SATIE, ErikBiblio.com
57 résultats
1923145578Arcueil-Cachan: 21 February 1923. The composer writes in French to the editorial secretary of the avant-garde literary periodical Les Feuilles libres. He asks for feedback on an enclosed "chronicle" no longer present and enquires when "our dear Director" - Marcel Raval the editor-in-chief of the journal - is scheduled to return. This letter is apparently unpublished. Les Feuilles libres was published between 1918 and 1928. It was significant to the 1920s avant-garde movement in Paris contributors including Pablo Picasso and Jean Cocteau. Satie's contributions appeared between 1922 and 1924. The work he refers to in the letter is likely "The Expired" which appeared in the "Musical Chronicle" section of the accompanying March/April 1923 issue of the journal. Satie was a closer correspondent of Raval 1900-1956. In another letter dated 21 October 1924 he addresses him as "Mon cher Directeur & Ami" refers to "how kind you have always been to me" and describes Les Feuilles libres as "delightful" Volta pp. 196-7. He ends the present letter with a wish "that he come back quickly!" The letter is signed with Satie's distinctive monogram. "His signature was often replaced by a kind of logo: his initials harmoniously intertwined in the manner of the seals employed by the fin-de-siècle painters influenced by Japanese art" Volta p. 12. Bifolium leaf size: 182 x 137 mm of plain paper. Handwritten in black ink across one side totalling ten lines of text. Together with a typed English translation on yellow paper with the comment below "The reference to 'our dear Director' is Marcel Raval" annotated top left in pen identifying Satie as the writer. Creased along folds else fine. Ornella Volta Satie Seen Through His Letters 1989. unknown
191421006Paris: Lucien Vogel 1914. First Edition. Limited Edition. Hardcover Portfolio with buckram cloth spine paper pasted onto boards second large paper laid onto this paper for title. Custom Quarter Calf Clamshell Box with Art Deco fabric pasted down on other surfaces. Very Good. Charles Martin. No. 95 of 225 with a total issue of 900 copies. Folio 40 by 44 cm. 20 pochoir plates 20 pages of Satie's music with music notation. The music score is printed but can easily be mistaken for manuscript handwritten with a fountain pen. The Martin pochoir plates are magnificent and although they were created before the supposed debut of Art Deco in 1923 they capture perfectly the Art Deco aesthetic. The clamshell box is 42.5 by 47.5 cm and 4 cm deep. The boards of the portfolio have a considerable amount of soiling with several dampstains overlapping on the front cover but the design of the front cover still impresses and it suffers no significant loss of integrity in our view -- the dampstains could pass as deliberate marbling we think on the underlying paper and even to some extent on the title overlay sheet. The portfolio is lacking its ribbon ties and there are a few chips on the spine edge of this paper. The first title leaf has a fair amount of foxing and dusty soiling in its margins with less on successive leaves. Most leaves have a modicum of soiling virtually always by the edges and not significantly disconcerting in our view. Early leaves do has some edge roughness including short closed tears and light creasing. Best to consult our photos to get a solid idea of what we are loosely describing. The clamshell box has some scuffs on the calf and other light wear. Overall we consider this a quite attractive copy and can comfortably peg it as Very Good. Lucien Vogel hardcover
0486413918New. Brand new and still unused unknown
28543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement.<br /> In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. Alan Satié unknown
192979902Paris: Imprimerie de la presse française 1929. Fine. Imprimerie de la presse française Paris s. d. 1929 27 x 35 cm un double feuillet et une feuille volante First edition of this program for the concert commemorating the death of Erik Satie held in Arcueil-Cachan on 30 June 1929. Our copy retains the photographic reproduction of the bust of Erik Satie modeled by Robert Caby in September 1925. A handsome copy despite a few minute marginal spots. Imprimerie de la presse française unknown
191447712Paris.: Lucien Vogel. n.d. 1914. Loose as issued in original publisher's pink printed card portfolio with flaps and cloth tie paper label with printed title in purple with vignette to front cover portfolio with some wear to edges and spine. Oblong folio. 402 x 446 mm. Leaf with title by Charles Martin recto 'Préface' and 'Choral Inappétissant' verso by Erik Satie the plate 'Comédie Italienne' with pochoir colour titled at lower right and 20 leaves each with title border and vignette recto by Martin and song with printed music by Erik Satie verso final leaf with 'Table' recto and justification verso. One of the finest and most charming of the Art Deco portfolios.From the edition limited to 900 copies on Hollande à la forme with this one of 675 examples with one colour plate ' . contenant la musique et une seule planche en frontispice .'.An album of music by Erik Satie 'Sports et Divertissements' was printed by Studium and the colour plates after Charles Martin were 'enluminées' by the pochoir master Jules Saudé.The sports and pastimes of pre-war France in the present work are as follows: 'Balançoire' 'La Chasse' Comédie Italienne' - see the frontispiece 'La Mariée' 'Colin-Maillard' 'La Pêche' 'Yachtin'g 'Bain de Mer' 'Le Carnaval' 'Le Golf' 'La Pieuvre' 'Les Courses' 'Les Quatre Coins' 'Pique Nique' 'Water-Chute' 'Le Tango' 'Traineau' 'Flirt' 'Feu d'Artifice' 'Le Tennis'. Lucien Vogel. hardcover
1980024535London: MacMillan 1980. Venti volumi 255 cm legatura editoriale in tutta tela con titolo e dorature al dorso. In lingua inglese. Ottime condizioni. Il più famoso e completo dizionario di musica e musicisti. NB- Per numero di volumi dimensioni e peso sono da prevedere spese di spedizione extra. MacMillan unknown
191341394Paris: E. Demets PN E.1795 1-3 D. 1913. Small folio. Loose in original publisher's teal blue illustrated wrappers printed in dark green and dark red as issued. 1f. recto title printed in dark red verso blank 11 i blank pp. No bar lines. With publisher's catalogue to verso of lower wrapper.<br /> <br /> The first work is dedicated to Suzanne Roux the second to Edouard Dreyfus and the third to Jane Mortier.<br /> <br /> Wrappers slightly worn; spine partially separated at spine. First Edition. Orledge p. 299. <br /> <br /> Composed 30 June-4 July 1913.<br /> <br /> "Satie was an iconoclast a man of ideas who looked constantly towards the future. Debussy christened him 'the precursor' because of his early harmonic innovations though he surpassed his friend's conception of him by anticipating most of the 'advances' of 20th-century music - from organized total chromaticism to minimalism. To some extent he made a virtue of his technical limitations but his painstaking quest for perfection in simplicity coupled with his ironic wit and his shrewd awareness of developments in other fields of contemporary art made him the personification of the wartime esprit nouveau in France." Robert Orledge revised by Caroline Potter in Grove Music Online. E. Demets [PN E.1795 (1)-(3) D.] unknown
1969584243Davis California: University of California Davis Campus Department of Music & Committee of Arts and Lectures 1969. Unbound. Fine. Handbill or small broadside. Measuring 11" x 8½". Printed in two colors. Faintest vertical crease else fine. According to an article on the UC Davis blog the November 1969 event was the brainchild of musician and faculty member Stan Lunetta and UC Davis grad student John Dinwiddie with assistance from UC Davis music professor Larry Austin. Of particular note is the premiere performance of John Cage's "33 1/2" which included setting out a dozen phonographs and nearly 250 records with no instructions; the audience could play the records creating the piece. Cage also gave a lecture titled "How to improve the world you will only make matters worse." Also Erik Satie's piece "Vexations" was played 840 times ! beginning at 6am and ending after midnight. <br /> <br /> In addition to the aforementioned participants the handbill also advertises performances by Ashley Woodbury Lee Salkinds California Time Machine and Riener. A 50th anniversary production inspired by Mewantemooseicday and using the same title was held in 2019 in venues across Glasgow Scotland. A cool and very uncommon handbill for an important musical event; UC Davis notes in the article that they possess a copy but we have been unable to locate any other copies in OCLC or the trade. University of California, Davis Campus, Department of Music & Committee of Arts and Lectures unknown
BN318427Editions l'Escalier. Softcover. Les cahiers d'un mammifère: Chroniques et articles publiés entre 1895 et 1924 <br/><br/>Les cahiers d'un mammifère: Chroniques et articles publiés entre 1895 et 1924 Erik Satie Editions l'Escalier paperback
1988BN94281Wolke V.-G. 1988. 1988. Werkausgabe / Schriften <br/><br/>Werkausgabe / Schriften Erik Satie Wolke V.-G. unknown
19811781150130043Telarc 1981-01-01. Audio CD. Like New. CDs plays perfectly & the case looks good. Telarc unknown
1963118366Paris: Nouvelles editions de films 1963. Vintage Program for the international release of the 1963 film here under the alternate title "The Will-O-The-Whisp" a perhaps more literal translation of the original French title "Le feu follet." The film would be released as "The Fire Within" in the US and "A Time to Live and a Time to Die" in the UK. <br /> <br /> Based on the 1963 novel "Le feu follet suivi de adieu a Gonzague" by Pierre Drieu La Rochelle. An ambitious Malle project using only solo piano music by Erik Satie for its score about an increasingly isolated man quietly fighting the urge to take his own life. <br /> <br /> 8 x 10.5 inches Self-wrappers perfect-bound 17 pages on medium white stock with an untitled solid green spine; in original printed envelope slightly larger single flap with the French title "Le feu follet" printed in green in large letters at the lower margin of the front panel. Program Near Fine envelope Very Good plus with light soil at the edges. Nouvelles editions de films unknown
19483116072London: Dennis Dobson Limited. Near Fine in Near Fine dust jacket. 1948. First Edition; First Printing. Hardcover. First edition. Close to fine in like dust jacket. Neat sticker ghost at head of front jacket flap. Mild trace of cracking at rear inner hinge. 150pp. 5 3/4" X 8 3/4" Remarkably well preserved for being so fragile. ; 5 3/4" x 8 3/4"; 150 pages . Dennis Dobson Limited. hardcover
1980BOOKS031276ILondon: Eulenburg Books. Fine copy in fine dust jacket. 1980. 1st. hardcover. 4to 179 pp. From the library of composer David Diamond with his blindstamp on the title page . Eulenburg Books hardcover
47126Wild Hawthorn Press Scotland 1965. First edition. Drawings by John Furnival; from Satie's notes in French - poems to the music pieces "Sports and Divertissements." Pictorial card cover; spiral binding. Fine spiral binding illustrated cover wraps with crisp bright text throughout. Unique through and through. Fine and bright spoolbound wraps. There was no hardcover issued. With bright crisp profusely illustrated text. A unique publication from Ian Hamilton Finlay's Wild Hawthorn Press. . Very close to new and quite scarce in this condition Wild Hawthorn Press (Scotland), 1965 paperback
2005Q-1423403835BMG RICORDI SALABERT 2005-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! BMG RICORDI (SALABERT) paperback
20192-6139769302Novas Edições Acadêmicas 2019. Paperback. New. 92 pages. 8.66x5.91x0.21 inches. Novas Edições Acadêmicas paperback
1986Q-079352590XG. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
19862090202123201115Publisher: Reimei Shobo. 1986. Soft Cover. Fine. Number of books: 1 Publisher: Reimei Shobo. paperback
19228477<p>Issue #27. June-July 1922. String tied paper wraps. Front and back covers detached with some minor wear to the rear wrap. Some pages uncut. French text. No previous owners' names or other defacements. Scarce.</p><p>7.5 x 8.75 in</p> Les Feuilles libres paperback
1996Q-3795752647SCHOTT MUSIK INTL MAINZ 1996-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
2007Q-0739047566Alfred Music 2007-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1992Q-0825680441Yorktown Music Press 1992-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Yorktown Music Press paperback
2011Q-1423497112Hal Leonard Corporation 2011-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Hal Leonard Corporation paperback
