Massenet jules

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MASSENET J.Livre Rare Book

HERODIADE - N°8bis - OPERA EN 4 ACTES & 7 TABLEAUX

MASSENET, Jules 1842-1912Biblio.com

Grisélidis Conte lyrique en 3 Actes avec un Prologue Poème de Armand Silvestre et Eugène Morand D'après Le Mystère représenté à la Comédie-Française . Partition Piano et Chant. Prix net: 20 francs . Théatre National de L'Opéra-Comique. Piano-vocal score

190125633Paris: Heugel & Cie PN H. et Cie. 8114. 1901. Large octavo. Quarter mid-tan morocco with marbled boards spine with decorative elements and titling gilt upper edge gilt decorative endpapers with original publisher's decorative ivory embossed wrappers printed in gilt bound in. 1f. recto dedication "En témoignage de Reconnaissance Au Collaborateur à l'Ami Albert Carré Directeur de l'Opéra-Comique" by Eugène Morand and Massenet verso blank 1f. recto title printed within red line border verso blank 1f. recto named cast list verso blank 2ff. table of contents printed note relative to performance 235 i blank pp. Named cast includes Mlle. Lucienne Bréval as Grisélidis Tiphaine Daffetye Lucien Fugère Maréchal Dufranne Jacquinm and Huberdeau. With small publisher's handstamp to blank lower margin of title. Binding slightly worn rubbed and bumped; endpapers and wrappers somewhat browned; outer margins of several leaves with scattered light foxing. A clean attractive copy overall. First Edition. Grisélidis was first performed in Paris at the Théâtre National de l'Opéra-Comique on 20 November 1901. " . on its own terms Grisélidis is one of Massenet's most successful operas. The action moves swiftly through just over two hours of music the instrumentation shows the composer at his most economic and delicate and in no other of his operas are his melodies so unconstrained. The use of reminiscence motif is judiciously calculated. Much of the score's appeal lies in its skilful mixture of comedy and sentiment. The role of the Devil was written for Lucien Fugère one of Massenet's favourite singers; his music is full of sprightly dry Gallic wit . the title role is as touching in its delineation as it is vocally rewarding - it was originally sung by Lucienne Bréval who also created Fauré's Pénélope and Dukas' Ariane . the tenderly nostalgic duet for Grisélidis and her first love written with rare psychological insight . shows the composer at his best." Rodney Milnes in Grove Music Online. Heugel & Cie [PN H. et Cie. 8114.] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis173,00 $US≈ 146,38 €

MASSENET Jules 1842 1912ABAA

GrisÃ©lidis Conte lyrique en 3 Actes avec un Prologue PoÃ¨me de Armand Silvestre et EugÃ¨ne Morand D'aprÃ¨s Le MystÃ¨re reprÃ©sentÃ© Ã la ComÃ©die-FranÃ§aise . Partition Piano et Chant. Prix net: 20 francs . ThÃ©atre National de L'OpÃ©ra-Comique. Piano-vocal score

190125633Paris: Heugel & Cie PN H. et Cie. 8114. 1901. Large octavo. Quarter mid-tan morocco with marbled boards spine with decorative elements and titling gilt upper edge gilt decorative endpapers with original publisher's decorative ivory embossed wrappers printed in gilt bound in. 1f. recto dedication "En tÃ©moignage de Reconnaissance Au Collaborateur Ã l'Ami Albert CarrÃ© Directeur de l'OpÃ©ra-Comique" by EugÃ¨ne Morand and Massenet verso blank 1f. recto title printed within red line border verso blank 1f. recto named cast list verso blank 2ff. table of contents printed note relative to performance 235 i blank pp. Named cast includes Mlle. Lucienne BrÃ©val as GrisÃ©lidis Tiphaine Daffetye Lucien FugÃ¨re MarÃ©chal Dufranne Jacquinm and Huberdeau. With small publisher's handstamp to blank lower margin of title. Binding slightly worn rubbed and bumped; endpapers and wrappers somewhat browned; outer margins of several leaves with scattered light foxing. A clean attractive copy overall. First Edition. First performed in Paris at the ThÃ©Ã¢tre National de l'OpÃ©ra-Comique on November 20 1901. " . on its own terms GrisÃ©lidis is one of Massenet's most successful operas. The action moves swiftly through just over two hours of music the instrumentation shows the composer at his most economic and delicate and in no other of his operas are his melodies so unconstrained. The use of reminiscence motif is judiciously calculated. Much of the score's appeal lies in its skilful mixture of comedy and sentiment. The role of the Devil was written for Lucien FugÃ¨re one of Massenet's favourite singers; his music is full of sprightly dry Gallic wit . the title role is as touching in its delineation as it is vocally rewarding - it was originally sung by Lucienne BrÃ©val who also created FaurÃ©'s PÃ©nÃ©lope and Dukas' Ariane . the tenderly nostalgic duet for GrisÃ©lidis and her first love written with rare psychological insight . shows the composer at his best." Rodney Milnes in Grove Music Online. Heugel & Cie [PN H. et Cie. 8114.] unknown books

J & J Lubrano Music Antiquarians LLC · États-Unis165,00 $US≈ 139,61 €

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