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RO50003971G. Hartmann. sans date. In-4. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Mouillures. 5 pages. Illustré d'une gravure couleur de Koriowsky et d'un poèma de Armand Sylvestre en couverture. Tampon. Quelques petites déchirures.. . . . Classification Dewey : 780.26-Partitions
RO50052166AU MENESTREL / HEUGEL ET CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur acceptable. 5 pages de partitions. Premier plat illustré en couleur monochrome. Tampons sur le premier plat. A Madame Marie Masson. Poésie de Armand Silvestre.. . . . Classification Dewey : 780.26-Partitions
RO50059849HEUGEL. NON DATE. In-4. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 5 pages de partitions ( clé de sol + clé de fa). Deux tampons sur le premier plat. Petites déchirures en bas de page sans réelle conséquence sur la lecture. Premier plat en couleurs avec des ornements.. . . . Classification Dewey : 780.26-Partitions
188729465Paris: Au Ménestrel Heugel & Cie. PNs H. et Cie. 7687 G. H. 644 1887. Large octavo. Full flexible blue cloth boards titling gilt to spine. 1f. recto decorative title verso blank 1f. recto named cast lists and contents verso blank 167 i blank pp.<br/><br/>Named cast for 1873 production in Paris at the Odéon includes P. Viardot E. Vidal Bosquin and Petit; for the 1874 production at the Odéon P. Gueymard C. Salla Bosquin and Bouhy; for the 1874 production at the Opéra-Comique Carvalho Franck Duchesne and Bouhy; and for the 1887 production at the Concerts du Châlet G. Krauss Durand-Ulbach Vergnet and Lorrain.<br/><br/>Binding slightly worn and shaken. Small rectangular publisher's handstamp to lower margin of second leaf. Marie-Magdeleine an oratorio to text by Gallet was first performed in Paris at the Odéon on April 11 1873 apparently making a "deep impression."<br/><br/>"Massenet was the most prolific and successful composer of opera in France at the end of the 19th century and into the beginning of the 20th." Annegret Fauser Patrick Gillis and Hugh Macdonald in Grove Music Online. Au Ménestrel, Heugel & Cie. [PNs H. et Cie. 7687, G. H. 644] unknown books
189026624Paris: G. Hartmann & Cie. PN G.H. 644. 1890. Octavo. Full dark red flexible textured paper boards titling gilt to spine original publisher's upper wrapper printed in sepia with titling within decorative border bound in. 1f. title 1f. named cast list for several performances including the premiere and table of contents 167 i blank pp. Lithographic transfer.<br/><br/>With publisher's handstamp to lower margin of title.<br/><br/>Binding slightly worn and rubbed wrapper slightly worn and soiled with signature in red pencil to upper inner corner. Occasional very light foxing and soiling to margins not affecting music. An attractive copy overall. <br/><br/>Together with two autograph musical quotations of 2 and 3 measures respectively signed "J. Massenet" and affectionately inscribed to the noted French Oriental painter Georges Clairin 1843-1919. 12mo. In black ink on French blue postal paper inserted into front free endpaper with small pieces of mounting tape to verso. The first dated April 12 1906 is a "souvenir of Marie-Magdeleine at the Opéra-Comique. "; the second dated April 14 1906 is set to the text "O bien aimé" Act III no. 13 under which Massenet has written "ami à nous." Both inscriptions thank the recipient for his letters. <br/><br/>With a concert program for the April 12 1906 performance of Marie-Magdeleine at the Opéra-Comique laid down to front pastedown opposite the quotations. "À George Clairin" in pencil in another hand to upper margin of front free endpaper; autograph signature of Marie Clairin in purple ink to final free endpaper.<br/><br/>Lower outer corner of front free endpaper lacking. OCLC no. 15813052. <br/><br/>Marie-Magdeleine an oratorio to a libretto by Louis Gallet was first performed at the Théâtre de l'Odéon in Paris on April 11 1873.<br/><br/>"Massenet's principal choral works are four biblical oratorios all of which are designed somewhat like his operas with solo arias choruses dramatic tableaux stage directions local Middle-Eastern colour and an act-and-scene structure. Their tone ranges from the devotional to the erotic and the solo parts are comparable to some of his operatic roles in range and expression. Méryem for example in Marie-Magdeleine one of his first successes when sung on Good Friday 1873 with Pauline Viardot in the main role has an impassioned C-minor solo aria in Act 3. Gallet's libretto develops the story of Méryem with Judas Iscariot cast as a scheming seducer. Its realism derived from Renan's La vie de Jésus displayed a marked contrast with the traditional reflective oratorio and the work was staged several times in Massenet's lifetime. The closing scene is a full-blooded Resurrection Hymn." Hugh Macdonald in Grove Music Online.<br/><br/>In 1885 Georges Clairin visited Hungary with Massenet and several others. He also made the posters for the first performances of Massenet's Le cid and Saint Saëns's Samson et Dalila. G. Hartmann & Cie. [PN G.H. 644.] unknown books
RO50062279HEUGEL & Cie. NON DATE. In-Folio. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Déchirures. 5 pages de partitions - clé de sol et clé de fa. Ouvrage désolidarise - Déchirures. . . . Classification Dewey : 780.26-Partitions
RO50013107Au ménestrel. fin XIXème. In-8. Relié toilé. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 167 pages. Ornements en page titre.. . . . Classification Dewey : 780.26-Partitions
0428921167.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
025932356X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364121971.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428920403.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019229047.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
RO50052270AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Rousseurs. 5 pages de partitions. Premier plat illustré en couleur monochrome par Barbizet. Petites déchirures aux extrémités des pages, sans conséquences sur la lecture. Dos renforcé sur les plats désolidarisés. Tampon de l'éditeur et annotation sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
RO50052271AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Rousseurs. 5 pages de partitions. Premier plat illustré en couleur monochrome par Barbizet. Petites déchirures renforcées aux extrémités des pages, sans conséquences sur la lecture. Dos renforcé. Tampons et annotation sur le premier plat. Annotations au crayon à papier sur quelques phrases.. . . . Classification Dewey : 780.26-Partitions
RO50054267AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Déchirures. 5 pages de partitions. Premier plat illustré en noir et blanc par Barbizet. Dos et bords de pages renforcés. Tampon sur le premier plat ainsi que sur la première page. Petites déchirures renforcées sans conséquences.. . . . Classification Dewey : 780.26-Partitions
RO50052104AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 5 pages de partitions. Premier plat illustré en couleur monochrome par Barbizet. Tampons et annotation discrète sur le premier plat. Tampon sur la première page. Paroles de Louis Gallet.. . . . Classification Dewey : 780.26-Partitions
RO50054266AU MENESTREL / HEUGEL & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Déchirures. 5 pages de partitions. Premier plat illustré en noir et blanc par Barbizet. Dos et bords de pages renforcés. Tampon sur le premier plat ainsi que sur la première page. Petites déchirures renforcées sans conséquences. Annotations au crayon à papier sur quelques phrases.. . . . Classification Dewey : 780.26-Partitions
RO50037994AU MENESTREL / HEUGEL ET CIE. non daté. In-Folio. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur acceptable. 6 pages. Partition pour Piano et chant + paroles. Déchirures sur les plats et les pages d'environ 0.5 cm et coins supérieurs droit manquants n'altérant pas la lecture de la partition. Illustration en noir et blanc de BARBIZET sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
2013Cambridge-9781108063722Cambridge University Press 2013. PAPERBACK. New. Cambridge University Press paperback
2013Cambridge-9781108063722Cambridge University Press 2013. PAPERBACK. New. Cambridge University Press paperback
654364700Cambridge University Press CUP pp. 340 . Papeback. New. Cambridge University Press CUP unknown
RO50043874HARTMANN. NON DATE. In-Folio. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Rousseurs. 5 pages de partitions. Tampon sur le premier plat. Réduction pour le piano par L. Soumis.. . . . Classification Dewey : 780.26-Partitions
1018578358.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189547707Paris: Heugel 1895. New edition. Small 4to pp. 405. Marbled paper over boards leather spine. Cover worn at edges and spine owner's name on title o/w VG. Heugel unknown books