Camille Saint-SaensBiblio.com
221 résultats
0331660156.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
025903701X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1870877761870. Fine. An exceedingly rare Saint-Saëns unpublished score novembre 1870 33.20 x 24.50 cm un bifeuillet Unpublished and signed autograph score by Camille Saint-Saëns. Two pages of handwritten music for solo voice and piano on an oblong bifolium with twenty staves. Autograph inscription on the first page signed by Saint-Saëns with his signature and date ""Nov. 1870"" appearing again on the second page. Trace of vertical fold with a tiny tear along the fold a small marginal tear on 1 cm of the first page without damage to the manuscript. An exceptional unpublished autograph manuscript of a Persian melody for voice and piano composed by Camille Saint-Saëns during the Siege of Paris in November 1870 enriched with a autograph inscription: 'A Geneviève Bréton / Hommage de respectueux dévouement' To Geneviève Bréton / In homage with respectful devotion signed and dated on the second page 'Nov 1870 C. Saint Saëns'. The lyrics of the piece were directly inspired by its dedicatee the fiancée of the painter and tenor Henri Regnault 'the most musical of all the painters' Saint-Saëns École buissonnière translation by Edwin Gile Rich who was the first performer of several other Mélodies persanes. Geneviève Bréton a cultured and passionate woman was a fixture in the literary and artistic salons of her time surrounded by composers painters and the young Parnassian poets of her generation. Saint-Saëns likely met her through his friend the orientalist painter Henri Regnault a Prix de Rome laureate with whom she fell madly in love in Italy in 1867. A handsome young man already celebrated for his art Regnault also fascinated Saint-Saëns with his 'exquisite tenor; voice . alluring in its timbre and irresistible in its attractiveness just as he was himself' as the composer would later recall in 1913. Regnault premiered several of his compositions: 'In 1868 Regnault was the first to embody the role of Samson in the second act of the celebrated opera Samson et Dalila created during a private evening performance. Saint-Saëns renewed their collaboration by entrusting the artist with two of the Mélodies persanes composed for tenor voice.' Manon Bertaux. The Mélodies persanes op. 26 based on verses by the Parnassian poet Armand Renaud consist in their published version of three works for tenor Sabre en main Au Cimetière Tournoiement and three for contralto La Brise La Splendeur vide La Solitaire. They form one of Saint-Saëns's most famous cycles and belong to the golden age of French mélodie. This manuscript for voice and piano with its ardent colourful tone can unquestionably be linked to this set of melodies begun in June 1870 and sold by Saint-Saëns to his publisher Hartmann shortly afterwards. However Manon Bertaux's research has shown that 'the composer sold Hartmann an incomplete cycle having composed his final melodies at the beginning of the Siege of Paris from September onward"". Dated November 1870 our melody - as far as we know unknown to biographers and musicologists - is one of those composed in the midst of the Franco-Prussian war: 'Serving as a National Guard during the Siege of Paris Saint-Saëns continued his activities as a musician and composer alongside his duties guarding the ramparts'. It appears that both the text and music of this composition remained entirely unpublished and were never sent to Hartmann. For his part the painter Henri Regnault enlisted as a maverick also risked his life in an attempt to break the siege much to the dismay of Geneviève who confided her worries in her now famous diary Ramsay 1985. The young lovers had finally become engaged after years of opposition from the young woman's mother. Saint-Saëns likely offered this exquisite melody to Geneviève as a betrothal gifta radiant piece of warmth for the anxious young woman and here is the first of its two verses: « Ka-douja la chanteu-se Au manteau noir Qu'on trouve sous l'y-eu-se Quand unknown
1391680138.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18504587like new. unknown
3795755069.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
654366588Ashgate Publishing Company pp. 174 . Hardback. New. Ashgate Publishing Company hardcover
19542676200601014G.Schirmer 1954-01-01. Sheet music. Very Good. Nice looking book has minor edge wear. slightly faded. G.Schirmer unknown
2001BN245449Durand 2001. 2001. Softcover. Trio Op 92 N 2 Vl-Vlc-Piano En Mi Mineur MUSIQUE D'ENSEM <br/><br/>Trio Op 92 N 2 Vl-Vlc-Piano En Mi Mineur MUSIQUE D'ENSEM Camille Saint-Saëns Durand paperback
0484610139.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
024386633X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366506250.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366506161.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19962498190710011Kannon Classics 1996-01-01. Audio CD. Very Good. CD plays perfectly & the case looks good. Kannon Classics unknown
85756Couverture rigide. Bon/1946. in-8. Lanzac par Souillac 1946 in-8 47 & 16pp broché Très bel exemplaire abondamment illustré! unknown
40-16777G. Schirmer Inc. Paperback. Good. Good condition with wear and markings. G. Schirmer, Inc paperback
Q-0793530210G. Schirmer Inc. Paperback. New. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
64321Mercure de France P. 1949 In-8 21 cm 343pp. illustr. et documents inedits frontispice et portraits hors-texte Nb-0389 B6B unknown
1994H-217-666Klincksieck 1994. Paperback. Good. Edition 1994. Ammareal gives back up to 15% of this item's net price to charity organizations. Klincksieck paperback
1939331228New York: Crown Publishers 1939. First Edition; First Printing. Hardcover. Very Good in boards. Foxing on top text block edge. Crown Publishers hardcover
1946043544Paris: Editions Pierre Tisne 1946. 1st Edition 1st Printing. Hardcover. Very Good/Good. Color Plates Tipped In; B/W Plates. 13 1/4" X 10 1/4" Large Format Beige Hardcover. First Printing. Very Good Lightly Used No Marks In Dj With Some Wear And A Few Chips No Loss Of Lettering. <br/> <br/> Editions Pierre Tisne hardcover
184539089Paris: Chlendowski 1845. Bertall. A UNIQUE SET OF BON-A-TIRER PROOFS B.A.T.s many signed by Bertall of the wood-engravings used in Balzac's "Petites misères de la vie conjugale" one of the truly great 19th-century French illustrated books. This set includes 60 proofs on Chinese paper of which 36 are SIGNED by Bertall to confirm his approval of the final image and one of which features a small ink sketch. There is no record of any other impressions of any of these prints on Chinese paper or of any signed impressions on any paper at all. Generally in excellent condition although a few are creased or spotted. 12.5 x 12 cm and smaller. UNIQUE AND IMPORTANT. IT IS EXTREMELY UNUSUAL TO FIND HAND-SIGNED PRINTS EARLIER THAN 1875. <br/><br/> Chlendowski unknown
1909582858Paris: A. Durand & Fils 1909. Softcover. Good. Unknown edition. Folio. Two nested bifoliums making eight pages. Text in French. Outer biolium nearly separated along the fold inner bifolium partially separated along the fold edgewear toning and an old price and an abrasion from the removal of a sticker on the rear cover a complete but good only copy. For voice and piano. Plate imprint "D. & F. 5145." OCLC locates only two holdings and it appears to be equally scarce in the trade. A. Durand & Fils unknown
B11S204954Du PreJacqueline. audioCD. Like New. 5x5x2. As pictured. Discs are pristine. In original case. Carefully packed and promptly shipped. Du Pre,Jacqueline unknown
2018BN110312Brepols 2018. 2018. Camille Saint-Saëns Le Carnaval des animaux : Facsimile Edition of the Autograph Manuscript <br/><br/>Camille Saint-Saëns Le Carnaval des animaux : Facsimile Edition of the Autograph Manuscript Brepols unknown
