57 résultats
1986Q-079352590XG. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
2007Q-0739047566Alfred Music 2007-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
20141-1900565668Atlas Pr 2014. Diary. New. 223 pages. 9.50x7.00x0.75 inches. Atlas Pr unknown
0947757929.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
DADAX1900565668Atlas Press 2014-07-31. hardcover. New. 6.90x0.70x9.20. Buy with confidence. Excellent Customer Service & Return policy. Atlas Press hardcover
1923145578Arcueil-Cachan: 21 February 1923. The composer writes in French to the editorial secretary of the avant-garde literary periodical Les Feuilles libres. He asks for feedback on an enclosed "chronicle" no longer present and enquires when "our dear Director" - Marcel Raval the editor-in-chief of the journal - is scheduled to return. This letter is apparently unpublished. Les Feuilles libres was published between 1918 and 1928. It was significant to the 1920s avant-garde movement in Paris contributors including Pablo Picasso and Jean Cocteau. Satie's contributions appeared between 1922 and 1924. The work he refers to in the letter is likely "The Expired" which appeared in the "Musical Chronicle" section of the accompanying March/April 1923 issue of the journal. Satie was a closer correspondent of Raval 1900-1956. In another letter dated 21 October 1924 he addresses him as "Mon cher Directeur & Ami" refers to "how kind you have always been to me" and describes Les Feuilles libres as "delightful" Volta pp. 196-7. He ends the present letter with a wish "that he come back quickly!" The letter is signed with Satie's distinctive monogram. "His signature was often replaced by a kind of logo: his initials harmoniously intertwined in the manner of the seals employed by the fin-de-siècle painters influenced by Japanese art" Volta p. 12. Bifolium leaf size: 182 x 137 mm of plain paper. Handwritten in black ink across one side totalling ten lines of text. Together with a typed English translation on yellow paper with the comment below "The reference to 'our dear Director' is Marcel Raval" annotated top left in pen identifying Satie as the writer. Creased along folds else fine. Ornella Volta Satie Seen Through His Letters 1989. unknown
28543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement.<br /> In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. Alan Satié unknown
192979902Paris: Imprimerie de la presse française 1929. Fine. Imprimerie de la presse française Paris s. d. 1929 27 x 35 cm un double feuillet et une feuille volante First edition of this program for the concert commemorating the death of Erik Satie held in Arcueil-Cachan on 30 June 1929. Our copy retains the photographic reproduction of the bust of Erik Satie modeled by Robert Caby in September 1925. A handsome copy despite a few minute marginal spots. Imprimerie de la presse française unknown
1972SATIEERI012290Aloes Books London. 1972. First edition. Translated by Trevor Winkfield. Octavo. 31 pages. Short largely nonsensical texts. Illustrations by Satie. Wrappers.Fine. Aloes Books, London. unknown
1972493782London: Aloes Book 1972. Slightly marked and aged paperback; contents clear on sound pages. TS. Paperback. Very Good. Used. Aloes Book Paperback
2851840738.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191341394Paris: E. Demets PN E.1795 1-3 D. 1913. Small folio. Loose in original publisher's teal blue illustrated wrappers printed in dark green and dark red as issued. 1f. recto title printed in dark red verso blank 11 i blank pp. No bar lines. With publisher's catalogue to verso of lower wrapper.<br /> <br /> The first work is dedicated to Suzanne Roux the second to Edouard Dreyfus and the third to Jane Mortier.<br /> <br /> Wrappers slightly worn; spine partially separated at spine. First Edition. Orledge p. 299. <br /> <br /> Composed 30 June-4 July 1913.<br /> <br /> "Satie was an iconoclast a man of ideas who looked constantly towards the future. Debussy christened him 'the precursor' because of his early harmonic innovations though he surpassed his friend's conception of him by anticipating most of the 'advances' of 20th-century music - from organized total chromaticism to minimalism. To some extent he made a virtue of his technical limitations but his painstaking quest for perfection in simplicity coupled with his ironic wit and his shrewd awareness of developments in other fields of contemporary art made him the personification of the wartime esprit nouveau in France." Robert Orledge revised by Caroline Potter in Grove Music Online. E. Demets [PN E.1795 (1)-(3) D.] unknown
19892049261Editions Salabert 1989. Soft cover. Very good/No jacket. Text is in French and English.<br /> <br /> Spine is cracked but secure. Cover edges are slightly worn. Back cover has previous seller's price sticker. Front and back binding glue is exposed. Inside is unmarked. Editions Salabert unknown
19483116072London: Dennis Dobson Limited. Near Fine in Near Fine dust jacket. 1948. First Edition; First Printing. Hardcover. First edition. Close to fine in like dust jacket. Neat sticker ghost at head of front jacket flap. Mild trace of cracking at rear inner hinge. 150pp. 5 3/4" X 8 3/4" Remarkably well preserved for being so fragile. ; 5 3/4" x 8 3/4"; 150 pages . Dennis Dobson Limited. hardcover
1996Q-3795752647SCHOTT MUSIK INTL MAINZ 1996-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
19961622131211010Angel Records 1996-05-21. Audio CD. Very Good. CD plays perfectly & the case looks good. Angel Records unknown
1989Q-0486259781Dover Publications 1989-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1969584243Davis California: University of California Davis Campus Department of Music & Committee of Arts and Lectures 1969. Unbound. Fine. Handbill or small broadside. Measuring 11" x 8½". Printed in two colors. Faintest vertical crease else fine. According to an article on the UC Davis blog the November 1969 event was the brainchild of musician and faculty member Stan Lunetta and UC Davis grad student John Dinwiddie with assistance from UC Davis music professor Larry Austin. Of particular note is the premiere performance of John Cage's "33 1/2" which included setting out a dozen phonographs and nearly 250 records with no instructions; the audience could play the records creating the piece. Cage also gave a lecture titled "How to improve the world you will only make matters worse." Also Erik Satie's piece "Vexations" was played 840 times ! beginning at 6am and ending after midnight. <br /> <br /> In addition to the aforementioned participants the handbill also advertises performances by Ashley Woodbury Lee Salkinds California Time Machine and Riener. A 50th anniversary production inspired by Mewantemooseicday and using the same title was held in 2019 in venues across Glasgow Scotland. A cool and very uncommon handbill for an important musical event; UC Davis notes in the article that they possess a copy but we have been unable to locate any other copies in OCLC or the trade. University of California, Davis Campus, Department of Music & Committee of Arts and Lectures unknown
1989x-1480304670BMG Ricordi Salabert 1989. Paperback. New. seas18764 edition. 288 pages. French language. 12.25x0.25x0.75 inches. BMG Ricordi (Salabert) paperback
75-1217Paris FR: Editions Francis De Velde 1979. 4to. 124pp. Very Good. Paperback. Color and black and white plates throughout. En Francais. Paris, FR: Editions Francis De Velde, 1979 paperback
2009G-900-082Editions l'Escalier 2009. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions l'Escalier paperback
BN318427Editions l'Escalier. Softcover. Les cahiers d'un mammifère: Chroniques et articles publiés entre 1895 et 1924 <br/><br/>Les cahiers d'un mammifère: Chroniques et articles publiés entre 1895 et 1924 Erik Satie Editions l'Escalier paperback
19228477<p>Issue #27. June-July 1922. String tied paper wraps. Front and back covers detached with some minor wear to the rear wrap. Some pages uncut. French text. No previous owners' names or other defacements. Scarce.</p><p>7.5 x 8.75 in</p> Les Feuilles libres paperback
8488020031.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20192-6139769302Novas Edições Acadêmicas 2019. Paperback. New. 92 pages. 8.66x5.91x0.21 inches. Novas Edições Acadêmicas paperback
