Der Karneval der Tiere
1989BN53183Coppenrath F 1989. Leinen. hinterer Buchdeckel fleckig - angeschmutzt sonst sehr gut erhalten! Coppenrath, F unknown
Antiquariat UPP · Allemagne75,00 €
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1915137003- Partition 24 x 33 cm. 4 pages.
R130004161COLUMBIA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs.. . . . Classification : 410-33 Tours
BN87991Münster: Coppenrath Verlag. Der Karneval der Tiere - Mit Langspielplatte <br/><br/> Münster: Coppenrath Verlag unknown
1989BN53183Coppenrath F 1989. Leinen. hinterer Buchdeckel fleckig - angeschmutzt sonst sehr gut erhalten! Coppenrath, F unknown
19802324Mit beiliegender Langspielplatte. Coppenrath Verlag. Münster. 1980. (31,3 x 31,3 cm). (29) pp., disque vinyle inséré dans un double feuillet illustré : reliure de l’éditeur de toile rouge à motifs blancs, étiquette appliquée sur le premier plat.
1904RO80151313IMP. DUPEYRAC G.. 1904. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Déchirures. 28 pages. Nombreuses illustrations en noir et blanc, dans le texte. Quelques planches illustrées en couleurs. Dos partiellement fendu. Déchirures en marges.. . . . Classification Dewey : 792-Théâtre
RO50047036A. DURAND & FILS. NON DATE. In-Folio. En feuillets. Etat d'usage, Couv. défraîchie, Dos fané, Intérieur acceptable. 5 pages de partitions pour piano + 1 page de partition pour flûte. Poëme biblique de L. Gallet. Etiquette contre collée sur le bas du premier plat.. . . . Classification Dewey : 780.26-Partitions
1997125374Bmg/Arte Nova 1997-08-26. audioCD. Like New. 5x4x0. New in shrink Please email for photos. Bmg/Arte Nova unknown
1963B.C2.C204Gallimard nrf, Paris, 1963, 839 pages. Des souris et des hommes, avec 6 aquarelles de J.D. Maclès (pp.7-88) ; En un combat douteux, avec 7 aquarelles de Marc de Saint-Saëns (pp.89-292) ; Les raisins de la colère, avec 13 aquarelles de Fontanarosa (pp.293-718) ; Rue de la sardine, 6 aquarelles de J.P. Péraro (pp. 719-835). Préface de Joseph Kessel.
3681Paris N.R.F Gallimard 1963 in 4 (23x18,5) 1 volume cartonnage ivoire orné de l'éditeur d'après la maquette de Hollenstein, rhodoïd, étui, 838 pages [2], avec 32 illustrations en couleurs par Jean-Denis Malclés, Marc Saint-Saëns, Fontanarosa; J.-P. Péraro. Exemplaire numéroté sur vélin Plumex de Papeteries Téka et Libert. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) 841 pages. Ex N° sur vélin Plumex
196323438Paris Librairie Gallimard - Editions de la Nouvelle Revue Française 1963 -in-8 cartonné un fort volume, reliure bradel cartonnage polychrome éditeur marron-clair à décor de motifs géométriques orange et or(d'après la maquette de Hollenstein) (hard-back editor Hollenstein in-8) in-octavo (23 x 18,5 cm), l'étui Editeur manque, dos et plats illustrés (spine and cover illustrated), tranches lisses (smooth edges), tirage limité - 1 des exemplaires sur papier Plumex des Papeteries Téka (limited edition) (N°553), orné de 32 ILLUSTRATIONS en couleurs PAR J.-D. MALCLES, MARC SAINT-SAENS, FONTANAROSA, J.-P. PERARO. , 835 pages, 1963 à Paris Librairie Gallimard - Editions de la Nouvelle Revue Française Editeurs,
199137705Magna, 1991. CD CD
2007Q-0193355922Oxford University Press 2007-02-15. paperback. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
005931Various. Library Compilation . Hardcover. Very Good/None as Issued. EX-LIB. Collection of 9 variously sized soft cover librettos bound by The Free Public Library of Concord MA in Feb 1943 as Volume 2 of two. Black boards w/gilt spine lettering/NF. The librettos are: 1 L'AMORE DEI TRE RE Tragic Poem in 3 Acts Sem Benelli; the original Italian with English translation by R.H. Elkin published by Fred. Rullman for the Chicago Civic Opera Co; text Near New & bright. 2 LUCIA DI LAMMERMOOR Donizetti published by Oliver Ditson Boston; Italian/English text and music of princial airs; text Near New soft cover discolored & chipped. 3 LA JUIVE The Jewess in 5 acts Havlevy Fred. Rullman for the Chicago Civic Opera Co; text/Near New; discoloration to cover. 4 THAIS Lyric Comedy in 3 acts music by Jules Massenet; French/English text; printed as performed at the Manhattan Opera House under the direction of Oscar Hammerstein for the Boston Opera House by Fred. Rullman; Text/As New w/trace margin discoloration cover/Fine. 5 DON GIOVANNI Mozart with Italian/English text; Oliver Ditson Boston. Text/Near New w/curled corners to upper corner of last pgs. Cover/NF. 6 LA BOHÉME Puccini Italian/English text. Published by G. Ricordi New York. Text/As New w/trace margin discoloration. Cover/NF w/pencil notations. 7 MADAMA BUTTERFLY Puccini Italian/English text. Published by Boosey New York for the Boston Opera Co.Text/As New. Cover/NF w/edge discoloration. 8 SNEGOUROTCHKA The Snow Maiden Rimsky-Koraskoff French/English text. Fred. Rullman for the Chicago Civic Opera Co. Text/As New; with edge wear. Cover w/edge discoloration & wear. And 9 SAMSON AND DALILAH Camille Saint-Saëns French/English text. Fred. Rullman for the Boston Opera House. Text/As New. Cover/NF w/light soiling. <br/> <br/> Various hardcover
1984Q-0486245845Dover Publications 1984-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
197750051Deutsche Grammophon, [1977]. 431 166-2 CD CD
1983R300324929Dover Publications. 1983. In-4. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur acceptable. 188 pages de partitions de musique.. . . A l'italienne. Classification Dewey : 780.26-Partitions
1996x-031329481XPraeger Pub Text 1996. Hardcover. New. 229 pages. 9.75x6.50x1.00 inches. Praeger Pub Text hardcover
Paris, Calmann-Lévy, 1885. In-12 ; 3ff (fx-titre, titre, dédicace)-XXXI pp (introduction)-318 pp. Demi-chagrin rouge, dos à 5 nerfs, pièce de titre (couvert non conservées). Edition originale. Bel exemplaire.
082042644X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
189026255Paris: Durand et Schoenewerk PN D.S. 4025 1890. Large octavo. Quarter contemporary black morocco with textured red paper boards rules and titling gilt to spine marbled endpapers. 1f. half-title 1f. illustration of a scene from the opera 1f. title i facsimile of 2 medallions under which the text "Benvenuto fecit" is printed i note regarding the mise en scène i named cast list for the first performance ii table of contents i blank 391 i blank pp. Text in French. <br /> <br /> With publisher's handstamp to lower outer corner of half-title. Supplement "Annexe" to pp. 388-391.<br /> <br /> Binding slightly worn rubbed and bumped; partially split at joints. Slightly browned; scattered foxing heavier to some leaves; several corners slightly creased. With occasional performance markings including accidentals slurs and breath marks in pencil. First Edition of the first version. Ratner II p. 205.<br /> <br /> Ascanio to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini was first performed at the Paris Opéra on 21 March 1890. <br /> <br /> "Composed in 1887-8 Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice whom Saint-Saëns knew well had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini published in 1843 and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz's opera the title was changed even though Cellini is still the principal character in the drama and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini's life that took place in France at the court of François I satisfied Saint-Saëns' longstanding desire to base his operas on French history and by casting the third act as a fête at Fontainebleau a departure from Meurice's play he found an opportunity for an extensive divertissement of 12 dances very much in the spirit and to some extent in the style of French Baroque opera." Hugh Macdonald in Grove Music Online. Durand et Schoenewerk [PN D.S. 4025] unknown
189026602Paris: Durand et Schoenewerk PN D.S. 4025 1890. Large octavo. Quarter contemporary red morocco with marbled boards raised bands on spine in decorative compartments gilt marbled endpapers. 1f. half-title 1f. illustration of a scene from the opera 1f. title i facsimile of 2 medallions under which the text "Benvenuto fecit" is printed i note regarding the mise en scène i named cast list for the first performance ii table of contents i blank 391 i blank pp. <br /> <br /> With publisher's partial handstamp to lower outer corner of half-title. Supplement "Annexe" to pp. 388-391.<br /> <br /> Binding slighty worn rubbed and bumped. Minor foxing. Contemporary musical notation somewhat smudged.<br /> <br /> An attractive copy overall. First Edition of the first version. Ratner II p. 205.<br /> <br /> Ascanio to a libretto by Louis Gallet after Paul Meurice's play Benvenuto Cellini was first performed in Paris at the Opéra on March 21 1890. <br /> <br /> "Composed in 1887-8 Ascanio makes a grand opera of a play of intrigue set in Paris in 1539. Meurice whom Saint-Saëns knew well had collaborated with Alexandre Dumas père on his novel Benvenuto Cellini published in 1843 and had fashioned a successful play from the story in 1852. To avoid confusion with Berlioz's opera the title was changed even though Cellini is still the principal character in the drama and a scene in the play where Cellini runs out of metal when casting a statue was not included. The choice of an episode from Cellini's life that took place in France at the court of François I satisfied Saint-Saëns' longstanding desire to base his operas on French history and by casting the third act as a fête at Fontainebleau a departure from Meurice's play he found an opportunity for an extensive divertissement of 12 dances very much in the spirit and to some extent in the style of French Baroque opera." Hugh Macdonald in Grove Music Online. Durand et Schoenewerk [PN D.S. 4025] unknown
43506Dorbon-Ainé - édition originale In-8 25 cm 130pp. un des 500 exemplaires numéroté sur papier Edogawa du Japon quelques marques d'usage sur la couverture ecr unknown
271153 pp. of a bifolium. Octavo ca. 159 x 101 mm. Dated "Sunday." On black-bordered ivory mourning stationery. In French with translation. <br /> <br /> Saint-Saëns writes that his correspondent "has done well to be insistent" about the ending of an unidentified work and has implemented the necessary corrections.<br /> <br /> "This ending was necessary. 'L'ombre abrite' is impossible. I put 'dans l'ombre près del la fenêtre' and I substituted 'doux enfant' for 'jeune enfant'. That is obvious I know but it is a platitude. Never neither in prose nor in verse should one put a useless adjective. By finishing short and simple my piece gains a lot from this addition."<br /> <br /> Small annotation to blank final page.<br /> <br /> Slightly worn and soiled; creased at folds. "Like Mozart to whom he was often compared Saint-Saëns was a brilliant craftsman versatile and prolific who contributed to every genre of French music. He was one of the leaders of the French musical renaissance of the 1870s." Sabina Teller Ratner et al. in Grove Music Online. unknown
