557 résultats
RO50010935A. Durand & Cie. XXème. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 4 pages. Quelques déchirures.. . . . Classification Dewey : 780.26-Partitions
RO50026940Durand & Schoenewerk. fin XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 13 pages. Plats détachés.. . . . Classification Dewey : 780.26-Partitions
RO50043142A. DURAND & FILS. NON DATE. In-Folio. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 19 pages de partitions. Tampon sur le premier plat et sur la page 3. A la mémoire d'Henri Regnault. Dos renforcé par du papier.. . . . Classification Dewey : 780.26-Partitions
190186408s. l. 1901. Fine. I never stopped saying those who denigrate Mozart do not understand music s. l. 6 Février 1901 11.50 x 17.50 cm quatre pages sur un feuillet et une enveloppe Autograph letter signed by Camille Saint-Saëns to the essayist musicologist and music critic Adolphe Boschot. 43 lines written in black ink on a double leaf edged in black. Transverse fold inherent to the mailing with slight tears to the ends envelope enclosed in Saint-Saëns's hand to Boschot's address at 71 rue de Grenelle. Note in pencil from a previous bibliographer on the back of the envelope. Saint-Saëns wrote this wonderful demonstration of reverence for the Salzburg composer in 1901. That same year his friend Boschot the recipient of this letter was playing Mozart's chamber music at his home at 71 rue de Grenelle. The composer apologized for his absence: ""It's not my fault that in spite of my objurgations the earth refuses to stop in its course around the sun; for the 65th time I am witnessing this gyratory movement and the public performance of pieces of music on the piano is no longer my prerogative. Besides your sessions finish before the end of March and I won't be back until April 1st so I won't even be able to attend"". In his youth it was precisely as an interpreter of the divine artist that the prodigy Saint-Saëns had earned the nickname ""little Mozart"". In the letter he congratulates Boschot the author of a study entitled ""La Lumière de Mozart"" for his defense of the composer whom he himself had supported against the advice of the majority: ""Believe me I regret it and I'll be very happy to see that someone is taking care of getting the public to follow Mozart's path again. Thirty years ago the advanced party wanted to declare war on him so I defended him and never stopped saying those who denigrate Mozart don not understand music. Allow me to recommend his little-known motets with orchestra including the famous Ave Verum."" He ends the letter with a fine analysis of the composer's style: May we learn from listening to Mozart that there is more to music than sensations and nervous vibrations and that delicate artistry and purity of form are things not to be scorned. An exceptional expression of admiration and respect from one musical genius to another. unknown
51998Bordighera Italy dated March 26 1907. Single folded leaf measuring 18.2 × 22.5 cm. unfolded with holograph text to recto and verso in brown ink. Illegible note to first page and two words underlined in blue pencil. Old horizontal crease; else very good. Autographed letter signed by French musician and composer Camille Saint-Saëns 1835-1921 to an unidentified addressee concerning his "protégé" one Ferdinand Nayrac whom he knew during his stay in Cairo in 1891 but about whom we are unable to find any information.<br /> <br /> "Cher monsieur comme je ne voulais pas vous ennuyer je m'etais adressé à M. Bornier qui m'avait proposé lui meme de vous parler de mon protégé et je pensais naturellement qu'il l'avait fait. Il s'agit de M. Ferdinand Nayrac que j'ai connu au Caire." The composer goes on to describe how his wife is exhausted by the climate and they are looking for work in milder climes. unknown
333313 pages in4 - enveloppe - trés bon état -
333333 pages in8 - enveloppe - trés bon état -
333362 pages in8 - enveloppe - trés bon état -
190186408s. l. 6 Février 1901 | 11.50 x 17.50 cm | quatre pages sur un feuillet et une enveloppe
191018232Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 25 octobre (vers 1910-1915) (pas d'année). Papier à en-tête "Rue de Courcelles, 83 bis."Chère Madame, On ne pourra pas...(?) cette saison à Monté Carlo. D'ailleurs la Duchesse d'Estampes est plutôt une Marguerite qu'une Valentine..."Lettre d'une page recto verso. Format in-12°(18x13). Très bon état.
191318230Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 7 mars 1913.Lettre d'une page recto verso. Petites déchirures. Bon état. Format in-12° (19x15).
191418231Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 27 septembre 1914."Cher Madame Bien heureux de vous savoir en bonne santé et bien reconnaissant de votre affectueux...Votre tout dévoué C. Saint-Saens".Lettre d'une page recto verso. Très bon état. Format in-12°(17x11) plié.
191318228Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 14 juillet 1913.Lettre d'une page recto verso. Très bon état. Format in-12°(18x14).
192018229Lettre Autographe Signée de Camille Saint-Saens adressée à Lysiane Doriani datée du 12 aout 1920.Lettre d'une page recto verso. Petites déchirures. Lettre coupée en 2. Etat satisfaisant. Format in-4°(27x21).
1016850883.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0243931581.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
026531822X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
33070Paris: Pierre Lafitte. No year ca. 1900. Orig. green cloth gilt. All edges gilt. With dustjacket. 350 pp.: illustrations; 38x28 cm. Text in French. d.j. sl. worn In very good condition. See picture. ¶ 'Ont collabore a cet ouvrage: Marcel Adam A. Boschot Raoul Brévannes Alfred Bruneau Gustave Bret Robert Brussel M.D. Calvocoressi Édouard Colonne Henri de Curzon Paul-Louis Garnier A.M. Gédalge Félicien Grétry Ad. Jullien Pierre Lalo Wanda Landowska Maurice Lefèvre De Nuovina Georges Pioch André Pirro J.G. Prod'homme Camille Saint-Saens Louis Schneider Albert Schweizer Julien Tiersot Félix Weingartner. Pierre Lafitte hardcover
101922939X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396227105.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190126245Paris: A. Durand PN D. & F. 5927 1901. Large octavo. Quarter contemporary red calf with flexible textured red cloth boards rules and titling gilt to spine marbled endpapers. 1f. frontispiece illustration of the final scene of the opera by Berthaud after G. Rochegrosse i title i printer's statement 1f. named cast list for the first performance 1f. table of contents 1f. illustration of the Théatre Antique d'Orange by Bertraud iv summary of the opera 291 i blank pp. Text in French.<br /> <br /> Printer's notes to lower margins of cast list and final page. <br /> <br /> Binding slightly worn rubbed and bumped; tail of spine lacking; upper board partially detached; joints split. Slightly browned; some corners slightly creased; occasional light soiling and staining to blank margins not affecting music. First Edition. Ratner II p. 254.<br /> <br /> The première of Les Barbares at the Opéra in Paris on 23 October 1901 was a great success. "Live oxen were brought on stage in an ensemble and gave the management many problems of housing and feeding during performances." Debussy famously criticized the opera as being a vehicle unworthy of the composer's talents. Brian Rees in Camille Saint-Saëns: A Life p. 348. A. Durand [PN D. & F. 5927] unknown
1911ABE-1659885812712 PAGES 24,5 CM X 31 CM-EN COUVERTURE DESSIN DE RAIETER "-LAISSEZ VENIR A NOUS LES PETITS ENFANTS."-L'AFFAIRE DES PROXENETES, 3P PAR VICTOR MERIC-PAUL LAFARGUE, 1P, PHOTO-MUSIQUE PAR JULIEN TORCHET "DEJANIRE" DE CAMILLE SAINT-SAENS-TRACES DE RELIURE EN MARGE GAUCHE
1900M82718Paris, Pierre Lafitte s.d. [+/-1900] 349pp.richement illustré, 37cm., reliure toile verte d'éditeur avec titre et décorations dorées aux plats et au dos (charnière inférieure peu abimé en bas), tranches dorées, bon état, [traite e.a. sur Palestrina, Lulli, J.-S.Bach, Haendel, Rameau, Haydn, Gluck, Mozart, Beethoven, Grétry, Méhul, Boiledieu, Schubert, Spontini, Weber, Herold, etc.], M82718
19801242551980 Coédition l'Avant-Scène /Les Introuvables - 1980 - In-4, broché sur vergé ivoire - Fac-similé de l'édition originale de la première livraison de "Les Beautés de l'Opéra", collection dirigée par Monsion giraldon et édité par Soulié, Paris, le 15 mai 1844 - Nombreuses gravures en N&B in texte - Un des 2500 exemplaires tirés sur vergé ivoire 130 g des Papeteries Maunoury. N° 01197/2500
1953RES34L342Genève Les amis du livre progressiste 1953 In8 - demi basane à coins - frottements a un mors et aux coiffes - Envoi autographe signé de Gamarra en page de garde
