557 résultats
234193Paris-Londres, Buckingham [Édouard Blot imprimeur], Dublin, J. M. O'Toole, s.d. (1873) in-4, [4] ff. n. ch. (titre avec vignette en couleurs, table, introduction, préface de Bertall), et 40 planches en couleurs, chacune légendée d'un feuillet de texte, petite déchirure à la légende de la planche 36, percaline bordeaux, dos lisse, décors à froid sur les plats, titre poussé en lettres dorées sur le plat supérieur, tranches dorées (reliure de l'éditeur). Exemplaire un peu déboîté, plats défraîchis.
RO50053069A. DURAND & CIE. NON DATE. In-Folio. En feuillets. Etat d'usage, Couv. convenable, Dos abîmé, Quelques rousseurs. 21 pages de partitions pour piano, flûte et clarinette en La + 5 pages de partitions pour clarinette solo + 5 pages de partitions pour flûte. Dos renforcé. Couverture en couleur. Petites déchirures aux extrémités des pages, parfois renforcées, sans réelles conséquences sur la lecture. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
6j1361Decca Music ohne Ort 2015. CD mit einer Laufzeit von ca. 34 Minuten in original Kunststoffhülle. - neuwertig/original verlagsfrisch verschweißt/gespielt vom Detroit symphony Orchestra unter der Leitung von Paul Paray - unknown
1990C2677Sony 1990-10-25. Audio CD. Like New. CD case and liner all in Excellent condition. Sony unknown
50129Lion et Fils et Mayer, Toulouse, 1929.
21545Toulouse, imprimerie Lion et fils, 1929. In-4, 93 pp., broché, couverture originale illustrée (minuscule déchirure au dos qui est légèrement insolé, premier f. bl. débroché).
0274573792.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1944RO50015148Durand, Schoenewerk & Cie. 1944. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 60 pages envrion. Quelques déchirures.. . . . Classification Dewey : 780.26-Partitions
A9780313294815Hardback. New. This history of women in early modern Spain opens the field by examining the position of women in religious political literary and economic life. Drawing on both historical and literary approaches the contributors challenge the portrait of Spanish women as passive and marginalised. hardcover
031329481X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996Q-031329481XPraeger 1996-02-12. hardcover. New. In shrink wrap. Looks like an interesting title! Praeger hardcover
1996SONG031329481XBloomsbury Academic 1996-02-28. hardcover. Used: Good. 6.14x0.62x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Academic hardcover
1996DADAX031329481XBloomsbury Academic 1996-02-28. hardcover. New. 6.14x0.62x9.21. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Academic hardcover
1996x-031329481XPraeger Pub Text 1996. Hardcover. New. 229 pages. 9.75x6.50x1.00 inches. Praeger Pub Text hardcover
1017263892.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18504587like new. unknown
2005SONG1423403762Durand Press 2005-12-01. paperback. Used: Good. 8.75x0.24x11.75. Buy with confidence. Excellent Customer Service & Return policy. Durand Press paperback
1391680138.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1589027199745GLN-501, A, Durand & Fils, Editeurs, Paris
RO50035533A. DURAND & Fils. Non daté. In-4. En feuillets. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 7 pages de partitions,. . . . Classification Dewey : 780.26-Partitions
RO50018235A. Durand & Fils. XXème. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 15 pages.. . . . Classification Dewey : 780.26-Partitions
RO50056625A. DURAND & FILS. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Intérieur acceptable. 15 pages de partitions. Plats désolidarisés. Tampon sur la page de titre. A Madame Marie Jaëll.. . . . Classification Dewey : 780.26-Partitions
1870877761870. Fine. An exceedingly rare Saint-Saëns unpublished score novembre 1870 33.20 x 24.50 cm un bifeuillet Unpublished and signed autograph score by Camille Saint-Saëns. Two pages of handwritten music for solo voice and piano on an oblong bifolium with twenty staves. Autograph inscription on the first page signed by Saint-Saëns with his signature and date ""Nov. 1870"" appearing again on the second page. Trace of vertical fold with a tiny tear along the fold a small marginal tear on 1 cm of the first page without damage to the manuscript. An exceptional unpublished autograph manuscript of a Persian melody for voice and piano composed by Camille Saint-Saëns during the Siege of Paris in November 1870 enriched with a autograph inscription: 'A Geneviève Bréton / Hommage de respectueux dévouement' To Geneviève Bréton / In homage with respectful devotion signed and dated on the second page 'Nov 1870 C. Saint Saëns'. The lyrics of the piece were directly inspired by its dedicatee the fiancée of the painter and tenor Henri Regnault 'the most musical of all the painters' Saint-Saëns École buissonnière translation by Edwin Gile Rich who was the first performer of several other Mélodies persanes. Geneviève Bréton a cultured and passionate woman was a fixture in the literary and artistic salons of her time surrounded by composers painters and the young Parnassian poets of her generation. Saint-Saëns likely met her through his friend the orientalist painter Henri Regnault a Prix de Rome laureate with whom she fell madly in love in Italy in 1867. A handsome young man already celebrated for his art Regnault also fascinated Saint-Saëns with his 'exquisite tenor; voice . alluring in its timbre and irresistible in its attractiveness just as he was himself' as the composer would later recall in 1913. Regnault premiered several of his compositions: 'In 1868 Regnault was the first to embody the role of Samson in the second act of the celebrated opera Samson et Dalila created during a private evening performance. Saint-Saëns renewed their collaboration by entrusting the artist with two of the Mélodies persanes composed for tenor voice.' Manon Bertaux. The Mélodies persanes op. 26 based on verses by the Parnassian poet Armand Renaud consist in their published version of three works for tenor Sabre en main Au Cimetière Tournoiement and three for contralto La Brise La Splendeur vide La Solitaire. They form one of Saint-Saëns's most famous cycles and belong to the golden age of French mélodie. This manuscript for voice and piano with its ardent colourful tone can unquestionably be linked to this set of melodies begun in June 1870 and sold by Saint-Saëns to his publisher Hartmann shortly afterwards. However Manon Bertaux's research has shown that 'the composer sold Hartmann an incomplete cycle having composed his final melodies at the beginning of the Siege of Paris from September onward"". Dated November 1870 our melody - as far as we know unknown to biographers and musicologists - is one of those composed in the midst of the Franco-Prussian war: 'Serving as a National Guard during the Siege of Paris Saint-Saëns continued his activities as a musician and composer alongside his duties guarding the ramparts'. It appears that both the text and music of this composition remained entirely unpublished and were never sent to Hartmann. For his part the painter Henri Regnault enlisted as a maverick also risked his life in an attempt to break the siege much to the dismay of Geneviève who confided her worries in her now famous diary Ramsay 1985. The young lovers had finally become engaged after years of opposition from the young woman's mother. Saint-Saëns likely offered this exquisite melody to Geneviève as a betrothal gifta radiant piece of warmth for the anxious young woman and here is the first of its two verses: « Ka-douja la chanteu-se Au manteau noir Qu'on trouve sous l'y-eu-se Quand unknown
1909582858Paris: A. Durand & Fils 1909. Softcover. Good. Unknown edition. Folio. Two nested bifoliums making eight pages. Text in French. Outer biolium nearly separated along the fold inner bifolium partially separated along the fold edgewear toning and an old price and an abrasion from the removal of a sticker on the rear cover a complete but good only copy. For voice and piano. Plate imprint "D. & F. 5145." OCLC locates only two holdings and it appears to be equally scarce in the trade. A. Durand & Fils unknown
RO50015687A. Durand & Fils. début XXème. In-8. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 4 pages.. . . . Classification Dewey : 780.26-Partitions
