April 11 1873. Loewenberg col. 1246.<br /> <br /> A distinguished American mezzo-soprano "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown
1970143973London : OSA 1286 1970. LP Record. Very Good/Box : Fair. 0x0x0. Both the libretto and the inside of the box are signed by Joan Sutherland in large flamboyant hand--two collectible signatures; both discs in clean sleeves are without visible wear; includes catalog; box has breaks at corners London : OSA 1286 unknown
23328Octavo. 3 pp. of a bifolium. Dated Paris April 21 1895 In French with translation. <br /> <br /> Massenet is worried that his messages have not reached Pauline Viardot: the post office has returned one of his letters. He does not want Viardot to think him unreliable and asks his correspondent to reassure him. <br /> <br /> "I immediately answered Madame Viardot's excellent letter - I have since telegraphed and written her. The post office returned one of my letters. wrong address . I am sorry to appear so 'inexact' in Madame Viardot's eyes. Excuse me - Reassure me." <br /> <br /> Slightly browned; creased at folds; initials "B.D." embossed to upper portion of leaves. Massenet was "the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th. His place in the history of French music is secure for although he is not to be bracketed with Berlioz or Debussy or even Bizet he generously satisfied the tastes of the 'belle époque' and retained his standing as a master of the lyric stage for well over a generation." Hugh MacDonald in Grove Music Online.<br /> <br /> Pauline Viardot 1821-1910 a highly distinguished French singer teacher and composer of Spanish origin "came from a family of singers: her father was the elder Manuel García her mother María Joaquina Sitches her brother the younger Manuel García and her sister Maria Malibran. Viardot not only inspired composers such as Chopin Berlioz Meyerbeer Gounod Saint-Saëns Liszt Wagner and Schumann with her dramatic gifts but also collaborated on the composition of roles created especially for her." Beatrix Borchard in Grove Music Online. unknown
191184438Paris 1911. Fine. Paris 6 Mars 1911 11.50 x 9 cm une carte postale une enveloppe Autograph letter signed by Jules Massenet addressed to André Dupuis and written in black ink. Envelope included. ""I am still very unwell. For days! . bedridden! . the flu! . fever! ."" André Dupuis having asked him for seats for his next performance Jules Massenet assures him he will do everything to satisfy him: ""At the theater they promise me to seat my friends as soon as the first boxes are reserved. Thus I would like to think of you."" unknown
190976083Paris 1909. Fine. Paris 1909 14 x 9 cm une carte postale Signed autograph postcard from Jules Massenet addressed to André Dupuis and written in black ink on the verso of a black and white photographic view of Egreville. With envelope. ""Your excellent letter arrives to me on the morning of September 16th - & I was unaware that Thaïs had been performed this week."" Thaïs is an opera in three acts by Jules Massenet libretto by Louis Gallet after the eponymous novel by Anatole France. unknown
233253 pp. of a bifolium. Octavo. Dated Égreville Seine. et Marne France August 19 1902. In French with translation. <br /> <br /> Raoul Gunsbourg director of the Opéra de Monte-Carlo has told Massenet that his correspondent most probably the tenor Francesco Tamagno will participate in a production of Hérodiade the following March. Massenet hopes the star-studded cast which includes Emma Calvé Blanche Deschampes-Jéhin and Maurice Renaud will sing in French; he coaxes Tamagno to do the same.<br /> <br /> "It is my dream that our friends Mlle. Calvé Mme. Deschamps-Jéhin Mr. Renaud sing in French -- thus I beg you as a personal service to sing in French as well . You can absolutely do it and it will be so interesting so successful!"<br /> <br /> Slightly soiled; creased at folds; green pencilled lines around the sender's address to upper right portion of first page. Tamagno 1850-1905 was the foremost heroic tenor of his time. After his first appearance at La Scala in 1877 he created the title roles in Verdi's Don Carlos 1878 and Othello 1887 among other operas. Although Tamagno usually sang French grand operas in Italian he did indeed make an exception for the 1903 Monte Carlo production of Hérodiade. <br /> <br /> Premiered at the Théâtre de la Monnaie in Brussels on December 19 1881 Hérodiade is generally regarded as the best of Massenet's three attempts at traditional grand opera. The work's strength lies in "familiar Massenet territory: erotic obsession" particularly in the musical characterization of Herod. Until the turn of the century the opera was staged frequently on both sides of the Atlantic. In part because its five leading roles are rewarding to star singers it has never fallen out of the repertory. Rodney Milnes in Grove Music Online. unknown
330253framed. very good. Hand-written letter from French composer Jules Massenet. Letter written in french. Framed with an etched image of Massenet. Circa 1877. Please inquire for more information.<br/> <br/> Jules Emile Frederic was a French composer of the Romantic era best known for his operas of which he wrote more than thirty. The two most frequently staged are Manon 1884 and Werther 1892. He also composed oratorios ballets orchestral works incidental music piano pieces songs and other music.<br/> <br/> unknown
115540Very Good. Small octavo one page verso blank with a conjugate blank; no year or address given but 'En hate . le 19 Nov .'. Folded once across the centre; in excellent condition with the signature large bold and underlined. One of the curiosities of Massenet is that he habitually signed with M. rather than his given name or initial. Massenet has come back into fashion and is more performed now than in the late twentieth century. <p>Provenance: Collection of The Hon Barry Jones AC. unknown
190281038Paris: Heugel et Cie 1902. Fine. Heugel et Cie Paris 1902 19.50 x 28.50 cm relié First edition of this ""Miracle"" in 3 acts by Jules Massenet on a poem by Maurice Léna. Half-title epistle and title in gold and blue chromolithographs. Voice and piano score. 200 pages of score. Contemporary half brown shagreen binding. Smooth spine decorated with mirror tools within a frame. Spine uniformly sunned having become lighter. Handsome copy. Heugel et Cie unknown
BN103842Actes Sud. Softcover. Thaïs <br/><br/>Thaïs Actes Sud paperback
11991to "Madam Dexter Fearjon trés respectueux hommage" showing him half length looking to one side 9" x 6" in mount 13" x 10" no place no date dated on the verso slightly damaged on the signature and one word unknown
191250425Paris 1912. Letter. very good . An 11 line letter signed from Jules Massenet to Frederic Febvre. Massenet 1842-1912 was a French composer of operas and Febvre 1835-1916 a French actor and the most popular leading man in Paris during his day. The letter is in French and roughly translates to - "what a reward for me to be rated so highly by a man of your importance by the celebrated and incomparable artist by the man of letters that you also ar! With enthusiasm.thank you! Massenet. I received your wonderful flowers thank you dear great friend. J. Massenet." The letter is framed alongside a photo of Massenet. Frame measures 14x18". <br/><br/> unknown
1888Paris and Toulouse: various publishers c. 1875-c. 1914. Bound volume with 10 different pieces of sheet music for turn-of-the-century chansons five of which are by Massenet. Folio morocco backed boards. Some leaves a bit browned and professionally deacidified. Original wraps all bound in. Wraps feature charming artwork often in Japoniste or art nouveau style. A very rare interesting and beautiful item. <br/><br/> Paris and Toulouse: various publishers, c. 1875-c. 1914 paperback
187975877Budapest 1879. Fine. Budapest 17 janvier 1879 11 x 17.50 cm 4 pages sur un feuillet remplié Autograph letter signed by Jules Massenet two pages written in black ink on a double sheet. Fold inherent to mailing. A small split at the junction of the two sheets without gravity. Fine letter written by the composer during his first stay in the Hungarian capital for Le Roi de Lahore whose premiere took place eight days later: ""Répétition générale ce matin . excellente exécution"" ""General rehearsal this morning . excellent execution"". Massenet mentions the setbacks that occurred which forced the postponement of the opera's programming: ""La Benza Ida notre Sitia ne pouvant chanter demain à cause de son deuil la première est remise à huit jours."" ""La Benza Ida our Sitia unable to sing tomorrow because of her mourning the premiere is postponed by eight days."". This letter also evokes the friendship between Massenet and Franz Liszt more than thirty years his senior who took the young composer under his wing at the Villa Medici in 1863: ""Je viens de chez Liszt il est arrivé cette nuit à Peth et sera à la première."" ""I come from Liszt's he arrived last night in Pest and will be at the premiere."". Surprised by the hostile climate of this region he is visiting for the first time Massenet comments: ""Le froid est affreux la neige exaspère nous allons au théâtre en traîneau . Restez au coin du feu ah ! que vous souffririez de cette température je t'assure que c'est la sensation de la Russie la neige couvre tout. . je ne sors pas même un oeil quel hiver même pour les Hongrois enfouis dans leurs peaux comme des Lapons !"" ""The cold is dreadful the snow is exasperating we go to the theater by sleigh . Stay by the fire ah! how you would suffer from this temperature I assure you it's the sensation of Russia snow covers everything. . I don't even stick my nose out what a winter even for the Hungarians buried in their furs like Laplanders!"". unknown
188428138Paris: Heugel & Cie. PN G.H. 1386 1884. Large octavo. Quarter red morocco with marbled boards. 1f. recto half-title within decorative vignette printed in sepia verso blank 1f. recto title printed in sepia on a dark ivory background verso blank 1f. recto dedication verso blank i named cast list ii-iii index iv blank 391 i blank pp. <br /> <br /> A presentation copy with a fine large 2-measure autograph musical quotation from the first act of the opera signed and inscribed in purple ink on the verso of the half-title: "à mon cher et excellent Docteur & ami Dr. Poyet. Massenet 1881-1895." <br /> <br /> Named cast includes Heilbron as Manon Molé-Truffier as Pousette Chevalier as Javotte Rémy as Rosette Lardinois as the Servant Talazac as Chevalier des Grieux Taskin as Lescaut Cobalei as Count des Grieux Grinot as Guillot de Morfontaine Collin as de Brétigny and Labis Teste Reynal Legrand Troy Davoust and Bernard. <br /> <br /> With pictorial vignettes to pp. 1 7 123 178 251 289 and 355. "Variante pour les Théâtres qui n'ont pas de Ballet" to head and "Paris Imp. E. Dupré rue du Delta 26." to foot of p. 391; plate number "G.H. 1356" to cast and index leaves and "H. et Cie. 7067" to cast list and first page of music. Small "Au Ménestrel" handstamp to cast page.<br /> <br /> Binding slightly worn and rubbed upper hinge split. Tear to inner margins of index leaves and pp. 153-160 not affecting text; some page numbers and "Au Ménestrel" handstamp slightly cropped. Second edition. <br /> <br /> Manon to a libretto by Henri Meilhac and Philippe Gille after Antoine-François Prévost's novel L'histoire du chevalier des Grieux et de Manon Lescaut 1731 was first performed in Paris at the Opéra-Comique Salle Favart on 19 January 1884.<br /> <br /> The passage from which Massenet has quoted is printed on p. 94 measures 4 and 5 of the present score. <br /> <br /> ". In Manon herself Massenet created a portrait of the eternal feminine to rank with Mélisande and Lulu and it is on this that the opera's appeal rests. In the final analysis Manon is by way of being a 'highlights' opera lacking the cohesion and economy of more mature Massenet works but those highlights were seldom surpassed in the composer's oeuvre." Rodney Milnes in Grove Music Online. Heugel & Cie. [PN G.H. 1386] unknown
396582 measures notated in black ink from the composer's noted song at head identified as "Élégie" signed and dated Paris 1900 at lower portion. <br /> <br /> Inscribed to the American composer violin collector and banker Louis M. Teichman ca. 1855-1934 "a Mr. Louis M. Teichman trés sympathiquement" at right margin.<br /> <br /> On a cabinet card with a bust-length photograph of the composer laid down to studio mount with "van Bosch . Paris" printed to lower margin. <br /> <br /> Photograph lightly browned; mount more heavily browned with remnants of adhesive to lower margin; slightly bumped at right corners; remnants of former mount to verso with annotations in pencil and ink and stamp of "Meyer Bros. & Co." in New York to lower margin. Élégie a song to text by Massenet's long-time librettist Louis Gallet 1835-1898 was composed in ca. 1872 and published in 1875.<br /> <br /> Massent was one of the most prolific and successful composers of opera in late 19th-early 20th century France; in addition he composed over 200 songs. "The salon culture of his day absorbed songs in great numbers and most of them were published for an avid market usually as individual songs sometimes in collections or cycles. . As might be expected Massenet always writes carefully and sympathetically for the voice sets French with impeccable taste and devises idiomatic and evocative piano parts." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. unknown