1 102 résultats
RO50055041AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages de partitions. Premier plat illustré en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50047150G. HARTMANN & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Déchirures. 5 pages de parititions. Premier plat illustré en couleur. Tampon sur le premier plat. Déchirures aux extrémités des plats, sans conséquences sur la lecture. Papier collé pour renforcer le dos, mais contre collé également sur une bonne partie des 2 plats.. . . . Classification Dewey : 780.26-Partitions
RO50054795AU MENESTREL / HEUGEL & CIE. NON DATE. In-4. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Déchirures. 5 pages de partitions. Tampons sur le premier plat et sur la première page. Dos renforcé. Bas de pages coupés, sans conséquences sur la lecture des phrases musicales.. . . . Classification Dewey : 780.26-Partitions
RO50037040HEUGEL ET CIE. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 6 pages. Présence d'un tampon sur le 1 er plat. . . . Classification Dewey : 780.26-Partitions
RO50039757AU MENESTREL / HEUGEL ET CIE. non daté. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos satisfaisant, Déchirures. 5 pages. Partition pour Piano solo. Scotch transparent sur le dos, tampon sur le premier plat et déchirures sur les plats et les pages n'altérant pas la lecture de la partition. Illustration en noir et blanc sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50041138HEUGEL & Cie.. Non daté. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 5 pages de partitions.Tampon de Willemot et un autre de l'éditeur, HEUGEL &Cie.. . . . Classification Dewey : 780.26-Partitions
RO50065067Au ménestrel. Non daté. In-Folio. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Rousseurs. 5 pages de partitions en noir et blanc. Dos renforcé par de l'adhésif jauni.. . . . Classification Dewey : 780.26-Partitions
RO50064176au ménestrel. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 5 pages de partitions en noir et blanc. . . . Classification Dewey : 780.26-Partitions
190679662Paris: Heugel 1906. First. hardcover. fair. Vocal score. Hardcover binding scuffing and fraying of cover corners and edges significant scuffing to leather spine. French text. Da Capo Vocal Scores Section PAS 2/22 Heugel hardcover
RO50048044AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Coiffe en tête abîmée, Papier jauni. 5 pages de partitions. Tampon sur le premier plat. Poème de Catulle Mendes.. . . . Classification Dewey : 780.26-Partitions
1906RO50059726AU MENESTREL / HEUGEL & CIE. 1906. In-Folio. Relié. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 352 pages de partition. Poème de Catulle Mendès. Tampon sur la page de titre qui se trouve en fin d'ouvrage avec la table des matières.. . . . Classification Dewey : 780.26-Partitions
190629920Paris: Au Ménestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp.<br/><br/>Named cast includes Bréval Grandjean Lucy Arbell Demougeot B. Mendès Laute Muratore Delmas Triadou and Stamler.<br/><br/>Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition.<br/><br/>First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. <br/><br/>"Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love."<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 22179] unknown books
190629540Paris: Au Ménestel. Heugel PN H. et Cie. 22179 1906. Quarto. Full floral-patterned ivory linen with dark red leather labels gilt to upper and spine. 1f. recto printed excepts from Ovid Corneille and Racine verso blank 1f. title printed in dark purple and black verso blank 1f. named cast list verso descriptions of scenes 1f. recto continuation of description of scenes verso blank 1 blank 2-352 pp. With "C. Douin gr." to foot of final page. <br/><br/>Binding slightly soiled; frayed at corners; leather spine label slightly lacking at left edge; endpapers slightly foxed. Very slightly browned; occasional foxing; some corners creased some with very minor loss. First Edition first issue without date of first performance to cast list.<br/><br/>"Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love. Ariane's success at the Opéra in 1906 called for a sequel Bacchus though this enjoyed no success at all." Hugh Macdonald et al. in Grove Music Online. Au Ménestel... Heugel [PN H. et Cie. 22,179] unknown books
190629920Paris: Au Ménestrel Heugel & Cie. H. & Cie. 22179 1906. Folio. Full dark brown cloth titling gilt to spine. 1f. recto quotatons verso blank 1f. recto title printed in dark purple verso blank i notes on first performance and named cast list ii-iii contents iv blank 2-152 145-352 pp.<br /> <br /> Named cast includes Bréval Grandjean Lucy Arbell Demougeot B. Mendès Laute Muratore Delmas Triadou and Stamler.<br /> <br /> Binding slightly worn and rubbed; corners quite bumped; spine reinforced with tape; two antiquarian catalogue descriptions laid down to front pastedown; annotations in ink to front free endpaper. Some signatures split; small rectangular publisher's handstamp to lower margin of cast list. First Edition.<br /> <br /> First performed in Paris on October 31 1906 under the direction of M. P. Gailhard. <br /> <br /> "Ariane was designed on a grand scale and grandly staged at the Opera in 1906. Catulle Mendès's libretto treats Theseus's flight from Crete with Ariadne as well as her sister Phaedra with whom he falls in love. Its success was largely built on the fourth act in which Ariadne descends to the underworld to plead with Persephone to restore her dead sister. Lucy Arbell from then on to be closely associated with Massenet's operas made a great impression in the role of Persephone especially with her aria 'Des roses des roses' a late addition to the score. The third act in which Ariadne pleads with Phaedra to intercede with Theseus on her behalf is scarcely less touching. Of all the many operas on the Theseus myth this is one of the few to include Phaedra and to dramatize the rivalry of the two sisters for Theseus's love."<br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [H. & Cie. 22179] unknown
1906RO50004491Au ménestrel. 1906. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 3 + 4 pages.. . . . Classification Dewey : 780.26-Partitions
0282343199.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0484850555.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016270127.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016274831.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
RO50053612AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 5 pages de partitions. Portrait en noir et blanc sur le premier plat. Tampons sur le premier plat. Poëme de Louis Gallet. Chanté par Lassalle.. . . . Classification Dewey : 780.26-Partitions
RO50056069AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 5 pages de partitions. Portrait de Louis Gallet en noir et blanc sur le premier plat. Tampon et annotations sur le premier plat. Dos renforcé. Tampon sur la première page et annotation sur la page 3. Chanté par Mr Lassalle.. . . . Classification Dewey : 780.26-Partitions
396582 measures notated in black ink from the composer's noted song at head identified as "Élégie" signed and dated Paris 1900 at lower portion. <br /> <br /> Inscribed to the American composer violin collector and banker Louis M. Teichman ca. 1855-1934 "a Mr. Louis M. Teichman trés sympathiquement" at right margin.<br /> <br /> On a cabinet card with a bust-length photograph of the composer laid down to studio mount with "van Bosch . Paris" printed to lower margin. <br /> <br /> Photograph lightly browned; mount more heavily browned with remnants of adhesive to lower margin; slightly bumped at right corners; remnants of former mount to verso with annotations in pencil and ink and stamp of "Meyer Bros. & Co." in New York to lower margin. Élégie a song to text by Massenet's long-time librettist Louis Gallet 1835-1898 was composed in ca. 1872 and published in 1875.<br /> <br /> Massent was one of the most prolific and successful composers of opera in late 19th-early 20th century France; in addition he composed over 200 songs. "The salon culture of his day absorbed songs in great numbers and most of them were published for an avid market usually as individual songs sometimes in collections or cycles. . As might be expected Massenet always writes carefully and sympathetically for the voice sets French with impeccable taste and devises idiomatic and evocative piano parts." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. unknown
22515Egreville 17 June no year given. In French across 3 pp. 6 x 5 inches fine. Jules Massenet 1842-1912 French composer. unknown
22512Brussels 23 January 1883. In French. 2 separate pages. 7 x 4 iches in good condition. Jules Massenet 1842-1912 French composer. unknown
22533Paris 21 October 1885. In French. 2 pp. 7 x 4 inches fine. Jules Massenet 1842-1912 French composer. unknown
