Vogel, Antje und Camille Saint-SaensBiblio.com
Der Karneval der Tiere
1989BN53183Coppenrath F 1989. Leinen. hinterer Buchdeckel fleckig - angeschmutzt sonst sehr gut erhalten! Coppenrath, F unknown
Antiquariat UPP · Allemagne75,00 €
221 résultats
BN87991Münster: Coppenrath Verlag. Der Karneval der Tiere - Mit Langspielplatte <br/><br/> Münster: Coppenrath Verlag unknown
1989BN53183Coppenrath F 1989. Leinen. hinterer Buchdeckel fleckig - angeschmutzt sonst sehr gut erhalten! Coppenrath, F unknown
1997125374Bmg/Arte Nova 1997-08-26. audioCD. Like New. 5x4x0. New in shrink Please email for photos. Bmg/Arte Nova unknown
2007Q-0193355922Oxford University Press 2007-02-15. paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
005931Various. Library Compilation . Hardcover. Very Good/None as Issued. EX-LIB. Collection of 9 variously sized soft cover librettos bound by The Free Public Library of Concord MA in Feb 1943 as Volume 2 of two. Black boards w/gilt spine lettering/NF. The librettos are: 1 L'AMORE DEI TRE RE Tragic Poem in 3 Acts Sem Benelli; the original Italian with English translation by R.H. Elkin published by Fred. Rullman for the Chicago Civic Opera Co; text Near New & bright. 2 LUCIA DI LAMMERMOOR Donizetti published by Oliver Ditson Boston; Italian/English text and music of princial airs; text Near New soft cover discolored & chipped. 3 LA JUIVE The Jewess in 5 acts Havlevy Fred. Rullman for the Chicago Civic Opera Co; text/Near New; discoloration to cover. 4 THAIS Lyric Comedy in 3 acts music by Jules Massenet; French/English text; printed as performed at the Manhattan Opera House under the direction of Oscar Hammerstein for the Boston Opera House by Fred. Rullman; Text/As New w/trace margin discoloration cover/Fine. 5 DON GIOVANNI Mozart with Italian/English text; Oliver Ditson Boston. Text/Near New w/curled corners to upper corner of last pgs. Cover/NF. 6 LA BOHÉME Puccini Italian/English text. Published by G. Ricordi New York. Text/As New w/trace margin discoloration. Cover/NF w/pencil notations. 7 MADAMA BUTTERFLY Puccini Italian/English text. Published by Boosey New York for the Boston Opera Co.Text/As New. Cover/NF w/edge discoloration. 8 SNEGOUROTCHKA The Snow Maiden Rimsky-Koraskoff French/English text. Fred. Rullman for the Chicago Civic Opera Co. Text/As New; with edge wear. Cover w/edge discoloration & wear. And 9 SAMSON AND DALILAH Camille Saint-Saëns French/English text. Fred. Rullman for the Boston Opera House. Text/As New. Cover/NF w/light soiling. <br/> <br/> Various hardcover
1984Q-0486245845Dover Publications 1984-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1996x-031329481XPraeger Pub Text 1996. Hardcover. New. 229 pages. 9.75x6.50x1.00 inches. Praeger Pub Text hardcover
082042644X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
189026255Paris: Durand et Schoenewerk PN D.S. 4025 1890. Large octavo. Quarter contemporary black morocco with textured red paper boards rules and titling gilt to spine marbled endpapers. 1f. half-title 1f. illustration of a scene from the opera 1f. title i facsimile of 2 medallions under which the text "Benvenuto fecit" is printed i note regarding the mise en scène i named cast list for the first performance ii table of contents i blank 391 i blank pp. Text in French. <br /> <br /> With publisher's handstamp to lower outer corner of half-title. Supplement "Annexe" to pp. 388-391.<br /> <br /> Binding slightly worn rubbed and bumped; partially split at joints. Slightly browned; scattered foxing heavier to some leaves; several corners slightly creased. With occasional performance markings including accidentals slurs and breath marks in pencil. First Edition of the first version. Ratner II p. 205.<br /> <br /> Ascanio to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini was first performed at the Paris Opéra on 21 March 1890. <br /> <br /> "Composed in 1887-8 Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice whom Saint-Saëns knew well had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini published in 1843 and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz's opera the title was changed even though Cellini is still the principal character in the drama and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini's life that took place in France at the court of François I satisfied Saint-Saëns' longstanding desire to base his operas on French history and by casting the third act as a fête at Fontainebleau a departure from Meurice's play he found an opportunity for an extensive divertissement of 12 dances very much in the spirit and to some extent in the style of French Baroque opera." Hugh Macdonald in Grove Music Online. Durand et Schoenewerk [PN D.S. 4025] unknown
189026602Paris: Durand et Schoenewerk PN D.S. 4025 1890. Large octavo. Quarter contemporary red morocco with marbled boards raised bands on spine in decorative compartments gilt marbled endpapers. 1f. half-title 1f. illustration of a scene from the opera 1f. title i facsimile of 2 medallions under which the text "Benvenuto fecit" is printed i note regarding the mise en scène i named cast list for the first performance ii table of contents i blank 391 i blank pp. <br /> <br /> With publisher's partial handstamp to lower outer corner of half-title. Supplement "Annexe" to pp. 388-391.<br /> <br /> Binding slighty worn rubbed and bumped. Minor foxing. Contemporary musical notation somewhat smudged.<br /> <br /> An attractive copy overall. First Edition of the first version. Ratner II p. 205.<br /> <br /> Ascanio to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini was first performed in Paris at the Opéra on March 21 1890. <br /> <br /> "Composed in 1887-8 Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice whom Saint-Saëns knew well had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini published in 1843 and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz's opera the title was changed even though Cellini is still the principal character in the drama and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini's life that took place in France at the court of François I satisfied Saint-Saëns' longstanding desire to base his operas on French history and by casting the third act as a fête at Fontainebleau a departure from Meurice's play he found an opportunity for an extensive divertissement of 12 dances very much in the spirit and to some extent in the style of French Baroque opera." Hugh Macdonald in Grove Music Online. Durand et Schoenewerk [PN D.S. 4025] unknown
43506Dorbon-Ainé - édition originale In-8 25 cm 130pp. un des 500 exemplaires numéroté sur papier Edogawa du Japon quelques marques d'usage sur la couverture ecr unknown
271153 pp. of a bifolium. Octavo ca. 159 x 101 mm. Dated "Sunday." On black-bordered ivory mourning stationery. In French with translation. <br /> <br /> Saint-Saëns writes that his correspondent "has done well to be insistent" about the ending of an unidentified work and has implemented the necessary corrections.<br /> <br /> "This ending was necessary. 'L'ombre abrite' is impossible. I put 'dans l'ombre près del la fenêtre' and I substituted 'doux enfant' for 'jeune enfant'. That is obvious I know but it is a platitude. Never neither in prose nor in verse should one put a useless adjective. By finishing short and simple my piece gains a lot from this addition."<br /> <br /> Small annotation to blank final page.<br /> <br /> Slightly worn and soiled; creased at folds. "Like Mozart to whom he was often compared Saint-Saëns was a brilliant craftsman versatile and prolific who contributed to every genre of French music. He was one of the leaders of the French musical renaissance of the 1870s." Sabina Teller Ratner et al. in Grove Music Online. unknown
20147explaining that he appreciates very much his request but is "bowled over with work. Please excuse me" 3 sides 8vo. St. Germain-en-Laye 26th May n.y. circa unknown
1995121726Calig Ger 1995-01-04. audioCD. Like New. 0x0x0. New in shrink wrap Please email for photos. Calig (Ger) unknown
2020__1540093255Editions Durand 2020. unknown_binding. New. 48 pages. 9.00x0.14x12.00 inches. Editions Durand unknown
0805061800.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1999Q-0805061800Henry Holt and Co. BYR 1999-04-21. Hardcover. New. In shrink wrap. Looks like an interesting title! Henry Holt and Co. (BYR) hardcover
1999DADAX0805061800Henry Holt and Co. BYR 1999-04-21. First American Edition. hardcover. New. 9.27x0.41x9.44. Buy with confidence. Excellent Customer Service & Return policy. Henry Holt and Co. (BYR) hardcover
1017207941.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1981DADAX379576176XEulenburg Germany Schott 1981-08-01. paperback. New. 6.25x0.23x9.00. Buy with confidence. Excellent Customer Service & Return policy. Eulenburg Germany (Schott) paperback
2019984733.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191028600Paris: Durand & Cie D. F. 7747 1910. Quarto. Full textured dark red flexible cloth boards titling gilt to spine. 1f. dedication 1f. notes on first performance and cast list 1f. contents 213 i blank pp.<br /> <br /> Manuscript notes in pencil recording the cast of the performance at the Paris Opéra on 22 November 1911 under André Messager the 16th performance of the work in Paris. <br /> <br /> Binding slightly worn; joints partially split; endpapers browned. Uniform light browning; some signatures split. Lacking title. First Edition. Ratner II p. 318. [Durand & Cie] [D. F. 7747] unknown
271162448X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
187926260Paris: Durand Schoenewerk PN D.S. & Cie. 2551 1879. Large octavo. Half mid-blue cloth with marbled boards speckled edges marbled endpapers. 1f. dedication 1f. decorative title printed in red and blue 1f. engraved frontispiece portrait of Etienne Marcel by G. Fraipont after A. de Neuville 1f. named cast list 1f. table of contents 365 i blank pp.<br /> <br /> Named cast includes Delrat Stéphanne Plançon De Grave Echetto Baron Nerval Reine Mézeray Amélie Luigini Legénisel Bonnefond Morfer and Frédéric.<br /> <br /> Publisher's and vendor's handstamps to lower blank margin of title.<br /> <br /> Binding very slightly worn and rubbed; minor soiling and wear to outer edge. Occasional very light soiling not affecting music. A very attractive copy overall. First Edition. Ratner II p. 99.<br /> <br /> First performed at the Grand Theatre in Lyons on 8 February 1879. <br /> <br /> Saint-Saens and Gallet took as subject matter for their historical drama the life of Etienne Marcel hero of the 1358 popular rebellion during the regency of the Dauphin Charles. The subject held contemporary resonance in the rebuilding of Paris following the destruction of the Commune. Durand Schoenewerk [PN D.S. & Cie. 2551] unknown
1017050368.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
