Massenet Jules/Gallet LouisLivre Rare Book
1 103 résultats
1999R300295501Opéra de Bordeaux. 1999. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 40 pages environ - nombreuses photos en noir et blanc dans le texte. 1er plat légèrement taché.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1938RO30371343Au divan. 1938. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 125 pages. Rousseurs. Papier jauni. Coins frottés. Couverture jaunie.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
33371Heugel 20419 1904, album relié demi-cuir, dos à nerfs orné, couverture illustrée en couleurs conservée, 200pp; partition pour chant et piano - bon état
44262G. Hartmann, éditeur ( G.H. 1571 ) sd, album relié demi-toile, couverture conservée, 356pp; partition pour chant & piano - très bon état
19112Paris, G. HARTMANN, G. H. 1571, Académie Nationale de Musique, 1885, 1 volume in-4 demi-chagrin rouge, dos 4 nerfs, lettres et filets dorés, double encadrement doré sur les plats, 1er plat orné d'une vignette de titre bleue et dorée, premier plat d'origine conservé, gardes moirées, tranches dorées, (5ff.) + 355 pp, page de faux-titre et de titre lithographiées en couleurs. 1Ere édition. EDITION DE LUXE. BELLE RELIURE. Infimes frottements sinon couverture en très bon état, intérieur en très bon état (rares rousseurs assez légères).
23288G. Hartmann, Paris sd (1879-1880) reliure demi basane à coins,dos à 4 nerfs orné de filets dorés,in8vo.couverture illustrée en couleur [v (title, dedication, contents)], 357pp. Marbled boards. Pictorial title-page,bon état,sans rousseurs,
1384Affiche originale de la création au Théâtre national de l’Opéra, le 30 novembre 1885. Imprimée sur papier blanc cassé par Lemercier, 1886 (54/73 cm).
1938271323Se vend au divan 1938 125 pages in12. 1938. Broché. 125 pages.
34787Couverture rigide. Bon/1916. in-8. Paris 1916 in-8 358pp reliure demi-chagrin Très bel exemplaire illustré par les meilleurs artistes! Musique originale par Massenet. unknown
0243979304.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
188528834Paris: G. Hartmann PN G.H. 1571 1885. Large octavo. Auarter dark red cloth with textured red cloth boards spine in compartments gilt titling gilt; marbled endpapers. 1f. recto half-title within decorative border verso blank 1f. recto illustrated title in printed in dark ivory blue and gold verso blank 1f. recto dedication verso blank i notes on first performance and named cast list ii-iii contents iv blank 355 i blank pp.<br/><br/>Named cast includes Fidès-Devriès Bosman Jean de Reszké Édouard de Reszké Melchissédec Plançon Lambert Balleroy Girard and Sentein with ballets by Mérante.<br/><br/>Binding slightly worn; boards partially detached; spine defective and mostly lacking; front free endpaper chipped and detached. Some signatures split or partially split; small publisher's handstamp to lower margin of title. First Edition later issue.<br/><br/>Le Cid to a libretto by D'Ennery E. Blau and Gallet after P. Corneille was first performed in Paris at the Opéra on November 30 1885.<br/> <br/>"It reverted to the grand style for the benefit of the Paris Opéra. Corneille's drama had served many earlier composers including Bizet whose Don Rodrigue remains a very substantial fragment and Debussy with a similarly unfinished Rodrigue et Chimène. The libretto provided ample opportunities for Spanish and Moorish colour which Massenet exploited with his customary flair particularly in the still popular ballet movements. There is a clear kinship with the Meyerbeer/Verdi principle of casting the heroic passions of individuals against a backdrop of larger conflicts and the vision of Don Rodrigue in which St Jacques of Compostella promises him victory in the war with the Moors contributes a devotional flavour to the mix. G. Hartmann [PN G.H. 1571] unknown books
34597318like new. unknown
1726381242.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0656631910.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017202478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0270998063.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190281038Paris: Heugel et Cie 1902. Fine. Heugel et Cie Paris 1902 19.50 x 28.50 cm relié First edition of this ""Miracle"" in 3 acts by Jules Massenet on a poem by Maurice Léna. Half-title epistle and title in gold and blue chromolithographs. Voice and piano score. 200 pages of score. Contemporary half brown shagreen binding. Smooth spine decorated with mirror tools within a frame. Spine uniformly sunned having become lighter. Handsome copy. Heugel et Cie unknown
1110796137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
101857767X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190229459Paris: Au Ménestrel Heugel & Cie. H. et Cie. 21081 1902. Large octavo. Full dark red cloth with "Julius Rünger" gilt to lower margin of upper titling gilt to spine; decorative endpapers. 1f. recto dedication verso blank 1f. recto title within decorative red border verso cast list 1f. contents 160 pp. <br /> <br /> Occasional performance markings and corrections in pencil most likely in Rünger's hand.<br /> <br /> Binding slightly worn and soiled. Lightly vertical crease to first 20 leaves; occasional annotations in pencil; small rectangular publisher's handstamp to lower margin of title; publisher's handstamps and annotations in ink to upper margin of first page of music. First German edition. <br /> <br /> Le jongleur de Notre-Dame to a libretto by M. Léna after France's L'étui de nacre was first performed in Paris at the Opéra Comique on 18 February 1902.<br /> <br /> "The work is little known considering its unusual appeal. Religious practice is here at the centre of a little drama that combines humour and piety." <br /> <br /> "Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th ." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online<br /> <br /> Rünger 1874-1932 a noted German baritone was also a conductor and composer. Au Ménestrel, Heugel & Cie. [H. et Cie. 21081] unknown
190229459Paris: Au Ménestrel Heugel & Cie. H. et Cie. 21081 1902. Large octavo. Full dark red cloth with "Julius Rünger" gilt to lower margin of upper titling gilt to spine; decorative endpapers. 1f. recto dedication verso blank 1f. recto title within decorative red border verso cast list 1f. contents 160 pp. <br/><br/>Occasional performance markings and corrections in pencil most likely in Rünger's hand.<br/><br/>Binding slightly worn and soiled. Lightly vertical crease to first 20 leaves; occasional annotations in pencil; small rectangular publisher's handstamp to lower margin of title; publisher's handstamps and annotations in ink to upper margin of first page of music. First German edition. <br/><br/>Le jongleur de Notre-Dame to a libretto by M. Léna after France's L'étui de nacre was first performed in Paris at the Opéra Comique on February 18 1902.<br/><br/>"The work is little known considering its unusual appeal. Religious practice is here at the centre of a little drama that combines humour and piety." <br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online<br/><br/>Rünger 1874-1932 was a noted German baritone; he was also a conductor and composer. Au Ménestrel, Heugel & Cie. [H. et Cie. 21081] unknown books
189129461Paris: G. Hartmann & Cie. PN G. H. et Cie. 2121 1891. Large octavo. Quarter dark red calf with marbled boards spine in gilt-ruled compartments titling gilt initials "G.D." gilt to tail; marbled endpapers. 1f. recto decorative half-title in colour verso blank 1f. recto illustrated title in colour verso blank i decorative named cast list in colour ii contents i small illustration 275 i blank pp.<br/><br/>Binding slightly worn rubbed and bumped; head of spine torn and slightly frayed; joints partially split. Slightly browned; some signatures split or partially split; small handstamps of Gustave Doret and Marcel Rigaud to front free endpaper and half-title; signatures in ink of J. de Guilheimy and Marcel Rigaud to front free endpaper; Rigaud and Hartmann handstamps to title; de Guilheimy signature to upper outer corner of leaf following title. First Edition.<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. G. Hartmann & Cie. [PN G. H. et Cie. 2121] unknown books
066602250X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0243577699.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1017720517.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
